CHAPTER XII.

LETTERS ON THE KENDAL AND WINDERMERE RAILWAY--CONCLUSION.

Wordsworth's appointment to the Laureateship was significant in more

ways than one. He was so much besides a poet, that his appointment

implied something of a national recognition, not only of his past

poetical achievements, but of the substantial truth of that body of

principles which through many years of neglect and ridicule he had

consistently supported. There was therefore nothing incongruous in

the fact that the only composition of any importance which

Wordsworth produced after he became Laureate was in prose--his two

letters on the projected Kendal and Windermere railway, 1844. No

topic, in fact, could have arisen on which the veteran poet could

more fitly speak with whatever authority his official spokesmanship

of the nation's higher life could give, for it was a topic with

every aspect of which he was familiar; and so far as the extension of

railways through the Lake country was defended on grounds of popular

benefit, (and not merely of commercial advantage), no one, certainly,

had shown himself more capable of estimating at their full value

such benefits as were here proposed.

The results which follow on a large incursion of visitors into the

Lake country may be considered under two heads, as affecting the

residents, or as affecting the visitors themselves. And first as to

the residents. Of the wealthier class of these I say nothing, as it

will perhaps be thought that their inconvenience is outweighed by

the possible profits which the railway may bring to speculators or

contractors. But the effect produced on the poorer residents,--on

the peasantry,--is a serious matter, and the danger which was

distantly foreseen by Wordsworth has since his day assumed grave

proportions. And lest the poet's estimate of the simple virtue which

is thus jeopardized should be suspected of partiality, it may be

allowable to corroborate it by the testimony of an eminent man, not

a native of the district, though a settler therein in later life,

and whose writings, perhaps, have done more than any man's since

Wordsworth to increase the sum of human enjoyment derived both from

Art and from Nature.

"The Border peasantry of Scotland and England," says Mr. Ruskin,[6]

"painted with absolute fidelity by Scott and Wordsworth,--(for

leading types out of this exhaustless portraiture, I may name

Dandie Dinmont, and Michael,) are hitherto a scarcely injured race;

whose strength and virtue yet survive to represent the body and soul

of England, before her days of mechanical decrepitude, and

commercial dishonour. There are men working in my own fields who

might have fought with Henry the Fifth at Agincourt, without being

discerned from among his knights; I can take my tradesmen's word for

a thousand pounds; my garden gate opens on the latch to the public

road, by day and night, without fear of any foot entering but my own;

and my girl-guests may wander by road or moorland, or through every

bosky dell of this wild wood, free as the heather-bees or squirrels.

What effect on the character of such a population will be produced

by the influx of that of the suburbs of our manufacturing towns

there is evidence enough, if the reader cares to ascertain the facts,

in every newspaper on his morning table."

[Footnote 6: _A Protest against the Extension of Railways in the

Lake District_,--Simpkin, Marshall, and Co., 1876.]

There remains the question of how the greatest benefit is to be

secured to visitors to the country, quite apart from the welfare of

its more permanent inhabitants. At first sight this question seems

to present a problem of a well-known order--to find the point of

maximum pleasure to mankind in a case where the intensity of the

pleasure varies inversely as its extension--where each fresh person

who shares it diminishes _pro tanto_ the pleasure of the rest. But,

as Wordsworth has pointed out, this is not in reality the question

here. To the great mass of cheap excursionists the characteristic

scenery of the Lakes is in itself hardly a pleasure at all. The

pleasure, indeed, which they derive from contact with Nature is

great and important, but it is one which could be offered to them,

not only as well but much better, near their own homes.

"It is benignly ordained that green fields, clear blue skies,

running streams of pure water, rich groves and woods, orchards, and

all the ordinary varieties of rural nature should find an easy way

to the affections of all men. But a taste beyond this, however

desirable it may be that every one should possess it, is not to be

implanted at once; it must be gradually developed both in nations

and individuals. Rocks and mountains, torrents and wide-spread waters,

and all those features of nature which go to the composition of such

scenes as this part of England is distinguished for, cannot, in

their finer relations to the human mind, be comprehended, or even

very imperfectly conceived, without processes of culture or

opportunities of observation in some degree habitual. In the eye of

thousands, and tens of thousands, a rich meadow, with fat cattle

grazing upon it, or the sight of what they would call a heavy crop

of corn, is worth all that the Alps and Pyrenees in their utmost

grandeur and beauty could show to them; and it is noticeable what

trifling conventional prepossessions will, in common minds, not only

preclude pleasure from the sight of natural beauty, but will even

turn it into an object of disgust. In the midst of a small

pleasure-ground immediately below my house, rises a detached rock,

equally remarkable for the beauty of its form, the ancient oaks that

grow out of it, and the flowers and shrubs which adorn it. 'What a

nice place would this be,' said a Manchester tradesman, pointing to

the rock, 'if that ugly lump were but out of the way.' Men as little

advanced in the pleasure which such objects give to others, are so

far from being rare that they may be said fairly to represent a

large majority of mankind. This is the fact, and none but the

deceiver and the willingly deceived can be offended by its being

stated."

And, since this is so, the true means of raising the taste of the

masses consists, as Wordsworth proceeds to point out, in giving them,--

not a few hurried glimpses of what is above their comprehension,--

but permanent opportunities of learning at leisure the first great

lessons which Nature has to teach. Since he wrote thus our towns have

spread their blackness wider still, and the provision of parks for

the recreation of our urban population has become a pressing

national need. And here again the very word _recreation_ suggests

another unfitness in the Lake country for these purposes. Solitude

is as characteristic of that region as beauty, and what the mass of

mankind need for their refreshment--most naturally and justly--is

not solitude but society.

The silence that is in the starry sky,

The sleep that is among the lonely hills,

is to them merely a drawback, to be overcome by moving about in

large masses, and by congregating in chosen resorts with vehement

hilarity. It would be most unreasonable to wish to curtail to

curtail the social expansion of men whose lives are for the most

part passed in a monotonous round of toil. But is it kinder and wiser,--

from any point of view but the railway shareholder's,--to allure

them into excursion trains by the prestige of a scenery which is to

them (as it was to all classes a century or two ago) at best

indifferent, or to provide them near at hand with their needed space

for rest and play, not separated from their homes by hours of

clamour and crowding, nor broken up by barren precipices, nor

drenched with sweeping storm?

Unquestionably it is the masses whom we have first to consider.

Sooner than that the great mass of the dwellers in towns should be

debarred from the influences of Nature--sooner than that they

should continue for another century to be debarred as now they are--

it might be better that Cumbrian statesmen and shepherds should be

turned into innkeepers and touts, and that every poet, artist,

dreamer, in England should be driven to seek his solitude at the

North Pole. But it is the mere futility of sentiment to pretend that

there need be any real collision of interests here. There is space

enough in England yet for all to enjoy in their several manners, if

those who have the power would leave some unpolluted rivers, and

some unblighted fields, for the health and happiness of the

factory-hand, whose toil is for their fortunes, and whose

degradation is their shame.

Wordsworth, while indicating, with some such reasoning as this, the

true method of promoting the education of the mass of men in natural

joys, was assuredly not likely to forget that in every class, even

the poorest, are found exceptional spirits which some inbred power

has attuned already to the stillness and glory of the hills. In what

way the interests of such men may best be consulted, he has

discussed in the following passage.

"O nature a' thy shows an' forms

To feeling pensive hearts hae charms!"

"So exclaimed the Ayrshire ploughman, speaking of ordinary rural

nature under the varying influences of the seasons; and the

sentiment has found an echo in the bosoms of thousands in as humble

a condition as he himself was when he gave vent to it. But then they

_were_ feeling, pensive hearts--men who would be among the first

to lament the facility with which they had approached this region,

by a sacrifice of so much of its quiet and beauty as, from the

intrusion of a railway, would be inseparable. What can, in truth, be

more absurd than that either rich or poor should be spared the

trouble of travelling by the high roads over so short a space,

according to their respective means, if the unavoidable consequence

must be a great disturbance of the retirement, and, in many places,

a destruction of the beauty, of the country which the parties are

come in search of? Would not this be pretty much like the child's

cutting up his drum to learn where the sound came from?"

The truth of these words has become more conspicuous since

Wordsworth's day. The Lake country is now both engirdled and

intersected with railways. The point to which even the poorest of

genuine lovers of the mountains could desire that his facilities of

cheap locomotion should be carried has been not only reached but far

overpassed. If he is not content to dismount from his railway

carriage at Coniston, or Seascale, or Bowness,--at Penrith, or

Troutbeek, or Keswick,--and to move at eight miles an hour in a coach,

or at four miles an hour on foot, while he studies that small

intervening tract of country, of which every mile is a separate gem,--

when, we may ask, _is_ he to dismount? What _is_ he to study? Or is

nothing to be expected from Nature but a series of dissolving views?

It is impossible to feel sanguine as to the future of this

irreplaceable national possession. A real delight in scenery,--

apart from the excitements of sport or mountaineering, for which

Scotland and Switzerland are better suited than Cumberland,--is

still too rare a thing among the wealthier as among the poorer

classes to be able to compete with such a power as the Railway

Interest. And it is little likely now that the Government of England

should act with regard to this district as the Government of the

United States has acted with regard to the Yosemite and Yellowstone

valleys, and guard as a national possession the beauty which will

become rarer and more precious with every generation of men. But it

is in any case desirable that Wordsworth's unanswered train of

reasoning on the subject should be kept in view--that it should be

clearly understood that the one argument for making more railways

through the Lakes is that they may possibly pay; while it is certain

that each railway extension is injurious to the peasantry of the

district, and to all visitors who really care for its scenery, while

conferring no benefit on the crowds who are dragged many miles to

what they do not enjoy, instead of having what they really want

secured to them, as it ought to be, at their own doors.

It is probable that all this will continue to be said in vain.

Railways, and mines, and waterworks will have their way, till injury

has become destruction. The natural sanctuary of England, the nurse

of simple and noble natures, "the last region which Astræa touches

with flying feet," will be sacrificed--it is scarcely possible to

doubt it--to the greed of gain. We must seek our consolation in the

thought that no outrage on Nature is mortal; that the ever-springing

affections of men create for themselves continually some fresh abode,

and inspire some new landscape with a consecrating history, and as

it were with a silent soul. Yet it will be long ere round some other

lakes, upon some other hill, shall cluster memories as pure and high

as those which hover still around Rydal and Grasmere, and on

Helvellyn's windy summit, "and by Glenridding Screes and low

Gleneoign."

With, this last word of protest and warning,--uttered, as it may

seem to the reader, with, unexpected force and conviction from out

of the tranquillity of a serene old age,--Wordsworth's mission is

concluded. The prophecy of his boyhood is fulfilled, and the

"dear native regions" whence his dawning genius rose have been

gilded by the last ray of its declining fire. There remains but the

domestic chronicle of a few more years of mingled sadness and peace.

And I will first cite a characteristic passage from a letter to his

American correspondent, Mr. Reed, describing his presentation as

Laureate to the Queen:--

"The reception given me by the Queen at her ball was most gracious.

Mrs. Everett, the wife of your Minister, among many others, was a

witness to it, without knowing who I was. It moved her to the

shedding of tears. This effect was in part produced, I suppose, by

American habits of feeling, as pertaining to a republican government.

To see a grey-haired man of seventy-five years of age, kneeling down

in a large assembly to kiss the hand of a young woman, is a sight

for which institutions essentially democratic do not prepare a

spectator of either sex, and must naturally place the opinions upon

which a republic is founded, and the sentiments which support it, in

strong contrast with a government based and upheld as ours is."

In the same letter the poet introduces an ominous allusion to the

state of his daughter's health. Dora, his only daughter who survived

childhood, was the darling of Wordsworth's age. In her wayward

gaiety and bright intelligence there was much to remind him of his

sister's youth; and his clinging nature wound itself round this new

Dora as tenderly as it had ever done round her who was now only the

object of loving compassion and care. In 1841 Dora Wordsworth

married Mr. Quillinan, an ex-officer of the Guards, and a man of

great literary taste and some original power. In 1821 he had settled

for a time in the vale of Rydal, mainly for the sake of Wordsworth's

society; and ever since then he had been an intimate and valued

friend. He had been married before, but his wife died in 1822,

leaving him two daughters, one of whom was named from the murmuring

Rotha, and was god-child of the poet. Shortly after marriage, Dora

Quillinan's health began to fail. In 1845 the Quillinans went to

Oporto in search of health, and returned in 1846, in the trust that

it was regained. But in July 1847 Dora Quillinan died at Rydal,

and left her father to mourn for his few remaining years his

"immeasurable loss."

The depth and duration of Wordsworth's grief in such bereavements as

fell to his lot, was such as to make his friends thankful that his

life had on the whole been guided through ways of so profound a peace.

Greatly, indeed, have they erred, who have imagined him as cold, or

even as by nature tranquil. "What strange workings," writes one from

Rydal Mount when the poet was in his sixty-ninth year,--"what strange

workings are there in his great mind! How fearfully strong are all

his feelings and affections! If his intellect had been less powerful

they must have destroyed him long ago." Such, in fact, was the

impression which he gave to those who knew him best throughout life.

The look of premature age, which De Quincey insists on; the furrowed

and rugged countenance, the brooding intensity of the eye, the

bursts of anger at the report of evil doings, the lonely and violent

roamings over the mountains,--all told of a strong absorption and a

smothered fire. His own description of himself (for such we must

probably hold it to be) in his _Imitation of the Castle of Indolence_,

unexpected as it is by the ordinary reader, carries for those who

knew him the stamp of truth.

Full many a time, upon a stormy night,

His voice came to us from the neighbouring height:

Oft did we see him driving full in view

At mid-day when the sun was shining bright;

What ill was on him, what he had to do,

A mighty wonder bred among our quiet crew.

Ah! Piteous sight it was to see this Man

When he came back to us, a withered flower,--

Or like a sinful creature, pale and wan.

Down would he sit; and without strength or power

Look at the common grass from hour to hour:

And oftentimes, how long I fear to say,

Where apple-trees in blossom made a bower,

Retired in that sunshiny shade he lay;

And, like a naked Indian, slept himself away.

Great wonder to our gentle tribe it was

Whenever from our valley he withdrew;

For happier soul no living creature has

Than he had, being here the long day through.

Some thought he was a lover, and did woo:

Some thought far worse of him, and judged him wrong:

But Verse was what he had been wedded to;

And his own mind did like a tempest strong

Come to him thus, and drove the weary wight along.

An excitement which vents itself in bodily exercise carries its own

sedative with it. And in comparing Wordsworth's nature with that of

other poets whose career has been less placid, we may say that he was

perhaps not less excitable than they, but that it was his constant

endeavour to avoid all excitement, save of the purely poetic kind;

and that the outward circumstances of his life,--his mediocrity of

fortune, happy and early marriage, and absence of striking personal

charm,--made it easy for him to adhere to a method of life which was,

in the truest sense of the term, _stoic_--stoic alike in its

practical abstinences and in its calm and grave ideal. Purely poetic

excitement, however, is hard to maintain at a high point; and the

description quoted above of the voice which came through the stormy

night should be followed by another--by the same candid and

self-picturing hand--which represents the same habits in a quieter

light.

"Nine-tenths of my verses," says the poet in 1843, "have been

murmured out in the open air. One day a stranger, having walked

round the garden and grounds of Rydal Mount, asked of one of the

female servants, who happened to be at the door, permission to see

her master's study. 'This,' said she, leading him forward, 'is my

master's library, where he keeps his books, but his study is out of

doors.' After a long absence from home, it has more than once

happened that some one of my cottage neighbours (not of the

double-coach-house cottages) has said, 'Well, there he is! We are

glad to hear him _booing_ about again.'"

Wordsworth's health, steady and robust for the most part, indicated

the same restrained excitability. While he was well able to resist

fatigue, exposure to weather, &c. there were, in fact, three things

which his peculiar constitution made it difficult for him to do, and

unfortunately those three things were reading, writing, and the

composition of poetry. A frequently recurring inflammation of the

eyes, caught originally from exposure to a cold wind when overheated

by exercise, but always much aggravated by mental excitement,

sometimes prevented his reading for months together. His symptoms

when he attempted to hold the pen are thus described, in a published

letter to Sir George Beaumont (1803):--

"I do not know from what cause it is, but during the last three

years I have never had a pen in my hand for five minutes before my

whole frame becomes a bundle of uneasiness; a perspiration starts

out all over me, and my chest is oppressed in a manner which I

cannot describe." While as to the labour of composition his sister

says (September 1800): "He writes with so much feeling and agitation

that it brings on a sense of pain and internal weakness about his

left side and stomach, which now often makes it impossible for him

to write when he is, in mind and feelings, in such a state that he

could do it without difficulty."

But turning to the brighter side of things--to the joys rather than

the pains of the sensitive body and spirit--we find, in Wordsworth's

later years much of happiness 011 which to dwell. The memories which

his name recalls are for the most part of thoughtful kindnesses, of

simple-hearted joy in feeling himself at last appreciated, of tender

sympathy with the young. Sometimes it is a recollection of some

London drawing-room, where youth and beauty surrounded the rugged

old man with an eager admiration which fell on no unwilling heart.

Sometimes it is a story of some assemblage of young and old, rich

and poor, from all the neighbouring houses and cottages, at Rydal

Mount, to keep the aged poet's birthday with a simple feast and

rustic play. Sometimes it is a report of some fireside gathering at

Lancrigg or Foxhow, where the old man grew eloquent as he talked of

Burns and Coleridge, of Homer and Virgil, of the true aim of poetry

and the true happiness of man. Or we are told of some last excursion

to well-loved scenes; of holly-trees planted by the poet's hands to

simulate nature's decoration on the craggy hill.

Such are the memories of those who best remember him. To those who

were young children while his last years went by he seemed a kind of

mystical embodiment of the lakes and mountains round him--a presence

without which they would not be what they were. And now he is gone,

and their untouched and early charm is going too.

Heu, tua nobis

Pæne simul tecum solatia rapta, Menalea!

Rydal Mount, of which he had at one time feared to be deprived, was

his to the end. He still paced the terrace-walks--but now the flat

terrace oftener than the sloping one--whence the eye travels to lake

and mountain across a tossing gulf of green. The doves that so long

had been wont to answer with murmurs of their own to his "half-formed

melodies" still hung in the trees above his pathway; and many who

saw him there must have thought of the lines in which, his favourite

poet congratulates himself that he has not been exiled from his home.

Calm as thy sacred streams thy years shall flow;

Groves which thy youth has known thine age shall know;

Here, as of old, Hyblæan bees shall twine

Their mazy murmur into dreams of thine,--

Still from the hedge's willow-bloom shall come

Through summer silences a slumberous hum,--

Still from the crag shall lingering winds prolong

The half-heard cadence of the woodman's song,--

While evermore the doves, thy love and care,

Fill the tall elms with sighing in the air.

Yet words like these fail to give the solemnity of his last years,--

the sense of grave retrospection, of humble self-judgment, of

hopeful looking to the end. "It is indeed a deep satisfaction," he

writes near the close of life, "to hope and believe that my poetry

will be while it lasts, a help to the cause of virtue and truth,

especially among the young. As for myself, it seems now of little

moment how long I may be remembered. When a man pushes off in his

little boat into the great seas of Infinity and Eternity, it surely

signifies little how long he is kept in sight by watchers from the

shore."

And again, to an intimate friend, "Worldly-minded I am not; on the

contrary, my wish to benefit those within my humble sphere

strengthens seemingly in exact proportion to my inability to realize

those wishes. What I lament most is that the spirituality of my

nature does not expand and rise the nearer I approach the grave, as

yours does, and as it fares with my beloved partner."

The aged poet might feel the loss of some vividness of emotion, but

his thoughts dwelt more and more constantly on the unseen world. One

of the images which recurs oftenest to his friends is that of the

old man as he would stand against the window of the dining-room at

Rydal Mount and read the Psalms and Lessons for the day; of the tall

bowed figure and the silvery hair; of the deep voice which always

faltered when among the prayers he came to the words which give

thanks for those "who have departed this life in Thy faith and fear."

There is no need to prolong the narration. As healthy infancy is the

same for all, so the old age of all good men brings philosopher and

peasant once more together, to meet with the same thoughts the

inevitable hour. Whatever the well-fought fight may have been, rest

is the same for all.

Retirement then might hourly look

Upon a soothing scene;

Age steal to his allotted nook

Contented and serene;

With heart as calm as lakes that sleep,

In frosty moonlight glistening,

Or mountain torrents, where they creep

Along a channel smooth and deep,

To their own far-off murmurs listening.

What touch has given to these lines their impress of an unfathomable

peace? For there speaks from them a tranquillity which seems to

overcome our souls; which makes us feel in the midst of toil and

passion that we are disquieting ourselves in vain; that we are

travelling to a region where these things shall not be; that

"so shall immoderate fear leave us, and inordinate love shall die."

Wordsworth's last days were absolutely tranquil. A cold caught on a

Sunday afternoon walk brought on a pleurisy. He lay for some weeks

in a state of passive weakness; and at last Mrs. Wordsworth said to

him, "William, you are going to Dora." "He made no reply at the time,

and the words seem to have passed unheeded; indeed, it was not

certain that they had been even heard. More than twenty-four hours

afterwards one of his nieces came into his room, and was drawing

aside the curtain of his chamber, and then, as if awakening from a

quiet sleep, he said, 'Is that Dora?'"

On Tuesday, April 23, 1850, as his favourite cuckoo-clock struck the

hour of noon, his spirit passed away. His body was buried, as he had

wished, in Grasmere churchyard. Around him the dalesmen of Grasmere

lie beneath the shade of sycamore and yew; and Rotha's murmur mourns

the pausing of that "music sweeter than her own." And surely of him,

if of any one, we may think as of a man who was so in accord with

Nature, so at one with the very soul of things, that there can be no

Mansion of the Universe which shall not be to him a home, no

Governor who will not accept him among His servants, and satisfy him

with love and peace.

Wordsworth · 第 12 / 12 章