A PAINTING BY RUBENS, IN THE PRADO

Here they are met.

Here, by the balustrade, these lords and lusty ladies are met to romp

and wanton in the fulness of love, under the solstice of a noon in

midsummer. Water gushes in fantastic arcs from the grotto, making a

cold music to the emblazoned air, while a breeze swells the sun-shot

satin of every lady's skirt, and tosses the ringlets that hang like

bunches of yellow grapes on either side of her brow, and stirs the

plumes of her gallant. But the very breeze is laden with heat, and the

fountain's noise does but whet the thirst of the grass, the flowers,

the trees. The earth sulks under the burden of the unmerciful sun. Love

itself, one had said, would be languid here, pale and supine, and,

faintly sighing for things past or for future things, would sink into

siesta. But behold! these are no ordinary lovers. The gushing fountains

are likelier to run dry there in the grotto than they to falter in

their redundant energy. These sanguine lords and ladies crave not an

instant's surcease. They are tyrants and termagants of love.

If they are thus at noon, here under the sun's rays, what, one wonders,

must be their manner in the banqueting hall, when the tapers gleam

adown the long tables, and the fruits are stripped of their rinds, and

the wine brims over the goblets, all to the music of the viols?

Somehow, one cannot imagine them anywhere but in this sunlight. To it

they belong. They are creatures of Nature, pagans untamed, lawless and

unabashed. For all they are robed in crimson and saffron, and are with

such fine pearls necklaced, these dames do exhale from their exuberant

bodies the essence of a quite primitive and simple era; but for the

ease of their deportment in their frippery, they might be Maenads in

masquerade. They have nothing of the coyness that civilisation fosters

in women, are as fearless and unsophisticated as men. A 'wooing' were

wasted on them, for they have no sense of antagonism, and seek not by

any means to elude men. They meet men even as rivers meet the sea. Even

as, when fresh water meets salt water in the estuary, the two tides

revolve in eddies and leap up in foam, so do these men and women laugh

and wrestle in the rapture of concurrence. How different from the first

embrace which marks the close of a wooing! that moment when the man

seeks to conceal his triumph under a semblance of humility, and the

woman her humiliation under a pretty air of patronage. Here, in the

Garden of Love, they have none of those spiritual reservations and

pretences. Nor is here any savour of fine romance. Nothing is here but

the joy of satisfying a physical instinct--a joy that expresses itself

not in any exaltation of words or thoughts, but in mere romping. See!

Some of the women are chasing one another through the grotto. They are

rushing headlong under the fountain. What though their finery be

soaked? Anon they will come out and throw themselves on the grass, and

the sun will quickly dry them.

Leave them, then, to their riot. Look upon these others who sit and

stand here in a voluptuous bevy, hand in hand under the brazen sun, or

flaunt to and fro, lolling in one another's arms and laughing in one

another's faces. And see how closely above them hover the winged loves!

One, upside down in the air, sprinkles them with rose-leaves; another

waves over them a blazing torch; another tries to frighten them with

his unarrowed bow. Another yet has dared to descend into the group; he

nestles his fat cheek on a lady's lap, and is not rebuked. These little

chubby Cythareans know they are privileged to play any pranks here.

Doubtless they love to be on duty in this garden, for here they are

patted and petted, and have no real work to do. At close of day, when

they fly back to their mother, there is never an unmated name in the

report they bring her; and she, belike, being pleased with them, allows

them to sit up late, and to have each a slice of ambrosia and a sip of

nectar. But elsewhere they have hard work, and often fly back in dread

of Venus' anger. At that other balustrade, where Watteau, remembering

this one, painted for us the 'Plaisirs du Bal,' how often they have

lain in ambush, knowing that were one of them to show but the tip of

his wings those sedate and migniard masqueraders would faint for very

shame; yet ever hoping that they might, by their unseen presence, turn

that punctilio of flirtation into love. And always they have flown back

from Dulwich unrequited for all the pains they had taken, and pouting

that Venus should ever send them on so hard an errand. But a day in

this garden is always for them a dear holiday. They live in dread lest

Venus discover how superfluous they are here. And so, knowing that the

hypocrite's first dupe must be himself, they are always pretending to

themselves that they are of some use. See that child yonder, perched on

the balustrade, reading aloud from a scroll the praise of love as

earnestly as though his congregation were of infidels. And that other,

to the side, pushing two lovers along as though they were the veriest

laggarts. The torch-bearer, too, and the archer, and the sprinkler of

the rose-leaves--they are all, after their kind, trying to persuade

themselves that they are needed. All but he who leans over and nestles

his fat cheek on a lady's lap, as fondly and confidingly as though she

were his mother... And truly, the lady is very like his mother. So,

indeed, are all the other ladies. Strange! In all their faces is an

uniformity of divine splendour. Can it be that Venus, impatient of mere

sequences of lovers, has obtained leave of Jove to multiply herself,

and that to-day by a wild coincidence her every incarnation has trysted

an adorer to this same garden? Look closely! It must be so...

Hush! Let us keep her secret.

'ARIANE ET DIONYSE'

Yet Again · 第 31 / 39 题