HINDOO DEPRAVITY

Since, as Ward attests (116), the young widows "without exception,

become abandoned women," it is obvious that one reason why the priests

were so anxious to prevent them from marrying again was to insure an

abundant supply of victims for their immoral purposes. The

hypocritical Brahmans were not only themselves notorious libertines,

but they shrewdly calculated that the simplest way to win the favor

and secure control of the Indian populace was by pandering to their

sensual appetites and supplying abundant opportunities and excuses for

their gratification--making these opportunities, in fact, part and

parcel of their religious ceremonies. Their temples and their sacred

carts which traversed the streets were decorated with obscene pictures

of a peculiarly disgusting kind,[271] which were freely exposed to the

gaze of old and young of both sexes; their temples were little more

than nurseries for the rearing of bayadères, a special class of

"sacred prostitutes;" while scenes of promiscuous debauchery sometimes

formed part of the religious ceremony, usually under some hypocritical

pretext.

It would be unjust, however, to make the Brahman priests entirely

responsible for Hindoo depravity. It has indeed been maintained that

there was a time when the Hindoos were free from all the vices which

now afflict them; but that is one of the silly myths of ignorant

dreamers, on a level with the notion that savages were corrupted by

whites. One of the oldest Hindoo documents, the _Mahabharata_, gives

us the native traditions concerning these "good old times" in two

sentences:

"Though in their youthful innocence the women abandoned

their husbands, they were guilty of no offence; for

such was the rule in early times." "Just as cattle are

situated, so are human beings, too, within their

respective castes"

which suggests a state of promiscuity as decided as that which

prevailed in Australia. Civilization did not teach the Hindoos

love--for that comes last--but merely the refinements of lust, such as

even the Greeks and Romans hardly knew. Ovid's _Ars Amandi_ is a model

of purity compared with the Hindoo "Art of Love," the

_K[=a]mas[=u]tram_ (or _Kama Soutra_) of V[=a]tsy[=a]yana, which is

nothing less than a handbook for libertines, of which it would be

impossible even to print the table of contents. Whereas the translator

of Ovid into a modern language need not omit more than a page of the

text, the German translator of the _K[=a]mas[=u]tram_, Dr. Richard

Schmidt, who did his work in behalf of the Kgl. Akademie der

Wissenschaften zu Berlin, felt it incumbent on him to turn more than

fifty pages out of four hundred and seventy into Latin. Yet the author

of this book, who lived about two thousand years ago, recommends that

every one, including young girls, should study it. In India, as his

French translator, Lamairesse, writes, "everything is done to awaken

carnal desires even in young children of both sexes." The natural

result is that, as the same writer remarks (186):

"Les catégories des femmes faciles sont si nombreuses

qu'elles doivent comprendre presque toutes les personnes du

sexe. Aussi un ministre protestant écrivait-il au milieu de

notre siècle qu'il n'existait presque point de femmes

vertueuses dans l'Inde."

The Rev. William Ward wrote (162) in 1824:

"It is a fact which greatly perplexes many of the

well-informed Hindus, that notwithstanding the wives of

Europeans are seen in so many mixed companies, they

remain chaste; while their wives, though continually

secluded, watched, and veiled, are so notoriously

corrupt. I recollect the observation of a gentleman who

had lived nearly twenty years in Bengal, whose opinions

on such a subject demanded the highest regard, that the

infidelity of the Hindu women was so great that he

scarcely thought there was a single instance of a wife

who had been always faithful to her husband."[272]

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