Then the champions of Ulster arise, naked as they were, and make a

strong and obstinate attack in their rage and in the might of their

violence, so that they forced in the outer gateway till it was in the

midst of the castle, and the men of Connaught go beside them. They

storm the castle with great might against the valiant warriors who were

there. A wild pitiless battle is fought between them, and each man

begins to strike out against the other, and to destroy him.

Then, after they had wearied of wounding and overcoming one another,

the people of the castle were overthrown, and the Ulstermen slay seven

hundred warriors there in the castle with Ailill the Fair-Haired and

thirty of his sons; and Amalgaid the Good;[FN#100] and Nuado; and

Fiacho Muinmethan (Fiacho the Broad-backed); and Corpre Cromm (the Bent

or Crooked); and Ailill from Brefne; and the three Oengus Bodbgnai (the

Faces of Danger); and the three Eochaid of Irross (i.e. Irross Donnan);

and the seven Breslene from Ai; and the fifty Domnall.

[FN#100] "The Good" is in the Book of Leinster and the Egerton text,

not in the Leabhar na h-Uidhri: the two later texts omit Nuado.

For the assembly of the Gamanrad were with Ailill, and each of the men

of Domnan who had bidden himself to come to him to aid him: they were

in the same place assembled in his castle; for he knew that the exiles

from Ulster and Ailill and Medb with their army would come to him to

demand the surrender of Fergus, for Fergus was under their protection.

This was the third race of heroes in Ireland, namely the Clan Gamanrad

of Irross Donnan (the peninsula of Donnan), and (the other two were)

the Clan Dedad in Temair Lochra, and the Clan Rudraige in Emain Macha.

But both the other clans were destroyed by the Clan Rudraige.

But the men of Ulster arise, and with them the people of Medb and of

Ailill; and they laid waste the castle, and take Flidais out of the

castle with them, and carry off the women of the castle into captivity;

and they take with them all the costly things and the treasures that

were there, gold and silver, and horns, and drinking cups, and keys,

and vats; and they take what there was of garments of every colour, and

they take what there was of kine, even a hundred milch-cows, and a

hundred and forty oxen, and thirty hundred of little cattle.

And after these things had been done, Flidais went to Fergus mac Rog

according to the decree of Ailill and Medb, that they might thence have

sustenance (lit. that their sustenance might be) on the occasion of the

Raid of the Cows of Cualgne. As[FN#101] a result of this, Flidais was

accustomed each seventh day from the produce of her cows to support the

men of Ireland, in order that during the Raid she might provide them

with the means of life. This then was the Herd of Flidais.

[FN#101] L.L. and Egerton give "For him used every seventh day," &c.

In consequence[FN#102] of all this Flidais went with Fergus to his

home, and he received the lordship of a part of Ulster, even Mag

Murthemni (the plain of Murthemne), together with that which had been

in the hands of Cuchulain, the son of Sualtam. So Flidais died after

some time at Trag Bàli (the shore of Bali), and the state of Fergus'

household was none the better for that. For she used to supply all

Fergus' needs whatsoever they might be (lit. she used to provide for

Fergus every outfit that he desired for himself). Fergus died after

some time in the land of Connaught, after the death of his wife, after

he had gone there to obtain knowledge of a story. For, in order to

cheer himself, and to fetch home a grant of cows from Ailill and Medb,

he had gone westwards to Cruachan, so that it was in consequence of

this journey that he found his death in the west, through the jealousy

of Ailill.

[FN#102] L.L. and Egerton give "thereafter," adopted in verse

translation.

This, then, is the story of the Tain bo Flidais; it[FN#103] is among

the preludes of the Tain bo Cualnge.

[FN#103] This sentence does not occur in the Leabhar na h-Uidhri. It

is given as in the Egerton version: the Book of Leinster gives "it is

among the preludes of the Tain."

THE APPARITION OF THE GREAT QUEEN TO CUCHULAIN

(TAIN BO REGAMNA)

INTRODUCTION

This tale is given by the same two manuscripts that give the Tain bo

Dartada and the Tain bo Regamon; namely the Yellow Book of Lecan, and

Egerton 1782. The text of both is given by Windisch, Irische Texte,

II. pp. 239-254; he gives a translation of the version in the Yellow

Book, with a few insertions from the Egerton MS., where the version in

Y.B.L. is apparently corrupt: Miss Hull gives an English translation of

Windisch's rendering, in the Cuchullin Saga, pages 103 to 107. The

prose version given here is a little closer to the Irish than Miss

Hull's, and differs very little from that of Windisch. The song sung

by the Morrigan to Cuchulain is given in the Irish of both versions by

Windisch; he gives no rendering, as it is difficult and corrupt: I can

make nothing of it, except that it is a jeering account of the War of

Cualgne.

The title Tain bo Regamna is not connected with anything in the tale,

as given; Windisch conjectures "Tain bo Morrigna," the Driving of the

Cow of the Great Queen (Morrigan); as the woman is called at the end of

the Egerton version. The Morrigan, one of the three goddesses of war,

was the chief of them: they were Morrigan, Badb, and Macha. She is

also the wife of the Dagda, the chief god of the pagan Irish. The

Yellow Book version calls her Badb in this tale, but the account in the

Tain bo Cualnge (Leabhar na h-Uidhri facsimile, pp. 74 and 77), where

the prophecies are fulfilled, agrees with the Egerton version in

calling the woman of this tale the Morrigan or the Great Queen.

THE APPARITION OF THE GREAT QUEEN TO CUCHULAIN

(ALSO CALLED "TAIN BO REGAMNA")

FROM THE YELLOW BOOK OF LECAN (FOURTEENTH CENTURY)

AT Dun Imrid lay Cuchulain,[FN#104] and slept, when a cry rang out;

And in fear he heard from the north-land come ringing that terrible

shout:

He fell, as he woke from his slumber, with the thud of a weight, to the

ground,

From his couch on that side of the castle that the rising sun first

found.

He left his arms in the castle, as the lawns round its walls he sought,

But his wife, who followed behind him, apparel and arms to him brought:

Then he saw his harnessed chariot, and Laeg,[FN#105] his charioteer,

From Ferta Laig who drave it: from the north the car drew near:

"What bringeth thee here?" said Cuchulain: said Laeg, "By a cry I was

stirred,

That across the plain came sounding." "And whence was the cry thou hast

heard?"

"From the north-west quarter it travelled, it crossed the great

Cayll[FN#106] Cooen road!"

"Follow on, on that track," said Cuchulain, "till we know what that

clamour may bode!"

[FN#104] Pronounced Cu-hoolin.

[FN#105] Pronounced Layg.

[FN#106] Spelt Caill Cuan.

At the ford of the Double Wonder, at Ah[FN#107] Fayrta, the car made

stand

For a chariot rattled toward them, from the clay-soiled

Coolgarry[FN#108] land

And before them came that chariot; and strange was the sight they saw:

For a one-legged chestnut charger was harnessed the car to draw;

And right through the horse's body the pole of the car had passed,

To a halter across his forehead was the pole with a wedge made fast:

A red woman sat in the chariot, bright red were her eyebrows twain

A crimson cloak was round her: the folds of it touched the plain:

Two poles were behind her chariot: between them her mantle flowed;

And close by the side of that woman a mighty giant strode;

On his back was a staff of hazel, two-forked, and the garb he wore

Was red, and a cow he goaded, that shambled on before.

[FN#107] Spelt Ath Ferta, or more fully Ath da Ferta, the ford of the

two marvels.

[FN#108] Spelt Culgaire.

To that woman and man cried Cuchulain, "Ye who drive that cow do wrong,

For against her will do ye drive her!" "Not to thee doth that cow

belong,"

Said the woman; "no byre of thy comrades or thy friends hath that cow

yet barred."

"The kine of the land of Ulster," said Cuchulain, "are mine to guard!"

"Dost thou sit on the seat of judgment?" said the dame, "and a sage

decree

On this cow would'st thou give, Cuchulain?--too great is that task for

thee!"

Said the hero, "Why speaketh this woman? hath the man with her never a

word?"

"'Twas not him you addressed," was her answer, "when first your

reproaches we heard."

"Nay, to him did I speak," said Cuchulain, "though 'tis thou to reply

who would'st claim!"

'Ooer-gay-skyeo-loo-ehar-skyeo[FN#109] is the name that he bears," said

the dame.

[FN#109] Spelt Uar-gaeth-sceo-luachair-sceo

"'Tis a marvellous name!" said Cuchulain, "if from thee all my answer

must come,

Let it be as thou wishest; thy comrade, this man, as it seemeth, is

dumb.

Tell me now of thine own name, O woman."

"Faebor-bayg-byeo-ill,"[FN#110] said the man.

"Coom-diewr-folt-skayv-garry-skyeo-ooa is her name, if pronounce it you

can!"

Then Cuchulain sprang at the chariot: "Would ye make me a fool with

your jest?"

He cried, as he leapt at the woman; his feet on her shoulders he

pressed,

And he set on her head his spear-point: "Now cease from thy sharp

weapon-play!"

Cried the woman. Cuchulain made answer: Thy name to me truth fully say!"

"Then remove thyself from me!" she answered: I am skilled in satirical

spells;

The man is called Darry I mac Feena[FN#111]: in the country of

Cualgne[FN#112] he dwells;

I of late made a marvellous poem; and as fee for the poem this cow

Do I drive to my home." "Let its verses," said Cuchulain," be sung to

me now!"

"Then away from me stand!" said the woman: "though above me thou

shakest thy spear,

It will naught avail thee to move me." Then he left her, but lingered

near,

Between the poles of her chariot: the woman her song then sang;

And the song was a song of insult. Again at the car he sprang,

But nothing he found before him: as soon as the car he had neared,

The woman, the horse, and the chariot, the cow, and the man disappeared.

[FN#110] Spelt Faebor-begbeoil-cuimdiuir-folt-seenb-gairit-sceo-uath.

[FN#111] Spelt Daire mac Fiachna: he is the owner of the Dun of

Cualgne in the Great Tain.

[FN#112] Pronounced Kell-ny.

At a bird on a bough, as they vanished, a glance by Cuchulain was cast,

And he knew to that bird's black body the shape of the woman had passed:

As a woman of danger I know you," he cried, "and as powerful in spell!"

From to-day and for ever," she chanted, "this tale in yon clay-land

shall dwell!"

And her word was accomplished; that region to-day is the Grella

Dolloo,[FN#113]

The Clay-land of Evil: its name from the deeds of that woman it drew.

[FN#113] Spelt Grellach Dolluid.

"Had I known it was you," said Cuchulain, "not thus had you passed from

my sight!"

And she sang, "For thy deed it is fated that evil shall soon be thy

plight!"

Thou canst. do naught against me," he answered. "Yea, evil in sooth can

I send;

Of thy Bringer of Death I am guardian, shall guard it till cometh thine

end:

From the Under-world Country of Croghan this cow have I driven, to breed

By the Dun Bull of Darry[FN#114] Mae Feena, the Bull that in Cualgne

doth feed.

So long as her calf be a yearling, for that time thy life shall endure;

But, that then shall the Raid have beginning, the dread Raid of

Cualgne, be sure."

[FN#114] Spelt Daire mac Fiachna.

"Nay, clearer my fame shall be ringing," the hero replied," for the

Raid:

All bards, who my deeds shall be singing, must tell of the stand that I

made,

Each warrior in fight shall be stricken, who dares with my valour to

strive:

Thou shalt see me, though battle-fields thicken, from the Tain Bo

returning alive!"

"How canst thou that strife be surviving?" the woman replied to his

song,

"For, when thou with a hero art striving, as fearful as thou, and as

strong,

Who like thee in his wars is victorious, who all of thy feats can

perform,

As brave, and as great, and as glorious, as tireless as thou in a storm,

Then, in shape of an eel round thee coiling, thy feet at the Ford I

will bind,

And thou, in such contest when toiling, a battle unequal shalt find."

"By my god now I swear, by the token that Ulstermen swear by," he cried;

"On a green stone by me shall be broken that eel, to the Ford if it

glide:

From woe it shall ne'er be escaping, till it loose me, and pass on its

way!"

And she said: "As a wolf myself shaping, I will spring on thee, eager

to slay,

I will tear thee; the flesh shall be rended from thy chest by the

wolf's savage bite,

Till a strip be torn from thee, extended from the arm on thy left to

thy right!

With blows that my spear-shaft shall deal thee," he said, "I will force

thee to fly

Till thou quit me; my skill shall not heal thee, though bursts from thy

head either eye!"

I will come then," she cried, "as a heifer, white-skinned, but with

ears that are red,

At what time thou in fight shalt endeavour the blood of a hero to shed,

Whose skill is full match for thy cunning; by the ford in a lake I will

be,

And a hundred white cows shall come running, with red ears, in like

fashion to me:

As the hooves of the cows on thee trample, thou shalt test 'truth of

men in the fight':

And the proof thou shalt have shall be ample, for from thee thy head

they shall smite!"

Said Cuchulain: "Aside from thee springing, a stone for a cast will I

take,

And that stone at thee furiously slinging, thy right or thy left leg

will break:

Till thou quit me, no help will I grant thee." Morreegan,[FN#115] the

great Battle Queen,

With her cow to Rath Croghan departed, and no more by Cuchulain was

seen.

For she went to her Under-World Country: Cuchulain returned to his

place.

The tale of the Great Raid of Cualgne this lay, as a prelude, may grace.

[FN#115] Spelt Morrigan.

THE APPARITION OF THE GREAT QUEEN TO CUCHULAIN

LITERAL TRANSLATION

When Cuchulain lay in his sleep at Dun Imrid, there he heard a cry from

the north; it came straight towards him; the cry was dire, and most

terrifying to him. And he awaked in the midst of his sleep, so that he

fell, with the fall of a heavy load, out of his couch,[FN#116] to the

ground on the eastern side of his house. He went out thereupon without

his weapons, so that he was on the lawns before his house, but his wife

brought out, as she followed behind him, his arms and his clothing.

Then he saw Laeg in his harnessed chariot, coming from Ferta Laig, from

the north; and "What brings thee here?" said Cuchulain. "A cry," said

Laeg, "that I heard sounding over the plains. "On what side was it?"

said Cuchulain. "From the north-west it seemed," said Laeg, "that is,

across the great road of Caill Cuan."[FN#117] "Let us follow after to

know of it (lit. after it, to it for us)," said Cuchulain.

[FN#116] Or "out of his room." The word is imda, sometimes rendered

"bed," as here by Windisch sometimes also "room," as in the Bruidne da

Derga by Whitley Stokes.

[FN#117] Lough Cuan was the old name for Strangford Lough.

They went out thereupon till they came to Ath da Ferta. When they were

there, straightway they heard the rattle of a chariot from the quarter

of the loamy district of Culgaire. Then they saw the chariot come

before them, and one chestnut (lit. red) horse in it. The horse was

one footed, and the pole of the chariot passed through the body of the

horse, till a wedge went through it, to make it fast on its forehead.

A red[FN#118] woman was in the chariot, and a red mantle about her, she

had two red eye-brows, and the mantle fell between the two

ferta[FN#119] of her chariot behind till it struck upon the ground

behind her. A great man was beside her chariot, a red[FN#120] cloak

was upon him, and a forked staff of hazel at his back, he drove a cow

in front of him.

[FN#118] The above is the Egerton text: the text of Y.B.L. gives "A

red woman there, with her two eyebrows red, and her cloak and her

raiment: the cloak fell," &c.

[FN#119] It is not known certainly what the ferta were: Windisch

translates "wheels," but does not give this meaning in his Dictionary:

the ferta were behind the car, and could be removed to sound the depth

of a ford. It is suggested that they were poles, projecting behind to

balance the chariot; and perhaps could be adjusted so as to project

less or farther.

[FN#120] This is the Egerton text; the Y.B.L. text gives "a tunic

forptha on him the meaning of forptha is unknown.

"That cow is not joyful at being driven by you!" said Cuchulain. "The

cow does not belong to you," said the woman, "she is not the cow of any

friend or acquaintance of yours." "The cows of Ulster," said

Cuchulain, "are my proper (care)." "Dost thou give a decision about

the cow?" said the woman; "the task is too great to which thy hand is

set, O Cuchulain." "Why is it the woman who answers me?" said

Cuchulain, "why was it not the man?" "It was not the man whom you

addressed," said the woman. "Ay," said Cuchulain, "(I did address

him), though thyself hath answered for him:"

"h-Uar-gaeth-sceo-luachair-sceo[FN#121] is his name," said she.

[FN#121] Cold-wind-and-much-rushes.

"Alas! his name is a wondrous one," said Cuchulain. "Let it be thyself

who answers,[FN#122] since the man answers not. What is thine own

name?" said Cuchulain. "The woman to whom thou speakest," said the

man, "is Faebor-begbeoil-cuimdiuir-folt-scenbgairit-sceo-uath."[FN#123]

"Do ye make a fool of me?" cried Cuchulain, and on that Cuchulain

sprang into her chariot: he set his two feet on her two shoulders

thereupon, and his spear on the top of her head. "Play not sharp

weapons on me!" "Name thyself then by thy true name!" said Cuchulain.

"Depart then from me!" said she: "I am a female satirist in truth," she

said, "and he is Daire mac Fiachna from Cualnge: I have brought the cow

as fee for a master-poem." "Let me hear the poem then," said

Cuchulain. "Only remove thyself from me," said the woman; "it is

none[FN#124] the better for thee that thou shakest it over my head."

Thereon he left her until he was between the two poles (ferta) of her

chariot, and she sang to him[FN#125] . . . . . . Cuchulain threw a

spring at her chariot, and he saw not the horse, nor the woman, nor the

chariot, nor the man, nor the cow.

[FN#122] Y.B.L. corrupt; Egerton version adopted here.

[FN#123]

Little-mouthed-edge-equally-small-hair-short-splinter-much-clamour.

[FN#124] Not is it better for thee that" is in Egerton alone.

[FN#125] See the introduction for the omission of the poem.

Then he saw that she had become a black bird upon a branch near to him.

"A dangerous[FN#126] (or magical) woman thou art," said Cuchulain:

"Henceforward," said the woman, "this clay-land shall be called dolluid

(of evil,)" and it has been the Grellach Dolluid ever since. "If only

I had known it was you," said Cuchulain, "not thus should we have

separated." "What thou hast done," said she, "shall be evil to thee

from it." "Thou hast no power against me," said Cuchulain. "I have

power indeed," said the woman; "it is at the guarding of thy death that

I am; and I shall be," said she. "I brought this cow out of the

fairy-mound of Cruachan, that she might breed by the Black Bull[FN#127]

of Cualnge, that is the Bull of Daire Mae Fiachna. It is up to that

time that thou art in life, so long as the calf which is in this cow's

body is a yearling; and it is this that shall lead to the Tain bo

Cualnge." "I shall myself be all the more glorious for that Tain,"

said Cuchulain: "I shall slay their warriors: I shall break their great

hosts: I shall be survivor of the Tain."

[FN#126] Windisch is doubtful about the meaning of this word. He gives

it as "dangerous" in his translation; it may also mean "magical,"

though he thinks not. In a note he says that the meaning "dangerous" is

not certain.

[FN#127] In Egerton "the Dun of Cualnge."

"In what way canst thou do this?" said the woman, "for when thou art in

combat against a man of equal strength (to thee), equally rich in

victories, thine equal in feats, equally fierce, equally untiring,

equally noble, equally brave, equally great with thee, I will be an

eel, and I will draw a noose about thy feet in the ford, so that it

will be a great unequal war for thee." "I swear to the god that the

Ulstermen swear by," said Cuchulain, "I will break thee against a green

stone of the ford; and thou shalt have no healing from me, if thou

leavest me not." "I will in truth be a grey wolf against thee," said

she, "and I will strip a stripe[FN#128] from thee, from thy right

(hand) till it extends to thy left."

[FN#128] This word is left doubtful in Windisch's translation. The

word is breth in Y.B.L. and breit in Egerton. Breit may be a strip of

woollen material, or a strip of land; so the meaning of a strip of

flesh seems possible.

"I will beat thee from me," said he, "with the spear, till thy left or

thy right eye bursts from thy head, and thou shalt never have healing

from me, if thou leavest me not." "I shall in truth," she said, "be

for thee as a white heifer with red ears, and I will go into a lake

near to the ford in which thou art in combat against a man who is thine

equal in feats, and one hundred white, red-eared cows shall be behind

me and 'truth of men' shall on that day be tested; and they shall take

thy head from thee." "I will cast at thee with a cast of my sling,"

said Cuchulain, "so as to break either thy left or thy right leg from

under thee; and thou shalt have no help from me if thou leavest me not."

They[FN#129] separated, and Cuchulain went back again to Dun Imrid, and

the Morrigan with her cow to the fairy mound of Cruachan; so that this

tale is a prelude to the Tain bo Cualnge.

[FN#129] All this sentence up to "so that this tale" is from the

Egerton version. The Yellow Book of Lecan gives "The Badb thereon went

from him, and Cuchulain went to his own house, so that," &c.

TEXT OF LEABHAR NA H-UIDHRI

GIVING THE CONCLUSION OF THE "COURTSHIP OF ETAIN"

INTRODUCTION

The following pages give, with an interlinear word for word[FN#130]

translation, the text of Leabhar na h-Uidhri, page 130 b. line 19 to

the end of page 132 a. of the facsimile. The text corresponds to the

end of the tale of the Court ship of Etain in vol. i., from page 27,

line 21, to the end of the story; it also contains the poem which is in

that volume placed on page 26, but occurs in the manuscript at the

place where the first line of it is quoted on page 30 of vol. i.

[FN#130] The Irish idiom of putting the adjective after the noun is

not always followed in the translation.

It is hoped that the text may be found to be convenient by scholars:

special care has been taken to make it accurate, and it has not, with

the exception of the poem just referred to, been published before

except in the facsimile; the remainder of the text of the L.U. version

of the Courtship of Etain, together with the poem, has been given by

Windisch in the first volume of the Irische Texte.

The immediate object of the publication of this text, with its

interlinear translation, is however somewhat different; it was desired

to give any who may have become interested in the subject, from the

romances contained in the two volumes of this collection, some idea of

their exact form in the original, and of the Irish constructions and

metres, as no Irish scholarship is needed to follow the text, when

supplemented by the interlinear translation. The translation may be

relied on, except for a few words indicated by a mark of interrogation.

The passage is especially well suited to give an idea of the style of

Irish composition, as it contains all the three forms used in the

romances, rhetoric, regular verse, and prose: the prose also is varied

in character, for it includes narrative, rapid dialogue, an antiquarian

insertion, and two descriptive passages. The piece of antiquarian

information and the resume of the old legend immediately preceding the

second rhetoric can be seen to be of a different character to the

flowing form of the narrative proper; the inserted passage being full

of explanatory words, conid, issairi, is aice, &c., and containing no

imagery. The two descriptions, though short, are good examples of two

styles of description which occur in some other romances; neither of

these styles is universal, nor are they the only styles; the favour

shown to one or the other in a romance may be regarded as a

characteristic of its author.

The first style, exemplified by the description of Mider's appearance,

consists of a succession of images presented in short sentences,

sometimes, as in this case, with no verb, sometimes with the verb batar

or a similar verb repeated in each sentence, but in all cases giving a

brilliant word-picture, absolutely clear and definite, of what it is

intended to convey. The second style, exemplified here by the

description of the horses that Mider offers to Eochaid, consists of a

series of epithets or of substantives, and is often imitated in modern

Irish. These passages are usually difficult to translate, as many

words appear to be coined for the purpose of the descriptions; but, in

the best writings, the epithets are by no means arbitrary; they are

placed so as to contrast sharply with each other, and in many cases

suggest brilliant metaphors; the style being in this respect more like

Latin than English. Absolutely literal translations quite fail to

bring out the effect of such passages; for not only is the string of

adjectives a distinctively Irish feature, but both in English and in

Greek such metaphors are generally expressed more definitely and by

short sentences. There is also a third style of description which does

not appear in the prose of any of the romances in this collection, but

appears often in other romances, as in the Bruidne da Derga, Bricriu's

Feast, and the Great Tain; it resembles the first style, but the

sentences are longer, yet it does not give clear descriptions, only

leaving a vague impression. This style is often used for descriptions

of the supernatural; it may be regarded as actual reproductions of the

oldest pre-Christian work, but it is also possible that it is the

result of legends, dimly known to the authors of the tales, and

represented by them in the half-understood way in which they were

apprehended by them: the Druidic forms may have been much more clear.

Such passages are those which describe Cuchulain's distortions; the

only passage of the character in this collection is in the verse of the

Sick-bed, vol. i. page 77. Five of the romances in the present

collection have no descriptive passages in the prose; the Combat at the

Ford and the Tain bo Fraich show examples of both the first and the

second form, but more often the first; the Tain bo Regamna, though a

very short piece, also shows one example of each; for the description

of the goblins met by Cuchulain is quite clear, and cannot be regarded

as belonging to the third form. There is also one case of the second

form in the Tain bo Dartada, and two other cases of the first in the

Court ship of Etain-one in the Egerton, one in the Leabhar na h-Uidhri

version. The best example of the first style is in the Egerton version

of Etain (vol. i. page 12); the best example of the second is the

description of Cuchulain's horses (vol. i. page 128); a still better

example of contrasts in such a description is in the Courtship of Ferb

(Nutt, page 23).

The piece of regular verse contained in the extract should give a fair

idea of the style of this form of composition. Description is common

in the verse, and it is in this case a prominent feature. It may be

noted that lines 8, 16, 23, 26 will not scan unless the present

diphthongs are divided, also that the poem has fewer internal rhymes

than is usual in this regular verse.

The two passages in rhetoric, for so I take them to be, are good

examples of the style. An attempt has been made to divide them into

lines, but this division is open to criticism, especially as some lines

in one of the two passages cannot be translated, and the translation of

some other lines is doubtful: the division suggested does, however,

appear to me to give a rough metre and occasional rhymes. It is

possible that, if attention is called to those lines which are at

present untranslatable, something may be done for them. The verse

translations given in vol. i. pages 27 and 29, give the meaning that I

take the Irish to bear where I can get any meaning at all.

As to the text, the usual abbreviation for n has in general not been

italicized, nor has that for fri; all other abbreviations, including

acht, final n in the symbol for con, and that for or in the recognized

symbol for for, have been italicized. In the rhetorics, owing to their

difficulty, the abbreviation for n has been italicized throughout; the

symbol for ocus is not italicised. A few conjectures have been

inserted, the text being given as a foot-note; a conjectured letter

supposed to be missing has been inserted in brackets, and a restoration

by Professor Strachan of a few letters where the MS. is torn are

similarly placed in brackets. The rest of the text is carefully copied

from the facsimile, including the glosses, which are inserted above the

words in the same places that they occupy in the manuscript.

TEXT WITH INTERLINEAR TRANSLATION

Fecht n-aile asraracht Eochaid Airem ri Temrach la n-alaind

Another time arose Eochaid Airem. king of Tara on a beautiful day

i n-amsir samrata frisocaib[FN#131] for sosta na Temrach do imcaisiu

maigi Breg,

in time of summer, mounted on heights of Tara for viewing of plain of

Breg,

[FN#131] A conjecture: MS. fosrocaib= fo-s-ro-od-gaib, an unknown

compound.

boi fo a li ocus fo bluth cach datha. Am-imracacha inti

was good its colour, and good blossom of every hue. When looked about

the aforesaid

Eochaid imbi, co acca inn oclaech n-ingnad for sin sossad[FN#132] inna

Eoebaid around him, he saw the young warrior unknown on the height

beside

[FN#132] A conjecture: MS. tossad.

chomairi. Fuan corcair imbi, ocus mong or-budi fair co brainni

him. Tunic purple about him, and hair gold-yellow on him to edges

a da imdae. Rosc cainlech glas ina chind. Sleg coicrind ina laim.

of his two shoulders. Eye lustrous gray in his head. Spear

five-pointed in his hand.

Sciath taulgel ina laim con gemaib oir forri. Sochtais Eochaid, ar ni

Shield white-bossed in his hand with gems of gold on it. Was silent

Eochaid, for not

fitir a bith isin Temraig inn aidehi riam, ocus ni orslaiethe ind lis

he knew of his being in the Tara the night before, and not was opened

the Liss

in trath sin. Tolluid ar inchaib Eochoda iarsain asbert Eochaid iarom,

at that hour. He came under protection of Eochaid thereon; said

Eochaid then,

fochen dond laech nad athgenmar. Is ed doroehtmar or in

welcome to the hero whom we know not. It is for that we have come,

said the

t-oclaech. Ni tathgenmar or Eochaid. Atotgensa chetus ol in

(young) warrior. We know thee not, said Eochaid. I know thee indeed,

said the

t-oclaech. Cia th'ainm seo? ol Eochaid. Ni airdairc son, ol se,

warrior. What (is) thy own name? said Eochaid. Not illustrious that,

said he,

Mider Breg Leith. Cid dotroacht ol Eochaid. Do imbert fidcille

Mider of Bri Leith. What brought thee? said Eochaid. To play at chess

frit-su ol se. Am maith se em, ol Eochaid for fithchill. A fromad

with thee, said he. I am good myself truly, said Eochaid, at

chess-play. Its essaying

dun ol Mider. Ata ol Eochaid, ind rigan ina cotlud, is le in tech

to us! said Mider. Is, said Eochaid, the queen in her sleep, it is

hers the house

ata ind fithchell. Ata sund chenae, ol Mider, fidchell nad

where is the chessboard. There is here yet, said Mider, a chessboard

which is not

messo. Ba fir on, clar n-argit ocus fir oir, ocus fursunnud cacha

worse. Was true that, a board of silver and men of gold, and shining

in every

hairidi for sin clar di liic logmair, ocus fer-bolg di figi rond

credumae.

direction on that board of costly stones, and a men-bag of woven chains

of brass.

Ecraid Mider in fidchill iarsin. Imbir ol Mider. Ni immer acht

Set out Mider the chessboard thereupon. Play! said Mider. Not will I

play, except

di giull ol Eochaid. Cid gell bias and? ol Mider. Cumma lim ol

for a stake, said Eochaid. What stake shall be here? said Mider.

Equal to me, said

Eochaid. Rot-bia lim-sa ol Mider mad tu beras mo thochell,

Eochaid. Thou shalt have from me, said Mider, if thou carry off my

stake,

L. gabur n-dub-glas ite cend-brecca, croderga, biruich,

50 horses of dark-gray, and they with dappled heads, blood-red, with

ears pricked high,

bruin-lethain, bolg(s)roin, coss choela, comrassa, faeborda,[FN#133]

femendae,[FN#133]

chests broad, nostrils distended, feet thin, strong, keen, ? vehement,

aurarda, aignecha, so-(a)staidi,[FN#133] so

very high, spirited, easily stopped,

[FN#133] See Bruidne da Derga (Stokes), 50, 51, faeborda, lit. with an

edge on them; femendae? = Lat. vehemens; soaistidi is the form adopted

by Stokes in his edition of the Bruidne; Egerton MS. gives soastaide.

There is a gap here, a complete column being torn from the manuscript.

The lost part obviously describes the issue of the chess game or games,

and the penalties demanded by Bochaid: what these penalties were is

plain from the succeeding story. The work of Mider and his folk in

paying these penalties must also have been described: the next column

(Leabhar na h- Uidhri, 131 b. of the facsimile) opens thus:

iarsin doberar uir ocus grian ocus clocha for sin monai. Fri etna

thereupon is, placed earth and gravel and stones on the bog. Over

foreheads

dam dano-batar fedmand la firu h-Erind cosind n-aidchi sin, co

of oxen then were yokes among men of Ireland till that very night, when

n-aicces la lucht in t-side for a formnaib. Dognith

it was seen (tbLat they were) among people of the Mounds on their

shoulders. It was done

samlaid la Eochaid, conid de ata do som. Echaid Airem, ar

so by Eochaid, so that hence is to himself (the name of) Echaid Airem,

for

is aice toisech tucad cuing for muinelaib dam do ferand h-Erind. Is

it is by him first was put yoke on necks of oxen for land of Ireland.

This

ed dino and food ro boi im belaib in t-sluaig oc denam in tocuir:

is then there word which was on lips of the host at making of the

causeway:

Rhetoric--

Cuire illaim,

Put into hand

tochra illaim,

place (it) into hand

aurdairc damrad trathaib iar fuin

noble (are) oxen for hours after sunset

for trom ailges

very heavy request

ni fes cuich les

it is not known to whom (is) gain

cuich amles de thochur dar moin Lamraige.

to whom harm from the causeway over moor of Lamrach.

Ni biad isin bith tochur bad ferr mani bethe oca

There would not be in the world a causeway which is better, if not

(men) had been at

n-descin Forracbad de bochtae and iartain. Iarsin dolluid

the seeing them. Was left on that account a breach there thenceforth.

Thereupon came

in rechtaire co Echaid ocus adfet scela in mor fedma, atconnaire

the steward to Echaid, and made known tales of the great serving band,

that he saw

fiadai, ocus asbert nad rabi for fertas in betha cumachta

before him, and said that there was not on the chariot pole of life a

power

dodrosce de. Am batar for a m-briathraib co n-accatar Mider

that excelled it. When they were at their talking they saw Mider (come)

chucu. Ard chustal ocus droch gne fair. Atrigestar Eochaid,

to them. High ? girt (he was), and evil face (was) on him.? Rose

?[FN#134] Eochaid,

[FN#134] This is a possible rendering, taking the word as a deponent

form of atregaim. It would be more natural to take the word as from

adagur; being equivalent to ad-d-raigestar, and to mean "feared him,"

but this does not agree with Eoebaid's general attitude.

ocus ferais faelti fri. Is ed dorochtmar ol Mider. Is toreda ocus is

and gave welcome to him. It is for that we have come, said Mider. It

is cruel and is

di-cheill no tai frim, mor decrai ocus mor aingcessa do thabairt form

senseless thou art to me, great hardship and great suffering thy

bestowing on me

adethaind ni bad maith lat chena acht is bairnech mo menma frit.

I used to get what seemed good to thee still but is angry my mind

against thee.

Ni bara fri bure dait-siu on do-gignestar do menma for Eochaid.

Not anger against anger: to thyself the thing that shall choose thy

mind, said Eochaid.

Gebthar dano, ol Mider. Inn imberam fidchill? for Mider. Cid gell

It shall be done then, said Mider. Shall we play at chess? said Mider.

What stake

bias and? for Eochaid. Gell adcobra cechtar da lina for

shall be there? said Eochaid. The stake that wishes each of the two

parties, said

Mider. Berar tochell n-Echdach alla sin. Rucais mo

Mider. Is carried off stake of Echaid in that very place. Thou hast

carried off my

thocell, for Eebaid. Mad ail dam no-beraind o chianaib,

stake, said Echaid. If wish to me (had been) I could have carried it

off long since,

for Mider. Cacht cid adcobrai form-sa? for Echaid. Di laim im

said Mider. Question what wishest thou from myself? said Echaid. Two

arms about

etain, ocus poc di ol Mider. Sochtais Echaid la, sodain, ocus asbert,

Etain, and a kiss from her, said Mider. Was silent Echaid thereon, and

said,

tis dia mis on diu, doberthar dait ani sin. In

thou shalt come in a month from to-day, (and) shall be given to thee

that very thing. The

bliadain ria tuidecht do Mider co Echaid do imbert na fidehille boi oc

year before the coming of Mider to Echaid for playing of the chess was

he at

tochmarc etaine, ocus nis n-etad leis. Is ed ainm dobered Mider

wooing of Etain, and nothing was found by him. This is the name used

to give Mider

di: befind conide asbert:

to her: fair-haired lady, so that thence he said:

a be find in raga lim

O fair-haired lady, wilt thou come with me

i tir n-ingnad hi fil rind

into a land marvellous, that is music?

Is barr sobarche folt and

(thus) is the top of the head, of primrose the hair there,

is dath snechta corp co ind:

is colour of snow the body to the head:

Is and nad bi mui na tai,

It is there not will be 'mine' or 'thine,'

gela det and, dubai brai,

white teeth there, black eyebrows,

Is li sula lin ar sluag,[FN#135]

is colour of eyes number of our hosts,

[FN#135] A conjecture by Windisch. Text gives sluaig the genitive

singular, which does not rhyme.

[FN#136]no is brece is dath sion and cech gruad:

or is many-coloured is hue of foxglove there each cheek:

[FN#136] The three glosses are interesting. It may be noted that the

last two certainly follow the word (above the line in which it occurs)

that they seem to gloss: it is therefore probable that the first does

so too; the two lines of a couplet are on the same line in the

manuscript. It {footnote p. 156} seems then possible that the gloss

"it is many-coloured" refers, not to the foxglove, but to the preceding

line, "the colour of eyes is number of our hosts," and that the writer

of this gloss gave the same meaning to the rather hard description of

the colour of the eyes as is given in the verse translation (vol. i. p.

26), i.e. that the eyes had changing lights and shapes. We must hope,

for the credit of his taste, that he did not think of the cheeks as

many-coloured or freckled, but his gloss of lossa does not seem happy.

The meaning "growth" is taken from O'Reilly's Dictionary.

no lossa

Is corcair maige cach muin,[FN#137]

or growth?

is purple of a plain each neck,

[FN#137] A conjecture (Str.), main, treasure, is in the text: this

does not rhyme, nor give good sense; note, however, that muin has no

accent-the text gives one.

no is dath

is li sula ugai luin:

or is hue

is colour of eyes (that of) eggs of a blackbird:

cid cain deicsiu maigi Fail

though pleasant (is) seeing plains of Fal (isle of Destiny)

annam iar gnais maige mair.

a wilderness[FN#138] after knowledge of the Great Plain.

[FN#138] This meaning for annam is doubtful; the sense of "seldom" is

established for the word; the line possibly means "it will seldom be so

after," &c.

Cid mesc lib coirm inse Fail,

Though intoxicating to you (is) ale of the island Fal,

is mescu coirm tire mair,

is more intoxicating the ale of the country great,

amra tire tir asbiur,

a wonder of a land the land I mention,

ni theit oac and re siun.

not goes a young man there before an old man.

Srotha teith millsi tar tir,

Streams warm (and) sweet through the land,

rogu de mid ocus fin,

choice of mead and wine,

doini delgnaidi, cen on,

men ? handsome, without blemish,

combart cen pecead, cen col.

conception without sin without crime.

Atchiam cach for each leth,

We see all on every side,

ocus ni-conn acci nech;

and yet not sees us anyone

temel imorbais adaim

the cloud of the sin of Adam

do-don-archeil[FN#139] ar araim

encompasses us from reckoning

[FN#139] From tairchellaim.

A ben dia ris mo thuaith tind,

O woman, if thou wilt come to my people strong,

is barr oir bias fort chind,

it is top of head of gold shall be on thy head,

inue ur, laith, lemnacht la lind

pork unsalted, ale, new milk for drink

rot bia lim and, a be find, a be find.

shall be to thee with me there, O woman fair-haired.

[a gap, 9 letters lost] i atumchotaise om aithech tige rag-sa, [a gap,

thou obtainest me from my master of the house I will go,

[9 letters lost] fetai, ni rag. Is iarsin dolluid Mider (L.U. 130 a.)

co

canst, not will I go. It is thereon came Mider to

Echaid, ocus damair a thochell fochetoir co m-beth fôlo acai

Echaid, and yields his stake immediately that may be (cause) of

reproach for him

do Echaid, is airi roic na comada mora, ocus issairi is

to Echaid, it is therefore he paid the great stakes, and on that

account it is (that)

fo anfis con atig a gell. Conid iarsin giull adrubrad in tan tra

under ignorance that he asked his wager. So that after that wager it

was said when now

ro boi Mider cona muinter oc ic comad na aidehi, i. in tochor, ocus

was Mider and his folk at paying the stake of the night, that is, the

causeway, and

di-chlochad Midi, ocus luachair Tetbai, ocus fid dar Breg: isse[FN#140]

seo

clearing stones off Meath, and rushes of Tethba and forest over Breg:

it is he this

[FN#140] Grammar not clear: perhaps the Irish is corrupt (Str.).

an no foclad boi oca muinter amal atbert lebor drom snechta:

what used to say was with his folk as says Book of Drom-snechta:

Rhetoric--

Cuirthe illand:

Put on the field:

tochre illand:

Put close on the field

airderg dararad:

very red oxen:

trom in choibden:

heavy the troop

clunithar fir ferdi.

Which hears ?really-manly

buidni balc-thruim crand-chuir

troops for strong heavy setting of trees

forderg saire fedar

of very red ?oaks[FN#141] are led

[FN#141] Reading daire for saire.

sechuib slimprib snithib

past them on twisted wattles:

scitha lama:

weary are hands,

ind rosc cloina:

the eye ?slants aside?

fobith oen mna

because of one woman

Duib in digail:

To you the revenge,

duib in trom-daim:[FN#142]

to you the heavy ?oxen

[FN#142] A conjecture. MS. gives trom-daim.

tairthim flatho fer ban:

splendour of sovereignty over white men:

fomnis, fomnis, in fer m-braine cerpae fomnis diad dergæ

? ? ?

fer arfeid solaig

?

fri aiss esslind

?

fer bron for-ti

? sorrow shall, come on the man?

i. more

ertechta inde

?

lamnado luachair

rushes

for di Thethbi

over?two Tethbas

di-chlochad[FN#143] Midi

clearing stones from Meath

[FN#143] A conjecture. MS. gives dilecad (Str.)

indracht

?

coich les, coich amles

to whom the benefit, to whom the harm

thocur dar clochach? moin.[FN#144]

causeway over stony moor.

[FN#144] The last line in the Ms. is t d c m.

Dalis Mider dia mis Fochiallastar (i. rotinoil). Echaid formna

Mider appointed a meeting for the end of a month. Echaid assembled

(i.e. collected)troops.

laech la-erend com batar hi Temrach, ocus an ro po dech do fiannaib

of heroes of Ireland so that they were in Tara, and what was best of

champions

h-Erind, cach cuaird imm araile im Temrach immedon ocus a nechtair,

of Ireland, each ring about another, around Tara im the middle, and

outside it

ocus is-tig. Ocus in ri ocus in rigan immedon in taigi, ocus ind lis

and within. And the king and the queen in the middle of the house, and

its Liss

iatai fo glassaib, ar ro fetatar do t-icfad fer in mar cumacht. Etain

shut under locks, for they knew that would comie of insen the great

might. Etain

boi ocon dail ind aidehi sin forsna flathi, ar ba sain dana disi dal.

was dispensing that night to the princes, for it was meet then for her

pouring (of the wine)

Am batar iarom fora. m-briathraib, co accatar Mider chucu for

When they were thereon at their talking they saw Mider (come) to them on

lar ind rigthige. Ba cain som dogres ba caini dana inn aidehi sin.

the floor of the royal palace. He was fair always, was fairer then on

that night.

Tosbert im mod na slûag ateonnairc. Sochsit uli iarom ocus

He brought to amazement the hosts that he saw.[FN#145] Were silent all

thereon, and

[FN#145] Reading atcondairc (Str.).

ferais in ri faelti fris. Is ed dorochtmar ol Mider. An ro gella

the king gave welcome to him. It is this we have come for, said Mider.

What was promised

dam-sa or se, tucthar dam. Is fiach ma gelltar, an ro gellad

to myself, said he, let it be given to me. It is a debt if a promise

is given,

tucus dait-siu. Ni imrordusa for Echaid, ani sin co se.

I have given to thee. Not have I thought on, said Echaid, that very

thing up to now.

Atrugell etain fein dam-sa, ol Mider, ticht uait-siu.

Thou hast promised Etain herself to me, said Mider, message (lit. a

coming) from you.

Imdergthar im Etain la, sodain. Na imdergthar imut for Mider, ni

There was a blush on Etain thereupon. Let there be no blush on thee,

said Mider, not

droch banas duit-siu. Atu-sa, ol si, bliadain oc do chuingid com

evil marriage-feast to thee. I am myself, said he, a year at seeking

thee with

mainib ocus setaib at aildem in ere, ocus ni tucus-sa

treasures and jewels that are the most beautiful in Ireland and not I

took thee

comad chomarlecud do Echaid. Ni -la-deoas damsa ce

till there should be permission of Echaid. Not by good-will to me any

dotchotaind. Atrubart-sa frit-su ol si, conom rire Echaid,

getting thee. I myself said to thyself, said she, until Echaid gives

me up

nit rius. Atometha lat ar mo chuit fein, dia nom rire Echaid.

not will I come to thee. Take me with thee for my own part, if me

Echaid will give up.

Nit ririub immorro, for Echaid, acht tabrad a di laim

Not thee will I give up however, said Echaid, but (I give) a placing of

his two hands

imut for lar in tige, amal ro gabais. Dogentar for Mider.

about thee on floor of the house, as thou art. It shall be done! said

Mider.

i. mider

Atetha a gaisced ina laim cli, ocus gabais in mnai fo a leth-oxail dess,

that is, Mider

He took his weapons in his hand left, and took the woman under his

shoulder right,

ocus focois-le for forles in tige. Conerget in-t-sluaig imon rig

and carried her off over skylight of the house. Pose up the hosts,

about the king

iar melacht forro, co n-accatar in da ela timchell na Temra. Is ed

after a disgrace on them, they saw the two swans around Tara. It is

this,

ro gabsat do sid ar Femun. Ocus luid Echaid co fomno

they took (the road) to elfmound about about Femun. And went Echaid

with a troop

fer n-Erend imbi do sith ar Femun i. sid ban-find.

of men of Ireland about him to elf mound about Femun i.e. elfmound of

the fair-haired women.

B (a si com)[FN#146] arli fer n-Erend, fochlaid each sid [a gap, 12

letters lost]

That was the counsel of the men of Ireland, he dug up each elf-mound.

[FN#146] The letters in parentheses are a conjecture by Strachan, to

fill up a gap in the manuscript.

tised a ben. do uadib, Foce [a gap of 13 letters, rest of the version

lost.]

should come his wife to him from them.

Heroic Romances of Ireland, Translated into English Prose and Verse — Complete · 第 4 / 4 章