G. Sand

CXLIV. TO GUSTAVE FLAUBERT, at Croissset

Nohant, 9 January, 1870

I have had so much proof to correct that I am stupefied with it. I

needed that to console me for your departure, troubadour of my

heart, and for another departure also, that of my drudge of a

Plauchmar--and still another departure, that of my grand-nephew

Edme, my favorite, the one who played the marionettes with Maurice.

He has passed his examinations for collector and goes to Pithiviers-

-unless by pull, we could get him as substitute at La Chatre.

Do you know M. Roy, the head of the management of the domains? If by

chance the princess knew him and would be willing to say a word to

him in favor of young Simonnet? I should be happy to owe her this

joy for his family and this economy for his mother who is poor. It

appears that it is very easy to obtain and that no rule opposes it.

But one must HAVE PULL; a word to the princess, a line from M. Roy

and our tears would change to joy.

That child is very dear to me. He is so loving and so good! They had

hard work to bring him up, he was always ill, always dandled on the

knees and always gentle and sweet. He has a great deal of

intelligence and he works well at La Chatre, where his chief the

collector adores him and mourns for him also. Well, do what you can,

if you can do anything at all.

They continue to damn your book. That doesn't prevent it from being

a fine and good book. Justice will come later, JUSTICE IS ALWAYS

DONE. Apparently it did not come at the right moment, or rather it

came too soon. It has demonstrated too well the disorder that reigns

in people's minds. It has rubbed the open wound, people recognize

themselves too well in it.

Everyone adores you here and our consciences are too pure to be

upset at the truth: we talk of you every day. Yesterday, Lina said

to me that she admired very much all you do, but that she preferred

Salammbo to your modern descriptions. If you had been in a corner,

this is what you would have heard from her, from me, and from THE

OTHERS:

"He is taller and larger than the average person. His mind is like

him, beyond ordinary proportions. In that he is like Victor Hugo, at

least as much as like Balzac, but he has the taste and discernment

that Hugo lacks, and he is an artist which Balzac was not.--Is he

then more than both? Chi lo sa?--He hasn't let himself out yet. The

enormous volume of his brain troubles him. He doesn't know if he is

a poet or a realist; and the fact that he is both, hinders him.--He

must get straightened out in his different lines of effort. He sees

everything and wants to grasp everything at once.--He is not the cut

of the public that wants to eat in little mouthfuls, whom large

pieces choke. But the public will go to him, just the same, when it

understands.--It will even go rather quickly if the author

CONDESCENDS to be willing to be quite understood.--For that, perhaps

there will have to be asked some concessions to the indolence of its

mind. One ought to reflect before daring to give this advice."

That sums up what we said. It is not useless to know the opinion of

good people and of young people. The youngest say that l'Education

sentimentale made them sad. They did not come across themselves in

it, they who have not yet lived; but they have illusions and they

say: "Why does this man, so good, so kind, so gay, so simple, so

sympathetic, wish to discourage us from living?" What they say is

poorly reasoned out, but as it is instinctive, perhaps it ought to

be taken into account.

Aurore talks of you and still cradles her baby in her lap; Gabrielle

calls Punch, HER LITTLE ONE, and will not eat her dinner unless he

is opposite her. They are our continual idols, these brats.

Yesterday, I received, after your letter of the day before, a letter

from Berton, who thinks that they will not play l'Affranchi longer

than the 18th or the 20th. Wait for me, since you can delay your

departure a little. It is too bad weather to go to Croisset; it is

always an effort for me to leave my dear nest to go to attend to my

miserable profession; but the effort is less when I hope to find you

in Paris.

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