TH’ GHOST!!!

“When aw wur a lad—(but that wurnt yusterday, nor th’

day before, nor any day last wick)—aw used to be trayted

neaw and then to wot wur cawd a good ghost story. Owd foak

then wur vast fond o’ ticklin’ yung foaks’ yers wi’ tales

abeawt hobgoblins, ghosts, carnivorous giants, vampyres,

ogres, un aw macks o’ uncouth beeins. Aw railly believe they

thowt sitch tales wur profitable, morally un’ religiously

speighkin’, un’ had little thowt abeauwt th’ uproar ’ut they

caused amung eawr juvenoile nerves. Weel con aw remember

beein’ neaw un then freetunt till it wur th’ herdest job i’

th’ world to keep my heart fro’ other roisin’ up into my

meawth, or skutterin’ deawn in t’ clugs. My yure would ha’

stood up loike th’ bristles uv a dleetin’ brush, un’ th’

best com ut ever wur made would ha’ fawn a victim to any

attempt to smooth it deawn to its gradely place; nay, aw

believe if anybuddy had tried wi’ a par o’ curlin’ tungs to

make it twist, they’d ha’ brokken um loike owd chips. These

tales gien me no partikilur noshun as to wot ghosts wur;

praps th’ tellers had no very clear ideo theirsels; but aw

geet o sort uv a general inklin’ ’ut they wur a very quare,

a very extriordinary, un a very wilful set o’ beeins; some

on um vast fond uv a toidy practical joke; un aw on um i’

their element when they wur potterin’ foaks’ plucks to make

eawt wot the dickens they meant by their merlocks.

“For some days th’ good foaks o’th’ city o’ Manchester have

had before their een uppo’ th’ waws, un’ i’th’ shop windows,

bills printed i’ black un flarin’ red ink, th’ letters

big enoof welly for a bloint chap to see, anneawncin’ at

th’ Lunnun New Music Haw th’ appearance uv a ‘Mervellous

Ghost’—_King’s_ Ghost! as a roival to that uv

Professor Pepper. Loike aw curious foak ’ut are made hongry

wi’ expectashun, aw went th’ other neet to have a look at

it, imaginin’, as aw went alung through th’ streets, that at

last aw should get a peep at a spectre uz would carry back

my moind to my yung days, un gie me some inseet into th’

naytur and essence uv sperrits—not sitch as one beighs at

th’ keawnter uv a _vault_, but sitch as proceed fro’

th’ clay tenement that lies, moshunless, decayin’ within.

Aw durnt know but aw felt a little bit sayrious too, un’ a

tunchy bit groiped wi’ fear, for it met be that th’ seet

would be made doubly awful by th’ appearance uv my gronny’s

ghost; if it wur, un hoo seed me, hoo’d be shure t’ gie me

a blisterin wi’ hur tung, for hoo wur a raddler at takkin’

th’ sheighne eawt on me wi’ that glib little member uv hus.

But when th’ ghost did appear—or _should_ have appeart

in its full proposhuns, by th’ mack aw fun’ mysel as far fro

th’ possesshun uv a genuine crumb o’ ghostly wisdum uz ever

aw wur i’ my born days. It should ha’ bin an illustrious

ghost—no less a chap than Owd Hamlet, th’ suvverin uv

anyshunt Denmark; un’ theerefore a rail _King’s_ ghost

(beawt patent). But that may akeawnt fer its peevishness,

its tricks, un’ its uncommon way o’ introducin’ itsel’. It

wouldn’t appear aw at wonst; at fust it showed its yed;

then, giving itsel’ a wry neck, it lugged in its showders un

its breast; then it disappeart, un’ shortly begun to ascend

wi’ its legs un’ feet, or else a pair uz it had borrowed

fro’ a nayburin’ corpse, uppermost; un’ when it had getten

so far in seet as its sternum, it flittert abeawt in an

ungrayshus manner, as if tryin’ to doance th’ Cure on its

yed. Praps it wur _because_ it wur a _King’s_

ghost that it wur so wilful, un’ tried to be so unnatural in

its ways, for some o’ th’ owd kings wur rum jockies, un’,

for owt we know, owd Hamlet met be loike owd George Thard,

who, Byron says, geet into heaven by mistake, wi’ his yed

under his arm, not havin’ any use for it in a place wheere

good thowts un good principles are alone acceptable. Owd

Hamlet met be labburin’ under an idea that Lankishire wur a

place in which a chap would be uv as mitch service to his

felly crayturs when stonnin’ on his yed as when reort up i’

th’ ushual style on his feet.

“This ghostly bizness is cawd an ‘optical illushun.’

Shouldn’t it be cawd an ‘optical _delushun_’? Aw know

aw never seed as monny pairs o’ optics so noicely chetted as

there wur on this occashun. Professor Buck’s kunjurashuns

we know beforehond are nowt but decepshuns; but aw’ll be

flogged if i’th’ way o’ bamboozlin’ one’s wits, un’ makin

th’ sense uv seet counifogle aw eawr other senses, he isn’t

far ayed o’ King’s ghost—a very prince besoide a regilur

muff.

“Neaw Pepper’s ghosts, they say, are genuine, are wot

they’re professed to be—foine specimens uv wot true science

un’ profershunal skill con accomplish. When aw th’ whole

bevy o’ King’s ghosts are _mustert_, they’re not, placed

alungsoide o’ one _Pepper_, wuth so mitch as a pinch o’

_sawt_; though, by th’ way ’at they try to catch owd

brids, they met have a lerge stock on hond o’ th’ latter

herticle.

“But, moind yoa, aw dunnot blame Mestur Harwood, th’ lesse

o’ th’ Haw. Now, not I; he, aw understond, has been done as

weel, nay to a bigger tune, than th’ public; un’ that he’s

doubly vext to think that he should, aimin’ at producin’

every novelty ’ut’s wuth presentin’ to th’ public, pay his

good money for a bad ghost! Un’ to aw th’ professhunals

engaged at th’ establishment it mun be awfully mortifyin’;

for wot gives ’um th’ horrors mooar than an ominous

convicshun that th’ _ghost winnot wawk_? Heawever, if

awm reetly informt, King’s ghost is to vanish, un’ Pepper’s

is to appear in its place. This shows a determinashun not to

be done wi’ a pousy Jack-o-lantern.

“By th’ _Music Haw Journal_ aw see too that Stead, th’

original Cure, un’ Mestur Ware, th’ author uv so monny comic

sungs, are to appear next wick. Booath o’ theese chaps aw

seed i’ Lunnun, when aw went to look at th’ Eggsibishun;

un’, my word, if they dunnot make Lankishire foak lowf

away aw unpleasant dreoms, un’ shift aw th’ bile left by

th’ ghost, awm no judge, that’s aw! So, there’s no need to

despair. As Shakspere says, ‘Shadows avaunt!’ un’ make way

for substanshul entertainments.—Yours gradely,

“August 7, 1863. KIT SKEWIFT.”

Towards the end of May, 1863, the audiences increased enormously at

the Royal Polytechnic, so that it became necessary to have a select

afternoon performance, the admission fee being raised from 1s. to

2s. 6d. on Saturday mornings only. It was at this period that I was

honoured with a visit from their Royal Highnesses the Prince and

Princess of Wales and suite; and after the performance had been

witnessed by them, I showed the Prince and Princess how the ghost was

raised, and explained to my distinguished audience all the machinery

and appliances used. Some of the suite amused the Prince by becoming

ghosts, and the following notice appeared the next morning in the

_Times_, May 20th, 1863:—

“Yesterday morning, by special command, Professor

Pepper had the honour of delivering his ghost lecture

before their Royal Highnesses the Prince and Princess

of Wales, and the Prince and Princess Louis of Hesse,

who were attended by the Countess of Macclesfield,

Baroness Von Schenck, Major Teesdale, and Captain

Westerweller. The distinguished party were received by

Professor Pepper, and after being conducted round the

galleries passed to the large theatre, where a commodious

Royal box had been prepared for their reception. At the

conclusion of the lecture, by the invitation of Professor

Pepper, they went behind the scenes, and examined with

much interest the machinery and appliances for producing

the Polytechnic ‘ghost.’ At the conclusion, their Royal

Highnesses graciously thanked the directors of the institution,

and after shaking hands with Professor Pepper,

retired.”—_The Times, May 20th, London, England._

“The ghosts of the Polytechnic, which manifest themselves

as a startling appendix to Mr. Pepper’s ‘Strange

Lecture’ on optical illusions, have proved singularly attractive,

and when the hour arrives for their appearance the

lecture room becomes as crowded as the pit of a theatre on

the night of Boxing-day.”—_(Second Notice), The Times, Jan.

20th, London, England._

The real element of success in the production of “The Strange Story,”

however, must be assigned to the ghost.

So many base and servile imitators now appeared with a sorry imitation

of the Polytechnic ghost that it became necessary to send the following

advertisement to all the London papers:—

The true history of the ghost · 第 5 / 15 题