CHISWICK, _March_ 1888

THE SONG

OF THE SWORD

(_To_ Rudyard Kipling)

1890

_The Sword_

_Singing_—

_The voice of the Sword from the heart of the Sword_

_Clanging imperious_

_Forth from Time’s battlements_

_His ancient and triumphing Song_.

In the beginning,

Ere God inspired Himself

Into the clay thing

Thumbed to His image,

The vacant, the naked shell

Soon to be Man:

Thoughtful He pondered it,

Prone there and impotent,

Fragile, inviting

Attack and discomfiture;

Then, with a smile—

As He heard in the Thunder

That laughed over Eden

The voice of the Trumpet,

The iron Beneficence,

Calling his dooms

To the Winds of the world—

Stooping, He drew

On the sand with His finger

A shape for a sign

Of his way to the eyes

That in wonder should waken,

For a proof of His will

To the breaking intelligence.

That was the birth of me:

I am the Sword.

Bleak and lean, grey and cruel,

Short-hilted, long shafted,

I froze into steel;

And the blood of my elder,

His hand on the hafts of me,

Sprang like a wave

In the wind, as the sense

Of his strength grew to ecstasy;

Glowed like a coal

In the throat of the furnace;

As he knew me and named me

The War-Thing, the Comrade,

Father of honour

And giver of kingship,

The fame-smith, the song-master,

Bringer of women

On fire at his hands

For the pride of fulfilment,

_Priest_ (saith the Lord)

_Of his marriage with victory_

Ho! then, the Trumpet,

Handmaid of heroes,

Calling the peers

To the place of espousals!

Ho! then, the splendour

And glare of my ministry,

Clothing the earth

With a livery of lightnings!

Ho! then, the music

Of battles in onset,

And ruining armours,

And God’s gift returning

In fury to God!

Thrilling and keen

As the song of the winter stars,

Ho! then, the sound

Of my voice, the implacable

Angel of Destiny!—

I am the Sword.

Heroes, my children,

Follow, O, follow me!

Follow, exulting

In the great light that breaks

From the sacred Companionship!

Thrust through the fatuous,

Thrust through the fungous brood,

Spawned in my shadow

And gross with my gift!

Thrust through, and hearken

O, hark, to the Trumpet,

The Virgin of Battles,

Calling, still calling you

Into the Presence,

Sons of the Judgment,

Pure wafts of the Will!

Edged to annihilate,

Hilted with government,

Follow, O, follow me,

Till the waste places

All the grey globe over

Ooze, as the honeycomb

Drips, with the sweetness

Distilled of my strength,

And, teeming in peace

Through the wrath of my coming,

They give back in beauty

The dread and the anguish

They had of me visitant!

Follow, O follow, then,

Heroes, my harvesters!

Where the tall grain is ripe

Thrust in your sickles!

Stripped and adust

In a stubble of empire,

Scything and binding

The full sheaves of sovranty:

Thus, O, thus gloriously,

Shall you fulfil yourselves!

Thus, O, thus mightily,

Show yourselves sons of mine—

Yea, and win grace of me:

I am the Sword!

I am the feast-maker:

Hark, through a noise

Of the screaming of eagles,

Hark how the Trumpet,

The mistress of mistresses,

Calls, silver-throated

And stern, where the tables

Are spread, and the meal

Of the Lord is in hand!

Driving the darkness,

Even as the banners

And spears of the Morning;

Sifting the nations,

The slag from the metal,

The waste and the weak

From the fit and the strong;

Fighting the brute,

The abysmal Fecundity;

Checking the gross,

Multitudinous blunders,

The groping, the purblind

Excesses in service

Of the Womb universal,

The absolute drudge;

Firing the charactry

Carved on the World,

The miraculous gem

In the seal-ring that burns

On the hand of the Master—

Yea! and authority

Flames through the dim,

Unappeasable Grisliness

Prone down the nethermost

Chasms of the Void!—

Clear singing, clean slicing;

Sweet spoken, soft finishing;

Making death beautiful,

Life but a coin

To be staked in the pastime

Whose playing is more

Than the transfer of being;

Arch-anarch, chief builder,

Prince and evangelist,

I am the Will of God:

I am the Sword.

_The Sword_

_Singing_—

_The voice of the Sword from the heart of the Sword_

_Clanging majestical_,

_As from the starry-staired_

_Courts of the primal Supremacy_,

_His high_, _irresistible song_.

ARABIAN NIGHTS’

ENTERTAINMENTS

(_To_ Elizabeth Robins Pennell)

1893

‘O mes chères _Mille et Une Nuits_!’—_Fantasio_.

ONCE on a time

There was a little boy: a master-mage

By virtue of a Book

Of magic—O, so magical it filled

His life with visionary pomps

Processional! And Powers

Passed with him where he passed. And Thrones

And Dominations, glaived and plumed and mailed,

Thronged in the criss-cross streets,

The palaces pell-mell with playing-fields,

Domes, cloisters, dungeons, caverns, tents, arcades,

Of the unseen, silent City, in his soul

Pavilioned jealously, and hid

As in the dusk, profound,

Green stillnesses of some enchanted mere.—

I shut mine eyes . . . And lo!

A flickering snatch of memory that floats

Upon the face of a pool of darkness five

And thirty dead years deep,

Antic in girlish broideries

And skirts and silly shoes with straps

And a broad-ribanded leghorn, he walks

Plain in the shadow of a church

(St. Michael’s: in whose brazen call

To curfew his first wails of wrath were whelmed),

Sedate for all his haste

To be at home; and, nestled in his arm,

Inciting still to quiet and solitude,

Boarded in sober drab,

With small, square, agitating cuts

Let in a-top of the double-columned, close,

Quakerlike print, a Book! . . .

What but that blessed brief

Of what is gallantest and best

In all the full-shelved Libraries of Romance?

The Book of rocs,

Sandalwood, ivory, turbans, ambergris,

Cream-tarts, and lettered apes, and calendars,

And ghouls, and genies—O, so huge

They might have overed the tall Minster Tower

Hands down, as schoolboys take a post!

In truth, the Book of Camaralzaman,

Schemselnihar and Sindbad, Scheherezade

The peerless, Bedreddin, Badroulbadour,

Cairo and Serendib and Candahar,

And Caspian, and the dim, terrific bulk—

Ice-ribbed, fiend-visited, isled in spells and storms—

Of Kaf! . . . That centre of miracles,

The sole, unparalleled Arabian Nights!

Old friends I had a-many—kindly and grim

Familiars, cronies quaint

And goblin! Never a Wood but housed

Some morrice of dainty dapperlings. No Brook

But had his nunnery

Of green-haired, silvry-curving sprites,

To cabin in his grots, and pace

His lilied margents. Every lone Hillside

Might open upon Elf-Land. Every Stalk

That curled about a Bean-stick was of the breed

Of that live ladder by whose delicate rungs

You climbed beyond the clouds, and found

The Farm-House where the Ogre, gorged

And drowsy, from his great oak chair,

Among the flitches and pewters at the fire,

Called for his Faëry Harp. And in it flew,

And, perching on the kitchen table, sang

Jocund and jubilant, with a sound

Of those gay, golden-vowered madrigals

The shy thrush at mid-May

Flutes from wet orchards flushed with the triumphing dawn;

Or blackbirds rioting as they listened still,

In old-world woodlands rapt with an old-world spring,

For Pan’s own whistle, savage and rich and lewd,

And mocked him call for call!

I could not pass

The half-door where the cobbler sat in view

Nor figure me the wizen Leprechaun,

In square-cut, faded reds and buckle-shoes,

Bent at his work in the hedge-side, and know

Just how he tapped his brogue, and twitched

His wax-end this and that way, both with wrists

And elbows. In the rich June fields,

Where the ripe clover drew the bees,

And the tall quakers trembled, and the West Wind

Lolled his half-holiday away

Beside me lolling and lounging through my own,

’Twas good to follow the Miller’s Youngest Son

On his white horse along the leafy lanes;

For at his stirrup linked and ran,

Not cynical and trapesing, as he loped

From wall to wall above the espaliers,

But in the bravest tops

That market-town, a town of tops, could show:

Bold, subtle, adventurous, his tail

A banner flaunted in disdain

Of human stratagems and shifts:

King over All the Catlands, present and past

And future, that moustached

Artificer of fortunes, Puss-in-Boots!

Or Bluebeard’s Closet, with its plenishing

Of meat-hooks, sawdust, blood,

And wives that hung like fresh-dressed carcases—

Odd-fangled, most a butcher’s, part

A faëry chamber hazily seen

And hazily figured—on dark afternoons

And windy nights was visiting of the best.

Then, too, the pelt of hoofs

Out in the roaring darkness told

Of Herne the Hunter in his antlered helm

Galloping, as with despatches from the Pit,

Between his hell-born Hounds.

And Rip Van Winkle . . . often I lurked to hear,

Outside the long, low timbered, tarry wall,

The mutter and rumble of the trolling bowls

Down the lean plank, before they fluttered the pins;

For, listening, I could help him play

His wonderful game,

In those blue, booming hills, with Mariners

Refreshed from kegs not coopered in this our world.

But what were these so near,

So neighbourly fancies to the spell that brought

The run of Ali Baba’s Cave

Just for the saying ‘Open Sesame,’

With gold to measure, peck by peck,

In round, brown wooden stoups

You borrowed at the chandler’s? . . . Or one time

Made you Aladdin’s friend at school,

Free of his Garden of Jewels, Ring and Lamp

In perfect trim? . . . Or Ladies, fair

For all the embrowning scars in their white breasts

Went labouring under some dread ordinance,

Which made them whip, and bitterly cry the while,

Strange Curs that cried as they,

Till there was never a Black Bitch of all

Your consorting but might have gone

Spell-driven miserably for crimes

Done in the pride of womanhood and desire . . .

Or at the ghostliest altitudes of night,

While you lay wondering and acold,

Your sense was fearfully purged; and soon

Queen Labé, abominable and dear,

Rose from your side, opened the Box of Doom,

Scattered the yellow powder (which I saw

Like sulphur at the Docks in bulk),

And muttered certain words you could not hear;

And there! a living stream,

The brook you bathed in, with its weeds and flags

And cresses, glittered and sang

Out of the hearthrug over the nakedness,

Fair-scrubbed and decent, of your bedroom floor! . . .

I was—how many a time!—

That Second Calendar, Son of a King,

On whom ’twas vehemently enjoined,

Pausing at one mysterious door,

To pry no closer, but content his soul

With his kind Forty. Yet I could not rest

For idleness and ungovernable Fate.

And the Black Horse, which fed on sesame

(That wonder-working word!),

Vouchsafed his back to me, and spread his vans,

And soaring, soaring on

From air to air, came charging to the ground

Sheer, like a lark from the midsummer clouds,

And, shaking me out of the saddle, where I sprawled

Flicked at me with his tail,

And left me blinded, miserable, distraught

(Even as I was in deed,

When doctors came, and odious things were done

On my poor tortured eyes

With lancets; or some evil acid stung

And wrung them like hot sand,

And desperately from room to room

Fumble I must my dark, disconsolate way),

To get to Bagdad how I might. But there

I met with Merry Ladies. O you three—

Safie, Amine, Zobëidé—when my heart

Forgets you all shall be forgot!

And so we supped, we and the rest,

On wine and roasted lamb, rose-water, dates,

Almonds, pistachios, citrons. And Haroun

Laughed out of his lordly beard

On Giaffar and Mesrour (_I_ knew the Three

For all their Mossoul habits). And outside

The Tigris, flowing swift

Like Severn bend for bend, twinkled and gleamed

With broken and wavering shapes of stranger stars;

The vast, blue night

Was murmurous with peris’ plumes

And the leathern wings of genies; words of power

Were whispering; and old fishermen,

Casting their nets with prayer, might draw to shore

Dead loveliness: or a prodigy in scales

Worth in the Caliph’s Kitchen pieces of gold:

Or copper vessels, stopped with lead,

Wherein some Squire of Eblis watched and railed,

In durance under potent charactry

Graven by the seal of Solomon the King . . .

Then, as the Book was glassed

In Life as in some olden mirror’s quaint,

Bewildering angles, so would Life

Flash light on light back on the Book; and both

Were changed. Once in a house decayed

From better days, harbouring an errant show

(For all its stories of dry-rot

Were filled with gruesome visitants in wax,

Inhuman, hushed, ghastly with Painted Eyes),

I wandered; and no living soul

Was nearer than the pay-box; and I stared

Upon them staring—staring. Till at last,

Three sets of rafters from the streets,

I strayed upon a mildewed, rat-run room,

With the two Dancers, horrible and obscene,

Guarding the door: and there, in a bedroom-set,

Behind a fence of faded crimson cords,

With an aspect of frills

And dimities and dishonoured privacy

That made you hanker and hesitate to look,

A Woman with her litter of Babes—all slain,

All in their nightgowns, all with Painted Eyes

Staring—still staring; so that I turned and ran

As for my neck, but in the street

Took breath. The same, it seemed,

And yet not all the same, I was to find,

As I went up! For afterwards,

Whenas I went my round alone—

All day alone—in long, stern, silent streets,

Where I might stretch my hand and take

Whatever I would: still there were Shapes of Stone,

Motionless, lifelike, frightening—for the Wrath

Had smitten them; but they watched,

This by her melons and figs, that by his rings

And chains and watches, with the hideous gaze,

The Painted Eyes insufferable,

Now, of those grisly images; and I

Pursued my best-belovéd quest,

Thrilled with a novel and delicious fear.

So the night fell—with never a lamplighter;

And through the Palace of the King

I groped among the echoes, and I felt

That they were there,

Dreadfully there, the Painted staring Eyes,

Hall after hall . . . Till lo! from far

A Voice! And in a little while

Two tapers burning! And the Voice,

Heard in the wondrous Word of God, was—whose?

Whose but Zobëidé’s,

The lady of my heart, like me

A True Believer, and like me

An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles

Of Khaledan, I spied one evenfall

A black blotch in the sunset; and it grew

Swiftly . . . and grew. Tearing their beards,

The sailors wept and prayed; but the grave ship,

Deep laden with spiceries and pearls, went mad,

Wrenched the long tiller out of the steersman’s hand,

And, turning broadside on,

As the most iron would, was haled and sucked

Nearer, and nearer yet;

And, all awash, with horrible lurching leaps

Rushed at that Portent, casting a shadow now

That swallowed sea and sky; and then,

Anchors and nails and bolts

Flew screaming out of her, and with clang on clang,

A noise of fifty stithies, caught at the sides

Of the Magnetic Mountain; and she lay,

A broken bundle of firewood, strown piecemeal

About the waters; and her crew

Passed shrieking, one by one; and I was left

To drown. All the long night I swam;

But in the morning, O, the smiling coast

Tufted with date-trees, meadowlike,

Skirted with shelving sands! And a great wave

Cast me ashore; and I was saved alive.

So, giving thanks to God, I dried my clothes,

And, faring inland, in a desert place

I stumbled on an iron ring—

The fellow of fifty built into the Quays:

When, scenting a trap-door,

I dug, and dug; until my biggest blade

Stuck into wood. And then,

The flight of smooth-hewn, easy-falling stairs,

Sunk in the naked rock! The cool, clean vault,

So neat with niche on niche it might have been

Our beer-cellar but for the rows

Of brazen urns (like monstrous chemist’s jars)

Full to the wide, squat throats

With gold-dust, but a-top

A layer of pickled-walnut-looking things

I knew for olives! And far, O, far away,

The Princess of China languished! Far away

Was marriage, with a Vizier and a Chief

Of Eunuchs and the privilege

Of going out at night

To play—unkenned, majestical, secure—

Where the old, brown, friendly river shaped

Like Tigris shore for shore! Haply a Ghoul

Sat in the churchyard under a frightened moon,

A thighbone in his fist, and glared

At supper with a Lady: she who took

Her rice with tweezers grain by grain.

Or you might stumble—there by the iron gates

Of the Pump Room—underneath the limes—

Upon Bedreddin in his shirt and drawers,

Just as the civil Genie laid him down.

Or those red-curtained panes,

Whence a tame cornet tenored it throatily

Of beer-pots and spittoons and new long pipes,

Might turn a caravansery’s, wherein

You found Noureddin Ali, loftily drunk,

And that fair Persian, bathed in tears,

You’d not have given away

For all the diamonds in the Vale Perilous

You had that dark and disleaved afternoon

Escaped on a roc’s claw,

Disguised like Sindbad—but in Christmas beef!

And all the blissful while

The schoolboy satchel at your hip

Was such a bulse of gems as should amaze

Grey-whiskered chapmen drawn

From over Caspian: yea, the Chief Jewellers

Of Tartary and the bazaars,

Seething with traffic, of enormous Ind.—

Thus cried, thus called aloud, to the child heart

The magian East: thus the child eyes

Spelled out the wizard message by the light

Of the sober, workaday hours

They saw, week in week out, pass, and still pass

In the sleepy Minster City, folded kind

In ancient Severn’s arm,

Amongst her water-meadows and her docks,

Whose floating populace of ships—

Galliots and luggers, light-heeled brigantines,

Bluff barques and rake-hell fore-and-afters—brought

To her very doorsteps and geraniums

The scents of the World’s End; the calls

That may not be gainsaid to rise and ride

Like fire on some high errand of the race;

The irresistible appeals

For comradeship that sound

Steadily from the irresistible sea.

Thus the East laughed and whispered, and the tale,

Telling itself anew

In terms of living, labouring life,

Took on the colours, busked it in the wear

Of life that lived and laboured; and Romance,

The Angel-Playmate, raining down

His golden influences

On all I saw, and all I dreamed and did,

Walked with me arm in arm,

Or left me, as one bediademed with straws

And bits of glass, to gladden at my heart

Who had the gift to seek and feel and find

His fiery-hearted presence everywhere.

Even so dear Hesper, bringer of all good things,

Sends the same silver dews

Of happiness down her dim, delighted skies

On some poor collier-hamlet—(mound on mound

Of sifted squalor; here a soot-throated stalk

Sullenly smoking over a row

Of flat-faced hovels; black in the gritty air

A web of rails and wheels and beams; with strings

Of hurtling, tipping trams)—

As on the amorous nightingales

And roses of Shíraz, or the walls and towers

Of Samarcand—the Ineffable—whence you espy

The splendour of Ginnistan’s embattled spears,

Like listed lightnings.

Samarcand!

That name of names! That star-vaned belvedere

Builded against the Chambers of the South!

That outpost on the Infinite!

And behold!

Questing therefrom, you knew not what wild tide

Might overtake you: for one fringe,

One suburb, is stablished on firm earth; but one

Floats founded vague

In lubberlands delectable—isles of palm

And lotus, fortunate mains, far-shimmering seas,

The promise of wistful hills—

The shining, shifting Sovranties of Dream.

Poems(#1568) · 第 11 / 75 题