The poetical view of our American system of government is that all

men have a voice in the government; that we choose our own rulers

and make our own laws; that no man has a hereditary right to rule,

and that men are selected for the service of the people, in the

construction and the execution of the laws, because of their

fitness for office. Outside of this view, the American system of

government has no beauty and no foundation in truth and justice.

If we undertake to argue with a monarchist, we never bring forward

any other. It has in it the essential element of poetry, because

it does justice to the nature and character of man, and describes

a perfect political society. The poetical view of the American

system of government, is, then, the highest view. It covers the

sovereignty of the citizen, and the wisdom of the popular voice.

Around this idea the poets have woven their noblest songs; but

again we ask what are the facts? The people are led by the nose by

politicians; and not one officer of the government in one hundred

is chosen to his place because of his fitness for it. The people

do not nominate those who shall rule them, or those who shall make

laws for them. Those whom the politicians do not nominate for

office, nominate themselves. The political machinery of America

practically takes the choice of rulers and officers out of the

hands of the people, and puts it into the hands of a set of

self-appointed leaders, whose patriotism is partisanship, and whose

principal aim is to serve themselves and their friends, and use

the people for accomplishing their purposes. No greater fiction

was ever conceived than the pleasant one that the people of

America govern America. The people of America, except in certain

political revolutions, have always been governed by a company of

self-appointed and irresponsible men, whose principal work was to

grind axes for themselves. The poetry of American politics is then

the severest standard by which to judge the reality of American

politics.

Religious freedom is another poetical idea in which the American

glories. It is essentially a poetical thought that every man is

free to worship God according to the dictates of his own

conscience--that there is no Church to domineer over the State,

and no State to domineer over the Church, that the Bible is free,

and that each individual soul is responsible only to its Maker.

This great and beautiful liberty stirs us when we think of it as

music would stir us, breathed from heaven itself. It is grand,

God-begotten, belonging in the eternal system of things, full of

inspiration. This religious freedom we claim as Americans. Some of

us enjoy it; but the number is not large. The freedom of the sect

is not greatly circumscribed, but the freedom of the individual is

hardly greater in America than it is in those countries where an

established church lays its finger upon every man. I would as

soon be the slave of the Pope or the Archbishop as the slave of a

sect. I would as readily put my neck under the yoke of a national

church as under the yoke of a sect. It does not mend the matter

that the multitude are willing slaves, and it certainly mars the

matter that the sects themselves do what they can, in too many

instances, to circumscribe each the other's liberty. Sects are

religiously and socially proscribed by sects. Take any town in

America that contains half a dozen churches, representing the same

number of religious denominations, and it will be found that, with

one, and that probably the dominant sect, it will be all that a

man's reputation and position are worth to belong to another sect.

Perfect religious freedom in America there undoubtedly is; but it

is the possession of only here and there an individual. Prevalent

uncharitableness and bigotry are incompatible with the existence

of religious liberty anywhere.

It is thus that the poetic instinct grasps at truth and beauty,

and fitness and harmony, wherever it sees it, and it is thus that

it furnishes us (subordinate only to special, divine revelation)

with the most delicate tests of human institutions, customs, and

actions. Litmus-paper does not more faithfully detect the presence

of an acid than the poetic instinct detects the false and foul in

all that makes up human life. All that is grand and good, all

that is heroic and unselfish, all that is pure and true, all that

is firm and strong, all that is beautiful and harmonious, is

essentially poetical, and the opposite of all these is at once

rejected by the unsophisticated poetic instinct.

Verily the poets of the world are the prophets of humanity! They

forever reach after and foresee the ultimate good. They are

evermore building the paradise that is to be, painting the

millennium that is to come, restoring the lost image of God in the

human soul. When the world shall reach the poet's ideal, it will

arrive at perfection; and much good will it do the world to

measure itself by this ideal, and struggle to lift the real to its

lofty level.

LESSON XXIII.

THE FOOD OF LIFE.

"To the soul time doth perfection give,

And adds fresh lustre to her beauty still;

And makes her in eternal youth to live

Like her which nectar to the Gods doth fill.

The more she lives, the more she feeds on truth;

The more she feeds, the strength doth more increase;

And what is strength, but an effect in youth

Which, if time nurse, how can it ever cease?"

SIR J. DAVIES.

A horse can live, and do a good deal of dull work, on hay; but

spirit and speed require grain. There is no self-supplied,

perennial fountain within the animal that enables him to expend

more in the way of muscular power than he receives in the way of

muscular stimulus and nourishment. Food, in its quality and

amount, up to the limit of healthful digestion, is set over

against, and exactly measures, under ordinary circumstances, the

quality and amount of labor of which a horse is capable. So, a

cow can live on straw and corn-stalks; but it would not be

reasonable to suppose that she would give any considerable amount

of milk upon so slender a diet. We do not expect rich milk, in

large quantities, to be yielded by a cow that is not bountifully

fed with the most nutricious food. The same fact attaches to land.

We cannot get out of land more than there is in it; and having

once exhausted it, we are obliged to put into it, in fertilizers,

all we wish to take from it in the form of vegetable growths.

Wherever there is an outgo, there must be an equal income, or

exhaustion will be the inevitable consequence.

The principle which these familiar facts so forcibly illustrate is a

very important one, in its connection with human life. We cannot get

any more out of human life than we put into it. All civilization is

an illustration of what can be accomplished by feeding the human

mind. All barbaric and savage life is an illustration of mental and

moral starvation. The differences among mankind are the results of

differences in the nourishment upon which their minds are fed.

Eunice Williams, who was taken captive by the savages of Canada a

hundred and fifty years ago, was the daughter of a most godly

minister, of the old Puritan stamp; but a very few years of savage

feeding made her a savage. Her mind was cut off from all other

varieties of nourishment, and could only tend to savage issues. She

kept a knowledge of her history, and many years after her capture

revisited her home, accompanied by her tawny husband; but no

persuasions could call her from her savage life and companionship.

The conversion of men from heathenism to Christianity and Christian

civilization is accomplished by introducing new food into their

moral and mental diet. "A change of pastures makes fat calves," we

are told; and any one who has noticed the effect upon an active mind

of its translation from one variety of social and moral influences

to another, will recognize the truth of the proverb.

If a man will call up his acquaintances, one by one, and mentally

measure the results of their lives, he will be astonished to see how

small those results are. He will also see that they are, under

ordinary circumstances, in the exact proportion to the amount, and

in correspondence with the variety, of the food they take in. It is

astonishing to see how little it takes to keep some people, and how

very little such people become on their diet. A man who shuts

himself away from all social life, and lays by his reading, and

declines all food that addresses itself to his sensational and

emotional nature, and refuses that bread of life which comes down

from heaven, and feeds himself only with relation to the

accomplishment of some petty work, will become as thin and scrawny,

mentally and morally, as the body of a half-starved Hottentot. It is

the one curse of rural life that it does not have a sufficiency and

a sufficient variety of food. The same scenes, the same faces, the

same limited range of books, the same dull friends, exhausted long

ago--no new nourishment for powers cloyed with their never-varying

food--these are what make rural life, as it is usually lived,

unattractive and most unfruitful. The fruits--the issues--of this

life cannot be greater than the food it gets, and the food is very

scanty. It is not necessary that it should be so, and sometimes it

is not so; but the rule of common rural life is insufficiency of

mental food, and consequent poverty of manifestation.

The utilitarian habits of New England, originating in necessity, and

far outliving the circumstances in which they had their birth, have

tended more than any other cause to make New England character

unlovable. The saving of half-pence to add to one's store, and the

denial to one's self and children of that which will delight the

famished senses, and stir the thin emotions, and enlarge the range

of experience, is the direct way of arriving at meanness of life.

There are those who will not allow their families to cultivate

flowers, because flowers are not useful, and they involve a waste of

time and land. They will not have an instrument of music in their

houses, because music is not useful, and it involves an expenditure

of money, and the throwing away of a great deal of time. They will

not buy pictures, because pictures are not useful, and because they

cost money; so that many a rich man's parlor is as bare of ornament

as a tomb would be. They will not attend a lecture, because, though

it might furnish them with mental food for a month, it would not

bring their shillings back to them. They will not attend a concert,

because a concert is not useful. They will not hire a minister who

possesses fine gifts--gifts that would enrich them mentally,

morally, and socially--because they cannot afford it. So they take

up with ministerial dry nursing, and one another's dry experiences,

as spiritual food, in order to save a few more dollars.

There are a few of the severer virtues that will live upon a diet of

this kind. Endurance, industry, a negative purity, thrift,

integrity--these can live, and do live, after a sort, on a plain and

scanty diet, and these, as we know, abound in New England. But

generosity, hospitality, charity, liberality--all those qualities

that enrich the character, and all those virtues that enlarge it and

give it fulness and beauty and attractiveness, are always wanting

among the class that sacrifices every thing for use. More cannot be

got out of any life than is put into it. Modern chemistry analyzes

soils, and ascertains exactly what they need to make them produce

bountifully of any kind of grains and fruits. Wheat cannot be grown

on land that does not contain the constituents of wheat; and if it

be desirable to grow wheat, those constituents must be added to the

soil. If any mental soil does not produce those vital manifestations

and results which characterize a large, rich, and attractive life,

then the constituents of that life must be introduced as nutriment.

One of the common experiences in the world of authorship is the

writing of a single successful book, and the failure of all that

follow it from the same pen. The explanation is, that the first book

is the result of a life of feeding, and those that follow it come

from an exhausted mind. There are many writers who, as soon as they

begin to write, stop feeding, and in a very short time write

themselves out. The temptation of the writer is to seclusion. His

labors in a measure unfit him for social life, and for mingling in

the every-day affairs of men. He is apt to become warped in his

sentiments, and morbid in his feelings, and to grow small and weak

as his works increase. The greatest possible blessing to an author

is compulsory contact with the world--every-day necessity to meet

and mingle with men and women--social responsibilities and business

cares, and the consequent necessity of keeping up with the events

and the literature of his time. An author in this position not only

keeps a healthy mind, but he takes in food every day which his

individuality assimilates to itself, and utters as the expression of

its life. I have no belief that Shakspeare would ever have given us

his immortal plays, but for the necessities which brought him so

much into contact with men. Outside of his authorship, he lived an

active, practical life--trod the boards of a theatre, managed men,

looked after his money, rubbed against society in multiplied ways--

and kept himself strong, healthy, and abundantly fed with that food

which was necessary to him.

Shakspeare had genius, it is true, but genius without food is quite

as helpless as a barren acre. All great geniuses are immense

feeders. All true and healthy geniuses fasten for food upon every

thing and every body. Their antennas are always out for the

apprehension of ideas, and their mouths always open for their

reception. Walter Scott was engaged in the active duties of the

legal profession when writing his novels, and there was not a legend

of Scotland, nor a bit of history or gossip, nor an old story-teller

that lived within fifty miles of him, that he did not lay under

tribute for mental food. It is declared, to the everlasting disgrace

of Goethe, that he practiced upon the affections of women, even to

old age, that he might gather food for poetry. Byron traversed

Europe in search of adventure, and rummaged the scenes of legend and

story for food for his voracious senses and sensibilities. His

Childe Harold is nothing but the record of his tireless foraging.

All men who have produced much have fed bountifully.

The writers are few in whom we do not notice something painfully

wanting. We do not always understand what it is, but we know that,

while we may accord to them good sense, and even genius, they fail

to satisfy us. There is some good thing which they lack--something

unbalanced and partial and one-sided about them. We presume that

this is often the result of a constitutional defect, but in most

instances it is attributable to insufficient nourishment in some

department of their nature. "All but," is the appropriate epitaph

for the tombstone of many an author; and if we look carefully into

his history we shall find an answer to the question: "All but what?"

We shall find, perhaps, that he is a recluse, that his social nature

is not fed at all, and that be is, of course, unsympathetic. This is

a very frequent cause of dissatisfaction with an author, as it

always gives a morbid tinge to his writings. Dickens is eminently a

social man, and eminently healthy and sympathetic. Possibly an

author may starve his senses and become purely reflective, yielding

up his points of contact with the outside world, and shutting the

channels by which the qualities of things find their way to his

mind. Not unfrequently a man's domestic affections may be starved,

or ill fed, and if so, the fact is sure to be betrayed in his

writings. And if a writer's religious nature be starved, it

invariably vitiates all his characteristic works. No man who shuts

out God and heaven from his life can write without betraying the

poverty of his diet. If an author would write satisfactorily,

touching all kinds of human nature and all sides of human nature, he

must feed every department of his own nature, for he has nothing to

give that he does not receive.

As in animal, so in mental life, there are gormandizing and

gluttony, tending always to paralysis of voluntary effort. The

devouring of facts, as they are found both in nature and in books,

indulgence in social pleasures immoderately and constantly, pietism

that feeds exclusively upon the things of religion, the feasting of

the imagination upon the creations of fiction--all these are

debilitating; and a blessed thing to the world is it that they unfit

the mind for writing at all, as the overfeeding of the body unfits

its organs for labor. Plethoric minds do not trouble the world with

books, or with conversation, or with preaching. Activity simply

demands food enough, and in sufficient variety, to feed its powers

while operative, from day to day. This is the reason why immensely

learned men have rarely done much for the world. Many of them have

won reputations, like remarkably fat steers, for breadth of back and

depth of brisket, but they are never known to move more than their

own enormous bulks. Beyond a certain point of mental feeding, over

and above the necessities of labor, the mind gets sleepy and clumsy.

I have alluded to authors, particularly, because, unlike the world

in general, they give form and record to their life. The masses of

men live as authors live, but their lives are not put down in books,

so that the public may read and measure them. We will suppose that

two men are fed upon the same diet. Each shall have sufficient food

for his religious, social, esthetic, domestic, sensational, and

emotional natures, yet only one of them shall embody in books the

life which he draws from these varieties of nourishment. The other

lives essentially the same life, but it fails of record. It may be

as rich, and characteristic, in every particular, as that of the

author, but it fails of artistic form because, perhaps, he lacks the

peculiar mental gift required for its construction. So the real life

of the author and the life of his reader may be the same, the one

having advantage over the other in no particular, and the fact that

one is embodied in artistic forms conferring upon it no essential

excellence. What I have said about authors, therefore, applies to

all mankind, engaged in whatever calling or profession. If any

portion of any man's nature be not well fed, he will betray the fact

in his life. Poverty of food in any particular will surely bring

poverty of manifestation in that department of life which is

deprived of its natural nourishment.

A familiar illustration of the failure of a life to secure its

appropriate food, will be found in men and women who live unmarried.

An old bachelor will sooner or later betray the fact that his finer

affections are starved. It is next to impossible for him to hide

from the world the wrong to which he is subjecting himself. His

character will invariably show that it is warped and weak and lame,

and his life will be barren of all those manifestations which flow

from domestic affections abundantly fed. Here and there, one like

Washington Irving will nourish a love transplanted to Heaven, and

bring around him the sweet faces and delicate natures of women, to

minister to a thirsting heart, and preserve, as he did, his

geniality and tenderness to the last; but such as he are

comparatively few. An old bachelor, voluntarily single, always

betrays a nature badly fed in one of its important departments. So,

too, those who marry, but who are not blest with children, betray

the lack of food. Many of these hunger through life for children to

feed their affections, and take on peculiarities that betray the

fact that something is wrong with them. Some adopt children in order

to supply a want which seems imperative, and others take pets of

different kinds to their bosoms, ranging through the scale from

birds to bull-dogs. It is a familiar trick of starved faculties and

affections to take on a morbid appetite, and feed themselves on the

strangest of supplies.

So, if a man would live a full and generous life, he must supply it

with a full and generous diet. So far as his ability will go, he

should make his home the embodiment of his best taste. There should

be abundant meaning in its architecture. There should be pictures

upon its walls, and books upon its shelves and tables. All the

domestic and social affections should be abundantly fed there. His

table should be a gathering place for friends. Music should minister

to him. He should bring himself into contact with the great and wise

and good, who have embalmed their lives in the varied forms of art.

The facts that live in the earth under his feet, the beauty that

spreads itself around him, and all those truths which appeal to his

religious nature, are food which should minister to his life. An

irreligious man--no matter what his genius may be--is always a

starveling. An unsocial man can by no possibility lead a true life.

A man's nature should be thrown wide open at every point, to drink

in the nourishment that comes from the healthy sources of supply;

and thus only may his life become abundantly rich and beautiful. I

repeat the proposition that I started with: we cannot get more out

of human life than we put into it.

There is another aspect of this subject that I have barely space to

allude to. The illustration with which this article opens, touching

the effects of hay and grain respectively upon the life of the

horse, suggests that the food with which our bodies are nourished

may have an important bearing upon our mental and moral life. Of

this I have no doubt. Coarse food, made of material but feebly

vitalized, makes coarse men and women. Muscular tissues not formed

from choice material, brains built of poor stuff, nervous fibres to

which the finest and most delicate food has not ministered, are not

the instruments of the highest grade of mental life. The

dispensation of sawdust is passed away. It is pretty well understood

that the most complicated, the noblest, and the finest creature in

the world requires the best food the world can produce; and that he

requires it in great variety. If a man leads simply an animal life--

eating, working, and sleeping--let him feed as animals do; but if he

lives a life above animals, as a social and religious being, then

let him take food that gives pleasure to his palate, and pluck and

power to all the instruments of his mind. Hay may answer very well

for a mind that moves at the rate of only three miles an hour; but a

mile was never yet made "inside of 2:40" without grain.

LESSON XXIV.

HALF-FINISHED WORK.

"Ah God! well, art is long!

And life is short and fleeting.

What headaches have I felt and what heart-beating,

When critical desire was strong.

How hard it is the ways and means to master

By which one gains each fountain head!

And ere one yet has half the journey sped

The poor fool dies--O sad disaster!"

BROOKS' TRANSLATION OF FAUST.

Mankind are "nothing, if not critical;" and nothing would seem to

be criticism with them but fault-finding. It is astonishing to see

what a number of architects there are in the world--how many people

there are who feel competent to give an opinion upon buildings in

course of erection on the public streets. If a dwelling is going up,

there is not a day of its progress in which its builder or architect

is not convicted of being a fool, by any number of wise people who

judge him on the evidence of a half-finished structure. When the

dwelling is completed, it usually "looks better than they ever

supposed it could;" but they learn nothing from this, though the

proverb that "only fools criticize half-finished work" is a good

deal older than they are. Every man who builds is obliged to take

this running fire of fault-finding. Passing a new church recently,

in the company of an architect, I asked him what he thought of the

building. "I can tell better when the staging is down," was his

reply. He knew enough not to criticize half-finished work, while

probably a hundred men, knowing nothing of architecture whatever,

had, during that very day, freely given their opinion of the

building in the most unqualified way.

Lessons in Life; A Series of Familiar Essays · 第 17 / 18 段