Queen Dharini, the head wife of King Agnimitra, has received from her
brother a young girl named Malavika, whom he has rescued from robbers.
The queen is just having a large painting made of herself and her
retinue, and Malavika finds a place on it at her side. The king sees
the picture and eagerly inquires: "Who is that beautiful maiden?" The
suspicious queen does not answer his question, but takes measures to
have the girl carefully concealed from him and kept busy with dancing
lessons. But the king accidentally hears Malavika's name and makes up
his mind that he must have her. "Arrange some stratagem," he says to
his viduschaka, "so I may see her bodily whose picture I beheld
accidentally." The viduschaka promptly stirs up a dispute between the
two dancing-masters, which is to be settled by an exhibition of their
pupils before the king. The queen sees through the trick too late to
prevent its execution and the king's desire is gratified. He sees
Malavika, and finds her more beautiful even than her picture--her face
like the harvest moon, her bosom firm and swelling, her waist small
enough to span with the hand, her hips big, her toes beautifully
curved. She has never seen the king, yet loves him passionately. Her
left eye twitches--a favorable sign--and she sings: "I must obey the
will of others, but my heart desires you; I cannot conceal it." "She
uses her song as a means of offering herself to you," says the
viduschaka to the king, who replies: "In the presence of the queen her
love saw no other way." "The Creator made her the poisoned arrow of
the god of love," he continues to his friend after the performance is
over and they are alone. "Apply your mind and think out other plans
for meeting her." "You remind me," says the viduschaka, "of a vulture
that hovers over a butcher's shop, filled with greed for meat but also
with fear. I believe the eagerness to have your will has made you
ill." "How were it possible to remain well?" the king retorts. "My
heart no longer desires intimacies with any woman in all my harem. To
her with the beautiful eyes, alone shall my love be devoted
henceforth."
In the royal gardens stands an asoka tree whose bloom is retarded. To
hasten it, the tree must be touched by the decorated foot of a
beautiful woman. The queen was to have done this, but an accident has
injured her foot and she has asked Malavika to take her place. While
the king and his adviser are walking in the garden they see Malavika
all alone. Her love has made her wither like a jasmine wreath blighted
by frost. "How long," she laments, "will the god of love make me
endure this anguish, from which there is no relief?" One of the
queen's maids presently arrives with the paints and rings for
decorating Malavika's feet. The king watches the proceeding, and after
the maiden has touched the tree with her left foot he steps forward,
to the confusion of the two women. He tells Malavika that he, like the
tree, has long had no occasion to bloom, and begs her to make him
also, who loves only her, happy with the nectar of her touch.
Unluckily this whole scene has also been secretly witnessed by
Iravati, the second of the king's wives, who steps forward at this
moment and sarcastically tells Malavika to do his bidding. The
viduschaka tries to help out his confused master by pretending that
the meeting was accidental, and the king humbly calls himself her
loving husband, her slave, asks her pardon, and prostrates himself;
but she exclaims: "These are not the feet of Malavika whose touch you
desire to still your longing," and departs. The king feels quite hurt
by her action. "How unjust," he exclaims,
"is love! My heart belongs to the dear girl, therefore
Iravati did me a service by not accepting my
prostration. And yet it was love that led her to do
that! Therefore I must not overlook her anger, but try
to conciliate her."
Iravati goes straight to the first queen to report on their common
husband's new escapade. When the king hears of this he is astonished
at "such persistent anger," and dismayed on learning further that
Malavika is now confined in a dungeon, under lock and key, which
cannot be opened unless a messenger arrives with the queen's own seal
ring. But once more the viduschaka devises a ruse which puts him in
possession of the seal ring. The maiden is liberated and brought to
the water-house, whither the king hastens to meet her with the
viduschaka, who soon finds an excuse for going outside with the girl's
companion, leaving the lovers alone. "Why do you still hesitate, O
beauty, to unite yourself with one who has so long longed for your
love?" exclaims the king; and Malavika answers: "What I should like to
do I dare not; I fear the queen." "You need not fear her." "Did I not
see the master himself seized with fear when he saw the queen?" "Oh,
that," replies the king, "was only a matter of good breeding, as
becomes princes. But you, with the long eyes, I love so much that my
life depends on the hope that you love me too. Take me, take me, who
long have loved you." With these words he embraces her, while she
tries to resist. "How charming is the coyness of young girls!" he
exclaims.
"Trembling, she tries to restrain my hand, which is
busy with her girdle; while I embrace her ardently she
puts up her own hands to protect her bosom; her
countenance with the beautiful eyelashes she turns
aside when I try to raise it for a kiss; by thus
struggling she affords me the same delight as if I had
attained what I desire."
Again the second queen and her maid appear unexpectedly and disturb
the king's bliss. Her object is to go to the king's picture in the
water-house and beg its pardon for having been disrespectful, this
being better, in her opinion, than appearing before the king himself,
since he has given his heart to another, while in that picture he has
eyes for her alone (as Malavika, too, had noticed when she entered the
water-house). The viduschaka has proved an unreliable sentinel; he has
fallen asleep at the door of the house. The queen's maid perceives
this and, to tease him, touches him with a crooked staff. He awakes
crying that a snake has bitten him. The king runs out and is
confronted again by Iravati. "Well, well!" she exclaims, "this couple
meet in broad daylight and without hindrance to gratify their wishes!"
"An unheard-of greeting is this, my dear," said the king. "You are
mistaken; I see no cause for anger. I merely liberated the two girls
because this is a holiday, on which servants must not be confined, and
they came here to thank me." But he is glad to escape when a messenger
arrives opportunely to announce that a yellow ape has frightened the
princess.
"My heart trembles when I think of the queen," says Malavika, left
alone with her companion. "What will become of me now?" But the queen
knows her duty, according to Hindoo custom. She makes her maids array
Malavika in marriage dress, and then sends a message to the king
saying that she awaits him with Malavika and her attendants. The girl
does not know why she has been so richly attired, and when the king
beholds her he says to himself: "We are so near and yet apart. I seem
to myself like the bird Tschakravaka;[277] and the name of the night
which does not allow me to be united with my love is Dharini." At that
moment two captive girls are brought before the assemblage, and to
everyone's surprise they greet Malavika as "Princess." A princess she
proves to be, on inquiry, and the queen now carries out the plan she
had had in her mind, with the consent also of the second queen, who
sends her apologies at the same time. "Take her," says Dharini to the
king, and at a hint of the viduschaka she takes a veil and by putting
it on the new bride makes her a queen and spouse of equal rank with
herself. And the king answers:
"I am not surprised at your magnanimity. If women are
faithful and kind to their husbands, they even bring,
by way of serving him, new wives to him, like unto the
rivers which provide that the water of other streams
also is carried to the ocean. I have now but one more
wish; be hereafter always, irascible queen, prepared to
do me homage. I wish this for the sake of the other
women."