UP WITH THE CURTAIN.
The usual bell sounded with solemnity behind the scenes the overture
began, and, to say the truth, but little attention was paid to it. The
interior of the theatre offered a very animated view. With the exception
of two stage-boxes even with the dress circle, one to the left, the other
to the right of the audience, every seat was occupied. A great number of
very fashionable ladies, attracted, as is always the case, by the strange
wildness of the spectacle, filled the boxes. The stalls were crowded by
most of the young men who; in the morning, had walked their horses on the
Champs-Elysees. The observations which passed from one stall to another,
will give some idea of their conversation.
"Do you know, my dear boy, there would not be so crowded or fashionable
an audience to witness Racine's Athalia?"
"Undoubtedly. What is the beggarly howling of an actor, compared to the
roaring of the lion?"
"I cannot understand how the authorities permit this Morok to fasten his
panther with a chain to an iron ring in the corner of the stage. If the
chain were to break?"
"Talking of broken chains--there's little Mme. de Blinville, who is no
tigress. Do you see her in the second tier, opposite?"
"It becomes her very well to have broken, as you say, the marriage chain;
she looks very well this season."
"Oh! there is the beautiful Duchess de Saint-Prix; all the world is here
to-night--I don't speak of ourselves."
"It is a regular opera night--what a festive scene!"
"Well, after all, people do well to amuse themselves, perhaps it will not
be for long."
"Why so?"
"Suppose the cholera were to come to Paris?"
"Oh! nonsense!"
"Do you believe in the cholera?"
"To be sure I do! He's coming from the North, with his walking-stick
under his arm."
"The devil take him on the road! don't let us see his green visage here."
"They say he's at London."
"A pleasant journey to him."
"Come, let us talk of something else; it may be a weakness, if you
please, but I call this a dull subject."
"I believe you."
"Oh! gentlemen--I am not mistaken--no--it is she!"
"Who, then?"
"Mdlle. de Cardoville! She is coming into the stage-box with Morinval and
his wife. It is a complete resuscitation: this morning on the
Champs-Elysees; in the evening here."
"Faith, you are right! It is Mdlle. de Cardoville."
"Good heaven! how lovely she is!"
"Lend me your eyeglass."
"Well, what do you think of her?"
"Exquisite--dazzling."
"And in addition to her beauty, an inexhaustible flow of wit, three
hundred thousand francs a year, high birth, eighteen years of age,
and--free as air."
"Yes, that is to say, that, provided it pleased her, I might be to
morrow--or even to-day--the happiest of men."
"It is enough to turn one's brain."
"I am told that her mansion, Rue d'Anjou, is like an enchanted palace; a
great deal is said about a bath-room and bedroom, worthy of the Arabian
Nights."
"And free as air--I come back to that."
"Ah! if I were in her place!"
"My levity would be quite shocking."
"Oh! gentlemen, what a happy man will he be who is loved first!"
"You think, then, that she will have many lovers?"
"Being as free as air--"
"All the boxes are full, except the stage-box opposite to that in which
Mdlle. de Cardoville is seated. Happy the occupiers of that box!"
"Did you see the English ambassador's lady in the dress circle?"
"And the Princess d'Alvimar--what an enormous bouquet!"
"I should like to know the name--of that nosegay."
"Oh!--it's Germigny."
"How flattering for the lions and tigers, to attract so fashionable an
audience."
"Do you notice, gentlemen, how all the women are eye-glassing Mdlle. de
Cardoville?"
"She makes a sensation."
"She is right to show herself; they gave her out as mad."
"Oh! gentlemen, what a capital phiz!"
"Where--where?"
"There--in the omnibus-box beneath Mdlle. de Cardoville's."
"It's a Nuremburg nutcracker."
"An ourang-outang!"
"Did you ever see such round, staring eyes?"
"And the nose!"
"And the forehead!"
"It's a caricature."
"Order, order! the curtain rises."
And, in fact, the curtain rose. Some explanation is necessary for the
clear understanding of what follows. In the lower stage-box, to the left
of the audience, were several persons, who had been referred to by the
young men in the stalls. The omnibus-box was occupied by the Englishman,
the eccentric and portentous bettor, whose presence inspired Morok with
so much dread.
It would require Hoffman's rare and fantastic genius to describe worthily
that countenance, at once grotesque and frightful, as it stood out from
the dark background of the box. This Englishman was about fifty years
old; his forehead was quite bald, and of a conical shape; beneath this
forehead, surmounted by eyebrows like parenthesis marks, glittered large,
green eyes, remarkably round and staring, and set very close to a hooked
nose, extremely sharp and prominent; a chin like that on the old
fashioned nutcrackers was half-hidden in a broad and ample white cravat,
as stiffly-starched as the round-cornered shirt-collar, which nearly
touched his ears. The face was exceedingly thin and bony, and yet the
complexion was high-colored, approaching to purple, which made the bright
green of the pupils, and the white of the other part of the eyes, still
more conspicuous. The mouth, which was very wide, sometimes whistled
inaudibly the tune of a Scotch jig (always the same tune), sometimes was
slightly curled with a sardonic smite. The Englishman was dressed with
extreme care; his blue coat, with brass buttons, displayed his spotless
waistcoat, snowy, white as his ample cravat; his shirt was fastened with
two magnificent ruby studs, and his patrician hands were carefully kid
gloved.
To any one who knew the eccentric and cruel desire which attracted this
man to every representation, his grotesque face became almost terrific,
instead of exciting ridicule; and it was easy to understand the dread
experience by Morok at sight of those great, staring round eyes, which
appeared to watch for the death of the lion-tamer (what a horrible
death!) with unshaken confidence. Above the dark box of the Englishman,
affording a graceful contrast, were seated the Morinvals and Mdlle. de
Cardoville. The latter was placed nearest the stage. Her head was
uncovered, and she wore a dress of sky-blue China crepe, ornamented at
the bosom with a brooch of the finest Oriental pearls--nothing more; yet
Adrienne, thus attired, was charming. She held in her hand an enormous
bouquet, composed of the rarest flowers of India: the stephanotis and the
gardenia mingled the dead white of their blossoms with the purple
hibiscus and Java amaryllis.
Madame de Morinval, seated on the opposite side of the box, was dressed
with equal taste and simplicity; Morinval, a fair and very handsome young
man, of elegant appearance, was behind the two ladies. M. de Montbron was
expected to arrive every moment. The reader will please to recollect that
the stage-box to the right of the audience, opposite Adrienne's, had
remained till then quite empty. The stage represented one of the gigantic
forests of India. In the background, tall exotic trees rose in spiral or
spreading forms, among rugged masses of perpendicular rocks, with here
and there glimpses of a tropical sky. The side-scenes formed tufts of
trees, interspersed with rocks; and at the side which was immediately
beneath Adrienne's box appeared the irregular opening of a deep and
gloomy cavern, round which were heaped huge blocks of granite, as if
thrown together by some convulsion of nature. This scenery, full of a
wild and savage grandeur, was wonderfully "built up," so as to make the
illusion as complete as possible; the footlights were lowered, and being
covered with a purple shade, threw over this landscape a subdued reddish
light, which increased the gloomy and startling effect of the whole.
Adrienne, leaning forward from the box, with cheeks slightly flushed,
sparkling eyes, and throbbing heart, sought to trace in this scene the
solitary forest described by the traveller who had eulogized Djalma's
generosity and courage, when he threw himself upon a ferocious tigress to
save the life of a poor black slave. Chance coincided wonderfully indeed
with her recollections. Absorbed in the contemplation of the scenery and
the thoughts it awakened in her heart, she paid no attention to what was
passing in the house. And yet something calculated to excite curiosity
was taking place in the opposite stage-box.
The door of this box opened. A man about forty years of age, of a yellow
complexion, entered; he was clothed after the East Indian fashion, in a
long robe of orange silk, bound round the waist with a green sash, and he
wore a small white turban. He placed two chairs at the front of the box;
and, having glanced round the house for a moment, he started, his black
eyes sparkled, and he went out quickly. That man was Faringhea. His
apparition caused surprise and curiosity in the theatre; the majority of
the spectators not having, like Adrienne, a thousand reasons for being
absorbed in the contemplation of a picturesque set scene. The public
attention was still more excited when they saw the box which Faringhea
had just left, entered by a youth of rare beauty, also dressed Oriental
fashion, in a long robe of white Cashmere with flowing sleeves, with a
scarlet turban striped with gold on his head, and a sash to correspond,
in which was stuck a long dagger, glittering with precious stones. This
young man was Prince Djalma. For an instant he remained standing at the
door, and cast a look of indifference upon the immense theatre, crowded
with people; then, stepping forward with a majestic and tranquil air, the
prince seated himself negligently on one of the chairs, and, turning his
head in a few moments towards the entrance, appeared surprised at not
seeing some person whom he doubtless expected. This person appeared at
length; the boxkeeper had been assisting her to take off her cloak. She
was a charming, fair-haired girl, attired with more show than taste, in a
dress of white silk, with broad cherry-colored stripes, made ultra
fashionably low, and with short sleeves; a large bow of cherry-colored
ribbon was placed on each side of her light hair, and set off the
prettiest, sprightliest, most wilful little face in the world.
It was Rose-Pompon. Her pretty arms were partly covered by long white
gloves, and ridiculously loaded with bracelets: in her hand she carried
an enormous bouquet of roses.
Far from imitating the calm demeanor of Djalma, Rose-Pompon skipped into
the box, moved the chairs about noisily, and fidgeted on her seat for
some time, to display her fine dress; then, without being in the least
intimidated by the presence of the brilliant assembly, she, with a little
coquettish air, held her bouquet towards Djalma, that he might smell it,
and appeared finally to establish herself on her seat. Faringhea came in,
shut the door of the box, and seated himself behind the prince. Adrienne,
still completely absorbed in the contemplation of the Indian forest, and
in her own sweet thoughts, had not observed the newcomers. As she was
turning her head completely towards the stage, and Djalma could not, for
the moment, see even her profile, he, on his side, had not recognized
Mdlle. de Cardoville.