CHAPTER IV.

Immunis aram si tetigit manus,

Non sumptuosa blandior hostia,

Mollivit aversas Penates,

Farre pio et saliente mica.--HORAT.

It is the grey of the evening. Fairthorn is sauntering somewhat sullenly

along the banks of the lake. He has missed, the last three days, his

walk with Sophy--missed the pleasing excitement of talking at her, and of

the family in whose obsolete glories he considers her very interest an

obtrusive impertinence. He has missed, too, his more habitual and less

irritating conversation with Darrell. In short, altogether he is put

out, and he vents his spleen on the swans, who follow him along the wave

as he walks along the margin, intimating either their affection for

himself, or their anticipation of the bread-crumbs associated with his

image--by the amiable note, half snort and half grunt, to which change of

time or climate has reduced the vocal accomplishments of those classical

birds, so pathetically melodious in the age of Moschus and on the banks

of Cayster.

"Not a crumb, you unprincipled beggars," growled the musician. "You

imagine that mankind are to have no other thought but that of supplying

you with luxuries! And if you were asked, in a competitive examination,

to define ME, your benefactor, you would say: 'A thing very low in the

scale of creation, without wings or even feathers, but which Providence

endowed with a peculiar instinct for affording nutritious and palatable

additions to the ordinary aliment of Swans!' Ay, you may grunt; I wish I

had you--in a pie!"

Slowly, out through the gap between yon grey crag and the thorn-tree,

paces the doe, halting to drink just where the faint star of eve shoots

its gleam along the wave. The musician forgets the swans and quickens

his pace, expecting to meet the doe's wonted companion. He is not

disappointed. He comes on Guy Darrell where the twilight shadow falls

darkest between the grey crag and the thorn-tree.

"Dear Fellow Hermit," said Darrell, almost gaily, yet with more than

usual affection in his greeting and voice, "you find me just when I want

you. I am as one whose eyes have been strained by a violent conflict of

colours, and your quiet presence is like the relief of a return to green.

I have news for you, Fairthorn. You, who know more of my secrets than

any other man, shall be the first to learn a decision that must bind you

and me more together--but not in these scenes, Dick.

'Ibimus--ibimus!

--------------------Supremum

Carpere iter, comites, parati!'"

"What do you mean, sir?" asked Fairthorn. "My mind always misgives me

when I hear you quoting Horace. Some reflection about the certainty of

death, or other disagreeable subjects, is sure to follow!"

"Death! No, Dick--not now. Marriage-bells and joy, Dick! We shall have

a wedding!"

"What! You will marry at last! And it must be that beautiful Caroline

Lyndsay! It must--it must! You can never love another! You know it, my

dear, dear master. I shall see you, then, happy before I die."

"Tut, foolish old friend!" said Darrell, leaning his aria tenderly on

Fairthorn's shoulder, and walking on slowly towards the house. "How

often must I tell you that no Marriage-bells can ring for me!"

"But you have told me, too, that you went to Twickenham to steal a sight

of her again; and that it was the sight of her that made you resolve to

wed no one else. And when I have railed against her for fickleness, have

you not nearly frightened me out of my wits, as if no one might rail

against her but yourself? And now she is free--and did you not grant

that she would not refuse your hand, and would be true and faithful

henceforth? And yet you insist on being--granite."

"No, Dick, not granite; I wish I were."

"Granite and pride," persisted Dick, courageously. "If one chips a bit

off the granite, one only breaks one's spade against the pride."

"Pride--you too!" muttered Darrell, mournfully; then aloud: "No, it is

not pride now, whatever it might have been even yesterday. But I would

rather be racked by all the tortures that pious inquisitors ever invented

out of compassion for obstinate heretics, than condemn the woman I have

so fatally loved to a penance the misery of which she cannot foresee.

She would accept me?--certainly! Why! Because she thinks she owes me

reparation--because she pities me. And my heart tells me that I might

become cruel, and mean, and vindictive, if I were to live day by day with

one who created in me, while my life was at noon, a love never known in

its morn, and to feel that that love's sole return was the pity

vouchsafed to the nightfall of my age. No; if she pitied, but did not

love me, when, eighteen years ago, we parted under yonder beech-tree, I

should be a dotard to dream that woman's pity mellows into love as our

locks become grey, and Youth turns our vows into ridicule. It is not

pride that speaks here; it is rather humility, Dick. But we must not now

talk of old age and bygones. Youth and marriage-bells, Dick! Know that,

I have been for hours pondering how to reconcile with my old-fashioned

notions dear Lionel's happiness. We must think of the living as well as

the dead, Dick. I have solved the problem. I am happy, and so shall the

young folks be."

"You don't mean to say that you will consent to--"

"Yes, to Lionel's marriage with that beautiful girl, whose parentage we

never will ask. Great men are their own ancestors; why not sometimes

fair women? Enough--I consent! I shall of course secure to my kinsman

and his bride an ample fortune. Lionel will have time for his honeymoon

before he departs for the wars. He will fight with good heart now, Dick.

Young folks of the present day cannot bear up against sorrow, as they

were trained to do in mine. And that amiable lady who has so much pity

for me has, of course, still more pity for a charming young couple for

whose marriage she schemed, in order to give me a home, Dick. And rather

than she should pine and fall ill, and--no matter; all shall be settled

as it should be for the happiness of the living. But something else must

be settled; we must think of the dead as well as the living; and this

name of Darrell shall be buried with me in the grave beside my father's.

Lionel Haughton will keep to his own name. Live the Haughtons! Perish,

but with no blot on their shield--perish the Darrells! Why, what is

that? Tears, Dick? Pooh!--be a man! And I want all your strength; for

you, too, must have a share in the sacrifice. What follows is not the

dictate of pride, if I can read myself aright. No; it is the final

completion and surrender of the object on which so much of my life has

been wasted--but a surrender that satisfies my crotchets of honour. At

all events, if it be pride in disguise, it will demand no victim in

others; you and I may have a sharp pang--we must bear it, Dick."

"What on earth is coming now?" said Dick, dolefully.

"The due to the dead, Richara Fairthorn. This nook of fair England, in

which I learned from the dead to love honour--this poor domain of Fawley-

shall go in bequest to the College at which I was reared."

"Sir!"

"It will serve for a fellowship or two to honest, bravehearted young

scholars. It will be thus, while English institutions may last, devoted

to Learning and Honour. It may sustain for mankind some ambition more

generous than mine, it appears, ever was--settled thus, not in mine, but

my dear father's name, like the Darrell Museum. These are my dues to the

dead, Dick! And the old house thus becomes useless. The new house was

ever a folly. They must go down, both, as soon as the young folks are

married;--not a stone stand on stone! The ploughshare shall pass over

their sites! And this task I order you to see done. I have not

strength. You will then hasten to join me at Sorrento, that corner of

earth on which Horace wished to breathe his last sigh.

'Ille to mecum locus et beatae

Postulant arces--ibi--tu '"

"Don't, sir, don't. Horace again! It is too much." Fairthorn was

choking; but as if the idea presented to him was really too monstrous for

belief, he clutched at Darrell with so uncertain and vehement a hand that

he almost caught him by the throat, and sobbed out, "You must be joking."

"Seriously and solemnly, Richara Fairthorn," said Darrell, gently

disentangling the fingers that threatened him with strangulation,

"seriously and solemnly I have uttered to you my deliberate purpose. I

implore you, in the name of onr life-long friendship, to face this pain

as I do--resolutely, cheerfully. I implore you to execute to the letter

the instructions I shall leave with you on quitting England, which I

shall do the day Lionnel is married; and then, dear old friend, calm

days, clear consciences:--In climes where whole races have passed away

--proud cities themselves sunk in graves--where our petty grief for a

squirearch's lost house we shall both grow ashamed to indulge--there we

will moralise, rail against vain dreams and idle pride, cultivate vines

and orange trees, with Horace--nay, nay, Dick--with the FLUTE!"

What Will He Do with It? — Volume 12 · 第 4 / 12 章