NO LOVE OF ROMANTIC SCENERY

Savages, on the other hand, are prevented from appreciating snow

mountains, avalanches, roaring torrents, ocean storms, deep glens,

jungles, and solitudes, not only by their lack of refinement, but by

their fears of wild animals, human enemies, and evil spirits. "In the

Australian bush," writes Tylor (_P.C._, II., 203), "demons whistle in

the branches, and stooping with outstretched arms sneak among the

trunks to seize the wayfarer;" and Powers (88) writes in regard to

California Indians that they listen to night noises with unspeakable

horror:

"It is difficult for us to conceive of the speechless

terrors which these poor wretches suffer from the screeching

of owls, the shrieking of night-hawks, the rustling of the

trees ... all of which are only channels of poison wherewith

the demons would smite them."

To the primitive mind, the world over, a high mountain is the horror

of horrors, the abode of evil spirits, and an attempt to climb it

certain death. So strong is this superstition that explorers have

often experienced the greatest difficulty in getting natives to serve

as porters of provisions in their ascents of peaks.[6] Even the Greeks

and Romans cared for landscape only in so far as it was humanized

(parks and gardens) and habitable. "Their souls," says Rohde (511),

"could never have been touched by the sublime thrills we

feel in the presence of the dark surges of the sea, the

gloom of a primeval forest, the solitude and silence of

sunlit mountain summits."

And Humboldt, who first noted the absence in Greek and Roman writings

of the admiration of romantic scenery, remarked (24):

"Of the eternal snow of the Alps, glowing in the rosy

light of the morning or evening sun, of the loveliness

of the blue glacier ice, of the stupendous grandeur of

Swiss landscape, no description has come down to us

from them; yet there was a constant procession over

these Alps, from Helvetia to Gallia, of statesmen and

generals with literary men in their train. All these

travellers tell us only of the steep and abominable

roads; the romantic aspect of scenery never engages

their attention. It is even known that Julius Caesar,

when he returned to his legions in Gaul, employed his

time while crossing the Alps in writing his grammatical

treatise 'De Analogia.'"

A sceptical reader might retort that the love of romantic scenery is

so subtle a sentiment, and so far from being universal even now, that

it would be rash to argue from its absence among savages, Greeks, and

Romans, that love, a sentiment so much stronger and more prevalent,

could have been in the same predicament. Let us therefore take another

sentiment, the religious, the vast power and wide prevalence of which

no one will deny.

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