CHAPTER X.

It is difficult to exaggerate the effect that this discovery produced

on Leonard's train of thought. Some one belonging to his own humble

race had, then, preceded him in his struggling flight towards the

loftier regions of Intelligence and Desire. It was like the mariner

amidst unknown seas, who finds carved upon some desert isle a familiar

household name. And this creature of genius and of sorrow--whose

existence he had only learned by her song, and whose death created, in

the simple heart of her sister, so passionate a grief, after the lapse

of so many years--supplied to the romance awaking in his young heart

the ideal which it unconsciously sought. He was pleased to hear that

she had been beautiful and good. He paused from his books to muse on

her, and picture her image to his fancy. That there was some mystery

in her fate was evident to him; and while that conviction deepened his

interest, the mystery itself, by degrees, took a charm which he was not

anxious to dispel. He resigned himself to Mrs Fairfield's obstinate

silence. He was contented to rank the dead amongst those holy and

ineffable images which we do not seek to unveil. Youth and Fancy have

many secret hoards of idea which they do not desire to impart, even to

those most in their confidence. I doubt the depth of feeling in any man

who has not certain recesses in his soul into which none may enter.

Hitherto, as I have said, the talents of Leonard Fairfield had been

more turned to things positive than to the ideal; to science and

investigation of fact than to poetry, and that airier truth in which

poetry has its element. He had read our greater poets, indeed, but

without thought of imitating; and rather from the general curiosity

to inspect all celebrated monuments of the human mind, than from that

especial predilection for verse which is too common in childhood and

youth to be any sure sign of a poet. But now these melodies, unknown to

all the world beside, rang in his ear, mingled with his thoughts--set,

as it were, his whole life to music. He read poetry with a different

sentiment--it seemed to him that he had discovered its secret. And so

reading, the passion seized him, and "the numbers came."

To many minds, at the commencement of our grave and earnest pilgrimage,

I am Vandal enough to think that the indulgence of poetic taste and

reverie does great and lasting harm; that it serves to enervate the

character, give false ideas of life, impart the semblance of drudgery

to the noble toils and duties of the active man. All poetry would not

do this--not, for instance, the Classical, in its diviner masters--not

the poetry of Homer, of Virgil, of Sophocles--not, perhaps, even that

of the indolent Horace. But the poetry which youth usually loves and

appreciates the best--the poetry of mere sentiment--does so in minds

already over predisposed to the sentimental, and which require bracing

to grow into healthful manhood.

On the other hand, even this latter kind of poetry, which is peculiarly

modern, does suit many minds of another mould--minds which our modern

life, with its hard positive forms, tends to produce. And as in

certain climates plants and herbs, peculiarly adapted as antidotes to

those diseases most prevalent in the atmosphere, are profusely sown,

as it were, by the benignant providence of nature--so it may be that

the softer and more romantic species of poetry, which comes forth in

harsh, moneymaking, unromantic times, is intended as curatives and

counter-poisons. The world is so much with us, now-a-days, that we need

have something that prates to us, albeit even in too fine an euphuism,

of the moon and stars.

Certes, to Leonard Fairfield, at that period of his intellectual life,

the softness of our Helicon descended as healing dews. In his turbulent

and unsettled ambition, in his vague grapple with the giant forms of

political truths, in his bias towards the application of science to

immediate practical purposes, this lovely vision of the Muse came in

the white robe of the Peacemaker; and with upraised hand, pointing to

serene skies, she opened to him fair glimpses of the Beautiful, which

is given to Peasant as to Prince--showed to him that on the surface

of earth there is something nobler than fortune--that he who can view

the world as a poet is always at soul a king; while to practical

purpose itself, that larger and more profound invention, which poetry

stimulates, supplied the grand design and the subtle view--leading

him beyond the mere ingenuity of the mechanic, and habituating him to

regard the inert force of the matter at his command with the ambition

of the Discoverer. But, above all, the discontent that was within

him finding a vent, not in deliberate war upon this actual world,

but through the purifying channels of song--in the vent itself it

evaporated, it was lost. By accustoming ourselves to survey all things

with the spirit that retains and reproduces them only in their lovelier

or grander aspects, a vast philosophy of toleration for what we before

gazed on with scorn or hate insensibly grows upon us. Leonard looked

into his heart after the enchantress had breathed upon it; and through

the mists of the fleeting and tender melancholy which betrayed where

she had been, he beheld a new sun of delight and joy dawning over the

landscape of human life.

Thus, though she was dead and gone from his actual knowledge, this

mysterious kinswoman--"a voice, and nothing more"--had spoken to him,

soothed, elevated, cheered, attuned each discord into harmony; and, if

now permitted from some serener sphere to behold the life that her soul

thus strangely influenced, verily, with yet holier joy, the saving and

lovely spirit might have glided onward in the Eternal Progress.

We call the large majority of human lives _obscure_. Presumptuous that

we are! How know we what lives a single thought retained from the dust

of nameless graves may have lighted to renown?

Blackwood's Edinburgh Magazine, Volume 69, No. 425, March, 1851 · 第 9 / 13 章