FROEBEL'S SECOND GIFT

"From the ball as a symbol of unity, we pass over in a

consecutive manner to the manifoldness of form in the cube."

"The child has an intimation in the cube of the unity which

lies at the foundation of all manifoldness, and from which

the latter proceeds." FRIEDRICH FROEBEL.

"Notice has now become observation, and observation leads to

discrimination. He sees and is curious by nature, but it

belongs to us to lead him to observe and inquire."

EMILY SHIRREFF.

1. Froebel's second gift consists of a wooden sphere, cube, and

cylinder, two inches in diameter (as now made), with rods and

standards for revolution.[18]

[18] "The wooden sphere has no string like the balls of the

first gift, because the child no longer needs the outward

connection; he now realizes the spiritual connection between

himself and the outer world." (E. G. Seymour.)

2. In the first gift the child received objects of the same shape and

size but of different colors, thus learning to separate color from

form. In the second gift he receives unlike objects, and learns to

distinguish them from each other by their individual peculiarities.

The first gift suggests unity, and leads to the detection of

resemblances; the second suggests variety or manifoldness, and

emphasizes contrasts.

3. The most important characteristic of the gift is contrast of form,

leading to the distinction of different objects. The mediation of

contrasts here suggests the connection of all objects, however widely

separated.

4. The purpose of the gift is to stimulate observation and comparison

by presentation of striking contrasts, and to afford new bases for the

classification of objects. Spencer says that any systematic

ministrations to the perceptions ought to be based upon the general

truth that in the development of every faculty markedly contrasted

impressions are the first to be distinguished; that hence sounds

greatly differing in loudness and pitch, colors very remote from each

other, and substances widely removed in hardness or texture should be

the first supplied; and that in each case the progression must be by

slow degrees to impressions more nearly allied.[19]

[19] _Education_, page 132.

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