A PARALLEL

The club-room looked very like the auditorium of a music-hall. Indeed,

that is what it must once have been. But now there were tiers of

benches on the stage; and on these was packed a quarter or so of the

members and their friends. The other three-quarters or so were packed

opposite the proscenium and down either side of the hall. And in the

middle of this human oblong was a raised platform, roped around.

Therefrom, just as I was ushered to my place, a stout man in evening

dress was making some announcement. I did not catch its import; but it

was loudly applauded. The stout man--most of the audience indeed,

seemed to have put on flesh--bowed himself off, and disappeared from my

ken in the clouds of tobacco-smoke that hung about the hall. Almost

immediately, two young people, nimbly insinuating themselves through

the rope fence, leapt upon the platform. One was a man of about twenty

years of age; the other, a girl of about seventeen. She was very

pretty; he was very handsome; both were becomingly dressed, with

evident aim at attractiveness. They proceeded to opposite corners of

the platform. At a signal from some one, they advanced to the middle;

and each made a hideous grimace at the other. The grimace, strange in

itself, was stranger still in the light of what followed. For the young

man began to make passionate protestations of love, to which the girl

responded with equal ardour. The young man fell to his knees; the girl

raised him, and clung to his breast. His language became more and more

lyrical, his eyes more and more ecstatic. Suddenly in the middle of a

pretty sentence, wherein his love was likened to a flight of doves, a

bell rang; whereat, not less abruptly, the couple separated, retiring

to the aforesaid corners of the platform and sinking back on their

chairs with every manifestation of fatigue. Their friends or

attendants, however, rallied round them, counselling them, cooling them

with fans, heartening them to fresh endeavour; and when, at the end of

a minute, the signal was sounded for a second tryst, the two young

people seemed fresher and more eager than ever. This time, most of the

love-making was done by the girl; the young man joyously drinking in

her words, and now and then interpolating a few of his own. There were

four trysts in all, with three intervals for recuperation. At the

fourth sound of the bell, the lovers, stepping asunder, repeated their

hideous mutual grimace, and disappeared from the platform as suddenly

as they had come. Their place was soon taken by another, a more mature,

and heavier, but not less personable, couple, who proceeded to make

love in their own somewhat different way. The lyrical notes seemed to

be missing in them. But maturity, though it had stripped away magic,

had not blunted their passion--had, rather, sharpened the edge of it,

and made it a stronger and more formidable instrument. Throughout the

evening, indeed, in the long succession that there was of amorous

encounters, it seemed to be the encounters of mature couples that

excited in the smoke-laden audience the keenest interest. It was

evidently not etiquette to interrupt the lovers while they were

talking; but, whenever the bell sounded, there was a frantic outburst

of sympathy, straight from the heart; and sometimes, even while a

love-scene was proceeding, this or that stout gentleman would snatch

the cigar from his lips and emit a heart-cry. Now and again, it seemed

to be thought that the lovers were insufficiently fervid--were but

dallying with passion; and then there were stentorian grunts of

disapproval and hortation. I did not gather that the audience itself

was composed mainly of active lovers. I guessed that the greater number

consisted of men who do but take an active interest in other people's

love affairs--men who, vigilant from a detached position, have

developed in themselves an extraordinarily sound critical knowledge of

what is due to Venus. 'Plaisir d'amour ne dure qu'un moment,' I

murmured; 'chagrin d'amour dure toute la vie. And wise are ye who,

immune from all love's sorrow, win incessant joy in surveying Cythara

through telescopes. Suave mari magno,' I murmured. And this second tag

caused me to awake from my dream shivering.

A strange dream? Yet a precisely parallel reality had inspired it. I

had been taken over-night--my first visit--to the National Sporting

Club.

The instinct to fight, like the instinct to love, is a quite natural

instinct. To fight and to love are the primary instincts of primitive

man. I know that people with strongly amorous natures are not trained

and paid to make love ceremoniously, in accordance to certain rules

laid down for them by certain authorities, and for the delectation of

highly critical audiences. But, if this custom prevailed, it would not

seem to me stranger than the custom of training and paying pugnacious

people to hit one another on the face and breast, with the greatest

possible skill and violence, for the delectation of highly critical

audiences. I do not say that a glove-fight is in itself a visually

disgusting exhibition. I saw no blood spilt, the other night, and no

bruises expressed, by either the 'light-weights' or the

'heavy-weights.' I dare say, too, that the fighters enjoy their

profession, on the whole. But I contend that it is a very lamentable

profession, in that it depends on the calculated prostitution of good

natural energies. A declaration of love prefaced by a grimace, such as

I saw in my dream, seems to me not one whit more monstrous than a

violent onslaught prefaced by a hand-shake. If two men are angry with

each other, let them fight it out (provided I be not one of them) in

the good old English fashion, by all means. But prize-fighting is to be

deplored as an offence against the soul of man. And this offence is

committed, not by the fighters themselves, but by us soft and sedentary

gentlemen who set them on to fight. Looking back at ancient Rome, no

one blames the poor gladiators in the arena. Every one reserves his

pious horror for the citizens in the amphitheatre. Yet how are we

superior to them? Are we not even as they--suspended at exactly their

point between barbarism and civilisation. In course of time, doubtless,

'the ring'will die out. For either we shall become so civilised that we

shall not rejoice in the sight of painful violence, or we shall relapse

into barbarism and go into the mauling business on our own account. Our

present stage--the stage of our transition--is not pretty, I think.

Yet Again · 第 22 / 39 题