CHAPTER I

Psmith, Journalist

by Pelham Grenville Wodehouse

PREFACE

THE conditions of life in New York are so different from those of

London that a story of this kind calls for a little explanation.

There are several million inhabitants of New York. Not all of them

eke out a precarious livelihood by murdering one another, but there

is a definite section of the population which murders--not

casually, on the spur of the moment, but on definitely commercial

lines at so many dollars per murder. The "gangs" of New York exist

in fact. I have not invented them. Most of the incidents in this

story are based on actual happenings. The Rosenthal case, where

four men, headed by a genial individual calling himself "Gyp the

Blood" shot a fellow-citizen in cold blood in a spot as public and

fashionable as Piccadilly Circus and escaped in a motor-car, made

such a stir a few years ago that the noise of it was heard all over

the world and not, as is generally the case with the doings of the

gangs, in New York only. Rosenthal cases on a smaller and less

sensational scale are frequent occurrences on Manhattan Island. It

was the prominence of the victim rather than the unusual nature of

the occurrence that excited the New York press. Most gang victims

get a quarter of a column in small type.

P. G. WODEHOUSE

New York, 1915

CHAPTER I

"COSY MOMENTS"

The man in the street would not have known it, but a great crisis

was imminent in New York journalism.

Everything seemed much as usual in the city. The cars ran blithely

on Broadway. Newsboys shouted "Wux-try!" into the ears of nervous

pedestrians with their usual Caruso-like vim. Society passed up and

down Fifth Avenue in its automobiles, and was there a furrow of

anxiety upon Society's brow? None. At a thousand street corners a

thousand policemen preserved their air of massive superiority to

the things of this world. Not one of them showed the least sign of

perturbation. Nevertheless, the crisis was at hand. Mr. J. Fillken

Wilberfloss, editor-in-chief of _Cosy Moments_, was about to leave

his post and start on a ten weeks' holiday.

In New York one may find every class of paper which the imagination

can conceive. Every grade of society is catered for. If an Esquimau

came to New York, the first thing he would find on the bookstalls

in all probability would be the _Blubber Magazine_, or some similar

production written by Esquimaux for Esquimaux. Everybody reads in

New York, and reads all the time. The New Yorker peruses his

favourite paper while he is being jammed into a crowded compartment

on the subway or leaping like an antelope into a moving Street car.

There was thus a public for _Cosy Moments_. _Cosy Moments_, as its

name (an inspiration of Mr. Wilberfloss's own) is designed to

imply, is a journal for the home. It is the sort of paper which the

father of the family is expected to take home with him from his

office and read aloud to the chicks before bed-time. It was founded

by its proprietor, Mr. Benjamin White, as an antidote to yellow

journalism. One is forced to admit that up to the present yellow

journalism seems to be competing against it with a certain measure

of success. Headlines are still of as generous a size as

heretofore, and there is no tendency on the part of editors to

scamp the details of the last murder-case.

Nevertheless, _Cosy Moments_ thrives. It has its public.

Its contents are mildly interesting, if you like that sort of

thing. There is a "Moments in the Nursery" page, conducted by

Luella Granville Waterman, to which parents are invited to

contribute the bright speeches of their offspring, and which

bristles with little stories about the nursery canary, by Jane

(aged six), and other works of rising young authors. There is a

"Moments of Meditation" page, conducted by the Reverend Edwin T.

Philpotts; a "Moments Among the Masters" page, consisting of

assorted chunks looted from the literature of the past, when

foreheads were bulgy and thoughts profound, by Mr. Wilberfloss

himself; one or two other pages; a short story; answers to

correspondents on domestic matters; and a "Moments of Mirth" page,

conducted by an alleged humorist of the name of B. Henderson Asher,

which is about the most painful production ever served up to a

confiding public.

The guiding spirit of _Cosy Moments_ was Mr. Wilberfloss.

Circumstances had left the development of the paper mainly to him.

For the past twelve months the proprietor had been away in Europe,

taking the waters at Carlsbad, and the sole control of _Cosy Moments_

had passed into the hands of Mr. Wilberfloss. Nor had he proved

unworthy of the trust or unequal to the duties. In that year _Cosy

Moments_ had reached the highest possible level of domesticity.

Anything not calculated to appeal to the home had been rigidly

excluded. And as a result the circulation had increased steadily.

Two extra pages had been added, "Moments Among the Shoppers" and

"Moments with Society." And the advertisements had grown in volume.

But the work had told upon the Editor. Work of that sort carries

its penalties with it. Success means absorption, and absorption

spells softening of the brain.

Whether it was the strain of digging into the literature of the

past every week, or the effort of reading B. Henderson Asher's

"Moments of Mirth" is uncertain. At any rate, his duties, combined

with the heat of a New York summer, had sapped Mr. Wilberfloss's

health to such an extent that the doctor had ordered him ten weeks'

complete rest in the mountains. This Mr. Wilberfloss could,

perhaps, have endured, if this had been all. There are worse places

than the mountains of America in which to spend ten weeks of the

tail-end of summer, when the sun has ceased to grill and the

mosquitoes have relaxed their exertions. But it was not all. The

doctor, a far-seeing man who went down to first causes, had

absolutely declined to consent to Mr. Wilberfloss's suggestion that

he should keep in touch with the paper during his vacation. He was

adamant. He had seen copies of _Cosy Moments_ once or twice, and he

refused to permit a man in the editor's state of health to come in

contact with Luella Granville Waterman's "Moments in the Nursery"

and B. Henderson Asher's "Moments of Mirth." The medicine-man put

his foot down firmly.

"You must not see so much as the cover of the paper for ten weeks,"

he said. "And I'm not so sure that it shouldn't be longer. You must

forget that such a paper exists. You must dismiss the whole thing

from your mind, live in the open, and develop a little flesh and

muscle."

To Mr. Wilberfloss the sentence was almost equivalent to penal

servitude. It was with tears in his voice that he was giving his

final instructions to his sub-editor, in whose charge the paper

would be left during his absence. He had taken a long time doing

this. For two days he had been fussing in and out of the office, to

the discontent of its inmates, more especially Billy Windsor, the

sub-editor, who was now listening moodily to the last harangue of

the series, with the air of one whose heart is not in the subject.

Billy Windsor was a tall, wiry, loose-jointed young man, with

unkempt hair and the general demeanour of a caged eagle. Looking

at him, one could picture him astride of a bronco, rounding up

cattle, or cooking his dinner at a camp-fire. Somehow he did not

seem to fit into the _Cosy Moments_ atmosphere.

"Well, I think that that is all, Mr. Windsor," chirruped the

editor. He was a little man with a long neck and large _pince-nez_,

and he always chirruped. "You understand the general lines on which

I think the paper should be conducted?" The sub-editor nodded. Mr.

Wilberfloss made him tired. Sometimes he made him more tired than

at other times. At the present moment he filled him with an aching

weariness. The editor meant well, and was full of zeal, but he had

a habit of covering and recovering the ground. He possessed the art

of saying the same obvious thing in a number of different ways to a

degree which is found usually only in politicians. If Mr. Wilberfloss

had been a politician, he would have been one of those dealers in

glittering generalities who used to be fashionable in American

politics.

"There is just one thing," he continued "Mrs. Julia Burdett Parslow

is a little inclined--I may have mentioned this before--"

"You did," said the sub-editor.

Mr. Wilberfloss chirruped on, unchecked.

"A little inclined to be late with her 'Moments with Budding

Girlhood'. If this should happen while I am away, just write her a

letter, quite a pleasant letter, you understand, pointing out the

necessity of being in good time. The machinery of a weekly paper, of

course, cannot run smoothly unless contributors are in good time

with their copy. She is a very sensible woman, and she will

understand, I am sure, if you point it out to her."

The sub-editor nodded.

"And there is just one other thing. I wish you would correct a

slight tendency I have noticed lately in Mr. Asher to be just a

trifle--well, not precisely _risky_, but perhaps a shade _broad_

in his humour."

"His what?" said Billy Windsor.

"Mr. Asher is a very sensible man, and he will be the first to

acknowledge that his sense of humour has led him just a little

beyond the bounds. You understand? Well, that is all, I think. Now

I must really be going, or I shall miss my train. Good-bye, Mr.

Windsor."

"Good-bye," said the sub-editor thankfully.

At the door Mr. Wilberfloss paused with the air of an exile bidding

farewell to his native land, sighed, and trotted out.

Billy Windsor put his feet upon the table, and with a deep scowl

resumed his task of reading the proofs of Luella Granville

Waterman's "Moments in the Nursery."

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