TO WHOM ARE WE INDEBTED?

Charlemagne, Emperor of Germany, who is known as a Christian prince, and

Alfred the Great, of England, lived in the eight and ninth centuries.

The darkest period in the dark ages was between the fifth and the

eleventh, but they are known as the _earliest_ luminaries of the modern

world. They encouraged learning both by example and patronage, but they

could not overcome the gross ignorance of their times; nevertheless they

shed a strong and living lustre over the age in which they lived. (See

_Elements of General Knowledge_, by Henry Kelt, Fellow and Tutor of

Trinity College, Oxford, p. 246.) Where, and under what circumstances,

were their schools established? They were confined to churches and

monasteries, and the monks presided over them, but they were inadequate

to the task of diffusing knowledge in any extensive circle. The reign of

heathenism and ignorance continued.

The Arabians had introduced the knowledge of arithmetic, geometry,

astronomy, chemistry, medicine, and the philosophy of Aristotle into

Spain. (See Warton on Pope, vol. 1, p. 184.) At the beginning of the

eleventh century several enlightened scholars undertook to educate the

youth of the cities of Italy, and at a later period those of France,

England and Germany. To the stability and prevalence of the education

thus begun is the establishment of the universities of Europe

attributable. Those of Paris and Oxford carry their claims to antiquity

to the times of Alfred and Charlemagne, but it is said that the real

claims of Paris stop with Phillip Augustus in the twelfth century. In

the year 1264 Merton College was founded by Walter de Merton, Lord

Chancellor of England and Bishop of Rochester, but the honorable title,

"Mother of Universities of Europe" is due to Bologna. It was in her

walls that learning, in the eleventh century, first attempted to raise

her head.

It is said upon good authority that 10,000 students were assembled here

in the next century, that is, somewhere about the beginning of the

fourteenth century, and that each country in Europe had its resident

regents and professors at Bologna. Here the studies of the civil and

canon law constituted the almost exclusive objects of application, but

Paris directed the attention of her scholars to theology. Oxford began

at this time to acquire fame and to rival the foreign universities in

the ability of its professors and the multitude of its members; in the

year 1340 they amounted to 30,000. Many other universities were soon

established upon the models of Bologna, Paris and Oxford. In these logic

and scholastic divinity were for centuries the reigning subjects of

pursuit. The works of Aristotle were studied with great eagerness. Upon

the logic of Aristotle was founded the cultivation of scholastic

theology and casuistry, which is a department of morals; its object is

to lay down rules for directing us _how_ to act where there is any room

for doubt or hesitation. To this belongs the decision of what are called

cases of conscience, that is, cases in which we are under obligation,

but which, from certain surroundings, give rise to doubt, or how far the

obligation may be dissolved; such as the obligation to keep a promise

obtained by fraud or force.

To make nice distinctions between one word and another, to separate

subjects by infinite divisions, not as the real nature of things, but as

fancy directed, and to draw conclusions with no moral end in view, were

the pursuits of the schoolmen. The decrees of the councils of the Church

of Rome, its edicts and ceremonial and ritual observances, were

scrupulously regarded instead of obedience to the pure and practical

elements of Christianity. Classical learning was entirely neglected.

Here is the feature of Roman church history which infidels have

endeavored to use falsely against _even Rome_, to wit: the opposition of

the churchmen of those times to _classical learning_. This was

considered dangerous to true piety, and calculated to corrupt the pure

theology of the gospel, because the orators of Greece and Rome were

regarded as blind guides of erring reason and seducers to the paths of

sin and destruction. Virgil and Horace were looked upon merely as the

advocates of a profane and idolatrous mythology, and Cicero was regarded

as a vain declaimer, impiously elated with the talent of Pagan

eloquence, but the infidel charge that the church has always been in the

way of scientific education, _expressed in unqualified terms_, is simply

false in fact. That there was a time when she was opposed to classical

learning is a well attested fact, but she, at the same time, taught and

operated in universities and monasteries, as stated above. The first

dawnings of modern literature are seen in connection with the

cultivation of the language of Provence and the productions of the

Troubadours. The first great teacher in this connection was William,

Count of Poiton, a nobleman, distinguished by his powers in the

crusades. Many of the men of note who were in the crusades, were of his

character. Their writings upon the topics of war, gallantry, satire and

history, first roused Europe from her ignorance and lethargy, first

taught her to think and reflect and judge upon subjects of imagination.

The Troubadours sustained the middle place between Gothic ignorance and

Italian excellence, and literature is indebted to them for rearing the

first fruits of European genius and inspiring the moderns with the love

of poetry. Their influence and language spread over all the countries of

Europe. Their bards were in the courts of kings and the castles of

barons. The commencement of the crusades and the beginning of the

fifteenth century, mark the limits of their fame. Their romance had its

rise in the manners of chivalry, and fell into disrepute when chivalry

declined. In the fourteenth century men of intellectual genius in Italy

resolved to cultivate their own native language and to combine with its

grandeur the charms of imagination and the acquirements of classical

learning. The poetry of the Tuscan school, the works of Dante, Ariosto,

Boccio and Petrarch, have never yet been excelled by four succeeding

centuries of genius and literature. The way was open for the revival of

classical learning in the fifteenth century, and for the cultivation of

all the arts and sciences connected with its cultivation.

The downfall of the Roman Empire in the east and the discovery of the

art of printing happened about the same time. Scholars had long trembled

in view of the approach of Mahomet the second. Constantinople was

captured by the Turks in 1458; then Chrysoloras, Gaza of Thessalonica,

Demetrius Chalcondyles, Johannes Lascaris, Callistus, Constantius,

Johannes Andronicus, and many other learned Greeks, fled into Italy for

protection, where they found, at Florence, several Greek professors who

had been persuaded by Cosmo de Medici to settle in that city. They

settled in Florence and there interpreted the ancient writings which had

been kept in the eastern metropolis. The best Italian scholars fell in

with them and soon became enamored with the spirit of poetry, eloquence

and history. Here a better philosophy was soon taken up, and the cunning

of scholasticism, as known in the empty speculations of metaphysicians,

gave place to the more profitable principles of moral philosophy. The

study of the Greek language was introduced in England by William Grocyn,

a fellow of New College, Oxford, who died about the year 1520.

"To the mechanical genius of Holland we must ascribe the discovery of

the art of printing, for the original inventor was Laurentius John

Coster, of Haerlem, who made his first essay with wooden types about the

year 1430. The art was communicated by his servant to John Faust and

John Guttenberg, of Mentz. It was carried to perfection by Peter

Shoeffer, the son-in-law of Faustus, who invented the modes of casting

metal types."

Trihemius, in his Chronicle, written A.D. 1514, says he had it from the

mouth of Peter Shoeffer that the first book they printed with movable

types was the Bible, about the year 1450, in which the expenses were so

great that 4,000 florins were expended before they completed twelve

sheets. The author of a manuscript, Chronicle of Cologne, compiled in

1499, also says that he was told by Ulric Zell, of Cologne, who himself

introduced printing there in 1466, that the Latin Bible was first begun

to be printed in the year of Jubilee, 1450, and that it was in large

type. Mr. Edwards, of Pall Mall possessed a copy of this curious Bible

in three volumes, bound in morocco. In his catalogue it was valued at

£126. There, is a beautiful copy of this work in the Bodleian (or

Bodleyan) Library in the University at Oxford.

The art of printing soon spread over the greater part of Europe, and

to-day our world is a world of books, and the love of the Bible was the

origin of printing.

The Christian Foundation, Or, Scientific and Religious Journal, Volume I, No. 10. October, 1880 · 第 11 / 19 题