CHAPTER II

THE DOVE-COT

The old town of Sorrento is situated on an elevated plateau, which

stretches into the sunny waters of the Mediterranean, guarded on all

sides by a barrier of mountains which defend it from bleak winds and

serve to it the purpose of walls to a garden. Here, groves of oranges

and lemons, with their almost fabulous coincidence of fruitage with

flowers, fill the air with perfume, which blends with that of roses and

jessamines; and the fields are so starred and enameled with flowers

that they might have served as the type for those Elysian realms sung

by ancient poets. The fervid air is fanned by continual sea-breezes,

which give a delightful elasticity to the otherwise languid climate.

Under all these cherishing influences, the human being develops a

wealth and luxuriance of physical beauty unknown in less favored

regions. In the region about Sorrento one may be said to have found the

land where beauty is the rule and not the exception. The singularity

there is not to see handsome points of physical proportion, but rather

to see those who are without them. Scarce a man, woman, or child you

meet who has not some personal advantage to be commended, while even

striking beauty is common. Also, under these kindly skies, a native

courtesy and gentleness of manner make themselves felt. It would seem

as if humanity, rocked in this flowery cradle, and soothed by so many

daily caresses and appliances of nursing Nature, grew up with all that

is kindliest on the outward,--not repressed and beat in, as under the

inclement atmosphere and stormy skies of the North.

The town of Sorrento itself overhangs the sea, skirting along rocky

shores, which, hollowed here and there into picturesque grottoes, and

fledged with a wild plumage of brilliant flowers and trailing vines,

descend in steep precipices to the water. Along the shelly beach, at

the bottom, one can wander to look out on the loveliest prospect in the

world. Vesuvius rises with its two peaks softly clouded in blue and

purple mists, which blend with its ascending vapors,--Naples and the

adjoining villages at its base gleaming in the distance like a fringe

of pearls on a regal mantle. Nearer by, the picturesque rocky shores of

the island of Capri seem to pulsate through the dreamy, shifting mists

that veil its sides; and the sea shimmers and glitters like the neck

of a peacock with an iridescent mingling of colors: the whole air is a

glorifying medium, rich in prismatic hues of enchantment.

The town on three sides is severed from the main land by a gorge two

hundred feet in depth and forty or fifty in breadth, crossed by a

bridge resting on double arches, the construction of which dates back

to the time of the ancient Romans. This bridge affords a favorite

lounging-place for the inhabitants, and at evening a motley assemblage

may be seen lolling over its moss-grown sides,--men with their

picturesque knit caps of scarlet or brown falling gracefully on one

shoulder, and women with their shining black hair and the enormous

pearl ear-rings which are the pride and heirlooms of every family. The

present traveler at Sorrento may remember standing on this bridge and

looking down the gloomy depths of the gorge, to where a fair villa,

with its groves of orange-trees and gardens, overhangs the tremendous

depths below.

Hundreds of years since, where this villa now stands was the simple

dwelling of the two women whose history we have begun to tell you.

There you might have seen a small stone cottage with a two-arched

arcade in front, gleaming brilliantly white out of the dusky foliage

of an orange-orchard. The dwelling was wedged like a bird-box between

two fragments of rock, and behind it the land rose rocky, high, and

steep, so as to form a natural wall. A small ledge or terrace of

cultivated land here hung in air,--below it, a precipice of two hundred

feet down into the Gorge of Sorrento. A couple of dozen orange-trees,

straight and tall, with healthy, shining bark, here shot up from the

fine black volcanic soil, and made with their foliage a twilight shadow

on the ground, so deep that no vegetation, save a fine velvet moss,

could dispute their claim to its entire nutritious offices. These

trees were the sole wealth of the women and the sole ornament of the

garden; but, as they stood there, not only laden with golden fruit,

but fragrant with pearly blossoms, they made the little rocky platform

seem a perfect Garden of the Hesperides. The stone cottage, as we have

said, had an open, whitewashed arcade in front, from which one could

look down into the gloomy depths of the gorge, as into some mysterious

underworld. Strange and weird it seemed, with its fathomless shadows

and its wild grottoes, over which hung, silently waving, long pendants

of ivy, while dusky gray aloes uplifted their horned heads from great

rock-rifts, like elfin spirits struggling upward out of the shade. Nor

was wanting the usual gentle poetry of flowers; for white iris leaned

its fairy pavilion over the black void like a pale-cheeked princess

from the window of some dark enchanted castle, and scarlet geranium and

golden broom and crimson gladiolus waved and glowed in the shifting

beams of the sunlight. Also there was in this little spot what forms

the charm of Italian gardens always,--the sweet song and prattle of

waters. A clear mountain-spring burst through the rock on one side

of the little cottage, and fell with a lulling noise into a quaint

moss-grown water-trough, which had been in former times the sarcophagus

of some old Roman sepulchre. Its sides were richly sculptured with

figures and leafy scrolls and arabesques, into which the sly-footed

lichens with quiet growth had so insinuated themselves as in some

places almost to obliterate the original design; while, round the

place where the water fell, a veil of ferns and maiden's-hair, studded

with tremulous silver drops, vibrated to its soothing murmur. The

superfluous waters, drained off by a little channel on one side, were

conducted through the rocky parapet of the garden, whence they trickled

and tinkled from rock to rock, falling with a continual drip among the

swaying ferns and pendent ivy wreaths, till they reached the little

stream at the bottom of the gorge. This parapet or garden-wall was

formed of blocks or fragments of what had once been white marble, the

probable remains of the ancient tomb from which the sarcophagus was

taken. Here and there a marble acanthus-leaf, or the capital of an old

column, or a fragment of sculpture jutted from under the mosses, ferns,

and grasses with which prodigal Nature had filled every interstice and

carpeted the whole. These sculptured fragments everywhere in Italy seem

to whisper, from the dust, of past life and death, of a cycle of human

existence forever gone, over whose tomb the life of to-day is built.

"Sit down and rest, my dove," said Dame Elsie to her little charge, as

they entered their little enclosure.

Here she saw for the first time, what she had not noticed in the heat

and hurry of her ascent, that the girl was panting and her gentle bosom

rising and falling in thick heartbeats, occasioned by the haste with

which she had drawn her onward.

"Sit down, dearie, and I will get you a bit of supper."

"Yes, grandmother, I will. I must tell my beads once for the soul of

the handsome gentleman that kissed my forehead to-night."

"How did you know that he was handsome, child?" said the old dame, with

some sharpness in her voice.

"He bade me look on him, grandmother, and I saw it."

"You must put such thoughts away, child," said the old dame.

"Why must I?" said the girl, looking up with an eye as clear and

unconscious as that of a three-year-old child.

"If she does not think, why should I tell her?" said Dame Elsie, as she

turned to go into the house, and left the child sitting on the mossy

parapet that overlooked the gorge. Thence she could see far off, not

only down the dim, sombre abyss, but out to the blue Mediterranean

beyond, now calmly lying in swathing-bands of purple, gold, and orange,

while the smoky cloud that overhung Vesuvius became silver and rose in

the evening light.

There is always something of elevation and purity that seems to come

over one from being in an elevated region. One feels morally as well

as physically above the world, and from that clearer air able to look

down on it calmly with disengaged freedom. Our little maiden sat for

a few moments gazing, her large brown eyes dilating with a tremulous

lustre, as if tears were half of a mind to start in them, and her

lips apart with a delicate earnestness, like one who is pursuing some

pleasing inner thought. Suddenly rousing herself, she began by breaking

the freshest orange-blossoms from the golden-fruited trees, and,

kissing and pressing them to her bosom, she proceeded to remove the

faded flowers of the morning from before a little rude shrine in the

rock, where, in a sculptured niche, was a picture of the Madonna and

Child, with a locked glass door in front of it. The picture was a happy

transcript of one of the fairest creations of the religious school of

Florence, done by one of those rustic copyists of whom Italy is full,

who appear to possess the instinct of painting, and to whom we owe many

of those sweet faces which sometimes look down on us by the wayside

from rudest and homeliest shrines.

The poor fellow by whom it had been painted was one to whom years

before Dame Elsie had given food and shelter for many months during a

lingering illness; and he had painted so much of his dying heart and

hopes into it that it had a peculiar and vital vividness in its power

of affecting the feelings. Agnes had been familiar with this picture

from early infancy. No day of her life had the flowers failed to be

freshly placed before it. It had seemed to smile down sympathy on her

childish joys, and to cloud over with her childish sorrows. It was

less a picture to her than a presence; and the whole air of the little

orange-garden seemed to be made sacred by it. When she had arranged her

flowers, she kneeled down and began to say prayers for the soul of the

young gallant.

"Holy Jesus," she said, "he is young, rich, handsome, and a king's

brother; and for all these things the Fiend may tempt him to forget his

God and throw away his soul. Holy Mother, give him good counsel!"

"Come, child, to your supper," said Dame Elsie. "I have milked the

goats, and everything is ready."

Agnes of Sorrento · 第 2 / 32 章