This excellent work should form every student’s companion
from the first beginning until a degree of considerable
technical skill has been reached. It gains much by E.
Heim’s careful revision as to the fingering, bowing,
and all marks of expression.
=Arena.= A collection of Duets for two violins,
arranged in progressive order, carefully marked and
annotated by E. Heim:—
Book V. Duets up to the fourth and fifth positions, by
Hering, Mozart. Kreutzer, and H. Ries. (11805 s).
Book VA. Duets up to the fifth position,
by J. S. Bach, Mozart, and Polledro. (11805 a).
Graduated Duets revised by Ernst Heim. Each book corresponds
in difficulty with the same book of his Violin Studies
“Gradus ad Parnassum”, see page 114, and his Violin and
Piano pieces, “Palaestra”, see page 142.
=Dont.= 20 Exercices progressifs. Op. 38. (7605).
=Gurlitt.= Op. 105. Ouverture des Marionettes. (7596).
Op. 137. “Commedietta” Ouverture. (7599).
=Hermann.= Op. 26. Morceaux mélodiques; Bks. 1, 2, 3.
(Piano _ad lib_). (5328 a-c).
=Kayser, H. E.= Violin Studies, carefully revised,
fingered, and with instructive annotations by Ernst
Heim:—
36 elementary and progressive Studies (introductory to
those of Kreutzer). Op. 20. Book 3. (5610 c).
=Molique, B.= 3 Duets. Op. 3. 3 Books. (10008 a-c).
=Mozart, W. A.= Op. 70. 12 Duets. 4 Bks.
=Pleyel, I.= Op. 23. Duos. (1085 d).
— Op. 24. Duos. (1085 e).
— Op. 44. Duos. (5628).
=Ries, H.= Progressive Duets, (Ernst Heim).
Book III. Up to third position. (5629 c).
These melodious and graceful compositions are rendered
more valuable by the careful revision of fingering,
bowing and marks of expression. They contain a wealth
of technical devices.
=Rode, P.= Op. 1. 6 Duos. 2 Bks.
=Viotti.= Concert duets. 13 Bks.
Step IV. All Positions.
=Alard, D.= Progressive Duets, revised and fingered
by E. Heim:—
Book VIII. Op. 23. Easy. 5th position. (5599 h).
Book IX. Op. 27. Brilliant. 7th position. (5599 i).
Book X. Op. 27. Brilliant. All positions. (5599 k).
Book XI. Op. 27. Brilliant. All positions. (5599 l).
Book XII. Op. 27. Brilliant. All positions. (5599 m).
This excellent work should form every student’s companion
from the first beginning until a degree of considerable
technical skill has been reached. It gains much by E.
Heim’s careful revision as to the fingering, bowing and
all marks of expression.
=Arena.= A collection of Duets for two violins,
arranged in progressive order, carefully marked and
annotated by E. Heim:—
Book VI. Duets up to the sixth and seventh positions,
by H. Ries, Haydn, and Alard. (11806 s).
Book VIA. Duets up to the sixth position,
by Hauptmann and Blumenthal. (11806 a).
An excellent collection of graduated Duets revised by
Ernst Heim; each book corresponds in difficulty with
the same book of his Violin Studies “Gradus ad Parnassum”,
see page 115, and his Violin and Piano pieces, “Palaestra”,
see page 151.
=Hauptmann, M.= Op. 2. 2 Duets. (1082).
— Op. 16. 3 Duos. (5611).
=Hermann.= Op. 26. Morceaux mélodiques. Bks. 4, 5.
(5328 d, e).
=Kayser, H. E.= Violin Studies, carefully revised,
fingered, and with instructive annotations by Ernst Heim:—
16 Studies (comprising studies in the half, 1st, 2nd, 3rd,
4th, 5th, 6th, and 7th Positions). Op. 28. (5619).
Nos. 1-9 belong to II; 10 and 11 to III.
16 Studies (to follow the 36 Studies, Op. 20). Op. 30.
(5620).
Nos. 1-3, 7, 10, 14, 15 belong to II; Nos. 6 and 8 to III.
=Mayseder.= 3 celebrated Duets. Op. 30, 31, and 32.
(10007 a-c).
=Ries, H.= Progressive Duets. (Ernst Heim).
Book IV. Up to sixth position. (5629 d). Book V. Up to
seventh position. (5629 e). Book VI—IX. In all
positions. 4 Books. (5629 f-i).
These melodious and graceful compositions are rendered more
valuable by the careful revision of fingering, bowing
and marks of expression. They contain a wealth of
technical devices.
Step V. Difficult.
=Arena.= A Collection of Duets for Two Violins,
arranged in progressive order, carefully marked and
annotated:—
Book VII. 2 Duets in all positions (difficult), by Hauptmann
and De Bériot. (11807 s).
Book VIIA. 3 Duets in all positions (difficult), by
Haydn, J. B. Viotti, and Campagnoli. (11807 a).
Book VIII. 2 Duets in all positions (very difficult), by F.
Ries, and Hauptmann. (11808 s).
Book VIIIA. Duets in all positions. (Very
difficult), by C. de Bériot, and M. Hauptmann.
(11808 a).
Graduated Duets revised by Ernst Heim; each book corresponds
in difficulty with the same book of his Violin Studies,
“Gradus ad Parnassum”, see page 117, and his Violin and
piano pieces, “Palaestra”, see page 156.
=Hermann.= Op. 24. Études spéciales. On double stops,
shifting &c. (5615 a).
— Op. 26. Morceaux mélodiques. Bk. 6. (5328 f).
=Kalliwoda.= Op. 234. Grand Duo brillant. (5607).
=Rode.= 24 Caprices in the form of Studies, with 2nd
Violin by Ludwig Abel; revised by E. Heim. (5632).
The addition of an excellent second violin part by
Ludwig Abel combined with the careful revision which
characterises Heim’s work, and the numbering of every
fifth bar, will make this edition welcome to all students.
Step VI. Concert Duets.
=Heim, Ernst.= Arena. A Collection of Duets for 2
Violins, arranged in progressive order, carefully marked
and annotated:—
Book IX. 2 Concert Duets, by Spohr and H. Ries. (11809 s).
Book IXA. Concert Duets. Nos. 33 and 34 by Spohr,
No. 35 by Mazas. (11809 a).
Book X. 3 Concert Duets by Spohr. (11810 s).
Book XA. Concert Duets, by M. Hauptmann & L. Spohr.
(11810 a).
=Spohr, L.= Op. 3, 39, 67, 148, 150 and 153. 14 Grand
Duets. (7 Bks.).
These are the finest and most difficult duets for two violins.
Duets for Violin and Violoncello.
=Kreutzer.= Sonatas. Op. 16 and 17. 2 Bks. II.
=Beethoven.= 3 Duets. III.
=Haydn, J.= Duet in D. III.
=Hoffmann, H. A.= 6 Duos. Op. 5. III.
=Leonard & Servais.= Grand Duo de Concert (Airs Anglais). VI.
Duets for Violin and Organ.
=Album.= 10 Pieces. (2450).
Nos. 1, 2, 3 and 6. II. Nos. 5, 6, 7, 8. III. Nos. 4, 9
and 10. IV.
=Becker, A.= Op. 20. Adagio. (2078). IV.
=Henkel, H.= 3 Tonsätze von J. S. Bach, arr. No. 1,
Berceuse; 2, Sarabande; 3, Toccata. (7326). II.
=Jensen, Gustav.= Arioso e Rondo patetico. Op. 40.
(5380). IV.
=Lachner, I.= 2 Pieces. Op. 66. No. 1, Andantino; 2,
Nocturno. IV.
=Mozart.= Andante Cantabile from Violin Concerto. Op.
121. Arr. by I. Lachner. IV.
=Rheinberger, J.= Op. 150. 6 Pieces. No. 1, Theme with
variations; 2, Abendlied; 3, Gigue; 4, Pastorale; 5,
Elegie; 6, Overture.
=Spohr.= Adagio from 9th Violin Concerto, arr. by I.
Lachner. IV.
Pieces for Violin with piano accompaniment.
Step I A. First Position, Elementary.
The simplest pieces only (rhythmically, as well as technically) are
included under this head, the melodies being almost entirely either in
minims and crotchets, or in crotchets and quavers.
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin Solo with Pianoforte
Accompaniment: arranged in progressive order, carefully
marked and annotated by Ernst Heim:—
An excellent collection of graduated pieces revised by
Ernst Heim, each book corresponds in difficulty with the
same book of his Violin Studies, “Gradus ad Parnassum”,
see page 111, and his Violin Duets, “Arena”, see page 120.
Book IA. Contents.—4 Pieces on the open strings
by Ritter, Reinecke, etc., and 7 easy Pieces in the
easiest keys, first position, by Ritter, Moffat, Aprile,
Saint-George, etc. (11471 a).
Book IB. 9 easy Pieces in the easiest keys, first
position by Moffat, Heim, Reinecke, and Gurlitt. (11471 b).
Book IC. Supplement to Books a and b. Piece on
the open strings by Bordogni, and 9 easy Pieces in the
easiest keys by Moffat, Ritter, Concone, Stephen Heller,
Volkmann, Laubach, etc. (11471 c).
=Fitzenhagen, W.= Petits Morceaux. (Violin part within
the compass of a Fourth):—
Op. 38. No. 1. Ave Maria.
=Heim, Ernst.= Abecedarian in Violin Playing.
Elementary Pieces in progressive order. Nos. 1-25. Bk.
1. (11461 a).
Most useful and attractive collection for young beginners.
=Hering, Carl.= 16 Pieces in progressive order. Op. 14.
Revised and marked for teaching purposes by Ernst Heim.
(11493).
Nos. 1-10. Nos. 11-16 belong to the following grade.
—Short Drawing Room Pieces.
A very attractive set beginning with a little prelude for
the open strings only. Book 1 contains 7 melodious
little pieces, books 2 and 3 belong to the next division.
=Kreuz, E.= Op. 25. 30 Melodies. 3 Bks. (7515 a-c).
=Laubach, A.= 3 Pieces (Menuetto, Nocturne [Ib], Marche
militaire).
=Moffat, A.= 6 Easy Pieces for young Violinists. (7525).
=Rieding, O.= 6 Easy Pieces.
Nocturne, Impromptu, Romance, Nos. 4, 5 and 6 belong to Ib.
=Ritter, E. W.= 12 Short Pieces.
Book 1 contains three little pieces for the open strings only.
Book 2 utilizes only the 1st and 2nd fingers.
Book 3 introduces the 3rd, and Book 4 the 4th finger.
=Wurm, Marie.= Lullaby.
Step Ib. First Position, Easy and progressive.
In the easiest keys only, but containing a little more movement and
rhythmic variety.
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin Solo with Pianoforte
Accompaniment; arranged in progressive order, carefully
marked and annotated by Ernst Heim:—
Book IIA. Easy Pieces in major and minor keys, and
in the first position, by Mendelssohn, Ritter, Laubach,
and R. Hofmann. (11472 a).
Book IIB. Easy Pieces in major and minor keys, and
in the first position, by R. Hofmann, Handel, and L.
Nicole. Occurrence of easy double-stopping, chords, and
easy ornaments, by Laubach, Meo, and Haydn. (11472 b).
Book IIC. Supplement to Books a and b. Pieces by
Wolfermann, Stephen Heller, Tschaïkowsky, Kreuz, and
Kullak. (11472 c).
An excellent Collection of Graduated Violin and Piano
pieces revised by Ernst Heim; each book corresponds
in difficulty with the same book of his Violin Duets,
“Arena”, see page 120, and his Violin Studies, “Gradus
ad Parnassum”, see page 111.
=Beazley, J. C.= 6 Little Pieces. Book 1, “A stray
thought,” “On the lake”, and “A happy moment”; Book 2,
“Eventide”. “Meditation” and “March”.
=Clark, Scotson.= Melody in A.
=Danbé, J.= 6 Petits Morceaux. Cantabile & Allegro,
Petite Valse, Caprice, Adagio and Rondo, Minuet, Petite
Barcarolle.
Melodious and attractive to young pupils.
=Fitzenhagen, W.= Petits Morceaux. (Violin part within
the compass of a fourth):—
3 Morceaux. Op. 38. No. 2, Barcarolle; No. 3. Mazurka.
Morceaux. Op. 39. No. 1, Cavatine; No. 2, Ländler; No. 3,
Tarantelle.
Very effective little pieces within the compass of a fourth;
with very attractive piano accompaniments.
=Gurlitt, C.= Our Favorite Tunes. Melodies, Ancient and
Modern. (7375).
—Morceaux de Salon (faciles). Op. 146:—
Ländler, Neues Leben, Nocturno, Impromptu. (8677 a).
—Two miniature Sonatas (in first position). Op. 180 in F
and D. (7500).
An excellent introduction to concerted playing for
musically intelligent young beginners.
—The Chase. (Die Jagd.) Op. 190, No. 6.
=Hauptmann, M.= 3 Sonatinas. (7384).
The rudimentary features of the sonata form are here packed
into a very small compass indeed; all three movements of
No. 1 occupying only one page in the violin part.
=Heim, E.= Abecedarian in Violin Playing. Elementary
Pieces, transcribed and arranged in progressive order.
Book II. Nos. 26-45. (11461 b).
=Hering, Carl.= 16 Pieces in progressive order. Nos.
11-16. Op. 14. Revised and marked for teaching purposes
by Ernst Heim. (11493).
— 8 pieces. Op. 21. (Ernst Heim.) (11494).
— 10 Petits Morceaux. Op. 66. (7392).
— Short Drawing Room Pieces. Bks. 2 and 3.
=Hermann, F.= 50 favourite Melodies; the Violin Part in
the first position. (5465 c).
The same are also arranged for violin solo, (5465 a); 2
violins and piano, (5465 d); Violin, violoncello and
piano. (5465 f).
=Hill, Claud H.= Three Pieces. No. 1, Prelude; No. 2,
Allegretto; No. 3, Gavotte.
=Hoby, C.= Album of Duets. Romance, Bourrée, Fairy
Tale, Alla Mazurka.
Especially pleasing is No. 3. No. 1 contains a few bars only
playable to those prepared to enter on II.
=Hofmann, Richard.= Op. 101. No. 1, Animation.
—Potpourris on popular Melodies from classical and modern
operas and oratorios.
Adam. Der Postilion. (5401 c).
Bellini. Nachtwandlerin. (Sonnambula). (5402 c).
Bellini. Norma. (5403 c).
Boieldieu. Le Calife de Bagdad. (5404 c).
Boieldieu. La Dame Blanche. (5405 c).
Donizetti. La Fille du Régiment. (5406 c).
Donizetti. Lucia di Lammermoor. (5407 c).
Gluck. Orpheus. (5408 c).
Handel. The Messiah. (5409 c).
Haydn. The Creation. (5410 c).
Hérold. Zampa. (5411 c).
Lortzing. Wildschütz. (5412 c).
Lortzing. Czar und Zimmermann. (5413 c).
Méhul. Joseph. (5414 c).
Mendelssohn. St. Paul. (5415 c).
Mozart. Il Seraglio. (5416 c).
Mozart. Il Flauto Magico. (5417 c).
Mozart. Don Giovanni. (5418 c).
Weber. Der Freischütz. (5419 c).
=Horrocks, A. E.= Rigaudon.
=Kayser.= Op. 65. Exercises and Popular Melodies.
(7398).
=Kirchner, Th.= 4 Albumblätter. (F. Hermann.) (7400).
=Koch, F.= Petite Suite. (Allegretto, Arietta, Scherzo,
Romanzetta, Alla Marcia.) Op. 12. (7508).
=Kreuz, E.= Op. 30. 6 easy Pieces. (7518).
— Op. 36. 6 easy Pieces. 2 Bks. (7519 a, b).
=March Album=, Book 1. Edited by Hermann. (8686 a).
Contains 14 Marches by Lully, Couperin, Rameau, Handel,
Haydn, &c.
=Meo, Alfonso.= The Dolly’s Dance.
=Moffat, A.= Album. 12 pieces (in the easier
positions). (7524).
—English Classical Album. 12 Pieces for Violin, with
figured Bass, by English Masters of the 17th and 18th
centuries. (7523).
— 12 Classical Pieces (in the first position). 2 Books.
(7526 a, b).
— 12 Pieces by English Masters of the 17th and 18th
Centuries. (7537).
These pieces are well written for the violin. They are,
moreover, melodious and have interesting accompaniments.
=Nicole, L.= Minuet and Gavotte.
=Our Favourite Tunes.= From a collection of ancient and
modern Melodies by C. Gurlitt. Arranged by Fr. Hermann.
(7388).
=Pleyel.= Op. 8. 6 Duos. (Hermann). (7545).
=Reinecke.= Op. 122 a. 10 Petits Morceaux. (7541).
No. 9 belongs to II.
— Op. 213. 10 Petits Morceaux. (7542).
Characteristic little pieces with interesting piano part.
=Rieding, Oskar.= 6 Easy Pieces. Nos. 4, 5 and 6,
“Tempo di Valse”, “Polonaise” and “Air varié”.
=Ritter, E. W.= Brilliant Duets. (The Violin part in
the first position):—
No. 1. Variations on “The Carnival of Venice”. (7550 a).
No. 2. Stradella, by Flotow. (7550 b).
No. 3. Variations. “Rule, Britannia”. (7550 c).
No. 4. Rondo, “The Bay of Biscay” and “Hearts of Oak”. (7550 d).
No. 5. “Logie O’Buchan”. Fantasia. (7550 e).
— 12 Short Pieces:—Book IV. (For all four fingers.)
No. 8. March; No. 9, Gavotte; No. 10. Intermezzo;
No. 11. Romance; No. 12, Tarantella.
=Schmitt, J.= 2 Sonatinas. Edited and fingered by Emile
Thomas. (7572).
=Taubert, W.= Serenade. (M.F. 17)
=Terschak, A.= Popular Melodies:—
Vol. I. England. 18 Popular Melodies. (8698 a).
Vol. II. Scotland. 20 Popular Melodies. (8698 b).
Vol. III. Ireland. 18 Popular Melodies. (8698 c).
=Tschaïkowsky.= Favourite airs from the opera “Eugène
Onégin”. Arranged by V. Sorreno. (5469 a).
=Volkmann.= “In the Mill”. (No. 1 of “Musical Picture
Book”). (M.F. 59).
=Wurm, Marie.= March in D.
Step II. First four Positions.
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin Solo with Pianoforte
Accompaniment; arranged in progressive order, carefully
marked and annotated by Ernst Heim:—
Book IIIA. Rather more difficult pieces in the
first position; Occurrence of chords, double-stopping,
and ornaments: 3 Pieces by Saint-George and J. S. Bach.
Employment of the half position: 3 Pieces by Gurlitt,
Reinecke, and Scotson Clark. (11473 a).
Book IIIB. Employment of the half position: 2
Pieces by Dolmetsch and Schubert. Second position;
changing from first to second position: 4 Pieces by
Crescentini, Boccherini, Scotson Clark, and Senaillé.
(11473 b).
Book IIIC. Supplement to Books A and B. Pieces by
Wolfermann, Scotson Clark, Nicole, Kullak, Loeschhorn,
and A. Krug. (11473 c).
Book IVA. Pieces up to the third position;
change between the first and third position without
_Portamento_: Pieces by J. S. Bach and Veracini.
Change between first and third positions with
_Portamento_: Pieces by Mathilde Heim-Brem,
Strelezki, and Ignaz Lachner. (11474 a).
Book IVB. Pieces up to the third position: change
between the first, second, and third positions: Pieces
by Gurlitt, Haydn, and Ignaz Lachner. Change between
the half, first, second, and third positions: Pieces by
Handel and Mendelssohn. (11474 b).
Book IVC. Supplement to Books A and B. Pieces by F.
David, A. Jensen, De Bériot, H. Ries, and N. W. Gade.
(11474 c).
An excellent Collection of Graduated Violin and piano
pieces revised by Ernst Heim; each book corresponds
in difficulty with the same book of his Violin Duets,
“Arena”, see page 121 and his Violin Studies, “Gradus ad
Parnassum”, see page 112.
=Adam, A.= Christmas. (M.F. 108).
=Agrell, J.= Sonata, edited by W. Abert. (11305).
=Albums.= Arranged by F. Hermann, containing pieces by
modern composers:—
Vol. XV. Strelezki, Minuet à l’Antique; Arensky, Serenade;
Dobrzynsky, Les Larmes; Gautier, Le Secret; Raff,
Chanson Suisse, Rubinstein, Barcarole; Squire, Gavotte
Humoristique; Field, Notturno; Weber, Maienblümchen
Walzer. 7322 p).
=Album Opératique.= Vol. 1. 12 Melodies; Vol. 2. 15
Melodies. (8689 a, b).
=Ariosti, Attilio.= 6 Sonatas Lezioni for Viola
d’amore, transcribed by G. Saint-George. (11311 a-f).
=Atkinson, J. A.= Petite Valse. Op. 1.
=Bach, Emanuel.= Solfegietto. Arr. by Oscar Wagner.
=Bach, J. S.= Gavotte in D. (Hermann, C. V. M. 9).
— Gavotte from 6th Sonata. (9401 c).
— Fifth Prelude from “Das Wohltemperirte Klavier”. F.
Hermann. (M.F. 95).
— My heart ever faithful. F. Hermann. (M.F. 115)
=Beazley, J. C.= Sonatina in F.
— Sonatina in D minor. (7327).
=Beethoven.= Andante Cantabile from Trio. Op. 97. (M.
F. 98).
=Bennett, W. Sterndale.= The Lake. (M.F. 78).
=Boccherini, L.= Minuet in A.
=Brooks, W.= Op. 48. Album Lyrique. 4 Pieces. (7333).
=Burgmüller.= 3 Nocturnes. (8673).
=Busoni.= Op. 28. Bagatellen. No. 3. (2449).
=Christmas-Album.= 10 Pieces suitable for
Christmastide, arranged by F. Hermann. Albums, Vol. XIV.
(7322 o).
Adam, Christmas; Gruber, Tyrolese Christmas Hymn; Bach, Aria
from the Christmas Oratorio; Gurlitt, Andante religioso;
Reinecke, Chorus of Angels; Goltermann, Berceuse; Grieg,
Christmas Song; Bortnianski, Adoration; Mendelssohn,
Christmas Piece; Gounod, L’Angelus.
=Clark, S.= Marche aux Flambeaux. (9403 a).
— Marche indienne. (9403 b).
— Marche militaire. (9403 c).
— Procession March. (9403 d).
— Pilgrims’ March. (9403 e).
— Meditation.
— Melody in D.
— 12 Morceaux (Original pieces). (7350).
One or two are for those entering Step III, but all are easy.
=Clementi, C.= 6 Sonatinas. Op. 36. Violin part by M.
Reger. (7351).
=Courvoisier, C.= Bagatelles. 6 petites Pièces. Op. 35.
(9404).
— Recreations. Easy Pieces. Op. 48. (Pastorale, Gavotte
and Musette, Romance, Scherzo, Barcarolle, Waltz.)
(7355).
=Czibulka.= Gavotte de la Princesse. Arr. par Fr.
Hermann, (9406 g).
=D’Alquen, F.= Nocturne in G.
=Dancla, J. C.= 12 Mélodies. Arr. by C. Gurlitt. (7361).
=David, Ferd.= Gondellied. (Hermann.) (M.F. 69).
Kinderlied. (Hermann). (M.F. 12). Remembrance
(Souvenir.)
=De-Angelis, G.= Due Pezzi facili. Op.9. (Berceuse,
Gavotta.) (7325).
=Diabelli.= Sonata in F. (W. Abert.) (11373).
— Sonata in G. (E. Thomas.) (7347).
=Dolmetsch, A.= Romance.
=Dorn, Ed.= Grande Marche impériale. (9406 a).
=D’Ourville, Leon.= Gondolina. Arranged by E. Thomas.
— Soirées Musicales. Arranged by R. Hofmann:—The Mill.
The Smithy. Spinning Song. Swing Song.
=Dussek.= Op. 20. 6 Sonatinas. (2507).
=Gade, N. W.= Elegie. (M.F. 13). Spring-flower. (M.F.
32)
=Gautier, L.= Le Secret. (M.F. 114).
=Gavotte Album.= 14 of the most celebrated Italian,
French, and German Gavottes by Corelli, Couperin,
Rameau, Bach, Handel, Martini, Gluck, &c. F. Hermann).
(8687).
=Gluck, C. W.= Andantino affettuoso (Jensen, V. 22).
=Gounod, C.= L’Angelus, arranged by F. Hermann. (M.F.
113).
— Minuet, arranged by Cornelius Gurlitt.
=Goltermann, G.= Op. 114. Sonatine in F. (7381).
=Gungl, J.= Oberländler. (M.F. 19).
=Gurlitt, C.= Morceaux de Salon (faciles). Op. 146:—
Bk. II. Ländlicher Tanz, Elegie, Aufschwung, Romanze.
(8677 b).
Bk. III. Barcarolle, Andante religioso, Fantasie, Capriccio.
(8677 c).
Pleasing and useful teaching pieces, Book III containing the
most difficult of the set, leading into next Step. Also
published folio size in separate Nos.
— Snow-flakes (Schneeflocken). Short Pieces. Op. 164:—
Book I. Humoreske, Notturno, Ständchen, Bauerntanz. (7382 a).
Book II. Elegie, Canzonetta, Impromptu, Ländler. (7382 b).
Book III. Rêverie, Intermezzo, Adagio. Valse noble. (7382 c).
Twelve pleasing and graceful teaching pieces, also in
separate Nos.
— Idylle in D.
— Op. 190, No. 7. “Under the Village Lime-Tree”.
— Andantino in B flat, from the Sonatina, Op. 134, No. 2.
=Handel, G. F.= 2 Suites, arranged by G. Jensen:—
No. 1 in D. (7378 a)
No. 2 in E minor. (7378 b).
Jensen has been particularly happy in the selection of
the pieces which form these Suites and his thorough
knowledge of the great master’s style has enabled him to
provide accompaniments which breathe Handelian spirit,
and are in themselves full of interest.
— Adagio religioso ed Allegro (Jensen, V. 19).
— Sonata III. (A maj.). Arr. by F. Hermann. (7376).
— Sonata XII. (F. maj.). (Dr. Riemann.) (7502).
— Sonatas for Flute with Basso continuo, arranged; with
marks of expression by Gustav Jensen. (7385).
— Sarabande. (M.F. 96).
=Hartog, Henri.= Les Cloches. 5me Morceau de Salon.
=Haydn, J.= Serenade. (Jensen. V. 2).
— Adagio recitativo. (Jensen. V. 3).
— Ox Minuet. (M.F. 43).
=Hauptmann.= Sonata. Op. 6. (F. Hermann.) (7383).
=Hauser.= Die Plume (Preghiera). (M.F. 55).
— Dorflied. (M.F. 56).
=Heim, Ernst.= Abendlied (Evening Song).
=Hennessy, Swan.= Op. 7. “In the Mountains”.
Two poetical little pieces entitled “Mittagsstille” (Noon),
and “Zwiegespräch” (Duet in Canon).
=Henkel, H.= Sicilienne.
=Henselt, A.= La Fontaine. (M.F. 35).
=Hermann, F.= Sonatina in G. (7389 a).
— Op. 28, No. 2. Sonatina in D. (7390 a).
— Dance Movements from the works of Great Masters.
The following are suitable for this Step:—
Bach, Sarabande. (7387 a).
Cherubini. Ballet music. (7387 h).
Handel, Scherzo. (7387 b).
Gluck, Musette. (7387 l).
=Hoffmann, J.= Cantilena in A.
=Hofmann, Richard.= Op. 78. 4 Pieces:—Scherzino,
Romance, Gavotte. Minuet.
— 8 Vortragsstücke. Op. 103:—No. 1. Intermezzo. 5.
Berceuse.
— Three Short Pieces, Op. 110; No. 3. Scherzo.
— Wiegenlied (E. Heim).
=Hofmann.= Potpourris on popular Melodies from
classical and modern operas and oratorios.
Balfe. The Bohemian Girl. (5420 c).
Beethoven. Egmont. (5421 c).
Beethoven. Fidelio. (5422 c).
Donizetti. L’Elisire d’amore. (5423 c).
Donizetti. Lucrezia Borgia. (5424 c).
Gluck. Iphigénie en Aulide. (5425 c).
Handel. Judas Maccabaeus. (5426 c).
Kreutzer. Das Nachtlager in Granada. (5427 c).
Marschner. Hans Heiling. (5428 c).
Mendelssohn. A Midsummer Night’s Dream. (5429 c).
Mendelssohn. Elijah. (5430 c).
Meyerbeer. Les Huguenots. (5431 c).
Meyerbeer. Le Prophète. (5432 c).
Mozart. Le Nozze di Figaro. (5433 c).
Nicolai. Die lustigen Weiber von Windsor. (5434 c).
Wallace. Maritana. (5435 c).
Weber. Oberon. (5436 c).
Weber. Preciosa. (5437 c).
=Holländer, G.= Op. 3. Spinnerlied.
=Jansa, L.= Op. 54. Concertino. (7391).
— “Les Fleurs des Opéras”, edited and fingered by
Courvoisier. 20 Bks. (7441-7460).
— Second Series. 7 Books. (7463-7469).
=Jensen, A.= Ländler. (M.F. 8).
=Jensen.= Wanderbilder. 2 Bks. (2129 a, b).
Nos. 7, 10, 11 of these charming pieces belong to III.
=Kayser.= 36 Elementary and Progressive Studies, Op. 20
(introductory to those of Kreutzer), revised by E. Heim.
Books I and II. (7397 a, b).
Book III belongs to the following step.
=Kearne, L.= Canzonetta.
=Kirchner, F.= Op. 184 a. Slumber Song.
— Hunting Sketch, No. 3. Op. 608.
=Kirchner, Th.= Feuillet d’Album. (M.F. 15).
=Kreuz, Emil.= Chant d’amour. Op. 44, No. 2.
=Kuhlau, F.= Sonatines. Op. 88. (Emile Thomas):—No. 1,
en Ut (in C). 3. en La bémol (in A minor).
=Lachner, I.= Op. 93. 3 Morceaux de Salon: No. 2.
Tarantelle; 3. Danse des Matelots. (7511 b, c).
No. 1, Nocturne belongs to III.
— Op. 108. 4 Duos. Nocturne, Grande Polonaise, Ländliche
Idylle (Country Idyll), Böhmischer Original-Bauerntanz
(Bohemian Peasants’ Dance).
— Op. 94. No. 1, Siesta; No. 2, Grande Polonaise.
— Op. 99. Sonatina in A. (7503).
— Op. 100. Sonatina in B♭. (7504).
— Op. 101. Sonatina in G. (7505).
Three excellent sonatinas for young pupils.
Lachner’s music recalls much of the spirit of Haydn,—it
is straightforward, healthy and genial in character.
The influence of Schumann and the somewhat complicated
rhythmical feeling introduced by many modern German
composers into their otherwise technically easy pieces
(rendering them difficult to be understood by young
beginners who are not specially gifted) are here
conspicuous by their absence.
=Langer. G.= Op. 20. “Grossmütterchen.” Ländler.
=Laubach, F.= 24 Scottish Songs, arranged. (7513).
=Lee, Maurice.= Cantilena.—Gavotte de Louis XV.—Rêve
céleste, Morceau de Salon.
— Gavotte du Duc de Richelieu. (9406 f).
— Sylvana. Menuet. (9406 c).
=Liszt. F.= Consolation. (M.F. 16).
=Lully. J. B.= Entrée de l’Opéra, “Les Songes funestes
d’Atys”. (Hermann, C.V.M. 5).
— Gavotte et Rondeau d’Alceste. (A minor). (Hermann,
C.V.M. 6).
=March Album.= Bk. 2. Edited by Hermann. (8686 b).
Contains 5 Marches by Beethoven, 3 by Cherubini,
and 1 by Lesueur.
=Martini, G. B.= Gavotta. (Jensen, V. 16).
=Mendelssohn.= 4 Marches (Wedding March, War March,
March from Italian Symphony, Lied ohne Worte in E
minor). Bk. 5 of March Albums. (8686 e).
— Christmas Piece. Op. 72. No. 2. (M.F. 112).
=Meo, Alfonzo.= The Cubanese Dance.
=Moffat, A.= Bourrée et Musette. Gigue anglaise.
Hebridean Jorram (Hebriden Schifferlied). Mélodie
élégiaque. Pierrette. Danse Gracieuse. Fantasia on
English Airs. Fantasia on Irish Melodies.
=Mozart, W. A.= Allegretto (Sonata in G). (7324 c).
— Rondo (Sonata in F). (7324 c).
— Sonata in D arranged from the Pianoforte Duet Sonata, Op. 3,
No. 1, by W. Abert. (11566).
— Romanze aus der “Nacht-Musik” (Jensen, V. 17).
=Nölck, A.= Berceuse. Op. 92.
=Our Favorite Tunes.= (Hermann.) (7388).
Nos. 1, 2, 5 and 14 belong to I b).
=Papini, G.= Deux Airs Napolitains. No. 1 in D;
No. 2 in D.
=Pergolese, G. B.= Air. (M.F. 116).
=Pleyel.= Op. 48. Six Sonatinas. (F. Hermann.) (7546).
=Porpora, Niccolo.= La Chasse. Pianoforte
Accompaniment, arranged from the original figured Bass
by A. Moffat.
=Poznanski, J. B.= La Paresse.
=Rameau, J. P.= Menuet et Passepieds de “Castor et
Pollux”. (Hermann, C.V.M. No. 7).
— Rigodon (Dardanus). (M.F. 99).
— Rigodon en Rondeau (Dardanus). (M.F. 100).
=Reber, H.= Berceuse in G.
=Reinecke, C.= Miniature Sonatina in C. Op. 122, No. 9.
— Sonate miniature, in B minor.
— 2 Miniature Sonatas (in first position). Op. 213. Nos. 11
& 12. (7543).
These four sonatinas would suitably follow those of Gurlitt
under I.
— Abendgebet. (M.F. 18).
— Tears (Thränen). (M.F. 40).
— Chant d’amour. (M.F. 51).
— Farandole. (M.F. 86).
=Rheinberger, J.= Masurek. (M.F. 20).
=Ries, F.= Sonatinas in F, in A minor, and in C.
(Thomas). (7547).
=Roeckel, J. L.= Croquis musicaux. 6 Morceaux. 2 Books.
(7563 a, b).
No. 1. À l’antique. No. 2. Mazourka-Caprice. No. 3. Simple
Mélodie. No. 6. Sous la lune.
Nos. 4 and 5 belong to III.
— Air du Dauphin. (9406 d).
— La Kermesse de St. Cloud. (9406 e).
=Rubinstein, A.= Romance (F). (M.F. 24).
=Saint-George.= L’ancien régime. Petite Suite. (7570a).
— Entre nous. Morceau de Salon.—Tristesse.—Vieille
Histoire.
=Schmitt, J.= Sonatina in C. (E. Thomas).
=Schubert.= Three Sonatinas. (E. Thomas). (7571).
No. 1 in D, No. 3 in G; No. 2 belongs to III.
— Moment musical. (M.F. 5).
— Ballet de Rosamonde. (M.F. 28).
— Menuet favori. (M.F. 52).
— Divertissement à la hongroise. (M.F. 93).
— Am Meer. Arr. by Emile Thomas.
— Romance from “Rosamonde.” Arr. by Emile Thomas.
— Serenade. Arr. by Emile Thomas.
=Schubert, F.= (Dresden). Cantabile. (M.F. 84).
— Romanza espressiva. (M.F. 101).
=Schumann, R.= Schlummerlied. (M.F. 26).
— “Revery” and “At the Fireside” (Hermann).
— Album. 56 Pieces arr. by F. Hermann. (7574).
— Scenes of Childhood (Kinderscenen). Easy Pieces. Op. 15.
Arranged by F. Hermann. (7575).
Nos. 12 and 13 belong to IV.
— Album for the Young (Jugend-Album). Op. 68. Arranged by
F. Hermann. (7576).
No. 4 belongs to Ia. Nos. 2, 23 and 42 to Ib. No. 22 to III,
and 33 to IV.
=Schytte, L.= Berceuse. (M.F. 82).
=Senaillé, J. B.= Aria in G minor. (Jensen, V. 7).
— Sonate. (Jensen). (7405).
=Simon, A.= Berceuse. Edited and fingered by Ernst Heim.
=Smith, Sydney.= The Lily of the Valley, op. 14.
Arranged.
=Spohr, L.= Romanze in A. (M.F. 22).
— Barcarolle from 3 Duettinos op. 135. (8695).
— Larghetto in G. (M.F. 92).
=Squire, W. H.= Gavotte sentimentale.
— Reverie.
— Serenade in A.
— Bourrée. Op. 24.
— Meditation. Op. 25.
=Strelezki, A.= “L’Absence”, Mélodie.
— Mélodie réligieuse.
— 4ième Menuet à l’Antique. (M.F. 103).
=Struss, Fritz.= 2 Characteristic Pieces. Op. 12.
No. 1. Gondoliera.
=Sutcliffe, W.= Andante in E.
=Tartini, G.= Larghetto (G minor). (Jensen, V. 6).
=Thomas, Emile.= Air de Ballet.
— Danse Lente.
— Sanssouci Valse.
— Polka.
— Danse rustique.
Light salon pieces in simple rhythms.
— Sonatine en Ut (C).
=Tschaïkowsky, P.= Album of Favourite Pieces:—
1. Mazurka; 2. Sweet Dream; 3. Neapolitan Song; 4. Autumn
Song; 5. Barcarolle; 6. Andante cantabile; 7. Chant sans
paroles; 8. Troïka; 9. Christmas. Edited and partly
arranged by Fr. Hermann. (7590).
Nos. 1, 6, 7, 8 and 9 belong to II.
— Chanson triste. (M.F. 85).
— Chant sans Paroles. (M.F. 27).
=Valle de Paz, E. del.= Op. 29, No. 2. Minuet.
=Veracini, A.= Sonata in A minor. (G. Jensen.) (7416).
=Veracini, F. M.= Minuet. (Jensen, V. 5).
— Sarabanda e Danza rustica. (Moffat.) (7589).
=Volkmann, R.= Musical Picture Book. Arranged by F.
Hermann:—
No. 4. On the Lake. (M.F. 62).
No. 6. The Shepherd. (M.F. 64).
=Weber, C. M. von.= Lonely. (Krug.)
— Maienblümchen. (F. Hermann). (M.F. 105).
— Sonatina in C for 4 hands, arranged. (Abert.) (11765).
=Witting, C.= Andante alla Siciliana.
=Wolfermann, A.= Fantasia No. 1 in G, No. 2 in G.
Melodious pieces, containing excellent practice.
— Romance. No. 1 of 3 pieces.
Step III. First five Positions.
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces, for Violin Solo with Pianoforte
Accompaniment: arranged in progressive order, carefully
marked and annotated by Ernst Heim:—
Book VA. Pieces with change from first to fourth
position, by Lachner, Gurlitt, Hofmann, and Moffat.
Piece with change from first to fifth position, by
Lully. (11475a).
Book VB. Pieces up to the fifth position, by Spohr,
Geminiani, Mozart, and Handel. (11475b).
Book VC. Supplement to Books A and B. Pieces by
Liszt, Jensen, Heller, Gade, and David. (11475c).
Palaestra, a collection of graduated pieces, revised by
Ernst Heim, offers the most suitable material for the
study of style and phrasing; each book corresponds in
difficulty with the same book of his Violin Duets.
“Arena”, see page 124, and his Violin Studies, “Gradus
ad Parnassum”, see page 114.
=Album de Danses.= Vols. 1 and 2, containing some of
the most celebrated dances by Johann and Josef Strauss.
(7319a, b).
=Album pour Violon et Piano.= 15 Vols. Arranged by F.
Hermann. (7322 a-n).
A number of favourite pieces, such as Rubinstein’s “Melody
in F”, Raff’s “Cavatina”, etc., are contained in these
books, the majority being suited to III, but a few to
the next Step.
=Arensky, A.= Serenade in G. (M.F. 102).
=Bach, J. S.= Air and Gavotte (from the Orchestral
Suite in D). (Jensen, V. 1).
— Andante. (Sonata in A minor, No. 3.) (Jensen, V. 13).
— Concertos in A minor and E minor.
— Largo from a flute Sonata. (Jensen, V. 20).
— Siciliano from a flute Sonata. (Jensen, V. 21).
— Sonata in G minor. (7434).
— 3 Tonsätze, arr. von H. Henkel. (1. Berceuse; 2.
Sarabande; 3. Toccata.) (7326).
=Barthélemon, E. H.= Sonata in E minor. (7421).
=Batiste, E.= Voix céleste. (M.F. 70).
=Becker, J.= Romance. (M.F. 42).
=Beethoven-Album.= (Arranged by F. Hermann). (7329).
=Beethoven.= 2 Romances in G and F. (Jensen, V. 10, 11).
(7331).
Two of the choicest gems of violin literature. One of the
best and clearest editions is that fingered and edited
by G. Jensen.
=Benda, Franz.= 8th Sonata in A minor. (7433).
=Bennet, W. Sterndale.= Overture, “Parisina”. (8671a).
— Overture, “The Naïades”. (8671b).
— Overture, “The Wood Nymphs”. (8671c).
=Bériot, C. de.= 6me Air varié. (7335).
— 7me Air varié. (7338).
— 12 Mélodies Italiennes. 2 Bks. (7334a, b).
— La Verginella. (M.F. 87).
=Blagrove, Stanley.= Rêverie.
=Borch, Gaston.= Berceuse in G. Op. 50.
— Romance in G. Op. 57. (11326).
=Borders, W.= Morceau à l’Irlandaise. Op. 87.
— Romance and Bolero. Op. 88. Duo Concertante.
=Borghi, L.= Sonata No. 2, in A major. (7413).
— Sonata No. 4, in G minor. (7414).
=Brahms, J.= Op. 39. Walzer. (9402).
— Ungarische Tänze. 4 Bks.).
Simplified arrangement by F. Hermann.
=Brauer, Max.= Meditation on “Little Study”, by
Schumann (Ernst Heim).
=Burgmüller.= Nocturne. (M.F. 91).
=Campagnoli.= Etude. (Hermann, C.V.M. 3).
=Chamber Music.= Edited by H. Holmes. A selection from
the Solo Sonatas of Corelli, Tartini, Bach and Handel.
(8679).
=Chopin, F.= Mazurka. (M.F. 34).
— Marche funèbre. (M.F. 89).
=Corelli, A.= 12 Sonatas. Op. 5 (Gustav Jensen). Bound,
with Portrait. (7354*).
Part I. (Sonatas 1 to 6). (7354a).
Part II. (Sonatas 7 to 12). (7354b).
The accompaniments to these beautiful Sonatas are the work
of a true artist, who, with all the technical resources
at his command, worked in reverential spirit with
regard to the style and character of the old Master.
The accompaniments are varied and very interesting in
their wealth of contrapuntal device and figuration. The
careful way in which all the ornaments are written out,
and the bowing and fingering add still further to the
value of this fine edition.
The same work in Score by Joachim and Chrysander:—
Livre III. Op. 5, Parte Prima: 6 Sonate a Violino Solo e
Violone, o Cembalo. Parte Seconda: Preludii, Allemande,
Correnti, Gighe, Sarabande, Gavotte e Follia a Violino
Solo e Violone, o Cembalo. (4936c).
— Follia con variazioni. (G. Jensen). (7419).
After a lapse of two centuries the study of Corelli is still
indispensable. The above new edition has been admirably
done by G. Jensen, who has availed himself of the
ornaments as played by Corelli.
=Danbé, J.= Mazurka de Salon.
=David, Ferd.= 6 Salonstücke. Op. 24. Revised by Fr.
Hermann. (7349).
— Op. 30. “Bunte Reihe”. (F. Hermann). (7363a, b). 24
pieces in two books.
No. 1 is an attractive Scherzo. No. 5, a graceful
Gondellied. No. 16, a good wrist study, No. 24, an
equally good staccato leggiero study. In others, the
keys of 5 and 6 sharps and flats are freely used.
— Romance in F sharp major (original key).
— Romance in F major (transposed).
— Scherzo. (M.F. 2).
— Ungarisch. Op. 30, No. 19. (Fr. Hermann).
=De-Angelis, G.= Andante religioso. Op. 7.
— Biondina. Mélodie. Op. 10.
— Petite Légende.
=Del Valle de Paz, E.= 3 Capricci. Op. 15. (7362).
— Op. 28, No. 1. Sérénade Italienne.
— Op. 32, Album. (Improvisation, Tarantelle, Melodie,
Adieu, Serenatella, Canzonetta amorosa, Bourrée,
Mazurka.) (7364).
=Delibes, L.= “Sylvia”. Introduction and Valse Lente.
— “Sylvia”. Barcarolle and Pizzicati. Arranged by M.
Marsick.
=Dobrzynski, I. F.= Les Larmes. (M.F. 104).
=Dunkler, E.= Morceau de Salon, revised by Hermann.
(M.F. 48).
=Dussek.= Op. 69, No. 1. Sonata in B♭.
(E. Thomas.) (7360).
A very favourite work.
=Dvorak.= Op. 15. Ballade. (7365).
=Ellerton.= Duo in D minor. Op. 56. (8675).
=Ersfeld, C.= Op. 15. Romance in B♭.
(7373).
=Gabriel-Marie.= Sérénade Badine.
=Gade, N. W.= Op. 6. Sonata in A. (7369).
— Op. 21. Sonata in D minor. (7374).
=Geminiani, F.= Sonatas No. 1 in A major (7401), No. 2
in B minor (7402), No. 8 in D minor (7411).
— Selected Sonata movements. (7412).
=German, Edward.= Song without Words. (11441).
— Saltarelle. (7370).
— Three Dances from “Henry VIII”.
=Godard, B.= Berceuse de “Jocelyn”.
=Goltermann.= Op. 13. 2 Salon Pieces. (Les Adieux and
Le Rêve.) (1996).
— Berceuse.
=Gounod, C.= Serenade. (M.F. 72).
— Meditation on Bach’s 1st Prelude. (M.F. 118).
=Grieg, E.= Christmas Song, arr. by F. Hermann. (M.F.
110).
=Guillaume.= Op. 4. Mélancolie; Romance.
=Gurlitt, C.= Op. 134. Sonatinas:— No. 1, in A major
(7372a); No. 2, in F (7372b).
True and unsophisticated melody distinguish these two
Sonatinas. The Andante of the first is particularly fine.
=Handel.= Largo. Aria, “Ombra mai fu”, arr. by R.
Hofmann.
— Sonatas in A (7422), in G minor (7426), in D (7427), in
E (7377).
— Suites Nos. 1 and 2. (Jensen). (7378a, b).
These Suites belong to II except for a bar in each.
=Hartog.= “Home, sweet home”. Variations. (7380).
— Berceuse, Ier Morceau de Salon.
=Hauser, M.= Le Désir. (M.F. 4).
— Le Rêve. (M.F. 11).
— Barcarolle. (M.F. 54).
— Hungarian Dance.
— 6 Songs without Words. (7506).
Melodious and characteristic salon pieces.
=Haydn.= Variations “Gott erhalte Franz den Kaiser”.
(Thomas).
=Heller & Ernst.= Pensées fugitives. (Fr. Hermann):—
Bk. I. (Passé, Souvenir, Romance, Lied, Agitato, &c.).
(7386a).
Bk. II. (Rêverie, Un Caprice, Inquiétude, Prière pendant
l’orage, Intermezzo, and Thème original et variations).
(7386b).
Brilliant and fanciful. Very grateful drawing room pieces.
=Heller, Stephen.= Rondeau. (M.F. 88).
=Henkel, H.= Gavotte moderne. Op. 81.
=Hermann.= Dance Movements from the works of Great
Masters. The following may be taken in this Step:—
Beethoven. Allegretto, (7387 f): Haydn. Nachtwächter
Menuett. (7387 c): Marschner. Tanzmusik. (7387i):
Monsigny, Chaconne. (7387 m): Mozart. All’Ongarese.
(7387 g): Mozart. Minuet. (7387 e): Rameau. Chaconne and
Musette. (7387 k).
=Herrmann, E.= Op. 12. Barcarolle. (8678).
=Hoffmann, J.= Bolero.—Danse des
sorcières.—Zingaresca, Morceau caractéristique.—Robin
Adair. Fantaisie brillante.
=Hofmann, Richard.= Short Study (Kleine Studie). Op.
110, No. 2.
=Holländer, V.= Polonaise. (11501).
=Hurlstone. W.= Sonata in D minor. (7507).
=Ireland, John.= Berceuse.
=Jensen, A.= Träumerei.
As arranged by Wilhelm; this makes a fine solo for the
fourth string.
— Serenade (Ständchen). Arranged by Hermann. (M.F. 58).
— Wanderbilder. Nos. 7, 10 and 11. (2129 a, b).
=Jensen, G.= Op. 25. Suite in A minor. (8680).
Prélude from the same.
Barcarolle from the same.
— Op. 28. Three Pieces.
— Op. 31. 3 Morceaux Caractéristiques. (7394).
— Op. 36. 2nd Romance in B♭.
— Op. 38. Berceuse.
=Kayser.= 36 Elementary and Progressive Studies. Op. 20
(introductory to those of Kreutzer), revised by E. Heim.
Book III. (7397 c).
=Kjerulf, H.= Frühlingslied. (M.F. 75).
=Kreuz. E.= “Frühlingsgedanken.” Op. 9. (7510).
— Four Pieces. Op. 28. (7517).
— Cavatina in E♭. Op. 44. No. 1.
— Sérénade napolitaine. Op. 44, No. 3.
— Le rêve. Morceau. Op. 45. No. 3.
=Kücken, F.= 6 Duos. (8681 a-f).
=Kuhlau.= Op. 88. 4 Sonatinas. Nos. 2, 3 and 4. (7399).
=Lachner, Ignaz.= Morceaux de Salon. Op. 93:— No. 1.
Nocturne.
=Leclair, J. M.= Andante, Gavotta e Minuetto. (Jensen, V. 18).
— Sarabanda and Tambourino. (Jensen, V. 4).
— Tambourin. (Hermann, C.V.M. 8).
— Sonate IV. (G. Jensen). (7245).
=Le Jeune, A.= Coronation March.
=Loeschhorn, A.= A Child’s Dream (Des Kindes Traum).
Characteristic piece, arranged by Ernst Heim.
=Loew, J.= Albumblatt. (M.F. 6).
=Lully, J. B.= Gavotte in D minor. (Hermann, C.V.M. 10).
=Mac Cunn, Hamish.= Op. 30. “Highland Memories”, Suite
of 3 Scottish Scenes: “By the Burnside”, “On the Loch”
and “Harvest Dance”. (7520).
Three interesting and quite uncommon pieces.
— Three Romantic Pieces. Op. 27. No. 1. L’Espérance. No.
2. Sérénade. No. 3. Rêve d’amour.
=Mackenzie, A. C.= Op. 37, Nos. 3 and 4 “Benedictus”
and “Zingaresca”.
=Mallard, C.= “Sehnsucht und Hoffnung”.
=March Album.= Bks. 3 and 4. Edited by Hermann. (8686c, d).
=Martini, G. B.= Siciliana. (Jensen, V. 15).
=Matras, Maud.= Ballade. Op. 8. (7534).
=Mendelssohn.= Op. 4. Adieu à Berlin. (8683).
=Moffat, Alfred.= La Gracieuse. Mazurka.
— Légende.
— Mazurka hongroise.
— Fantasia on Scottish Melodies.
=Molique, B.= 6 Morceaux Caractéristiques. Op. 41.
(Ernst Heim). (11562).
— Op. 47. 6 Mélodies. 2 Books. (9405a, b).
No. 6 is especially piquant.
=Monsigny.= Rigaudon. (7387d).
=Moszkowski, M.= Op. 8. 5 Valses. (7527)
— Op. 21. Album Espagnol. (7529).
Arranged by E. Thomas from the piano duets.
— Op. 23. “From Foreign Parts”. (E. Thomas). (7531)
— Mélodie. (M.F. 1).
=Mozart, W. A.= 18 Sonatas.
Mozart’s sonatas, although presenting no special technical
difficulties, require great delicacy and refinement in
rendering. Nos. 8, in C, 11, in G, and 18, in F, might
be first studied.
— Andante, Minuet and Rondo (Haffner Serenade). (7418).
— Larghetto, from clarionet Quintet. (Jensen. V. 14).
— Andante in E♭ (Sonata in B♭). (7324b).
— Adagio, edited by E. Heim. (11567).
— Adagio. (M.F. 94).
=Nicodé, J. L.= Barcarolle. (M.F. 31).
=Noskowski, S.= Op. 23. Cracovienne Mélancolique. (M.F.
77).
— Op. 27. Cracovienne in A. (M.F. 74).
=Papini, Guido.= Trois Morceaux de Salon. (8685):—
No. 1. Gavotte. No. 2. Romance sans Paroles. No. 3.
Scherzettino.
Papini’s compositions belong to the better class of salon
music, being especially melodious and attractive.
=Pfeiffer, G.= Op. 77. Gigue dans le genre ancien.
(Thomas). (11630).
=Pitt, Percy.= Canzonetta. Op. 8, No. 1.
=Pleyel.= Op. 44. (Hermann). (7544).
=Pugnani, G.= Sonata in E. (7404).
=Raff, Joachim.= Pastorale. Op. 85. No. 2.
— Chanson suisse. (M.F. 106).
=Renard, F.= Berceuse. (M.F. 44).
=Ries.= Romance. (M.F. 9).
=Ritter.= Operatic Duets. The following can be taken
in this Step:—Sonnambula, (9407c); La Favorite,
(9407d); Lucia di Lammermoor, (9407e); Zampa, (9407f);
Zauberflöte, (9407g); Lohengrin, (9407h); Tannhäuser,
(9407i); Oberon, (9407k); Taming of the Shrew, (9407l);
Flying Dutchman, (9407m); Fra Diavolo (9407a).
=Rode, P.= Op. 10. Air Varié. (Jensen V. 12). (8691).
=Roeckel, J. L.= Croquis musicaux.
No. 4. Thème dansant. No. 5. Dans la barque.
=Rubinstein, A.= 3 Salon Pieces, Op. 11,
edited by E. Heim:
Allegro appassionato. (7562a).
Andante. (7562b).
Allegro. (7562c).
— Romance (E flat). (M.F. 37).
— Mélodie. (M.F. 41).
— Russian Songs. (M.F. 67).
— Barcarolle. (M.F. 107).
=Saint-George, G.= Désir.
— Canzonetta.
=Scharwenka, X.= Op. 20. Tone Pictures. (9408).
— Danse Polonaise. (M.F. 23).
=Scholtz, H.= 3 Albumblätter. (M.F. 47).
=Schubert, F.= Sonatine, Op. 137, No. 2, in A minor.
Revue et doigtée par Emile Thomas.
— Ave Maria. Arr. by Emile Thomas.
=Schubert, F.= (of Dresden). L’Abeille (The Bee).
— Allegretto grazioso. (M.F. 83).
=Schumann.= Op. 94. 3 Romances. (7581).
— Abendlied. (M.F. 3).
— Op. 102. 5 Stücke im Volkston. (7583).
— Op. 113. Märchenbilder. (7584).
— Warum. (M.F. 90).
=Simonetti, A.= Rêverie.
=Somervell, Arthur.= Whims. (No. 3 of 3
Original Pieces).
=Somis, G. B.= Adagio and Allegro. (7403).
=Spohr, L.= Barcarole. (M.F. 30).
— Alla Tedesca. (M.F. 39).
=Squire, W. H.= Serenade. Op. 15. (7122 b).
— Op. 26. Humoresque.
— Gavotte humoristique. (7586).
=Strelezki, A.= Appassionata.
— “Asphodel”, Chant sans paroles.
— Cavatina en Ré majeur.
— Romanza in E flat.
— En Valsant.
=Struss, Fritz.= 2 Characteristic Pieces. Op. 12:—
No. 2. Idylle.
=Sutcliffe, W.= Romance.
=Svendsen, J. S.= Op. 26. Romance in G. (7587).
=Tartini.= Andante Cantabile (8th Sonata). (Jensen. V.
8).
— Giga in D. (Jensen. V. 9).
— Sonatas Nos. 4 and 10 of Op. 1. (7407).
— Sonata No. 8 in C minor. (7408).
— Sonata in C major, and Giga in D. (7409).
— Pastorale. Hermann, C.V.M.2).
=Thirlwall.= Favourite Airs, with Variations:—
No, 6. Old English Song (Malibran’s Favourite). (9412 f).
Good study for the bow.
=Thomas, Emile.= 1ère Fantasie sur les Airs écossais.
— 2de Fantasie sur les Airs écossais.
— Danse Sicilienne.
— Danse des Fées.
— Légende.
— Méditation réligieuse.
=Thomé, F.= Op. 25. Simple Aveu.
=Tschaïkowsky.= Andante Cantabile. (M.F. 45).
— Romance, (M.F. 81).
— Troika. (M.F. 76).
— Album of Favourite Pieces:— 1. Mazurka. 2. Sweet Dream.
3. Neapolitan Song. 4. Autumn Song. 5. Barcarolle.
6. Andante cantabile. 7. Chant sans paroles. 8. Troïka.
9. Christmas. Edited and partly arranged by Fr. Hermann.
(7590).
Nos. 2. 3. 4. and 5 III.
=Veracini, F. M.= Concert Sonata in E minor. (7424).
=Vivaldi, A.= Sonata in A. (7423).
=Vieuxtemps, H.= Op. 40. No. 1. Romance in F.
=Volkmann, R.= Hungarian Sketch. (M.F. 38).
— The Knights. (M.F. 46).
— Musical Picture Book (arranged by Hermann). Nos. 2,
“The Postillion”: 3. The Russians are coming:
5. “The Cuckoo and the Wanderer”.
=Wagner, R.= Album-Leaf. (8699).
— Rienzi’s Prayer. (M.F. 65).
— Spinning Song (from Flying Dutchman). (M.F. 68).
=Walger, Carl.= Serenade.
=Weber, C. M. von.= Invitation à la Valse. (Thomas).
=Wieniawski.= Op. 12. No. 2. Chanson polonaise. (7494).
— “Kuyawiak”, 2de Mazurka. (7493).
— Gigue. (7492).
Effective and brilliant pieces. No. 1 of Op. 12 belongs to IV.
=Wilhelmj, A.= Walter’s Preislied (from the
“Meistersinger”).
=Wüerst, R.= Op. 25. Two Romances.
=Wurm, Marie.= Estera Gavotte. (M.F. 79).
Step IV. All Positions.
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin solo with Pianoforte
accompaniment; arranged in progressive order, carefully
marked and annotated by E. Heim:—
Book VIA. Pieces up to the sixth position, by Max
Brauer, C. Gurlitt, and J. S. Bach. (11476a).
Book VIB. Pieces up to the seventh position, by E.
Thomas, R. Orlando Morgan, and J. Hoffmann. (11476b).
Book VIC. Supplement to Books A and B. Pieces by
C. Ersfeld, C. Gurlitt, B. Molique, M. Hauser, and A.
Strelezki. (11476c).
Book VIIA. Pieces up to the thirteenth position
by A. Strelezki, P. Rode, de Angelis, and A. Moffat.
(11477a).
Book VIIB. Pieces up to the thirteenth position by
Beethoven, Baillot, de Angelis, and G. Papini. (11477b).
Book VIIC. Supplement to Books A and B. Pieces by
Molique, Mazas, and de Bériot. (11477c).
Palaestra, a collection of graduated pieces, revised by
Ernst Heim, offers the most suitable material for the
study of style and phrasing; each book corresponds in
difficulty with the same book of his Violin Duets,
“Arena”, see page 125 and his Violin Studies, “Gradus ad
Parnassum”, see page 115.
=Bach, J. S.= Aria from the Suite for Orchestra,
arranged as a Concert Piece on the fourth string by
Ernst Heim.
=Bache, F. E.= Romance. Op. 21. (7664).
=Baillot, P.= Rondo sur un Air Moldavien. (Hermann, C.V.M.4).
=Becker, A.= Op. 20. Adagio. (2078).
=Beer-Walbrunn.= Op. 3. Short Fantasia in G min. (2930).
=Beethoven.= 6 Quartets. Op. 18. F, G, D, C minor. A
and B flat. Arranged by F. Hermann. (7341-6).
=Beethoveniana.= 3 Bks. Extracts from the pianoforte
Sonatas, arranged for violin and piano by F. Hermann.
(7330a-c).
=Bériot, C. de.= Op. 32. 2nd Concerto in B minor.
— Op. 100. Scène de Ballet (E. Heim).
=Bortniansky.= Adoration. (M.F. 111).
=Coleridge-Taylor, S.= Op. 9. Two Romantic Pieces,
“Lament” and “Merry-making”. (7352).
— Op. 14. Legend (from the Concertstück), (7353).
Of decided originality; for musically gifted students only.
— Valse-Caprice. Op. 23. (7358).
— Danse nègre, from “African Suite.” Op. 35. (6100d).
— A Negro Love-Song. Op. 35, No. 2. (7359b).
=Corelli.= Adagio and Allegro. (Hermann, C.V.M. 1).
=Cui, César.= Berceuse.
=Danbé, J.= Berceuse.
=David, Ferd.= Etude. (M.F. 36).
=De-Angelis, G.= Pensée mélancolique. Op. 8.
=Ernst.= Elegy. (7366).
=Field.= Nocturnes (Hermann). (2128).
=Fleurs des Opéras.= Tannhäuser. (Courvoisier). (7470).
=Goltermann, G.= Berceuse. (M.F. 109).
=Gounod.= Faust. Potpourri by R. Hofmann. (5445 c).
=Gurlitt, C.= Op. 105. Ouverture des Marionettes.
(7371).
— Op. 137. “Commedietta” Ouverture. (8676).
=Grieg, E.= Op. 8. Sonata in F.
— Op. 13. Sonata in G minor (7522).
— Op. 45. Sonata in C minor.
Three of the freshest and most poetical of modern sonatas.
=Hartog, Henri.= Prière, 3me Morceau de Salon.
— Réverie, 2d Morceau de Salon.
=Hauser, M.= Chanson de Berceau. (M.F. 53).
— Ungarisch. (M.F. 71).
=Haydn.= Andante. (M.F. 97).
=Heller, Stephen.= Feuillet d’Album. Transcrit par
h. W. Ernst. (E. Heim).
=Henselt, A.= Chant d’amour. (M.F. 29).
=Hiller, F.= Zur Guitarre. (M.F. 49).
=Hoffmann, J.= Bourrée; Gavotte.
=Hofmann, Richard.= Potpourris on Popular Melodies from
classical and modern Operas and Oratorios, arranged by
R. Hofmann:—
Wagner. Der fliegende Holländer. (5438 c).
Wagner. Lohengrin. (5439 c).
Wagner. Rienzi. (5440 c).
Wagner. Tannhäuser. (5441 c).
Rossini. Il Barbiere di Seviglia. (5442 c).
Rossini. Guillaume Tell. (5443 c).
Auber. Masaniello. (5444 c).
Gounod. Faust. (5445 c).
— 8 Vortragsstücke. Op. 103:— No. 2. Barcarola. 3. Aria.
4. Bolero. 6. Zigeunertanz. 7. Cavatina. 8. Perpetuum
mobile.
=Holländer, G.= Op. 50. Waldmärchen.
=Jensen, Gustav.= Op. 39. Capriccio.
=Jensen, G.= Bolero in D minor.
=Kalliwoda, J. W.= Op. 237. Ländler. (M.F. 57).
=Kreuz, E.= Op. 20. Barcarolle, from Concerto.
=Lassen, E.= Liederstrauss. (M.F. 50).
Belongs to III, except the opening on the G string.
=Leclair.= “Le Tombeau”. Sonata. (7428).
=Molique, B.= 6 Melodies. Op. 36. (Ernst Heim). (11561).
=Moffat, A.= Mélodie amoureuse.
— Punchinello. Gavotte.
=Morgan, R.= Orlando. Ballade. Op. 28.
=Moszkowski, M.= Op. 17, No. 2. Minuet (E. Thomas).
— Op. 23. “Les Nations” (arranged by Nachèz). (7530).
A less difficult arrangement by E. Thomas is also
published. (7531).
— Valse brillante. Arranged by Emile Thomas. (7532).
=Mozart, W. A.= Adagio and Rondo. (7420).
=Noskowski, S.= Dumka. Op. 29. (Emile Thomas.)
— Zingaresca. Op. 27. (M.F. 80).
— Les Larmes. Op. 36, No. 1.
=Palmer, G.= A Dream. Nocturne.
=Papini, G.= Deux Airs Suédois. (11622).
=Parkyns, Beatrice.= Berceuse.
=Popper, D.= Romance. (7548).
=Rachmaninoff, S.= Romance in D minor.
— Hungarian Dance.
=Raff, Joachim.= Six Morceaux. Op. 85:—No. 1, Marcia;
No. 3, Cavatina; No. 4, Scherzino; No. 5, Canzona; No.
6, Tarantella.
These pieces dedicated to the late Ludwig Straus are gems
of violin literature. The Cavatina is one of the most
popular violin pieces.
— Méditation. (M.F. 25).
— Op. 73, 78, 128, 129, 145. 5 Sonatas. (2568 a-e).
Some movements of these fine Sonatas belong to V.
=Reger, Max.= Op. 1. Sonata in D minor. (7535).
— Op. 3. Sonata in D major. (7536).
=Rode.= Concerto No. 7.
=Rubinstein, A.= Op. 13. Sonata in G.
One of the composer’s most genial works.
— Sonata in D. Op. 18. (7564).
=Saint-George, G.= Chant sans Paroles.
=Sauret, E.= Souvenir d’Orient. 6 Morceaux, Op. 63:—
Book 1. Souvenir de Constantinople. Danse et Ronde. (11694 a).
Book 2. La Revue, Gondoliera et A Péra. (11694 b).
Interesting pieces, full of oriental colouring.
— Morceaux caractéristiques. Op. 47:—
No. 1, Canzona; No. 2, Impromptu.
— Scènes Villageoises. Op. 50. 5 Morceaux de Salon:—
No. 1, Le Matin; No. 2, Pastorale; No. 3, Vieille chanson;
No. 4, Danse; No. 5, Idylle.
=Scharwenka, Xaver.= Op. 3. Cinq Danses polonaises.
Arranged by G. Holländer:—
No. 2 (F sharp minor); No. 3 (D major).
Nos. 1, 4 and 5 belong to V.
— Phantasiestück. (M.F. 33).
=Schubert.= Op. 70, 159, 160 and 162.
=Schumann.= Op. 105 and 121, Sonatas in A minor and D
minor. (7579, 7580).
— Op. 73. Fantasiestück.
=Simonetti, A.= Mazurka.
=Sinding.= Op. 10. Suite. (2477).
— Op. 27. Sonata in E major. (2826).
— Op. 30. Romance. (2827).
— Op. 61. 4 Pieces. 3 Bks. (3050 a-c).
Sinding’s compositions rank among the finest works by modern
Scandinavian composers. The Suite Op. 10, resembles in
style the “Holberg” Suite by Grieg.
=Sitt, Hans.= Op. 71. No. 1. Romance.
— Op. 71. No. 2. Nocturne.
— Op. 71, No. 3. Scherzo-Tarantelle.
=Sjögren.= Op. 19. Sonata in G minor. (2215).
This composer is a highly talented member of the modern
Scandinavian School.
=Smetana.= 2 Salon-Pieces. (2634 a-b).
Fine and characteristic pieces of the famous Czechian master.
=Somervell, Arthur.= 3 Original Pieces:—
No. 1, Romance; No. 2, Barcarolle.
=Spohr, L.= Op. 2. Concerto in D minor.
— Op. 135. Three Duettinos. (No. 2, Scherzo; 3.
Sarabande). (8695).
The Barcarolle, No. 1, belongs to II.
— Op. 95. Duet in G minor. (9409).
— Op. 112. Duet in E. (9410).
— Op. 113. Hamburg Sonata. (9411).
— 3 Adagios from the Violin Concertos (Fr. Hermann).
(11705).
=Stanford, Villiers.= Légende.
=Strelezki, A.= Romanza in F.
— Serenade. Op. 191, No. 4. (Thomas).
=Sutcliffe, W.= Gavotte Romantique.
=Thirlwall.= Favourite Airs, with Variations:—
No. 1. English Air. (9412 a).
No. 2. Scotch Air (Annie Laurie). (9412 b).
No. 3. Irish Air (Sprig of Shillelagh). (9412 c).
No. 4. Welsh Air (Poor Mary Ann). (9412 d).
No. 5. Northumbrian Air (Weel may the Keel row). (9412 e).
No. 7. Ye Banks and Braes. (9412 g).
No. 8. Carnaval de Venise. (9412 h).
These pieces are excellent bowing exercises.
=Thomé, F.= 1er Andante Religioso. Op. 70.
=Tschaïkowsky.= Christmas. (Noël). (M.F. 117).
— Sérénade mélancolique. Op. 26.
=Vieuxtemps, H.= Rêverie. Adagio. Op. 22, No. 3. (7594
c).
— Elégie. Op. 30. Revised by K. Scholz. (7595).
— Souvenir de Beauchamps. Op. 32, No. 1. (Fr. Hermann.)
(11751).
— Suite. Op. 43. (2582 a).
=Volkmann, R.= Chant du Troubadour, Morceau de Salon,
Op. 10. Revu par R. Scholz.
=Wagner, R.= March (from Tannhäuser). (M.F. 73).
=Weber.= 6 Sonatas. Complete (David). (191).
=Wichtl.= Fantasias on National Songs. Op. 119:—
No. 1. Home, sweet Home. (9413 a).
No. 2. Long, long ago. (9413 b).
No. 3. The Red Sarafan. (9413 c).
No. 4. Santa Lucia. (9413 d).
No. 5. Robin Adair. (9413 e).
No. 6. Die drei Rosen. (9413 f).
=Wieniawski, H.= Légende. Op. 17. (7495).
=Wüerst, R.= Russian Suite. F. Hermann. (7501).
Step V. Difficult.
(Octaves, Springing Bow, Staccato etc.)
Palaestra. A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin Solo with
Pianoforte Accompaniment; arranged in progressive order,
carefully marked and annotated by Ernst Heim:—
Book VIIIA. Concert Piece with employment of
staccato, by Spohr. Concert pieces with employment of
springing bow by Bach and Paganini. (11478 a).
Book VIIIB. Concert pieces with octave passages
by Noskowski and Coleridge-Taylor. Concert Pieces with
double-stop and chord passages by Beethoven and J.
Hoffmann. (11478 b).
Book VIIIC. Supplement to Books A and B. Concert
Pieces by David, Vieuxtemps, Sauret and Wieniawski.
(11478 c).
Book IXA. Concert Sonatas in classical style by
Leclair and Tartini. (11479 a).
Book IXB. Concert Pieces in modern style by Ernst
and Spohr. (11479 b).
Book IXC. Supplement to Books A and
B. Concert Pieces in modern style by
Wieniawski, Nicodé, and Vieuxtemps. (11479 c).
Palaestra, a collection of graduated pieces, revised by
Ernst Heim, offers the most suitable material for the
study of style and phrasing; each book corresponds in
difficulty with the same book of his Violin Duets,
“Arena”, see page 126 and his Violin Studies, “Gradus ad
Parnassum”, see page 117.
=Beethoven=. Ten Sonatas. Joachim. (3031).
Op. 47 (known as the “Kreutzer”), the grandest of all violin
sonatas, and Op. 30, No. 2 in C minor, belong to this
Step, the other sonatas being less difficult. Op. 12,
No. 1, and Op. 24, should first be taken by students
passing from Mozart’s Sonatas to those of Beethoven.
— Op. 61. Concerto. (Wilhelmj). (189 a).
=Bériot, C. de=. Op. 30. Le Tremolo. Caprice.
(9419).
— Op. 55. 5th Concerto in D.
=Bériot and Osborne=. Fantasia on “William Tell”.
=Berlioz, Hector=. Rêverie et Caprice. Romance, Op. 8.
(E. Heim.) (11321).
=Böhm, C.= Op. 314, No. 2. Cavatina.
=Bruch, M.= Op. 42. Romanza in A minor.
=Coleridge-Taylor, S.= Hiawathan Sketches. Op. 16. No.
1, A Tale; No. 2. A Song; No. 3, A Dance. (7356).
—Two Gipsy Movements. Op. 20. (No. 1, A Gipsy Song;
No. 2, A Gipsy Dance). (7357).
=David, Ferd=. Introd. and Variations on Air by Mozart.
Op. 11. (8674).
=Eller, L.= Op. 3. Concert Fantasia on Styrian Melodies.
=Hauser=. Op. 43. Hungarian Rhapsody. (2567 a).
=Holländer, G.= Op. 10. Romance.
=Kreutzer=. Concertos, Nos. 13, 14, 18, 19. (1091 a-d).
=Laub=. Op. 7. Romance & Impromptu. (1092).
—Op. 8. Polonaise. (1093 a).
=Lauterbach=. Tarantelle. (2203).
=Leonard, H.= Op. 2. Souvenir de Haydn.
=Lipinsky=. Op. 21. Concert militaire. (2642).
=Mackenzie, A. C.= Op. 47, No. 1, Highland Ballad.
=Mendelssohn=. Op. 64. Concerto.
=Moszkowski.= Op. 16. No. 1. Ballade; No. 2, Bolero.
(7528 a, b).
=Nicodé, J. L.= Romance. Op. 14.
Nicodé is one of the most talented and interesting among
modern composers.
=Paganini, N.= Moto Perpetuo. Revised and the original
Orchestral accompaniment arranged for the Pianoforte by
Ernst Heim.
A most useful wrist study.
— Variations de bravoure sur Moïse.
A fine study for the G string.
=Ragghianti, J.= Aria di Danza (“La Monferina”).
An excellent study for _saltato_ bowing.
=Rust, F. W.= Sonata in D minor.
=Sauret, E.= Op. 47, No. 3. Scène Polonaise. (11693).
=Scharwenka, Xaver.= Danses polonaises (Five Polish
Dances.) Op. 3. Arrangées par G. Holländer. Nos. 1, 4
and 5. (7565).
=Sinding.= Op. 60. Concerto No. 2 in D major. (2976).
=Sitt, Hans.= Op. 21. 2nd Concerto in A minor.
=Tartini.= Trille du Diable. Sonata.
=Vieuxtemps, H.= Fantaisie-Caprice. Op. 11. (Hermann.)
(7592).
— Fantaisie. Op. 21. (Fr. Hermann). (11750).
— Andante & Rondo. Op. 29. (2576).
— Rondino (Hermann). Op. 32, No. 2. (11752).
— Fantasia appassionata. Op. 35. (2580).
=Wieniawski, H.= Adagio élégique. Op. 5. (R. Scholz).
(7498).
Step VI. Very difficult. (Concertos etc.)
=Palaestra.= A Collection of Pieces, Sonatas, Suites,
and Concert Pieces for Violin solo with Pianoforte
accompaniment; arranged in progressive order, carefully
marked and annotated by Ernst Heim:—
Book XA. Concert Pieces in the Polyphonic style
by Bach and Ernst. (11480 a).
Book XB. Concert Pieces in the virtuoso style
by Ernst and Paganini. (11480 b).
Book XC. Supplement to Rooks A and B.
Concert Pieces in the virtuoso style by
Moszkowski and Vieuxtemps. (11480 c).
Palaestra, a collection of graduated pieces, revised by
Ernst Heim, offers the most suitable material for the
study of style and phrasing; each book corresponds in
difficulty with the same book of his Violin Duets,
“Arena”, see page 127, and his Violin Studies, “Gradus
ad Parnassum”, see page 118.
=Bach.= Chaconne. (2474).
This edition of Bach’s great work is of special interest
and value, as in it the accompaniments provided by
Mendelssohn and Schumann may be compared.
— Adagio and Fugue from 5th Violin Sonata. (B. Molique.)
(9401 a).
=Brahms, J.= Op. 77. Concerto.
=Bruch, M.= Op. 26. Concerto in G minor.
=Dancla, C.= Op. 50. Romance and Bolero.
A favorite and brilliant piece.
— Op. 53. Élégie et Barcarolle.
=David, Ferd.= Andante et Scherzo capriccioso. Op. 16.
(E. Heim.) (7348).
=Ernst, H. W.= Fantaisie brillante sur la Marche et
la Romance d’Otello de Rossini. Op. 11. (Ernst Heim.)
(11401).
— Op. 22. Hungarian Melodies. (2849).
— Op. 23. Concerto in F minor. (2850).
=Hauser.= Op. 34. Bird on the tree. (2565).
=Joachim, J.= Op. 11. Hungarian Concerto.
=Laub.= Op. 8. Polonaise. (Wilhelmj). (1093 b).
=Paganini.= First Concerto in E flat. (1991).
— Le Streghe (Witches’ Dance).
— Le Carnaval de Venise.
— I Palpiti.
— Celebrated Compositions. (1990).
=Rubinstein.= Op. 46. Concerto in G major. (1339).
=Sarasate, M.= Airs Espagnols.
=Spohr, L.= 7th Concerto in E minor.
— 8th Concerto in A minor (Gesangscene).
— 9th Concerto in D minor.
=Vieuxtemps.= Fantaisie sur Norma. Op. 18. (2573).
— Second Concerto in F♯ min. Op. 19.
(2574).
— 6 Morceaux de Salon. Op. 22:—
No. 1. Morceau brillant. (7594 a).
No. 2. Air varié. (7594 b).
No. 4. Souvenir du Bosphore. (7594 d).
No. 5. Tarentelle. (7594 e).
No. 6. L’Orage. (7594 f).
— Concerto in D min. Op. 31.
— La Chasse. Op. 32, No. 3 (Hermann). (11753).
— St. Patrick’s Day. Popular Melody. Op. 33, No. 2. (7497).
— Ballade et Polonaise. Op. 38. (7593).
=Wieniawski, H.= Polonaise de Concert. Op. 4.
(R. Scholz). (7491).
— Souvenir de Moscou. Airs Russes. Op. 6. (R. Scholz).
(7499).
— Capriccio-Valse. Op. 7. (Fr. Hermann). (11771).
— Romance sans Paroles. Op. 9. (Fr. Hermann). (11772).
— Carnaval Russe. Op. 11. (Fr. Hermann). (11773).
— Scherzo-Tarantelle. Op. 16. (Fr. Hermann). (11774).
String Trios.
Three Violins.
=Hermann, Fr.= The First Practice in Ensemble Playing.
32 Short Pieces, arranged. 2 Books. (5291 a, b). Ib.
=Hofmann, Richard.= 4 Pieces in an easy style for the
use of Music-schools, Academies, etc. Op. 104. (5292). III.
=Lachner, Ignaz.= 3 Sonatinas. Op. 92:—II.
No. 1, in B flat major. (5293 a).
2, in G major. (5293 b).
3, in A. (5293 c).
=Wohlfahrt, F.= Op. 88. Melodic pieces. 2 Bks. I.
=Wichtl.= 3 Trios. Op. 79. II.
Two Violins and Violoncello.
=Corelli, Arcangelo.= Œuvres revues par J. Joachim et
F. Chrysander. (In Score.) 8vo.:—
Livre I. Op. 1. 12 Sonate da Chiesa a tre (Du Violini, e
Violone, o Arcileuto col Basso per l’Organo). In Roma,
1683. Op. 2:—12 Sonate da Camera a tre (Due Violini, e
Violone, o Cembalo). In Roma, 1685. (4936 a). II.
Livre II. Op. 3. 12 Sonate da Chiesa a tre (Due Violini, e
Violone, o Arcileuto col Basso per l’Organo). In Modena,
1689. Op. 4. 12 Sonate da Camera a tre (Due Violini, e
Violone, o Cembalo). In Bologna, 1694. (4936 b). II.
— 6 Sonate da Camera a tre (due Violini, e Violone,
o Cembalo). Opera IV. Arranged for 2 Violins and
Violoncello (in parts), with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (5303). I and II.
=Gurlitt, Cornelius.= Op. 105. Ouverture des
Marionettes. (7312). II.
— Op. 137. “Commedietta” Ouverture. (5310). II.
— Our Favourite Tunes. (5345). I.
=Handel.= Zwei Suiten nach Händel’schen
Original-Compositionen herausgegeben von Gustav Jensen.
(5312). II.
=Herrmann, E.= Petites Variations faciles. Op. 13. (5332). Ib.
=Pleyel, I. J.= Œuvres. Arrangées par F. Hermann:—
— Op. 8. Six Trios. (7305). I.
— Op. 44. 3 Trios. (5353). III.
— Op. 48. Six Sonatinas. (5354). II and III.
=Reinecke, C.= Toy symphony (with 9 toy instruments). (7115). II.
=Wanhal.= 15 Trios Faciles. (5360). I.
Two Violins and Viola.
=Hofmann, Richard.= Op. 112. Trio. (5323). II and III.
Violin, Viola, and Violoncello.
=Pleyel, I. J.= Op. 44. 3 Trios. (5365). II and III.
=Haydn.= Op. 53. 3 Trios. III.
=Mozart.= Divertimento. Op. 19. III and IV.
=Beethoven.= Op. 8, 25. Serenade and Trios. IV.
Pianoforte Trios.
Piano, Violin, and Violoncello.
=Barnett, John Francis.= Trio. Op. 49, in C minor.
(9299). IV.
=Beethoven.= 6 Quartets. Op. 18. Arranged by F.
Hermann. 6 Books. (9291-96). IV.
=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27, No. 2.
(7242 a). III.
Livre B. Op. 10, No. 3. Complete. (7242 b). III.
Livre C. Op. 2. No. 3; Op. 13; Op. 14. No. 2; Op. 31.
No. 3. (7242 c). III.
=Bennett, W. Sterndale.= Chamber Trio. Op. 26. (9659). III.
=Brahms, Johannes.= Trio. Op. 8. (7246). V.
=Dancla, J. C.= 12 Mélodies. Arr. by Cornelius Gurlitt. (7248). Ib.
=Dussek. J. L.= Favourite Sonata. Op. 37. (7249). II.
=Ellerton.= Trio, in A. Op. 27. (9304). III.
— Trio, in G. Op. 45. (9305). II.
— Trio, in E minor. Op. 46. (9306). II.
— Trio, in C minor. Op. 47. (9307). II.
— Trio, in F. Op. 48. (9308). II.
=Gade, Niels.= Novelletten. Op. 29. (7257). IV.
— Trio. Op. 42. (7256). IV.
=Gurlitt. C.= Op. 105. Ouverture des Marionettes.
(7258) II.
— Op. 137. “Commedietta” Ouverture. (7261). II.
— Our Favourite Tunes. Arranged by F. Hermann. (9310). Ia and b.
— Op. 181. Miniature Trio. (7259). II.
The same refinement of conception which characterises all
Gurlitt’s compositions pervades also this work which on
account of its simplicity is very suitable for beginners.
— Op. 129. Trio im leichten Style. (7260). II.
Happily conceived for youthful minds. The composer has been
wise in giving as much importance and melodic interest
as possible to every instrument.
— Op. 171. Third Trio (im leichteren Style). (7255). III.
The technique of this Trio makes greater demands than
Op. 129, but the brilliant spirit pervading this work which
appeals to slightly more advanced pupils, will amply
repay its study.
=Hennessy, Swan.= Lieder an den Mond: 1. Um
Mitternacht; 2. In der Frühe; 3. Am Abend. Op. 10. (9309). Ib.
=Hermann, F.= Sonatine en sol majeur. (7389 b). Ib.
— Sonatine en ré majeur. (7390 b). II.
=Horsley.= Trio in A. Op. 7. (9660). IV.
=Hudson, J. W.= Trio in D. (7263). II.
=Ivimey, J. W.= Trio. Op. 1, in D. (7262). IV.
An excellent Op. 1. Interesting subjects well developed.
=Kalliwoda.= 1st Grand Trio in F minor. Op. 121. (9661). IV.
=Kreuz, Emil.= Trio facile. Op. 31. (7264). I.
=Mayseder.= 4th Grand Trio, in G. Op. 59. (9662). V.
=Meyer, L.= Trios faciles (Kinder-Trios):—
No. 1, in G. (9317 a). Ib.
2, in G. (9317 b). Ib.
3, in F. (9317 c). Ib.
These are not only easy and excellent in form, but their
contents appeal to youthful minds, and they are invaluable
to awaken the love for chamber music in children.
=Molique.= 1st Trio, in B flat. Op. 27. (9663). IV.
=Pleyel, I. J.= Œuvres arrangés par F. Hermann:—
— Op 8. Six Trios. (7272). I.
— Op. 48. Six Sonatinas. (5261). II and III.
=Potpourris= on Popular Melodies from classical and
modern Operas and Oratorios. Arranged by R. Hofmann.
45 Books.
Series I. (in the first position). I and II.
Le Postillon. (5401 e).
La Sonnambula. (5402 e).
Norma. (5403 e).
Le Calife de Bagdad. (5404 e).
La Dame Blanche. (5405 e).
La Fille du Régiment. (5406 e).
Lucia di Lammermoor. (5407 e).
Orpheus. (5408 e).
The Messiah. (5409 e).
The Creation. (5410 e).
Zampa. (5411 e).
Wildschütz. (5412 e).
Czar und Zimmermann. (5413 e).
Joseph. (5414 e).
St. Paul. (5415 e).
Il Seraglio. (5416 e).
Il Flauto Magico. (5417 e).
Don Giovanni. (5418 e).
Der Freischütz. (5419 e).
Series II. (in various positions). II and III.
The Bohemian Girl. (5420 e).
Egmont. (5421 e).
Fidelio. (5422 e).
L’Elisire d’Amore. (5423 e).
Lucrezia Borgia. (5424 e).
Iphigénie en Aulide. (5425 e).
Judas Maccabaeus. (5426 e).
Das Nachtlager in Granada. (5427 e).
Hans Heiling. (5428 e).
A Midsummer Night’s Dream. (5429 e).
Elijah. (5430 e).
Les Huguenots. (5431 e).
Le Prophète. (5432 e).
Le Nozze di Figaro. (5433 e).
Die lustigen Weiber von Windsor. (5434 e).
Maritana. (5435 e).
Oberon. (5436 e).
Preciosa. (5437 e).
III and IV.
Der fliegende Holländer. (5438 e).
Lohengrin. (5439 e).
Rienzi. (5440 e).
Tannhäuser. (5441 e).
Il Barbiere di Seviglia. (5442 e).
Guillaume Tell. (5443 e).
Masaniello. (5444 e).
Faust. (5445 e).
=Saint-George, G.= L’ancien régime. Petite Suite. (7570 c). Ib.
=Schumann, R.= Trio. Op. 63. In D minor. (7274). V.
— Trio. Op. 80. In F. (7273). V.
— Phantasiestücke. Op. 88. (7275). V.
— 3rd Trio, in G. Op. 110. (7276). V.
=Silas, E.= Trios.
No. 1, in C minor. (10051). IV.
2, in A (Op. 27). (10052). III and IV.
3, in C (Op. 46). (10053). III.
=Sinding.= Op. 64. Trio in A min. (3051). VI.
=Sitt.= Op. 63, Nos. 1 & 2. Trios. (2835 a and b). II.
=Spohr.= Trio, in E minor. Op. 119 (W. S. B.
Woolhouse). (9664 a). IV.
— Trio, in F. Op. 123. (W. S. B. Woolhouse). (9664 b). V.
— Trio, in A. Op. 124. (W. S. B. Woolhouse). (9664 c). V.
— Trio, in B flat. Op. 133. (W. S. B. Woolhouse). (9664 d). V.
— Trio, in G minor. Op. 142. (W. S. B. Woolhouse). (9664 c). V.
=Turner, Bradbury.= Trio in C minor. (9329). II.
=Volkmann, R.= Trio in B flat minor. Op. 5. (7286). III.
Pianoforte and Two Violins.
=Boyce, William.= Sonata in A major. (G. Jensen).
(7432). II.
=Corelli, Arcangelo.= 6 Sonate da Camera a tre
(due Violini, e Violone, o Cembalo). Opera IV. With
Pianoforte Accompaniment worked out from the Figured
Bass of the Author, and with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (5302). I and II.
=Gurlitt, Cornelius.= Op. 105. Ouverture des
Marionettes. (7307). II.
— Op. 137. “Commedietta” Ouverture. (5306). II.
— Our Favourite Tunes. 40 Melodies, ancient and modern.
(5333). II.
=Hermann, F.= 50 Favourite Melodies. (5465d). I.
— Morceaux mélodiques. Op. 26. 6 Books. (5328a-f).
Bks. 1-3 III. Bks. 4-6 IV and V.
=Herrmann, E.= Petites Variations faciles. Op. 13. (5332). Ia.
=Langer, Gustav.= Grossmütterchen. (Granny.) Ländler. Op. 20. II.
=Pleyel, I. J=. (Œuvres, arrangées par F. Hermann:—
— Op. 8. Six Trios. (7308). I.
— Op. 44. 3 Trios. (5334). III.
— Op. 48. Six Sonatinas. (5336). I.
=Potpourris.= Popular Melodies from classical and
modern Operas and Oratorios. Arranged by R. Hofmann.
45 Books.
Series I. (in the first position). I and II.
Le Postilion. (5401d).
La Sonnambula. (5402d).
Norma. (5403d).
Le Calife de Bagdad. (5404d).
La Dame Blanche. (5405d).
La Fille du Régiment. (5406d).
Lucia di Lammermoor. (5407d).
Orpheus. (5408d).
The Messiah. (5409d).
The Creation. (5410d).
Zampa. (5411d).
Wildschütz. (5412d).
Czar und Zimmermann. (5413d).
Joseph. (5414d).
St. Paul. (5415d).
Il Seraglio. (5416d).
Il Flauto Magico. (5417d).
Don Giovanni. (5418d).
Der Freischütz. (5419d).
Series II. (in various positions). II-IV.
The Bohemian Girl. (5420d).
Egmont. (5421d).
Fidelio. (5422d).
L’Elisire d’Amore. (5423d).
Lucrezia Borgia. (5424d).
Iphigénie en Aulide. (5425d).
Judas Maccabaeus. (5426d).
Das Nachtlager in Granada. (5427d).
Hans Heiling. (5428d).
A Midsummer Night’s Dream. (5429d).
Elijah. (5430d).
Les Huguenots. (5431d).
Le Prophète. (5432d).
Le Nozze di Figaro. (5433d).
Die lustigen Weiber von Winsdor. (5434d).
Maritana. (5435d).
Oberon. (5436d).
Preciosa. (5437d).
Der fliegende Holländer. (5438d).
Lohengrin. (5439d).
Rienzi. (5440d).
Tannhäuser. (5441d).
Il Barbiere di Seviglia. (5442d).
Guillaume Tell. (5443d).
Masaniello. (5444d).
Faust. (5445d).
=Purcell, Henry.= Sonatas. Arranged by G. Jensen:—
The Golden Sonata. (7410). II.
Sonata in B minor. (7429). II.
Sonata in A minor. (7430). II.
Sonata in C major. (7431). II.
=Saint-George.= L’ancien régime. Petite Suite.
(7570b). Ib.
=Torelli, Giuseppe.= Concerto. Op. 8. (G. Jensen).
(7417). II.
=Veracini, A.= Sonate. C min. (G. Jensen). (7415). II.
=Weidig, Adolf.= Kleines Trio. Op. 9. (5286). II.
=Morceaux d’Ensemble.= (F. Hermann):—
Chopin. Marche funèbre. (5330a).
Schubert. Moment musical. (5330b).
Mendelssohn. Duo. Op. 38. (5330c).
Fr. Hermann. Petite Marche. (5330d).
Nicolai. Merry Wives of Windsor. (5330e).
Beethoven. Marche turque des Ruines d’Athènes. (5330f).
Mozart. Andante du 8me Quatuor. (5330g).
Fr. Hermann. Barcarolle. (5330h).
Weber. Finale d’Euryanthe. (5330i).
Schumann. Chœur de Paradis et Péri. (5330k).
Schubert. Entr’acte de Rosamonde. (5330l).
Beethoven. “An die Freude,” Hymn from 9th Symphony. (5330m).
Pianoforte, Violin, and Viola.
=Gade, Niels W.= Novelletten. Op. 29.
Arranged by Ernst Heim. (5268). IV.
Very fine work, not over-difficult, worthy of being better
known.
=Jensen, G.= Phantasiestücke. Op. 27. (5275). IV.
=Kreuz, E.= Trio in C. Op. 21. (5271). IV.
— Trio facile, in C. Op. 32. (5272). II.
=Lachner, Ignaz.= Grand Trio. Op. 102. (5277). II.
— Trio in C. Op. 103. (5278). II.
=Pleyel.= 3 Trios. Op. 44. (Hermann). (5280). III.
=Potpourris= on Popular Melodies from classical
and modern Operas and Oratorios. Arranged by R.
Hofmann:—III and IV.
Wagner. Der fliegende Holländer. (5438s).
Wagner. Lohengrin. (5439s).
Wagner. Rienzi. (5440s).
Wagner. Tannhäuser. (5441s).
Rossini. Il Barbiere. (5442s).
Rossini. Guillaume Tell. (5443s).
Auber. Masaniello. (5444s).
Gounod. Faust. (5445s).
=Reger, Max.= Trio. Op. 2. (5283). V.
=Weidig, Adolf.= Kleines Trio. Op. 9. (5286). II.
Violin, Pianoforte, and Organ (or Harmonium).
=Audibert.= Andante réligieuse. (9551). III.
=Bach, E.= Solfeggietto, arr. by Oscar Wagner. (9785b). II.
Also for Flute, Violin, and Harmonium. (9785a). II.
=Bach, J. S.= Adoration, Meditation on the 7th short
Prelude, composed by Oscar Wagner. (9550). II.
Also with 2nd Violin, and 2nd Violoncello.
=Clark, Scotson.= Marche aux Flambeaux for Piano,
Harmonium, Violin, and Violoncello. (8781). II.
— A te o cara (Puritani). (9552). II.
— Meditation in B flat. (9553). II.
=Field, J.= Nocturne in B flat (Scotson Clark). (9554). II.
=Gounod, C.= Meditation on the 1st Prelude of J. S.
Bach, for Violin (or Violoncello), Harmonium and Piano.
(11450b). III.
Music with Toy Instruments.
(The Toy Instruments may be had of the Publishers)
=Gurlitt, C.= Kindersymphonie. Toy Symphony for
Pianoforte (Violin and Violoncello ad lib.). Cuckoo,
Quail, Nightingale, Trumpet, Triangle, and Drum.
Op. 169. (7108). II.
=Haydn, J.= Toy Symphony for Pianoforte or 2 Violins
and Bass, and 7 Toy Instruments. Score and Parts.
(7109). II.
=Reinecke, C.= Kinder-Symphonie. Toy Symphony
for Pianoforte, 2 Violins, Violoncello, and 9 Toy
instruments (Nightingale, Cuckoo, 2 Trumpets, Drum,
Rattle, Bells, Glass-bell, and Tea-tray). Score and
parts. (7115). II.
=Romberg, B.= Toy Symphony (Kinder-Sinfonie) for Piano
(or 2 Violins and Bass) with 7 Toy Instruments. (7116). II.
String Quartets.
Quartets for 4 Violins.
=Clark, Scotson.= Gavotte. (7231). IV.
=Lachner, I.= Op. 107. Quartet in G. (7220). IV.
=Leo, Leonardo.= Concerto a quattro Violini obbligati,
arr. for 4 Violins with Piano accomp. by Gustav Jensen.
(5001). II and III.
=Shaw, Sydney.= Reverie. (7239). II.
3 Violins and Viola.
=Herrmann, E.= Serenade. Op. 14. (7228). III.
=Lachner, Ignaz.= Quartet in C. Op. 106. (7219). III.
3 Violins and Violoncello.
=Henkel, H.= Introduction and Polacca. Piano
accompaniment ad lib. (7213). III.
=Saint-George.= L’ancien régime. Petite Suite (7570m). II.
2 Violins, Viola and Violoncello.
=Barnett, J. F.= Op. 8. Quartet in D minor. (9255). IV.
=Beethoven.= 6 Quartets. Op. 18. No. 1, in F; No. 2, in
G; No. 3, in D; No. 4, in C minor; No. 5, in A; No. 6,
in B flat. Revised by Fr. Hermann. 6 Books. (7201-6). IV.
— Op. 127. Quartet in E flat. (Woolhouse.) (9633). V.
— Op. 59, 74, 95. Quartets. (195 b).
— Op. 127. 130-133, 135. Quartets. (195 c).
=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27, No. 2.
(7197a). V.
Livre B. Op. 10, No. 3. Complete. (7197 b). V.
Livre C. Op. 2, No. 3; Op 13; Op. 14, No. 2; Op. 31,
No. 3. (7197 c). V.
=Brahms.= Op. 51. 2 Quartets, C minor and A minor.
— Op. 67. Quartet in B flat.
=Cherubini.= 3 Quartets. (1346).
=Coleridge-Taylor, S.= Fantasiestücke. Op. 5. (7207). V.
=Deane, C.= Quartet in B flat. (9634). IV.
=Ellerton.= Op. 62. Quartet. No. 10. (9259 a). V.
Score. 8 vo. (9259 b).
— Op. 101. Quartet. No. 39. (9260 a). V. Score. 8 vo.
(9260 b).
— Op. 102. Quartet. No. 42. (9261 a). V. Score. 8 vo.
(9261 b).
=Grieg.= Op. 27. Quartet. (2489). V.
=Gurlitt, Cornelius=:—
— Op. 105. Ouverture des Marionettes. (7210). III.
— Op. 137. “Commedietta” Ouverture. (7211). III.
=Haydn.= 83 Quartets, complete. (15).
— 15 celebrated Quartets. (289).
=Hermann, Fr.= Leichte Streichquartettsätze. 6 easy
movements (Mendelssohn, 2 Lieder ohne Worte; Beethoven,
Scherzo; Schumann, Nachtstück; Tschaïkowsky, Romance;
Bach, Gavotte). (7214). II and III.
=Kreuz, E.= Quartet. Op. 42, in D minor. (9262). V.
— Capriccio. Op. 43. (7216). III.
=Lachner, Ignaz.= Quartet in G. Op. 104. (7217).
II and III.
— Quartet in A minor. Op. 105. (7218). II and III.
— Quartet in B flat (Œuv. Posth.) (7221). II and III.
=Mendelssohn.= 7 Quartets. (1742).
=Mozart.= 10 celebrated Quartets. (16).
=Ouseley, Sir F. A. G.= Quartet in C. (9266 a). IV.
Score. 8 vo. (9266 b).
— Quartet in D minor. (9267 a). III.
Score. 8 vo. (9267 b).
=Perry, E.= Prize Quartet. (9635). IV.
=Pleyel, I. J.= Œvres arrangés par F. Hermann:—
— Op. 8. Six Quartets. (7222). I and II.
— Op. 48. Six Sonatinas. (7223). II and III.
=Prout, E.= Op. 1. Prize Quartet. (9636). IV.
— Op. 15. Second Quartet, in B flat. (9270). IV.
=Ries, H.= 2 Quatuors faciles. Op. 20. II.
=Rode, P.= Air varié. Op. 10. (Gustav Jensen.) (8691). V.
Arranged by Jensen for Solo Violin with easy string
accompaniment.
=Saint-George.= L’ancien régime. Petite Suite. (7570 d). II.
An excellent and melodious quartet for beginners.
=Schubert.= Quartets. 2 vols. (168 a-b).
=Schumann.= Op. 41. 3 Quartets. (2379).
=Spohr.= Op. 4, No. 1 & 2. Quartets. (2483 a-b).
— Op. 45, No. 2. Quartet. (2483 c).
=Stanford, C. Villiers.= Quartet. No. 3, in D minor. Op. 64. V.
Score. (12 mo.) (9272 a).
Parts. (4 to.) (9272 b).
Piano Quartets.
Violin, Viola, Violoncello, and Piano.
=Beethoven.= Op. 16. Quartet in E♭. (294).
=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27,
No. 2. (7175 a). IV.
Livre B. Op. 10, No. 3. Complete. (7175 b). IV.
Livre C. Op. 2. No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7175 c). IV.
=Brahms.= Op. 25, Nos. 1 and 2. Quartets in G minor and
A major. VI.
— Op. 60, No. 3. Quartet in C minor. VI.
=Mendelssohn.= Complete Quartets. (1741).
=Mozart.= 2 Quartets in G minor & E♭. (272).
=Pfeiffer, G.= Quatuor en F a mineur. Op. 119. (7183). IV.
=Pleyel, I. J.= Œvres. Arrangés par F. Hermann:—
Op. 8. Six Quartets. (7182). I.
Op. 44. 3 Quartets. (7180). III.
Op. 48. Six Sonatinas. (7181). I.
=Prout, E.= Op. 2, in C. Prize Quartet. (9637). IV.
— Op. 18, in F. (9253). IV.
=Rheinberger, J.= Quartet in E flat. Op. 38. (7185). IV.
=Schubert.= Adagio & Rondo. (1347).
=Schumann.= Op. 47. Piano Quartet. (2380).
=Weber.= Op. 8. Piano Quartet. (2177).
=Westrop, H.= Op. 2. Quartet in A flat. (9638). IV.
2 Violins, Violoncello, and Piano.
=Abaco, Evaristo Felice Dall’.= Suite (Sonata da
Camera) in G minor. Arranged by Dr. H. Riemann. Score
and Parts. (5390) II.
=Boyce, W.= Sonata in A major. (G. Jensen). (7432). II.
=Corelli, Arcangelo.= 6 Sonate da Camera a tre
(due Violini, e Violone, o Cembalo). Opera IV. With
Pianoforte Accompaniment worked out from the Figured
Bass of the author, and with all necessary indications
for the mode of executing, for bowing and fingering by
Gustav Jensen. (7171). I and II.
=Hofmann, R.= Potpourris on melodies from Operas and Oratorios.
19 Bks. (5401 f-5419 f.) (Violin Parts in 1st Position only). I.
— Potpourris on melodies from Operas and Oratorios. Second
Series, with use of the higher positions. 26 Bks.
(5420 f-5445 f.) II-IV.
=Pleyel.= 3 Quartets. Op. 44. (Hermann.) (7178). III.
=Purcell, Henry.= Sonatas. Arranged by G. Jensen:—
The Golden Sonata. (7410 a). II.
Sonata in B minor. (7429). II.
Sonata in A minor. (7430). II.
Sonata in C major. (7431). II.
=Squire, W. H.= Serenade. Op. 15. (7122 c.) IV.
=Veracini, Antonio.= Sonata in C minor.
Arranged by G. Jensen. (7415.) II.
3 Violins and Piano.
=Gurlitt, C.= Ouverture des Marionettes. Op. 105. (7209). II.
— “Commedietta” Ouverture. Op. 137. (7212). II.
=Morceaux d’ensemble.= (F. Hermann). II-IV.:—
Chopin. Marche funèbre. (7215 a).
Schubert. Moment musical. (7215 b).
Mendelssohn. Duo. Op. 38. (7215 c).
Fr. Hermann. Petite Marche. (7215 d).
Nicolai. Merry Wives of Windsor. (7215 e).
Beethoven. Marche turque des Ruines d’Athènes. (7215 f).
Mozart. Andante du 8 me Quatuor. (7215 g).
Fr. Hermann. Barcarolle. (7215 h).
Weber. Finale d’Euryanthe. (7215 i).
Schumann. Chœur de Paradis et Péri. (7215 k).
Schubert. Entr’acte de Rosamonde. (7215 l).
Beethoven. “An die Freude”. Hymn from 9th Symphony. (7215 m).
=Papini, G.= “Hope” March. I.
=Saint-George.= L’ancien régime. Petite Suite. (7570 n). II.
String Quintets.
3 Violins, Violoncello, and Bass.
=Saint-George.= L’ancien régime. Petite Suite. (7570 k). II.
2 Violins, Viola (Tenor), Violoncello, and Bass.
=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26, Op. 27,
No. 2. (7143 a). V.
Livre B. Op. 10, No. 3. Complete. (7143 b). V.
Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7143 c). V.
=Boccherini.= Quintet for 2 Violins, Alto, and 2 Celli.
(2231).
=Borch, Gaston.= Elégie. Op. 56, No. 1. (7013). IV.
=Dance Movements= from the Works of Great Masters. (F. Hermann):—
J. S. Bach. Sarabande from the 2nd Violin Sonata (7151 a). II.
G. F. Handel. Scherzo from the Concerto in G minor.
(7151 b). II.
Joseph Haydn. Nachtwächter-Menuett. (7151 c). III.
Monsigny. Rigaudon from “La Reine de Golconde”. (7151 d). III.
Mozart. Minuet from the Divertimento in D. (7151 e). III.
Beethoven. Allegretto from “Die Geschöpfe des Prometheus.”
(7151 f). III.
Mozart. All’ ongarese from Violin Concerto in A. (7151 g). III.
Cherubini. Ballet music from “Ali Baba.” (7151 h). II.
H. Marschner. Tanzmusik from “Des Falkners Braut.”
(7151 i). III.
Rameau. Chaconne and Musette. (7151 k). III.
Gluck. Musette from “Armida.” (7151 l). II.
Monsigny. Chaconne from “La Reine de Golconde.” (7151 m). III.
=Smyth.= Quintet for 2 Violins, Alto and 2 Celli. (2171). V.
2 Violins, 2 Violas, and Violoncello.
=Beethoven.= 4 String Quintets. (599).
=Gade, Niels W.= Quintet. Op. 8. (7138). IV.
=Haydn.= Quintet concertant. Op. 88.
=Kreuz, E.= Prize Quintet. Op. 49. (7165). V.
=Mendelssohn.= Op. 18, 87. 2 Quintets. (1743).
=Mozart.= 10 String Quintets. (18-19).
=Schubert.= Op. 163. String Quintet. (775).
Solos with Quartet Accompaniment.
=Mozart, W. A.= Adagio:—
For Violin, with Quartet. (7153). III.
For Viola, with Quartet. (7154). III.
For Violoncello, with Quartet. (7155). III.
Pianoforte Quintets.
Piano, 2 Violins, Viola, and ’Cello.
=Beethoveniana.= Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2; Op. 26; Op. 27,
No. 2. (7145 a). V.
Livre B. Op. 10, No. 3. Complete. (7145 b). V.
Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7145 c). V.
=Brahms, J.= Op. 34. Quintet in F minor. IV.
=Gurlitt, Cornelius=:—
— Op. 105. Ouverture des Marionettes. (7149). II.
— Op. 137. “Commedietta” Ouverture. (7141). II.
=Pleyel, I. J.= Œuvres arrangées par Fr. Hermann:—
— Op. 8. Six Quintets. (7160). I.
— Op. 48. Six Sonatinas. (5021). I.
=Potpourris= on Popular Melodies from classical and
modern operas and oratorios. Arranged by R. Hofmann. III
to IV:—
Wagner. Der fliegende Holländer. (5438 q).
— Lohengrin. (5439 q).
— Rienzi. (5440 q).
— Tannhäuser. (5441 q).
Rossini. Il Barbiere. (5442 q).
— Guillaume Tell. (5443 q).
Auber. Masaniello. (5444 q).
Gounod. Faust. (5445 q).
=Prout, E.= Op. 3. Quintet in G. (9245). IV.
=Saint-George.= L’ancien régime. Petite Suite. (7570
f). II.
=Saint-Saëns, C.= Op. 14. Quintet in A. V.
=Schumann.= Op. 44. Piano Quintet. (2381). V.
=Spohr.= Op. 130. Quintet. (W. S. B. Woolhouse.) (9632). IV.
Piano, 3 Violins, and Violoncello.
=Henkel, H.= Introduction and Polacca. (7213). III.
=Saint-George.= L’ancien régime. Petite Suite. (7570 l). II.
Piano and 4 Violins.
=Leo, Leonardo.= Concerto a quattro Violini obbligati,
arranged by Gustav Jensen. (5001). II and III.
=Maurer.= Op. 55. Concertante. (2908). III.
Piano, Violin, Viola, Violoncello, and Bass.
=Hummel.= Grand Quintet in E flat minor. Op. 87.
(W. S. B. Woolhouse.) (9622). IV.
=Schubert.= Op. 114. Trout Quintet. (169).
Sextets.
=Bennett, W. S.= Op. 8. Sextetto. For Piano, 2 Violins,
Viola, Violoncello, and Double Bass. (9621). III.
=Jensen, G.= Symphonies arrangées pour Flûte (ou
Violon), deux Violons, Viola, Violoncelle et Basse:—
Jos. Haydn. En RÉ major (D major). (7131). III.
— En UT mineur (C minor). (7132). III.
W. A. Mozart. En UT majeur (C major). (7133). III.
— En LA majeur (A major). (7134). III.
Jos. Haydn. En SI bémol majeur (B flat major). (7135). III.
=Potpourris= on Popular Melodies from classical and
modern operas and oratorios. (Flute, 2 Violins, Tenor,
Violoncello, and Pianoforte.) Arranged by R. Hofmann.
III to IV:—
Wagner. Der fliegende Holländer. (5438 n).
— Lohengrin. (5439 n).
— Rienzi. (5440 n).
— Tannhäuser. (5441 n).
Rossini. Il Barbiere. (5442 n).
— Guillaume Tell. (5443 n).
Auber. Masaniello. (5444 n).
Gounod. Faust. (5445 n).
=Saint-George.= L’ancien régime. Petite Suite:—II.
2 Violons, Alto, Violoncelle, Contrebasse et Piano. (7570 h).
3 Violons, Violoncelle, Contrebasse et Piano. (7570 i).
Septets.
=Beethoven=. Op. 20. Septet. (2466).
=Corelli, Arcangelo=. Œvres revues par J. Joachim et
F. Chrysander. 8vo:—
Livres IV., V. Op. 6. Concerti Grossi con duoi Violini,
e Violoncello di Concertino obligati, e duoi altri
Violini, Viola e Basso di Concerto Grosso ad arbitrio
che si potranno radoppiare. In Roma, 1712. (In Score.)
2 Books. (4936 d, e). II.
=Morceaux d’ensemble=, for 3 Violins, Viola, ’Cello,
C. Bass, and Piano. (F. Hermann):—II.
Chopin. Marche funèbre. (7110 a).
Schubert. Moment musical. (7110 b).
Mendelssohn. Duo. Op. 38. (7110 c).
Fr. Hermann. Petite Marche. (7110 d).
Nicolai. Merry Wives of Windsor. (7110 e).
Beethoven. Marche turque des Ruines d’Athènes. (7110 f).
Mozart. Andante du 8me Quatuor. (7110 g).
Fr. Hermann. Barcarolle. (7110 h).
Weber. Finale d’Euryanthe. (7110 i).
Schumann. Chœur de Paradis et Péri. (7110 k).
Schubert. Entr’acte de Rosamonde. (7110 l).
Beethoven. “An die Freude,” Hymn from 9th Symphony. (7110 m).
=Squire, W. H.= Serenade. Op. 15. Piano, 2 Violins and
Violoncello, with Flute, Clarinet, and Double Bass _ad
lib._ (7122 c). IV.
Octets.
=Gade, N. W.= Octet, Op. 17, for 4 Violins, 2 Violas,
and 2 Violoncellos. (7107). V.
=Mendelssohn=. Op. 20. Octet. (1782).
=Schubert=. Op. 166. Octet. (1849).
Old Chamber Music.
=Riemann, Dr. Hugo=. Old Chamber Music (Alte
Kammermusik). A selection of Canzones, Sonatas, etc.
(_da chiesa_ and _da camera_), for strings
alone, or with a thorough-bass, by composers of the 17th
and 18th centuries; edited and arranged. In score.
3 Bks. (5391-93).
Violin and Orchestra.
=Nardini, Pietro=. Adagio for Violin, arranged for
Violin and small Orchestra (2 Flutes, 2 Bassoons,
Violins, Violoncellos, and Contrabass) by Gustav Jensen.
Score and parts. (7072). III.
String Orchestra.
=Beethoveniana=. Extraits des Sonates pour Piano de
Beethoven, arrangés par Fr. Hermann:—
Livre A. Op. 7; Op. 10, No. 2: Op. 26; Op. 27,
No. 2. (7143 a). V.
Livre B. Op. 10, No. 3. Complete. (7143 b). V.
Livre C. Op. 2, No. 3; Op. 13; Op. 14, No. 2; Op. 31,
No. 3. (7143 c). V.
=Borch, Gaston=. Elégie. Op. 56, No. 1. (Parts.)
(7013). IV.
=Corelli, Arcangelo=. Œuvres revues par J. Joachim
et F. Chrysander. 8 vo:—
Livres IV., V. Op. 6. Concerti Grossi con duoi Violini,
e Violoncello di Concertino obligati, e duoi altri
Violini, Viola e Basso di Concerto Grosso ad abitrio che
si potranno radoppiare. In Roma, 1712. (In Score.)
2 Books. (4936 d, e). II.
=Del Valle de Paz, E.= Prélude. Op. 9, No. 3. (7045). II.
— Minuet from “Ondina”. Op. 21. IV.
Score. (7044 a).
Parts. (7044 b).
— Arioso. Op. 26, No. 1. (7046). IV.
=Haydn, J.= Symphonies arranged by Gustav Jensen:—
In D major. (7131). III.
In C minor. (7132). III.
In B flat major. (7135). III.
=Iliffe, F.= Pizzicato Serenade. Score and Parts. (7057). II.
=Kreuz, Emil=. Suite in G (Prelude, Allemande, Gigue,
Intermezzo, Scherzo, and Finale). Op. 38. (7015). IV.
=Lee, Maurice=. Gavotte du Palais-Royal. (7066). II.
=Mozart, W. A.= Symphonies, arranged by Gustav Jensen:—
In C major. (7133). III.
In A major. (7134). III.
=Roeckel=. Air du Dauphin. Ancienne Danse de la Cour.
(7083).
=Saint-George=. L’ancien régime. Petite Suite. (7570 g). II.
=Scharwenka, X.= Andante religioso, for String
Orchestra, Harp, and Organ. Op. 46 B. IV.
Score. (7088 a).
Parts. (7088 b).
=Schütt, E.= Serenade in D. Op. 6. Score and Parts. III.
=Wüerst, R.= Sous le Balcon. Serenade for String
Orchestra with Violoncello Obbligato. Op. 78. V.
Full Score. (7098 a). Orchestral Parts. (7098 b).
— Russian Suite for String Orchestra with Violin Obbligato. IV.
Full Score. (7097 a). IV. Orchestral Parts. (7097 b).
=Wurm, M.= Estera Gavotte. Score and Parts. (7099). III.
=Dance Movements= from the Works of Great Masters. (F.
Hermann). II and III:—
J. S. Bach. Sarabande from the 2nd Violin Sonata. (7151 a).
G. F. Handel. Scherzo from the Concerto in G minor. (7151 b).
Joseph Haydn. Nachtwächter-Menuett. (7151 c).
Monsigny. Rigaudon from “La Reine de Golconde.” (7151 d).
W. A. Mozart. Minuet from the Divertimento in D. (7151 e).
Beethoven. Allegretto from “Die Geschöpfe des Prometheus.”
(7151 f).
Mozart. All’ ongarese from Violin-Concerto in A. (7151 g).
Cherubini. Ballet music from “Ali Baba.” (7151 h).
Marschner. Tanzmusik from “Des Falkners Braut.” (7151 i).
Rameau. Chaconne and Musette. (7151 k).
Gluck. Musette from “Armida.” (7151 l).
Monsigny. Chaconne from “La Reine de Golconde.” (7151 m).
NB. Any of the pieces mentioned in the “Guide” can be procured from
Messrs. Augener & Co. It will be sufficient to give the Edition No.
where marked; where there is no No., name of author and title should
be given.
GUIDE THROUGH VIOLA LITERATURE.
Methods for the Viola.
=Bruni, A. B.= Tenor Method. Edited, with fingering,
bowings, and marks of expression by Emil Kreuz. (7659).
=Hermann, Fr.= The Study of the Viola (Das Studium der
Viola—L’Étude de l’Alto):—
Part I. Instruction in Viola Playing: 20 Introductory
Exercises with explanatory remarks. (7652 a).
Part II. 24 Easy Exercises (1st position), after the
Author’s “Études spéciales, Op. 24, Book I,” with
2ⁿᵈ Viola _ad lib._ (7652 b).
Part III. 12 Easy Exercises and Pieces (1st to 3rd
Positions), after Op. 24, Book 2, with Pianoforte
accompaniment _ad lib._ (7652 c).
=Laubach, A.= A Practical School for the Viola (Méthode
pratique pour Alto), comprising the rudiments of music,
scales, arpeggi, progressive exercises, and pieces in
all major and minor keys. (7654).
=Lütgen, H.= Practical and Progressive Method, intended
both for beginners and for more advanced players.
Containing Exercises by the greatest Masters and some
passages from the Works of Haydn, Mozart, Beethoven,
Schumann, etc.
Lütgen’s method consists largely of extracts from the
great masters; Hermann’s is the simplest course for
young beginners. In Laubach’s method the exercises
are specially well graduated as to difficulty.
=Schroeder, C.= Handbook of Violin Playing, has a chapter
on Viola Music. (9212).
Viola Studies.
Steps I—II.
=Hofmann, R.= Op. 86. The first Studies. (2732).
=Kreuz, E.= Progressive Studies for the Viola, with
accompaniment of a second Viola. Op. 40:—
Book I. Commencing with exercises on the open strings, and
gradually introducing the notes of C major in the first
position. (7653a).
— Select Studies, taken from the works of Campagnoli,
Mazas, Corelli. Kreutzer, Spohr, Fiorillo, Wenzel Pichl,
Rode, and Gaviniés; in progressive order, phrased,
fingered, and arranged:—
Book I. 30 Elementary Studies in the first position, with
accompaniment of a second Viola, by Campagnoli and
Mazas. (7657a).
— Scales and Appeggios for the Viola, through all major
and minor keys; systematically arranged, bowed, and
fingered:—
Book I. Through one and two octaves. (7658a).
Step III.
If Laubach’s method be adopted, Book 3 of Hermann (7652c)
might suitably follow, to be succeeded by:—
=Bruni.= 25 Studies from his Method (E. Kreuz). (7659a).
=Kreuz, E.= Progressive Studies for the Viola, with
accompaniment of a second Viola. Op. 40:—
Book II. Studies in the first position in the flat keys,
major and minor. (7653b).
Book III. Studies in the first position in the sharp keys,
major and minor. (7653c).
— Select Studies for the Viola, taken from the works of
Campagnoli, Mazas, Corelli, Kreutzer, Spohr, Fiorillo,
Wenzel Pichl, Rode, and Gaviniés; in progressive order,
phrased, fingered, and arranged:—
Book II. 30 Studies in the first position by Corelli,
Campagnoli, Kreutzer, and Spohr. (7657b).
Book III. 20 Studies in the first three positions, by
Corelli, Campagnoli, Kreutzer, Fiorillo, Spohr, Wenzel
Pichl, and Mazas. (7657c).
— Scales and Appeggios for the Viola, through all major
and minor keys; systematically arranged, bowed, & fingered:—
Book II. Through two and three octaves. (7658b).
Step IV.
=Campagnoli, B.= 41 Caprices pour le Viola, revus et
doigtées par E. Kreuz. (7651).
=Kreuz, E.= Progressive Studies for the Viola, with
accompaniment of a second Viola. Op. 40:—
Book IV. Introduction of the 2nd and 3rd positions, and
studies in the first three positions. (7653 d).
— Select Studies for the Viola, taken from the works of
Campagnoli, Mazas, Corelli, Kreutzer, Spohr, Fiorillo,
Wenzel Pichl, Rode, and Gaviniés; in progressive order,
phrased, fingered, and arranged:—
Book IV. 20 Studies in the higher Positions. (7657 d).
Book V. 20 Studies in the higher Positions. (7657 c).
Pieces for Viola and Piano.
Step I.
=Kreuz, E.= The Violist. A Series of progressive pieces. Op. 13:—
Book I. 12 very easy pieces, commencing with the open
strings, and gradually introducing the notes of C major
in the first position (7636 a).
— 25 Pieces in progressive order. In the 1st position:—
1. Kreuz. No. 1 Prelude; No. 2 Melody.
2. Schumann. Op. 68, Nos. 1, 2. Melodie; Soldatenmarsch.
3. Gurlitt. Berceuse, and “Heiterer Morgen.”
4. Schumann. “Trällerliedchen” and “Jägerliedchen.” Op. 68.
5. Fitzenhagen. Cavatine.
6. Reinecke. Air, “Unbekümmert,” from Op. 213.
7. Kreuz. Melody.
8. Schumann. “Kleine Romanze” and “Fröhlicher Landmann.”
9. Gluck. Air from “Orfeo.”
10. Gurlitt. “Ständchen” and “Jagdstück.”
11. Mendelssohn. Lied ohne Worte, Op. 30, No. 9.
12. Haydn. Aria from “Die Jahreszeiten.”
Step II.
=Kreuz, E.= The Violist, Bk. 2. Easy Pieces in C. (7636 b).
— The Violist, Bks. 3, 4. 20 progressive melodies in the
1st position. (7636 c, d).
— 25 Pieces in progressive order. (In the 1st position):—
13. Schumann. “Canonisches Liedchen” and “Schnitterliedchen.”
14. Kreuz. Gavotte, from “The Violist.”
15. Mozart. “Gib mir die Hand” from “Don Giovanni.”
16. Schubert. “Das Fischermädchen.”
17. Mendelssohn. Venetian Gondola Song.
18. Schumann. ⁂ & Siciliano.
19. Kreuz. “Pensée fugitive,” from “The Violist.”
20. Reinecke. Farandole, Op. 213, No. 10.
21. Weber. Air from “Der Freischütz.”
22. Beethoven. Sonatina.
23. Handel. Aria from Ouverture to “Ariadne.”
24. Kreuz. Romance, from “The Violist.”
25. Bach. Gavotte, from French Suite.
=MacCunn, Hamish.= 3 Romantic Pieces. Op. 27:—
No. 1. L’Espérance.
=Mendelssohn.= Op. 72. 6 Pieces. Arranged. (7631).
=Reinecke.= Op. 122 a. 10 Petits morceaux. (7642).
— Op. 213. 10 Petits morceaux. (7643).
=Albums.= Vols. 1 and 2. (7625 a, b).
=Album Classique.= (Moffat-Laubach). (5566).
Step III.
=Burgmüller.= 3 Nocturnes. (7626).
=Goltermann, G.= Op. 114. Sonatina. (7635).
=Handel.= Sonata for Viola da Gamba and Cembalo
concertato, arranged by G. Jensen. (5551).
=Hermann, F.= 12 easy Exercises and Pieces
(1ˢᵗ to 3ʳᵈ positions). (7652 c).
=Kalliwoda.= Op. 186. 6 Nocturnes. (2104).
=Kreuz, E.= Select pieces in progressive order, Viola
Part in the first three positions:—
26. Mozart. Song from “Figaro.”
27. Weber. Air from “Der Freischütz.”
28. C. Gurlitt. “Buds and Blossoms.” Op. 107, No. 4.
29. Mendelssohn. Song without Words, No. 14.
30. Handel. Largo.
31. Schumann. Revery. Op. 15, No. 7.
32. Mendelssohn. Song without Words, No. 22.
33. Gluck. Ballet from “Orfeo.”
34. C. Gurlitt. Slow waltz. Op. 146, No. 1.
35. Kjerulf. Longing.
36. Strelezki. Cavatina.
37. Mendelssohn. Song without words, No. 25.
38. E. Kreuz. Sketch. Op. 13e, No. 3.
39. Schubert. Serenade.
40. Fr. Hermann. Rondino. Op. 24, No. 2.
41. Mendelssohn. Christmas Pieces. Op. 72, Nos. 4 and 5.
42. Handel. Sonata.
43. Haydn. Air from “The Creation.”
44. Mendelssohn. Song without Words, No. 13.
45. Schumann. Fairy Pictures. Märchenbilder. Op. 113. No. 4.
=Kreuz, E.= Op. 5. Liebesbilder. (7627).
— Op. 9. “Frühlingsgedanken” (Spring Fancies). (7628).
— Op. 13. The Violist. A Series of progressive pieces.
Book V. Three easy Sketches in the first three positions.
(7636e).
Book VI. Sonata in A minor. (7636f).
— Op. 45. Suite de Pièces. (Prélude, Nocturne, Le Rêve,
Danse rustique.) (5572).
=Kücken.= 6 Duos Concertantes. 6 Bks. (7629a—f).
=Laubach, A.= 20 Scottish Songs. (7633).
=Mendelssohn.= Op. 4. Adieu à Berlin. (7632).
=Sitt, Hans.= Op. 39. Albumblätter. (2549).
=Stehling, K. A.= Morceaux Favoris. 10 arrangements in
separate Nos:—
Albumblatt, Wagner; Consolation, Liszt; Abendgebet,
Reinecke; Tears, Reinecke; La Fontaine, Henselt, Gavotte
and Rondeau, Lully; Romance, Ries; Scherzo, David;
Berceuse, Reber; Mazurek, Rheinberger.
=Squire, W. H.= Gavotte Humoristique. (7647).
=Thomas, E.= Sans Souci Waltz.
— Sonatina in C. (7644).
=Volkmann.= Op. 11. Musical Picture Book.
Arr. by Hermann. (7650).
=Wagner, R.= Album-leaf. (7649).
Step IV.
=Goltermann.= Op. 15. Duo. (1997).
— Op. 25. (2207).
=Kreuz, E.= Select Pieces in progressive order.
Viola Part in the higher positions:—
46. Schumann. Little Study. Op. 68, No. 14.
47. Schubert. Am Meer.
48. G. Goltermann. Romance from Sonatina. Op. 114.
49. W. H. Squire. Gavotte Humoristique.
50. Schumann. “Stücke im Volkston.” Op. 102, No. 2.
51. Schubert. Romance.
52. A. Strelezki. L’Absence.
53. E. Thomas. Sans Souci Valse.
54. Mendelssohn. Song without words. No. 1.
55. W. H. Squire. Réverie.
56. Schubert. Ave Maria.
57. A. Strelezki. Asphodel. Chant sans Paroles.
58. J. S. Bach. Air from the Orchestral Suite in D.
59. E. Kreuz. Liebesbilder. Op. 5, No. 2.
60. Schumann. Evening Song. Op. 85, No. 12.
=Joachim.= Op. 9. Hebrew Melodies. (7630).
=MacCunn Hamish.= 3 Romantic Pieces. Op. 27:—
No. 2. Sérénade.
” 3. Rêve d’amour.
=Mozart.= Adagio. (7634).
=Popper.= Op. 5. Romance. (7637).
=Prout, E.= Op. 26. Sonata in D major. (7639).
=Schumann, R.= Evening Song. (9676).
— 3 Romances. Op. 94. (7641).
— 5 Stücke im Volkston. Op. 102. (7645).
— Märchenbilder (Fairy Pictures). Op. 113. (7646).
=Vieuxtemps.= Op. 30. Elegie (Scholz). (7648).
Step V.
=Brahms, J.= Op. 120. Sonatas in F minor and E♭.
=Kreuz, E.= Op. 20. Concerto in C minor. (5571).
An effective modern work. The Barcarolle is published
separately as No. 65 of “Select pieces.”
=Kreuz, E.= Select Pieces in progressive order, in the
higher positions:—
61. Meyerbeer. Air from “Les Huguenots.”
62. E. Kreuz. Spring fancies. Op. 9. No. 2.
63. Chopin. Nocturne. Op. 37, No. 1.
64. Beethoven. Romance in F major. Op. 50.
65. E. Kreuz. Barcarolle from Concerto for Viola
and Orchestra. Op. 20.
=Rubinstein, A.= 3 Salon Pieces, Op. 11, edited by F. Hermann:—
Moderato. (7638a).
Allegro con moto. (7638b).
Allegretto. (7638c).
— Op. 49. Sonata.
One of the finest compositions for the viola.
Duets for Violin and Viola.
=Fiorillo.= Op. 9. 6 Sonatas. II.
=Jansa.= Op. 70. 6 Duets. 2 Bks. (2234a-b). III.
=Kalliwoda.= Op. 208. 2 Duets. (2105). III.
=Kreuz, E.= 4 Duos. 2 Bks. (5594a, b). II.
=Mozart, W. A.= Op. 28. 2 Duets. III.
=Pleyel.= Op. 44. 3 Duets. (7858). III.
— Op. 69. 3 Duets. II-III.
=Schoen, M.= 6 Easy Duettinos. 1ˢᵗ and 3ʳᵈ positions. (7620). I-II.
=Spohr, L.= Op. 13. Grand Duo. V.
Trios for Violin, Viola and Piano.
=Gade, Niels, W.= Novelletten. Op. 29.
Arranged by Ernst Heim. (5268). IV.
=Jensen, G.= Phantasiestücke. Op. 27. (5275). IV.
=Kreuz, E.= Trio in C. Op. 21. (5271). V.
— Trio facile, in C. Op. 32. (5272). II.
=Lachner, Ignaz.= Grand Trio. Op. 102. (5277). II.
— Trio in C. Op. 103. (5278). II.
=Mozart.= Trio. Op. 14. in E♭. Clarinet or Violin, Viola and Piano.
— Symphonie Concertante. (2206).
=Pleyel.= 3 Trios. Op. 44 (Hermann). (5280). II.
=Potpourris= on Popular Melodies from classical and
modern operas and oratorios. Arranged by R. Hofmann:—
Wagner. Der fliegende Holländer. (5438s). III.
— Lohengrin. (5439s). IV.
— Rienzi. (5440s). III.
— Tannhäuser. (5441s). IV.
Rossini. Il Barbiere. (5442s). III.
— Guillaume Tell. (5443s). IV.
Auber. Masaniello. (5444s). III.
Gounod. Faust. (5445s). IV.
=Reger, Max.= Trio. Op. 2. (5283). IV.
=Weidig, Adolf.= Kleines Trio. Op. 9. (5286). II.
NB. Any of the pieces mentioned in the “Guide” can be procured from
Messrs. Augener & Co. It will be sufficient to give the Edition No.
where marked; where there is no No., name of author and title should
be given.
GUIDE THROUGH VIOLIN LITERATURE.
Contents.
Page
Violin Methods 109
Technical Exercises 110
Studies 110
Violin Solos 118
Duets.
Two Violins.
Step I. First position 119
” II. First four positions 121
” III. First five positions 123
” IV. All positions 125
” V. Difficult 126
” VI. Concert Duets 127
Duets for Violin and Violoncello 127
” ” Violin and Organ 127
Violin, with Pianoforte accompaniment.
Step Ia. First position, elementary 128
” Ib. First position, easy and progressive 129
” II. First four positions 133
” III. First five positions 142
” IV. All positions 151
” V. Difficult. (Octaves, Springing Bow,
Staccato, etc.) 156
” VI. Very difficult. (Concertos, etc.) 158
String Trios.
Three Violins 160
Two Violins and Violoncello 161
Two Violins and Viola 161
Violin, Viola, and Violoncello 161
Piano Trios.
Violin, Violoncello, and Piano 162
Two Violins and Piano 165
Violin, Viola, and Piano 167
Violin, Piano, and Organ (or Harmonium) 167
Music with Toy Instruments 168
String Quartets.
Four Violins 168
Three Violins and Viola 168
Three Violins and Violoncello 168
Two Violins, Viola, and Violoncello 169
Piano Quartets.
Violin, Viola, Violoncello, and Piano 171
Two Violins, Violoncello, and Piano 171
Three Violins and Piano 172
String Quintets.
Three Violins, Violoncello, and Bass 172
Two Violins, Viola, Violoncello, and Bass 173
Two Violins, two Violas, and Violoncello 173
Solos with Quartet Accompaniments 174
Piano Quintets.
Two Violins, Viola, Violincello, and Piano 174
Three Violins, Violoncello, and Piano 175
Four Violins and Piano 175
Violin, Viola, Violoncello, Bass, and Piano 175
Sextets, etc.
Sextets 175
Septets 176
Octets 176
Old Chamber Music 176
Violin and Orchestra 177
String Orchestra 177
VIOLA LITERATURE.
Methods 179
Studies 180
Duets.
Viola with Pianoforte accompaniment.
Step I 181
” II 182
” III 182
” IV 184
” V 185
Violin and Viola 185
Trios.
Violin, Viola, and Piano 185