A day or two later, when Rainham called in the afternoon at the
Kensington studio to announce his approaching flight from England,
he found Mrs. Sylvester and Eve in occupation, and a sitting in
progress. His greeting of Eve was somewhat constrained. He seemed to
stumble over the congratulations, the utterance of which usage and
old acquaintance demanded; and he was more at his ease when the ice
was fairly broken.
"I expected to find you here," he said, addressing Mrs. Sylvester.
"I have been to your house, and they told me you would probably be
at the studio--_the_ studio--so I came on."
"Good boy, good boy!" said Lightmark, with as much approbation in
his voice as the presence of the stick of a paint-brush between his
teeth would allow. "You'll excuse our going on a little longer,
won't you? It'll be too dark in a few minutes."
"You don't look well, Philip," remarked Mrs. Sylvester presently,
with a well-assumed air of solicitude. "You ought to have come to
Lucerne with us, instead of spending all the summer in town."
"Yes; why _didn't_ you, Philip?" cried Eve reproachfully. "It would
have been so nice--oh, I'm so sorry, Dick, I didn't mean to
move--you really ought to have come."
"Well, there was the dock, you see, and business and all that sort
of thing. I can't always neglect business, you know."
Lightmark asserted emphatically that he _didn't_ know, while, on the
other hand, Mrs. Sylvester was understood to remark, with a certain
air of mystery, that she could quite understand what kept Philip in
town.
"Don't you think I might have been rather--rather a fifth wheel?"
suggested Rainham feebly, entirely ignoring Mrs. Sylvester's remark,
to which, indeed, he attached no special meaning.
"Spare our blushes, old man," expostulated Dick. "It would have been
awfully jolly. You would have been such a companion for Charles, you
know," he added, with a malicious glance over his shoulder. "Oh
dear! fog again. I think I must release you now, Eve. Tell me what
you think of the portrait, now that I've worked in the background,
Philip. Mrs. Sylvester, now don't you think I was right about the
flowers?"
There was, in fact, a charming, almost virginal delicacy and
freshness of air and tone about the picture. The girl's simple,
white dress, with only--the painter had so far prevailed over the
milliner,--only a suggestion of bright ribands at throat and waist;
the quaint chippendale chair, the sombre Spanish leather screen,
which formed the background, and the pot of copper-coloured
chrysanthemums, counterparts of the little cluster which Eve wore in
the bosom of her gown, on a many-cornered Turkish table at the side:
it had all the gay realism of modern Paris without losing the poetry
of the old school, or attaining the hardness of the new.
Rainham looked at it attentively, closely, for a long time. Then he
said simply:
"It's the best thing you have done, Dick. It will be one of the best
portraits in the Academy, and you ought to get a good place on the
line."
"I'm so glad!" cried Eve rapturously, clasping her hands. "On the
line! But," and her voice fell, "it isn't to go to the Academy.
Mamma has promised Sir--Dick is going to send it to the Grosvenor.
But it's pretty much the same, isn't it? Oh, now show Philip the
sketch you have made for your Academy picture," she added, pointing
to a board which stood on another easel, with a protecting veil over
the paper which was stretched upon it. "You know _he_ can tell us if
it's like the real thing."
"If it's the Riviera, or--or dry docks," added Rainham modestly.
But Lightmark stepped forward hastily, after a moment's hesitation,
and put his hand on the drawing just as Eve was preparing with due
ceremony to unveil it.
"Excuse me, I don't want to show it to Rainham yet. I--I want to
astonish him, you know."
He laughed rather uneasily, and Eve gave way, with some surprise in
her eyes, and a puzzled cloud on her pretty brow, and went and
seated herself on the settee at her mother's side.
"He's afraid of my critical eye, Mrs. Sylvester," said Rainham
gravely. "That's what it is. Well, if you don't show it me now, you
won't have another opportunity yet awhile."
"That's it, Eve," exclaimed Lightmark hastily. "I'm afraid of his
critical what's-his-name. You know he can be awfully severe
sometimes, the old beggar, and I don't want him to curl me up and
annihilate me while you're here."
"I don't believe he would, if it were _ever_ so bad," said Eve, only
half satisfied. "And it isn't; it's awfully good. But it's too dark
to see anything now."
"By Jove, so it is! Mrs. Sylvester, I'm awfully sorry; I always like
the twilight myself. Rainham, would you mind ringing the bell.
Thanks. Oh, don't apologize; the handle always comes off. I never
use it myself, except when I have visitors. I go and shout in the
passage; but Mrs. Grumbit objects to being shouted for when there
are visitors on the premises. Great hand at etiquette, Mrs. Grumbit
is."
The lady in question arrived at this juncture, fortified by a new
and imposing cap, and laden with candles and a tea-tray, which she
deposited, with much clatter of teaspoons, on a table by Mrs.
Sylvester's side.
"Thank you, Mrs. Grumbit. And now will you come to a poor bachelor's
assistance, and pour out tea, Mrs. Sylvester? And I'm very sorry,
but I haven't got any sugar-tongs. I generally borrow Copal's, but
the beggar's gone out and locked his door. You ladies will have to
imagine you're at Oxford."
Mrs. Sylvester looked bewildered, and paused with one hand on the
Satsuma teapot.
"Don't you know, mamma, it isn't--form, don't you say? to have
sugar-tongs at Oxford? It was one of the things Charles always
objected to. I believe he tried to introduce them, but people always
threw them out of the window. _I_ think they're an absurd invention."
Rainham, as he watched her slender fingers with their dimpled
knuckles, daintily selecting the most eligible lumps out of the
cracked blue-and-white china teacup which did service for a
sugar-basin, unhesitatingly agreed with her; though Mrs. Sylvester
seemed to think her argument that sugar-tongs could be so
pretty--"Queen Anne, you know"--entirely unanswerable.
It was not until Mrs. Grumbit broke in upon the cosy little party to
announce that the ladies' carriage was at the door that Rainham
remembered the real object of his expedition.
Then, when Eve, warmly wrapped in her furs, and with the glow of the
firelight still in her face, held out a small gloved hand with a
smiling "Au revoir, Philip," he shook his head rather sadly.
"I'm afraid it must be good-bye--for some time, at least. I came to
tell you that I am on the wing again. Doctor's orders, you know. I
shall be in Bordighera on Friday, I expect."
"And to-day's Tuesday," complained Eve.
"And I was just going to ask you to dine with us, one day soon,"
expostulated her mother.
"You must come over at Christmas, old man," said Dick cheerfully.
"For the wedding, you know. You've got to give me away, and be
bridesmaid, and all that sort of thing."
Rainham shook his head again.
"I'm afraid not. You don't know my doctor. He wouldn't hear of it.
No, you won't see me in town again before May, unless there's a
radical reform in the climate."
"Couldn't--couldn't we put it off till May?" suggested Eve naïvely.
But the suggestion was not received with anything approaching
enthusiasm.
"Good-bye, Philip," said Eve again, when her lover was handing Mrs.
Sylvester into the little brougham. "Mind you take great care of
yourself."
Rainham returned the frank pressure of her hand.
"Good-bye," he said.