CHAPTER XXVIII

At Lady Day, when the negotiations for the sale of his unprofitable

riverside domain were finally concluded, Rainham scarcely regretted

to find that an ample margin had been left before the new company

took possession; and he had still several months, during which he

might remain in occupation of his old habitation, and arrange

leisurely for the subsequent disposition of his books and more

intimate personal chattels. The dilapidated old house was to be

pulled down by the new owners (the plans for an extensive warehouse,

to be erected on the site of it, were already in the hands of the

builders), and this also was a fact from which Rainham derived a

certain satisfaction.

Insensibly, the spot had discovered a charm for him: the few rooms,

which had been his for so long, although, actually, so small a

proportion of his days had been spent in them, had gradually taken

the impress of his personality--the faded carpets, the familiar

grouping of pictures and books, the very shape of the apartment, and

the discoloured paper on the walls, expressed him in a way that

certainly no other abiding place, which might conceivably await him,

could ever do. And he took a dreary pleasure in the consideration

that, after he had gone, the rooms would know no other occupant;

that from the glazed and barred windows of the dreary building,

which was to take the place of the quaint old house, when it was

levelled to the ground, no person would ever gaze out, exactly as he

had done, at the white and melancholy river; in which, as he said to

himself fantastically, he had cast, one by one, as the days

lengthened, his interests, his passions, his desires.

Years before, by an accident of inheritance, he had come into the

property with an immense antipathy:--a white elephant that would

bring him neither profit nor honour, but which the modest competence

that he had previously enjoyed did not allow him to refuse. It had

altered the tenor of his existence, destroyed his youth and his

ambitions, and represented for many years, more completely than

anything else, the element of failure which had run through his

life.

And, after all, now that deliverance was at hand, he was by no means

jubilant. In escaping from this thraldom of so many years, he felt

something of the chagrin with which a man witnesses the removal of

some long-cherished and inveterate grievance; the more so, in that

he could now remind himself impartially how small it had been, how

little, after all, he had allowed it to weigh upon him. In effect,

had he not always done very much as he liked, lived half his time

abroad in his preferred places, chosen his own friends, and followed

his own tastes without greatly considering his inherited occupation?

He must look deeper than that, he reflected, within himself, or into

the nature of things themselves, actually to seize and define that

curious flaw which had made life seem to him at last (from what

wearied psychologist, read long ago and half forgotten, did he cull

the phrase?) "a long disease of the spirit."

For appreciations of this kind, he had, nowadays, ample leisure; and

unprofitable as it appeared (he did not even pretend to himself that

it would lead anywhere, since what faint illumination he might

strike from it could only refer to the past), he was seldom tired of

searching for them.

A hard March, cited generally as the coldest within the memory of a

generation, following a winter of fog and rain, had made him an

inveterate prisoner within the four walls of his apartment. He had,

indeed, the run of others at this time, for the Bullens had left him

(at the last there had been no question of little Margot's

appropriation; Rainham had taken it so serenely for granted that she

would remain with him), but this was a privilege of which he did not

avail himself. And the place, stripped of all its commercial

attributes, had fallen into an immense desuetude, to which the charm

of silence, and of a deeper solitude than it had ever possessed

before, was attached.

The dock gates were finally closed; a hard frost of many days'

duration had almost hermetically sealed them, and the drip of Thames

water through the sluices formed immediately into long, fantastic

stalactites of clear ice. Rainham found it difficult to believe, at

times, that the bustle of the wharves, the roar of maritime London,

still went on at his elbows, the deserted yard cast such a panoply

of silence round him. It was as though he had fallen suddenly from

the midst of men into some wholly abandoned region, a land of

perpetual snows. It symbolized well for him the fantastic separation

which he had suffered from the rest of the world; so that, but for

the painter Oswyn, who was a constant visitor, and had, indeed,

since the departure of the Bullens, a room set apart for him in the

house, he might have been already dead and buried, and his old life

would not have seemed more remote. And if he found the atmosphere of

Blackpool, more often than not, to be of soothing quality, or at

least a harmonious setting to the long and aimless course of

introspection on which he had embarked, there were also times when

it had a certain terror for him.

It came upon him in the evening, as a rule, when Margot had been

carried away to bed by the hard-featured old woman who had succeeded

Mrs. Bullen in the superintendence of his household; for the child,

with her sweet, shrill voice and her infantile chatter, had come to

seem to him far more even than Oswyn, about whom there would always

lurk something shadowy and unreal, a last link with the living; when

the tide was nearly out, so that the stillness was not even broken

by the long, lugubrious syren of a passing steamer, his isolation

was borne in upon him with something of the sting of sharp, physical

pain.

The dark old room, with its mildewing wainscot, became full of

ghosts; and he could fancy that the spirits of his ancestors were

returned from the other side of Styx to finger the pages of bygone

ledgers, and to mock from between the shadows of his incongruous

bookshelves, at their degenerate descendant. And these did but give

place, amid strange creaking and contortions of the decaying walls,

to spectres more intimate, whose reprobation moved him more: the

faces of many persons whom he had known forming themselves, with

extraordinary vividness, out of the darkness, and in the red embers

of the fire, and each adding its item of particular scorn to the

round accusation of futility brought by the rest. They were part of

his introspection, all those--he was not sick enough to hold them

real--but nevertheless they gave him food for much vigilant thought,

which came back always to the great interest of his life. Futility!

Did she too, the beloved woman, point an accusing finger, casting

back at him a sacrifice which, certainly, in his then disability

seemed to him vain enough? For all his goodwill, had he gained any

more for her than a short respite, the temporal reconstruction of a

fading illusion?--and at what a price! The irony of things was just

then so present to him that he could readily believe he had done no

more than that--enough merely to embitter her knowledge when it

should finally come. And an old saying of Lady Garnett's returned to

him, which, at the time, he had disputed; but which struck him now

with the sharp stab of an intimate truth. "You could have prevented

it, had you wished." Yes, he might have prevented it, if only he had

foreseen; the wise old woman had not made a mistake. And yet he had

wished to prevent it, in a manner, only his colder second

thoughts--he made no allowance now for their generous intention--had

found propriety in the match, and his long habit of spectatorship

had made the personal effort, which interference would have

involved, impossible.

Harking back scrupulously to the remote days of Eve's girlhood, his

morbid recollection collected a variety of scattered threads, of

dispersed signs and tokens, which led him to ask at last, with a

gathering dread, whether he had not made a mistake, must not plead

guilty to a charge of malingering, or, at least, of intellectual

cowardice in acquiescing so supinely in defeat?

Was it true, then, that a man found in life very much what he

brought to the search?

Certainly, the world was full of persons who had been broken on the

wheel for their proper audacity, because they had sought so much

more than was to be found; but might it not be equally true that one

could err on the other side, expect, desire too little, less even

than was there, and so reap finally, as he had done, in an immense

lassitude and disgust of all things, born neither of satiety nor of

disappointment, the full measure of one's reward? Perhaps success in

the difficult art of life depended, almost as much as in the plastic

arts, upon conviction, upon the personal enthusiasm which one

brought to bear upon its conduct, and was never really compatible

with that attitude of half-disdainful toleration which he had so

early acquired.

Yet that was a confession of failure he was loath to make, or admit

that he had been too much afraid of high passions and great affairs,

had been fastidious and reserved only to dissipate his life on whims

and small interests--those seemed to him now too great refusals to

be contemplated without regret. His depression had reached its

lowest pitch when he had asked himself whether in love, as in life,

his error might not have been the same; and his passion, like the

rest, a thing without conviction, and thereby foredoomed to fail.

And it was a sensible alleviation of his mood when he could answer

this question finally with a firm negative.

Certainly, his vain desire for her personal presence, for the

consolation of her voice and eyes, was with him always, like the

ache of physical hunger or thirst--the one thing real in a world of

shadows.

Reaching this point one night, and relapsing, as was his wont, into

a vaguer mood of reminiscence, not wholly unpleasant, which the

darkness of the quiet room, lit only by the fire of logs, turned at

last into drowsiness, he looked up presently, with a sudden start,

to find Oswyn standing over him.

"I am sorry," said the painter; "I am afraid I have awaked you. The

room was so dark that I imagined you had gone to bed. I came to warm

myself before turning in."

Rainham shifted his chair a little, and watched the other as he

extended his thin, nervous hands to the glow.

"Don't apologize," he said; "I haven't so many visitors that I can

afford to miss the best of them. Besides, I was only half asleep, or

half awake, as you like to look at it."

"Oh, look at it!" cried Oswyn. "My dear fellow, I don't, and won't."

He pointed his words, which Rainham found meaningless enough, with

an impatient dig of his rusty boot against the fragrant wood, and

his friend considered him curiously in the light of the blaze which

his gesture had provoked.

"Is there anything wrong?" he asked. "More wrong than usual, I

mean."

"As you like to look at it," echoed the other; "a mare's nest--a

discovery of the blessed public--oh, but a discovery! Two or three

clever young newspaper men, with a tip from Paris to help them, have

made a discovery; they have unearthed a disreputable painting

genius, one Oswyn, and found the inevitable Jew of culture--you know

the type, all nose and shekels--to finance their boom. Oh, it's

genuine! I have Mosenthal's letter in my pocket--it was handed me by

McAllister--offering his gallery, the pick of Bond Street. Oswyn's

Exhibition, with expurgations and reservations, of course, but an

exhibition! Don't you congratulate me?"

Rainham glanced up at him, smiling; at last he said whimsically:

"If you don't want me to, of course I won't. But _après_, where's the

harm?"

"Ah, they don't understand," cried the other quickly, acridly. "They

don't understand."

He had drawn his chair beside Rainham, and sat with his large,

uncouth head propped on one hand, and the latter could perceive that

his mouth was twisted with vague irony and some subtile emotion

which eluded him.

"You are the great paradox!" he sighed at last. "For Heaven's sake,

be reasonable! It is a chance, whoever makes it, and you mustn't

miss it, for the sake of a few--the just, the pure, the discreet,

who do know good work--as well as for your own. After all, we are

not all gross, and fatuous, and vulgar; there are some of us who

know, who care, who make fine distinctions. Consider us!"

"Consider you?" cried the other quickly. "Ah, _mon gros_, don't

I--more than anything?"

Then he continued in a lighter key:

"However, I don't refuse; you take me too literally. It was the last

bitter cry of my spleen. I have put myself in Mosenthal's hands;

I've sold him two pictures."

"In that case, then, why am I not to be glad?"

"Oh, it's success!" said Oswyn. He glanced contemptuously at his

frayed shirt-cuff, with the broad stains of paint upon it. "Be glad,

if you like; I am glad in a way. God knows, I have arrears to make

up with the flesh-pots of Egypt. And I have paid my price for it.

Oh, I have damnably paid my price!"

Rainham shrugged his shoulders absently.

"Yes, one pays," he agreed--"one pays, some time or other, to the

last penny."

His friend rose, pushed his chair back impatiently: he had the air

of suppressing some fierce emotion, of anxiously seeking

self-control. At last he moved over to the black square of window,

and stood with his hands in his pockets, looking out at nothing, at

the frosty fantasies which had collected on the glass.

"If it had come ten years ago," he said in a low, constrained voice,

"ten years ago, in Paris.... Oh, man, man!" he went on bitterly, "if

you could know, if you could dimly imagine the horrors, the mad,

furious horrors, the things I have seen and suffered, since then."

He pulled himself up sharply, and concluded with a little mirthless

laugh, as though he were ashamed of his outburst.

"You would consume a great deal of raw spirit, to take the taste out

of your mouth. And my 'Medusa' is to hang for the future in Mr.

Mosenthal's dining-room! Will he understand her, do you think?"

Rainham was silent, wondering at his friend's departure from his

wonted reticence, which, however, scarcely surprised him. He had

never sought to penetrate the dark background, against which the

painter's solitary figure stood. He was content to accept him as he

was, asking no questions, and hardly forming, even in his own mind,

conjectures as to what his previous history and relations might have

been. He was not ignorant, indeed, that he was a man who had been in

dark places; it had always seemed possible to account for him on the

theory that he lived on the memory of an inextinguishable sorrow.

And now this possibility had received corroboration from his own

words, shedding a new light, in which both his character and his

genius became more intelligible. He had only stood out of the

shadows which obscured him for one instant; but that instant had

been enough.

And Rainham did not find the occasion less valuable, nor the

impression which he had received less pitiful, because he believed

it to be ultimate and unique; his friend would make no vain,

elaborate confidences; he would simply step back into his old

obscurity, leaving Rainham with the memory of that instructive cry

which had been wrung from him by the irony of tardy recognition,

when he had seen him luridly standing over the wreck of his honour

and of his life. And with his pity there came to him a fresh sense

of the greatness of the painter's work. His genius, so full of

suffering, and of the sense of an almost fiendish cruelty in things,

was, simply, his life, his experience, his remorse.

With the hand of a master, with the finest technique, which made his

work admirable even to persons who misinterpreted or were revolted

by its conception, he rendered the things he had known, so that his

art was nothing so much as an expression of his personal pain in

life.

In the light of this vision into the bottom of Oswyn's soul,

Rainham's own pain seemed suddenly shallow and remote; he had gazed

for a moment upon a blacker desolation than any which he could know.

He felt a new, a tolerant sympathy towards his friend, and it struck

him, not for the first time, but with an increased force, as he

reminded himself how his days were bounded, that they had many

things which they had still to say, things which must certainly be

said.

A Comedy of Masks: A Novel · 第 28 / 34 章