LVIII. TO GEORGE SAND

I stayed thirty-six hours in Paris at the beginning of this week, in

order to be present at the Tuileries ball. Without any exaggeration,

it was splendid. Paris on the whole turns to the colossal. It is

becoming foolish and unrestrained. Perhaps we are returning to the

ancient Orient. It seems to me that idols will come out of the

earth. We are menaced with a Babylon.

Why not? The INDIVIDUAL has been so denied by democracy that he will

abase himself to a complete effacement, as under the great

theocratic despotisms.

The Tsar of Russia displeased me profoundly; I found him a rustic.

On a parallel with Monsieur Floquet who cries without any danger:

"Long live Poland!" We have chic people who have had themselves

registered at the Elysee. Oh! what a fine epoch!

My novel goes piano. The further I get on the more difficulties

arise. What a heavy cart of sandstone to drag along! And you pity

yourself for a labor that lasts six months!

I have enough more for two years, at least (OF MINE). How the devil

do you find the connection between your ideas? It is that that

delays me. Moreover this book demands tiresome researches. For

instance on Monday; I was at the Jockey Club, at the Cafe Anglais,

and at a lawyer's in turn. Do you like Victor Hugo's preface to the

Paris-Guide? Not very much, do you? Hugo's philosophy seems to me

always vague.

I was carried away with delight, a week ago, at an encampment of

Gypsies who had established at Rouen. This is the third time that I

have seen them and always with a new pleasure. The great thing is

that they excite the hatred of the bourgeois, although they are as

inoffensive as sheep.

I appeared very badly before the crowd because I gave them a few

sous, and I heard some fine words a la Prudhomme. That hatred

springs from something very profound and complex. One finds it

among all orderly people.

It is the hatred that one feels for the bedouin, for the heretic,

the philosopher, the solitary, the poet; and there is a fear in that

hate. I, who am always for the minority, am exasperated by it. It is

true that many things exasperate me. On the day that I am no longer

outraged, I shall fall flat as the marionette from which one

withdraws the support of the stick.

Thus, THE STAKE that has supported me this winter, is the

indignation that I had against our great national historian, M.

Thiers, who had reached the condition of a demi-god, and the

pamphlet Trochu, and the everlasting Changarnier coming back over

the water. God be thanked that the Exposition has delivered us

momentarily from these GREAT MEN.

LIX. TO GUSTAVE FLAUBERT, at Croisset

Nohant, 30 May, 1867

Here you are at home, old friend of my heart, and I and Maurice must

go to embrace you. If you are still buried in work, we shall only

come and go. It is so near to Paris, that you must not hesitate to

tell us. I have finished Cadio, hurray! I have only to POLISH it a

little. It is like an illness, carrying this great affair for so

long in one's HEAD. I have been so interrupted by real illnesses

that I have had great trouble in setting to work again at it. But I

am wonderfully well since the fine weather and I am going to take a

bath of botany.

Maurice will take one of entomology. He walks three leagues with a

friend of like energy in order to hunt in a great plain for an

animal which has to be looked at with a magnifying glass. That is

happiness! That is being really infatuated. My gloom has disappeared

in making Cadio; at present I am only fifteen years old, and

everything to me appears for the best in the best possible of

worlds. That will last as long as it can. These are the intervals of

innocence in which forgetfulness of evil compensates for the

inexperience of the golden age.

How is your dear mother? She is fortunate to have you again near

her! And the novel? Good heavens! it must get on! Are you walking a

little? Are you more reasonable?

The other day, some people not at all stupid were here who spoke

highly of Madame Bovary, but with less zest of Salammbo. Lina got

into a white heat, not being willing that those wretches should make

the slightest objection to it; Maurice had to calm her, and moreover

he criticised the work very well, as an artist and as a scholar; so

well that the recalcitrants laid down their arms. I should like to

have written what he said. He speaks little and often badly; but

that time he succeeded extraordinarily well.

I shall then not say adieu, but au revoir, as soon as possible. I

love you much, much, my dear old fellow, you know it. My ideal would

be to live a long life with a good and great heart like yours. But

then, one would want never to die, and when one is really OLD, like

me, one must hold oneself ready for anything.

I embrace you tenderly, so does Maurice. Aurore is the sweetest and

the most ridiculous person. Her father makes her drink while he

says: Dominus vobiscum! then she drinks and answers: Amen! How she

is getting on! What a marvel is the development of a little child!

No one has ever written about that. Followed day by day, it would be

precious in every respect. It is one of those things that we all see

without noticing.

Adieu again; think of your old troubadour who thinks unceasingly of

you.

The George Sand-Gustave Flaubert Letters · 第 54 / 277 题