CHAPTER XVI.

Isaura had, as we have seen, been hitherto saved by the siege and its

consequences from the fulfilment of her engagement to Gustave Rameau; and

since he had quitted his father's house she had not only seen less of

him, but a certain chill crept into his converse in the visits he paid to

her. The compassionate feeling his illness had excited, confirmed by the

unwonted gentleness of his mood, and the short-lived remorse with which

he spoke of his past faults and follies, necessarily faded away in

proportion as he regained that kind of febrile strength which was his

normal state of health, and with it the arrogant self-assertion which was

ingrained in his character. But it was now more than ever that she

became aware of the antagonism between all that constituted his inner

life and her own. It was not that he volunteered in her presence the

express utterance of those opinions, social or religious, which he

addressed to the public in the truculent journal to which, under a _nom

de plume_, he was the most inflammatory contributor. Whether it was that

he shrank from insulting the ears of the pure virgin whom he had wooed as

wife with avowals of his disdain of marriage bonds, or perhaps from

shocking yet more her womanly humanity and her religious faith by cries

for the blood of anti-republican traitors and the downfall of Christian

altars; or whether he yet clung, though with relapsing affection, to the

hold which her promise had imposed on him, and felt that that hold would

be for ever gone, and that she would recoil from his side in terror and

dismay, if she once learned that the man who had implored her to be his

saving angel from the comparatively mild errors of youth, had so belied

his assurance, so mocked her credulity, as deliberately to enter into

active warfare against all that he knew her sentiments regarded as noble

and her conscience received as divine: despite the suppression of avowed

doctrine on his part, the total want of sympathy between these

antagonistic natures made itself felt by both--more promptly felt by

Isaura. If Gustave did not frankly announce to her in that terrible time

(when all that a little later broke out on the side of the Communists was

more or less forcing ominous way to the lips of those who talked with

confidence to each other, whether to approve or to condemn) the

associates with whom he was leagued, the path to which he had committed

his career--still for her instincts for genuine Art--which for its

development needs the serenity of peace, which for its ideal needs dreams

that soar into the Infinite--Gustave had only the scornful sneer of the

man who identifies with his ambition the violent upset of all that

civilisation has established in this world, and the blank negation of all

that patient hope and heroic aspiration which humanity carries on into

the next.

On his side, Gustave Rameau, who was not without certain fine and

delicate attributes in a complicated nature over which the personal

vanity and the mobile temperament of the Parisian reigned supreme, chafed

at the restraints imposed on him. No matter what a man's doctrines may

be--however abominable you and I may deem them--man desires to find, in

the dearest fellowship he can establish, that sympathy in the woman his

choice singles out from her sex-deference to his opinions, sympathy with

his objects, as man. So, too, Gustave's sense of honour and according to

his own Parisian code that sense was keen--became exquisitely stung by

the thought that he was compelled to play the part of a mean dissimulator

to the girl for whose opinions he had the profoundest contempt. How

could these two, betrothed to each other, not feel, though without coming

to open dissension, that between them had flowed the inlet of water by

which they had been riven asunder? What man, if he can imagine himself a

Gustave Rameau, can blame the revolutionist absorbed in ambitious

projects for turning the pyramid of society topsy-turvy, if he shrank

more and more from the companionship of a betrothed with whom he could

not venture to exchange three words without caution and reserve? And

what woman can blame an Isaura if she felt a sensation of relief at the

very neglect of the affianced whom she had compassionated and could never

love?

Possibly the reader may best judge of the state of Isaura's mind at this

time by a few brief extracts from an imperfect fragmentary journal, in

which, amid saddened and lonely hours, she held converse with herself.

"One day at Enghien I listened silently to a conversation between M.

Savarin and the Englishman, who sought to explain the conception of duty

in which the German poet has given such noble utterance to the thoughts

of the German philosopher--viz., that moral aspiration has the same goal

as the artistic,--the attainment to the calm delight wherein the pain of

effort disappears in the content of achievement. Thus in life, as in

art, it is through discipline that we arrive at freedom, and duty only

completes itself when all motives, all actions, are attuned into one

harmonious whole, and it is not striven for as duty, but enjoyed as

happiness. M. Savarin treated this theory with the mockery with which

the French wit is ever apt to treat what it terms German mysticism.

According to him, duty must always be a hard and difficult struggle; and

he said laughingly, 'Whenever a man says, "I have done my duty," it is

with a long face and a mournful sigh.'

"Ah, how devoutly I listened to the Englishman! how harshly the

Frenchman's irony jarred upon my ears! And yet now, in the duty that

life imposes on me, to fulfil which I strain every power vouchsafed to my

nature, and seek to crush down every impulse that rebels, where is the

promised calm, where any approach to the content of achievement?

Contemplating the way before me, the Beautiful even of Art has vanished.

I see but cloud and desert. Can this which I assume to be duty really be

so? Ah, is it not sin even to ask my heart that question?

"Madame Rameau is very angry with her son for his neglect both of his

parents and of me. I have had to take his part against her. I would not

have him lose their love. Poor Gustave! But when Madame Rameau suddenly

said to-day: 'I erred in seeking the union between thee and Gustave.

Retract thy promise; in doing so thou wilt be justified,'--oh, the

strange joy that flashed upon me as she spoke. Am I justified? Am I?

Oh, if that Englishman had never crossed my path! Oh, if I had never

loved! or if in the last time we met he had not asked for my love, and

confessed his own! Then, I think, I could honestly reconcile my

conscience with my longings, and say to Gustave, 'We do not suit each

other; be we both released!' But now-is it that Gustave is really changed

from what he was, when in despondence at my own lot, and in pitying

belief that I might brighten and exalt his, I plighted my troth to him?

or is it not rather that the choice I thus voluntarily made became so

intolerable a thought the moment I knew I was beloved and sought by

another; and from that moment I lost the strength I had before,--strength

to silence the voice at my own heart? What! is it the image of that

other one which is persuading me to be false?--to exaggerate the

failings, to be blind to the merits of him who has a right to say, 'I am

what I was when thou didst pledge thyself to take me for better or for

worse'?

"Gustave has been here after an absence of several days. He was not

alone. The good Abbe Vertpre and Madame de Vandemar, with her son, M.

Raoul, were present. They had come on matters connected with our

ambulance. They do not know of my engagement to Gustave; and seeing him

in the uniform of a National Guard, the Abbe courteously addressed to him

some questions as to the possibility of checking the terrible increase of

the vice of intoxication, so alien till of late to the habits of the

Parisians, and becoming fatal to discipline and bodily endurance,--could

the number of the _cantines_ on the ramparts be more limited? Gustave

answered with rudeness and bitter sarcasm, 'Before priests could be

critics in military matters they must undertake military service

themselves.'

"The Abbe replied with unalterable good-humour, 'But, in order to

criticise the effects of drunkenness, must one get drunk one's self?'

Gustave was put out, and retired into a corner of the room, keeping

sullen silence till my other visitors left.

"Then before I could myself express the pain his words and manner had

given me, he said abruptly, 'I wonder how you can tolerate the

_tartuferie_ which may amuse on the comic stage, but in the tragedy of

these times is revolting.' This speech roused my anger, and the

conversation that ensued was the gravest that had ever passed between us.

"If Gustave were of stronger nature and more concentrated will, I believe

that the only feelings I should have for him would be antipathy and

dread. But it is his very weaknesses and inconsistencies that secure to

him a certain tenderness of interest. I think he could never be judged

without great indulgence by women; there is in him so much of the child,

--wayward, irritating one moment, and the next penitent, affectionate.

One feels as if persistence in evil were impossible to one so delicate

both in mind and form. That peculiar order of genius to which he belongs

seems as if it ought to be so estranged from all directions, violent or

coarse. When in poetry he seeks to utter some audacious and defying

sentiment, the substance melts away in daintiness of expression, in soft,

lute-like strains of slender music. And when he has stung, angered,

revolted my heart the most, suddenly he subsides into such pathetic

gentleness, such tearful remorse, that I feel as if resentment to one so

helpless, desertion of one who must fall without the support of a

friendly hand, were a selfish cruelty. It seems to me as if I were

dragged towards a precipice by a sickly child clinging to my robe.

"But in this last conversation with him, his language in regard to

subjects I hold most sacred drew forth from me words which startled him,

and which may avail to save him from that worst insanity of human minds,

--the mimicry of the Titans who would have dethroned a God to restore a

Chaos. I told him frankly that I had only promised to share his fate on

my faith in his assurance of my power to guide it heavenward; and that if

the opinions he announced were seriously entertained, and put forth in

defiance of heaven itself, we were separated for ever. I told him how

earnestly, in the calamities of the time, my own soul had sought to take

refuge in thoughts and hopes beyond the earth; and how deeply many a

sentiment that in former days passed by me with a smile in the light talk

of the salons, now shocked me as an outrage on the reverence which the

mortal child owes to the Divine Father. I owned to him how much of

comfort, of sustainment, of thought and aspiration, elevated beyond the

sphere of Art in which I had hitherto sought the purest air, the loftiest

goal, I owed to intercourse with minds like those of the Abbe de Vertpre;

and how painfully I felt as if I were guilty of ingratitude when he

compelled me to listen to insults on those whom I recognised as

benefactors.

"I wished to speak sternly; but it is my great misfortune, my prevalent

weakness, that I cannot be stern when I ought to be. It is with me in

life as in art. I never could on the stage have taken the part of a

Norma or a Medea. If I attempt in fiction a character which deserves

condemnation, I am untrue to poetic justice. I cannot condemn and

execute; I can but compassionate and pardon the creature I myself have

created. I was never in the real world stern but to one; and then, alas!

it was because I loved where I could no longer love with honour; and I,

knowing my weakness, had terror lest I should yield.

"So Gustave did not comprehend from my voice, my manner, how gravely I

was in earnest. But, himself softened, affected to tears, he confessed

his own faults--ceased to argue in order to praise; and--and--uttering

protestations seemingly the most sincere, he left me bound to him still

--bound to him still--woe is me!"

It is true that Isaura had come more directly under the influence of

religion than she had been in the earlier dates of this narrative. There

is a time in the lives of most of us, and especially in the lives of

women, when, despondent of all joy in an earthly future, and tortured by

conflicts between inclination and duty, we transfer all the passion and

fervour of our troubled souls to enthusiastic yearnings for the Divine

Love; seeking to rebaptise ourselves in the fountain of its mercy, taking

thence the only hopes that can cheer, the only strength that can sustain

us. Such a time had come to Isaura. Formerly she had escaped from the

griefs of the work-a-day world into the garden-land of Art. Now, Art had

grown unwelcome to her, almost hateful. Gone was the spell from the

garden-land; its flowers were faded, its paths were stony, its sunshine

had vanished in mist and rain. There are two voices of Nature in the

soul of the genuine artist,--that is, of him who, because he can create,

comprehends the necessity of the great Creator. Those voices are never

both silent. When one is hushed, the other becomes distinctly audible.

The one speaks to him of Art, the other of Religion.

At that period several societies for the relief and tendance of the

wounded had been formed by the women of Paris,--the earliest, if I

mistake not, by ladies of the highest rank--amongst whom were the

Comtesse de Vandemar and the Contessa di Rimini--though it necessarily

included others of stations less elevated. To this society, at the

request of Alain de Rochebriant and of Enguerrand, Isaura had eagerly

attached herself. It occupied much of her time; and in connection with

it she was brought much into sympathetic acquaintance with Raoul de

Vandemar--the most zealous and active member of that Society of St.

Francois de Sales, to which belonged other young nobles of the Legitimist

creed. The passion of Raoul's life was the relief of human suffering.

In him was personified the ideal of Christian charity. I think all, or

most of us, have known what it is to pass under the influence of a nature

that is so far akin to ours that it desires to become something better

and higher than it is--that desire being paramount in ourselves--but

seeks to be that something in ways not akin to, but remote from, the ways

in which we seek it. When this contact happens, either one nature, by

the mere force of will, subjugates and absorbs the other, or both, while

preserving their own individuality, apart and independent, enrich

themselves by mutual interchange, and the asperities which differences of

taste and sentiment in detail might otherwise provoke melt in the

sympathy which unites spirits striving with equal earnestness to rise

nearer to the unseen and unattainable Source, which they equally

recognise as Divine.

Perhaps, had these two persons met a year ago in the ordinary intercourse

of the world, neither would have detected the sympathy of which I speak.

Raoul was not without the prejudice against artists and writers of

romance, that is shared by many who cherish the persuasion that all is

vanity which does not concentrate imagination and intellect in the

destinies of the soul hereafter; and Isaura might have excited his

compassion, certainly not his reverence. While to her, his views on all

that seeks to render the actual life attractive and embellished, through

the accomplishments of Muse and Grace, would have seemed the narrow-

minded asceticism of a bigot. But now, amid the direful calamities of

the time, the beauty of both natures became visible to each. To the eyes

of Isaura tenderness became predominant in the monastic self-denial of

Raoul. To the eyes of Raoul, devotion became predominant in the gentle

thoughtfulness of Isaura. Their intercourse was in ambulance and

hospital-in care for the wounded, in prayer for the dying. Ah! it is

easy to declaim against the frivolities and vices of Parisian society as

they appear on the surface; and, in revolutionary times, it is the very

worst of Paris that ascends in scum to the top. But descend below the

surface, even in that demoralising suspense of order, and nowhere on

earth might the angel have beheld the image of humanity more amply

vindicating its claim to the heritage of heaven.

The Parisians — Volume 11 · 第 15 / 17 章