"How does she deduce that?" demanded Anderson, idly fingering the badge

of the New York Detective Association, which for obvious reasons,--it

being a very hot night,--was attached to his suspenders.

"She deduced it through a keyhole," replied Mr. Squires. "Angie was up

at the cottage last night to get something she had left in an upstairs

hall closet. She just happened to stoop over to pick up something on the

floor right in front of Mrs. Smith's door. The strangest thing occurred.

She said it couldn't occur again in a thousand years, not even if she

tried to do it. Her left ear happened to stop not more than half an inch

from the keyhole. She just couldn't help hearing what Mrs. Smith said to

her maid. Angie says she said, plain as anything: 'You couldn't blame me

for sitting up all night, if you had to sleep in a thing like this.' She

didn't hear anything more, because she hates eavesdropping. Besides, she

thought she heard the maid walking toward the door. Now, what do you

make of that, Mr. Hawkshaw?"

"If you don't stop callin' me Hawkshaw, I'll--"

"I apologize. An acute case of lapsus lingua, Mr. Crow. But wasn't that

remark significant?"

"I am a friend of Mrs. Nixon's, an' I must decline to criticize her

beds," said Mr. Crow rather loftily. "I ain't ever slept in one of 'em,

but I'd do it any time before I'd set up all night."

"Granting that the bed was all right, then isn't it pretty clear that

she was referring to something else? The veil, for instance?"

"Sounds reasonable," said Newt Spratt, and then, after due

reflection,--"mighty reasonable."

"I'd hate to sleep in a veil," said Alf Reesling. "It's bad enough to

try to sleep with a mustard poultice on your jaw, like I did last winter

when I had that bad toothache. Doc Ellis says he never pulled a bigger

er a stubborner tooth in all his experience than--"

"I think you ought to investigate the Veiled Lady of Nixon Cottage,"

said Harry Squires, lowering his voice and glancing over his shoulder.

"You can't tell what she's up to, Anderson. It wouldn't surprise me if

she's a woman with a past. She may be using that veil as a disguise.

What's more, there may be a price on her head. The country is full of

these female spies, working tooth and nail for Germany. Suppose she

should turn out to be that society woman the New York papers say the

Secret Service men are chasing all over the country and can't find--the

Baroness von Slipernitz."

"What fer kind of a dog is that you got, Ed?" inquired Mr. Crow, calmly

ignoring the suggestion.

Mr. Higgins' new dog was enjoying a short nap in the middle of the

sidewalk, after an apparently fatiguing effort to dislodge something in

the neighbourhood of his left ear.

"Well," began Ed, eyeing the dog doubtfully, "all I know about him is

that he's a black dog. My wife has been sizin' him up for a day or two,

figgerin' on having him clipped here and there to see if he can't be

made to look as respectable as that dog of Mrs. Smith. Hetty Adams has

clipped that Newfoundland dog of hers. Changed him something terrible.

When I come across them on the street today, I declare I only recognized

half of him--an' I wouldn't have recognized that much if he hadn't

wagged it at me. It beats all what women will do to keep up with the

styles."

"I seen him today," said Mr. Spratt, "an' I never in all my life see a

dog that looked so mortified. I says to Hetty, says I: 'In the name o'

Heaven, Hetty,' says I, 'what you been doin' to Shep?' An' she says:

'I'd thank you, Newt Spratt, not to call my dog Shep. His name is

Edgar.' So I says to Shep: 'Come here, Edgar--that's a good dog.' An' he

never moved. Then I says: 'Hyah, Shep!' an' he almost jumped out of his

hide, he was so happy to find somebody that knowed who he was. '_Edgar_,

your granny!' says I to Hetty. 'What's the use of ruinin' a good dog by

calling him Edgar?' An' Hetty says: 'Come here, Edgar! Come here, I

say!' But Edgar, he never paid any attention to her. He just kep' on

tryin' to lick my hand, an' so she hit him a clip with her parysol an'

says: 'Edgar, must I speak to you again? Come here, I say! Behave like a

gentleman!' 'There ain't no dog livin' that's goin' to behave like a

gentleman if you call him names like that,' says I. 'It ain't human

nature,' says I. An' just to prove it to her, I turned an' says to Shep:

'Ain't that so, Shep, old sport?' An' what do you think that poor old

dog done? He got right up on his hind legs and tried to kiss me."

"No wonder she wants to call him Edgar," said Harry Squires. "That's

just the kind of thing an Edgar sort of dog would do."

"I was just going to say," said Mr. Crow, twisting his whiskers

reflectively, "that maybe she does it because she's had smallpox, or

been terribly scalded, or is cross-eyed, or something like that."

Mr. Squires inwardly rejoiced. He knew that the seed had been planted in

the Marshal's fertile brain, that it would thrive in the night and

sprout on the morrow. He saw delectable operations ahead; he was fond of

the old man, but nothing afforded him greater entertainment than the

futile but vainglorious efforts of Anderson Crow to achieve renown as a

detective.

The reporter was a constant thorn in the side of Crow, who both loved

and feared him. The _Banner_ seldom appeared without some sarcastic

advice to the Marshal of Tinkletown, but an adjoining column invariably

contained something of a complimentary character, the one so adroitly

offsetting the other that Mr. Crow never knew whether he was "afoot or

horseback," to quote him in his perplexity.

Harry Squires had worked on a New York morning paper in his early days.

His health failing him, he was compelled to abandon what might have

become a really brilliant career as a journalist. Lean, sick and

disheartened, he came to Bramble County to spend the winter with an old

aunt, who lived among the pine-covered hills above the village of

Tinkletown. That was twenty years ago. For nineteen years he had filled

the high-sounding post of city editor on the _Banner_. He always

maintained that the most excruciating thing he had ever written was the

line at the top of the first column of the so-called editorial page,

which said: "City Editor--Harry Sylvester Squires." Nothing, he claimed,

could be more provocative of hilarity than that.

In his capacity as city editor, he wrote advertisements, personals,

editorials, news-items, death-notices, locals and practically everything

else in the paper except the poetry sent in by Miss Sue Becker. He even

wrote the cable and telegraph matter, always ascribing it to a "Special

Correspondent of the _Banner_." In addition to all this, he "made-up"

the forms, corrected proof, wrote "heads," stood over the boy who ran

the press and stood over him when he wasn't running the press, took all

the blame and none of the credit for things that appeared in the paper,

and once a week accepted currency to the amount of fifteen dollars as an

honorarium.

Regarding himself as permanently buried in this out-of-the-way spot on

the earth's surface, he had the grim humour to write his own "obituary"

and publish it in the columns of the _Banner_. He began it by saying

that he was going to tell the truth, the whole truth and nothing but the

truth about the "deceased." He had written hundreds of obituaries during

his career as city editor, he said, and not once before had he been at

liberty to tell the truth. In view of the fact that he had no relations

to stop their subscriptions to the paper, he felt that for once in his

life he could take advantage of an opportunity to write exactly as he

felt about the deceased.

He left out such phrases as "highly esteemed citizen," "nobility of

character," "loss to the community," "soul of integrity" and other stock

expressions. At the end he begged to inform his friends that flowers

might be deposited at the _Banner_ office or at his room in Mrs. Camp's

boarding-house, as he was buried in both places. Buttonhole bouquets

could be pinned upon him any day by simply stopping his customary

funeral procession about town. Such attentions should always be

accompanied by gentle words or exclamations of satisfaction, as for

example: "How natural you look!" or "You owed me ten dollars, but I

forgive you," or "It's a pity your friends allowed you to to be laid

away in a suit of clothes like that," or "I don't believe half the

things people said about you," or "It's a perfect shame you don't feel

like resting in peace," or "Did you leave anything worth mentioning?" He

also suggested that he would rest much easier in his grave if a slight

increase in salary attended the obsequies.

From this it may be gathered that Harry Squires was a man who made the

most out of a very ordinary situation.

* * * * *

Marshal Crow's suggestion met with instant response. "On the other hand,

Anderson, the lady may be as beautiful as the fabulous houri and as

devilish as Delilah. I don't want to take any steps in the matter

without giving you your chance." He spoke darkly.

Mr. Crow pricked up his ears. "What do you mean by that?"

"As a newspaper man, I am determined to clear up the mystery of the

Veiled Lady. If you persist in sitting around twiddling your thumbs and

looking like a primeval goat, I shall send to New York and engage a

detective to work on the case exclusively for the _Banner_. The _Banner_

is enterprising. We intend to give our subscribers the news, no matter

what it costs. If you--"

The Marshal swallowed the bait, hook and all. He arose from his chair

and faced Mr. Squires. "I'll thank you, Harry Squires, to keep out of

this. I didn't mean to say a word about it to you or anybody else until

I had gone a little further with my investigations, but now I've got to

let the cat out of the bag. I've been working day and night on her case

ever since she came to town. Never mind, Newt--don't ask me. I'll

announce the result of my investigations at the proper time an' not a

minute sooner. Now I guess I'll be moseyin' along. It's gettin' purty

late, an' I've got a lot of work to do before midnight."

He started down the steps. Harry Squires leaned back in his chair and

scratched a match on the leg of his trousers. By the time he raised the

lighted match to the bowl of his pipe, the smile had left his lips.

* * * * *

An uneventful week passed. The Veiled Lady made her daily excursions in

the big high-powered car, pursued her now well-known domestic habits,

retained her offensive aloofness, played games with the astounding

Snooks, suffered no ill effects whatsoever from the inimical glares of

the natives; and above all, she continued to set the fashions in

Tinkletown.

[Illustration: _The veiled lady made her daily excursions in the big

high-powered car_]

Mr. Crow stalked the streets early and late. He lurked behind the

corners of buildings; he peered sharply from the off-side of telephone

poles as the big limousine swept haughtily by. He patrolled the Nixon

neighbourhood by day and haunted it by night. On occasion he might have

been observed in the act of scrutinizing the tracks of the automobile

over recently sprinkled streets.

One evening, just after dusk,--after a sharp encounter with Harry

Squires, who bluntly accused him of loafing on the job,--he sauntered

past the Nixon cottage. His soul was full of bitterness. He was baffled.

Harry Squires was right; he had accomplished nothing--and what was

worse, he wasn't likely to accomplish anything. He sauntered back,

casting furtive glances into the spacious front-yard, and concluded to

ease his restless legs by leaning against a tree and crossing them in an

attitude of profound nonchalance. The tree happened to be almost

directly in front of the Nixon gate. Not to seem actually employed in

shadowing the house, he decided to pose with his back to the premises,

facing down the street, twisting his whiskers in a most pensive manner.

Suddenly a low, musical voice said:

"Good evening!"

Mr. Crow looked up into the thick foliage of the elm, then to the right

and left, and finally in the direction of the cottage, out of the corner

of his eye, after a sudden twist of the neck that caused him to wonder

whether he had sprained it.

The Veiled Lady was standing at the gate. In the gathering darkness her

figure seemed abnormally tall.

The Marshal hastily faced about and stared hard at the mystery.

"Evening," he said, somewhat uncertainly. Then he lifted his hat a

couple of inches from his head and replaced it at an entirely new angle,

pulling the rim down so far over the left eye that the right eye alone

was visible. This shift of the hat instantly transformed him into a

figure of speech; he became as "cunning as a fox." People in Tinkletown

had come to recognize this as an unfailing symptom of shrewdness on his

part. He always wore his hat like that when he was deep in the process

of "ferreting something out."

"Have I the honour of addressing Mr. Anderson Crow?" inquired the lady.

"You have," said he succinctly.

"Field Marshal Crow?"

"Ma'am?"

"Or is it Town Marshal? I am quite ignorant about titles."

"That's the name I go by, ma'am."

"Your name is very familiar to me. Are you in any way related to the

great detective?"

This was unexpected tribute. The only thing he could think up to say

was, "I'm him," and then, apologetically: "--unless some one's been

usin' my name without authority."

"Are you actually the great Anderson Crow? Do you know, I have always

thought of you as a fictitious character--like _Sherlock Holmes_. Are

you really _real_? Do I look upon you in the flesh?"

Mr. Crow was momentarily overwhelmed.

"Oh, I--I guess I'm not much different from other men, ma'am. I'm not

half as important as folks make me out to be."

"How nice and modest you are! That is the true sign of greatness, Mr.

Crow. I might have known that you would be simple."

"Simple?" murmured Anderson, to whom the word had but one meaning. He

thought of Willie Jones, the village idiot.

"'Simplicity, thou art a jewel,'" observed the Veiled Lady. "Will you

pardon a somewhat leading question, Mr. Crow?"

"Lead on," said he, still a trifle uncertain of himself.

"Who is that man standing against the tree beside you? Is he a friend of

yours?"

"Who is--is my what?"

"Your companion. Now he has moved over behind the tree."

Anderson shot a startled look over his shoulder.

"There ain't any man behind the tree. I'm all alone."

"Are you trying to make sport of me, Mr. Crow?"

"I should say not. I been standin' here fer some time, an' I guess I'd

know if anybody was--"

"Do you think I am blind?" demanded the lady quite sharply.

"Not if you c'n see a man behind this tree," said he, with conviction.

"You got the best eyesight of anybody I ever come across--that's all I

got to say."

"I see him very distinctly."

Anderson obligingly circled the tree.

"Do you see him now?" he inquired in an amused tone.

"Certainly. He walked around the tree just ahead of you."

"What the--" began Anderson angrily, but checked the words in time. "You

are mistaken. There ain't no one here, 'cept me."

"Is he one of your subordinates?" queried the woman, leaning forward in

the attitude of one peering intently.

"Must be a shadow you're seein', ma'am," he suggested, and suddenly was

conscious of the queer sensation that some one _was_ on the opposite

side of the tree.

"That's it!" she exclaimed eagerly. "A shadow! Aren't you detectives

always shadowing some one?"

"Yes, but we don't turn into shadows to do it, ma'am. We just--"

"There he is! Standing directly behind you. What object can you

possibly have, Mr. Crow, in lying to me about--"

"Lying?" gasped Anderson, after a swift, apprehensive glance over his

shoulder. "I'm tellin' you the gospel truth. Maybe that confounded

veil's botherin' your eyesight. Take it off, an' you'll see there ain't

no one--"

"Ah! What a remarkable leap! He must be possessed of wings."

Mr. Crow himself moved with such celerity that one might have described

the movement as a leap. He was within a yard of her when he next spoke;

his back was toward her, his eyes searching the darkness from which he

had sprung.

"Good Lord! You--you'd think there _was_ some one there by the way you

talk."

"He leaped from behind that tree to this one over here. It must be

thirty feet. How perfectly amazing!"

By this time the good Marshal was noticeably impressed. There was no

denying the fact that his voice shook.

"_Now_ who's lying?" he cried out.

She took no offence. Instead she pointed down the dark sidewalk. It

seemed to him that her arm was six feet long. He was fascinated by it.

"Now he is climbing up the tree--just like a squirrel. Look!"

Anderson felt the cold perspiration starting out all over his body.

"I--I swear I can't see anybody at all," the Marshal croaked weakly.

"Run over to that tree and look up, Mr. Crow," she whispered in great

agitation. "He is sitting on that big limb, looking at us--his eyes are

like little balls of fire. Send him away, please."

Haltingly the Marshal edged his way toward the tree. Coming to its base,

he peered upward. He saw nothing that resembled a human figure.

"Be careful!" called out the Veiled Lady. "He is about to swing down

upon your head. Hurry! There! Didn't you feel that?"

Anderson Crow made a flying leap for safety. He had the uncanny feeling

that his hair was slowly lifting the hat from his head.

"Feel--feel what?" he gasped.

"He swung down by his hands and kicked at you. I was sure his foot

struck your head. Ah! There he goes again. See him? He is climbing over

my wall--no, he is running along the top of it. Like the wind! And he--"

"Good heavens! Am I--am I goin' blind?" groaned Mr. Crow, his eyes

bulging.

"Now he has disappeared behind the rosebushes down in the corner of the

lot. He must be the same man I have seen--always about this time in the

evening. If he isn't one of your men, Mr. Crow, who in Heaven's name is

he?"

"You--you have seen him before?" murmured the Marshal, reaching up to

make sure that his hat was still in place.

"Four or five times. Last night he climbed up and stood beside that big

chimney up there--silhouetted against the sky. He looked very tall--much

taller than any ordinary man. The night before, he was out here on the

lawn, jumping from bush to bush, for all the world like a harlequin.

Once he actually leaped from the ground up to the roof of the porch, as

easily as you would spring--Where are you going, Mr. Crow?"

"I--I thought I saw him runnin' down the street just now," said Anderson

Crow, quickening his pace after a parting glance over his shoulder at

the tall lady in the gateway. "Maybe I can overtake him if I--if I--But

I guess I'd better hurry. He seems to be runnin' mighty fast."

He was twenty feet away when she called after him, a note of warning in

her voice:

"You are mistaken! He is following you--he is right at your heels, Mr.

Crow."

* * * * *

This was quite enough for Anderson Crow. He broke into a run. As he

clattered past the lower end of the garden wall, a low, horrifying

chuckle fell upon his ears. It was not the laugh of a human being. He

afterwards described it as the chortle of a hyena--hoarse and wild and

full of ghoulish glee.

Alf Reesling's house was two blocks down the street. Mr. Reesling was

getting a bit of fresh air in his front yard. The picket gate was open,

probably to let in the air, and he was leaning upon one of the posts.

His attention was attracted by the sound of approaching footsteps.

Almost before he knew what had happened, they were receding. Anderson

swept past; his chin up, his legs working like piston-rods.

The astonished Alf recognized his friend and adviser.

"Hey!" he shouted.

It was a physical impossibility for Anderson to slacken his speed. At

the same time, it was equally impossible for him to increase it. Alf,

scenting excitement, set out at top speed behind him, shouting all the

time.

Pursued and pursuer held their relative positions until they rounded

into Main Street. Reaching the zone of light--and safety--produced by

show-windows and open doors, the Marshal put on the brakes and ventured

a glance over his shoulder. Alf, lacking the incentive that spurred

Anderson, lagged some distance behind. A second glance reassured the

Marshal. Alf was lumbering heavily past Brubaker's drugstore, fully

revealed.

Observing an empty chair on the sidewalk in front of Jackson's

cigar-store, Mr. Crow directed his slowing footsteps toward it. He

flopped down with an abruptness that almost dismembered it. He was

fanning himself with his hat when Alf came up.

Alf leaned against the wooden Indian that guarded the portals. Presently

he wheezed:

"Wha--what's--all--the--rumpus?"

Instead of replying, Mr. Crow pressed his hand to his heart and shook

his head.

"Take your time," advised Alf sympathetically; whereupon Anderson nodded

his head.

Sim Jackson ambled to the front door, and Mort Fryback hobbled across

the street from his hardware store. Lum Gillespie dropped the hose with

which he was sousing an automobile in front of his garage and approached

the group.

In less than three minutes all of the nighthawks of Main Street were

gathered about Anderson Crow, convinced that something unusual was in

the air despite his protests.

Suddenly the Marshal's manner changed. He swept the considerable group

with an appraising eye, and then in a tone of authority said:

"Now that I've got you all together, I hereby order you in my capacity

as an official of the State and county, to close up your stores an'

consider yourselves organized into a posse. You will close up immejately

an' report to me here, ready for active work."

* * * * *

Shortly after ten o'clock a group of fifteen or eighteen men

moved silently away from Jackson's cigar-store, led by their

commander-in-chief. He was flanked on one side by Bill Kepsal, the

brawny blacksmith, and on the other by Sim Jackson, who happened to

possess a revolver.

After the posse had turned into the unrelieved shades of Maple Street,

Mr. Crow halted every few yards and said: "Sh!"

He had related a portion but not all of his experiences, winding up with

the statement that poor Mrs. Smith had been terribly frightened by the

mysterious prowler, and that it was their duty as citizens to put an end

to his activities if possible.

"Her description of him don't fit anybody livin' in this town," he had

said during the course of his narrative. "We ain't got anybody who c'n

jump thirty foot, or who c'n shin up a chimbly like a squirrel. You

never saw anybody as quick as he is, either. Supposin' you think you see

him standin' right beside you. Zip! Before you could blink an eye, he's

over there in front of Mort's store--just like that. Or up a tree!

Spryest cuss I ever laid eyes on. Made me think of a ghost."

"Ghost?" said Newt Spratt, pausing in the act of rolling up his sleeves.

"You say you saw him, Anderson?" inquired Alf Reesling.

"Course I did. Tall feller with--"

"And the lady saw him too?"

"She saw him first, I been tellin' you. She seemed to be able to see

quicker'n I could, 'cause she saw nearly every move he made. My

eyesight ain't as good as it used to be, an' besides, she could see

plainer from where she stood. Come on now--no time to waste. We got to

post ourselves all around the place an'--an' nab him if he shows himself

again. All you fellers have got to do is to obey orders."

* * * * *

At the corner of Maple and Sickle streets, a few hundred feet from the

Nixon cottage, the cavalcade received a whispered order to halt. The

Marshal, enjoining the utmost stealth, instructed his men where to place

themselves about the grounds they were soon to invest from various

approaches. After stealing over the stone wall, they were to crawl

forward on hands and knees until each man found a hiding-place behind a

bush or flower-bed. There he was to wait and watch. The first glimpse of

the mysterious intruder was to be the signal for a shout of alarm;

whereupon the whole posse was to close in upon him without an instant's

delay.

In course of time, the posse successfully debouched upon the lawn and

occupied crouching positions behind various objects of nature. The

minutes slowly consolidated themselves into half an hour; they were

pretty well started on the way toward the three-quarter mark, and still

no sign of the sprightly stranger. Lights were gleaming behind the

yellow shades of the downstairs window in the cottage; through the

Japanese curtains enveloping the veranda a dull, restricted glow forced

its way out upon the bordering flower-beds.

Anderson Crow, Detective · 第 9 / 17 段