THE PERFORMANCE
While the marquis and Simon were starting on their journey, Robeckal and
Rolla had met on the country road as appointed, and in a long whispered
conversation had made their plans. They both hated Girdel, Caillette,
Fanfaro and Bobichel, and their idea was to kill both Girdel and Fanfaro
that very evening. Caillette could be attended to afterward, and
Bobichel was of no importance. Rolla loved Robeckal, as far as it was
possible for a person like her to love any one, and desired to possess
him. Robeckal, on his side, thought it would not be a bad idea to
possess Girdel's business along with its stock, with which he
ungallantly reckoned Rolla and Caillette. Caillette especially he
admired, but he was smart enough not to say a word to Rolla.
"Enter, ladies and gentlemen, enter," exclaimed Bobichel, as he stood at
the box-office and cordially greeted the crowds of people.
"I wonder whether she will come?" muttered Caillette to herself.
"Everything is ready," whispered Robeckal to Rolla; the Cannon Queen
nodded and threw dark scowls at Girdel and Fanfaro.
The quick gallop of a horse was now heard, and the next minute Irene de
Salves stepped into the booth.
"Really, she has come," muttered Caillette in a daze, as she pressed her
hand to her heart and looked searchingly at Fanfaro.
The latter looked neither to the right nor left. He was busy arranging
Girdel's weights and iron poles, and Caillette, calmed by the sight,
turned around.
When Irene took her seat a murmur ran through the crowded house. The
Salves had always occupied an influential position in the country; the
great estate of the family insured them power and influence at court,
and they were closely attached to the monarchy.
Irene's grandfather, the old Count of Salves, had been guillotined in
1793; his son had served under Napoleon, and was killed in Russia when
his daughter had hardly reached her third year. The count's loss struck
the countess to the heart; she retired to her castle in the neighborhood
of Remiremont and attended to the education of her child.
Irene grew up, and when she often showed an obstinacy and wildness
strange in a girl, her mother would say, with tears in her eyes:
"Thank God, she is the picture of her father."
That nothing was done under the circumstances to curb Irene's
impetuosity is easily understood. Every caprice of the young heiress was
satisfied, and so it came about that the precocious child ruled the
castle. She thought with money anything could be done, and more than
once it happened that the young girl while hunting trod down the
peasants' fields, consoling herself with the thought:
"Mamma gives these people money, and therefore it is all right."
When Irene was about fifteen years old her mother became dangerously
ill, and remained several months in bed. She never recovered the use of
her limbs, and day after day she remained in her arm-chair, only living
in the sight of her daughter. When Irene entered the room the poor
mother thought the sun was rising, and she never grew tired of looking
in her daughter's clear eyes and listening to her silvery voice. The
most singular contradictions reigned in Irene's soul; she could have
cried bitterly one minute, and laughed aloud the next; for hours at a
time she would sit dreaming at the window, and look out at the autumnal
forest scenery, then spring up, hurry out, jump into the saddle and
bound over hill and valley. Sometimes she would chase a beggar from the
door, the next day overload him with presents; she spent nights at the
bedside of a sick village child, and carried an old woman at the risk of
her life, from a burning house; in short, she was an original.
A few months before, the lawyer who administered the countess's fortune
had appeared at the castle and had locked himself up with her mother.
When he left the castle the next day, the young lady was informed that
she was to be married off, and received the news with the greatest
unconcern. She did not know her future husband, the Vicomte de Talizac,
but thought she would be able to get along with him. That she would have
to leave her castle and her woods displeased her; she had never had the
slightest longing for Paris, and the crowded streets of the capital were
intolerable to her; but seeing that it must be she did not complain.
It was a wild caprice which had induced the young girl to attend
Girdel's performance; Fanfaro's lecture had angered her at first, but
later on, when she thought about it, she had to confess that he was
right. She was now looking expectantly at the young man, who was engaged
with Bobichel in lighting the few lamps, and when he drew near to her,
she whispered to him:
"Monsieur Fanfaro, are you satisfied with me?"
Fanfaro looked at her in amazement, but a cordial smile flew over his
lips, and Irene felt that she could stand many more insults if she could
see him smile oftener.
Madame Ursula, who sat next to her pupil, moved up and down uneasily in
her chair. Irene did not possess the least _savoir vivre_. How could she
think of addressing the young acrobat? and now--no, it surpassed
everything--he bent over her and whispered a few words in her ear. The
governess saw Irene blush, then let her head fall and nod. What could he
have said to her?
Caillette, too, had noticed the young lady address Fanfaro, and she
became violently jealous.
What business had the rich heiress with the young man, whom she was
accustomed to look upon as her own property?
For Caillette, as well as Madame Ursula, it was fortunate that they had
not heard Fanfaro's words, and yet it was only good advice which the
young man had given Irene.
"Mademoiselle, try to secure the love of those who surround you," he had
earnestly said. And Irene had, at first impatiently and with
astonishment, finally guiltily, listened to him. Really, when she
thought with what indifference her coming and going in the village was
looked upon, and with what hesitation she was greeted, she began to
think Fanfaro was right; the young man had been gone long, and yet his
words still sounded in her ears. Yes, she would try to secure love.
In the meantime the performance had begun. Girdel played with his
weights, Rolla swallowed stones and pigeons, Robeckal knives and swords,
and Caillette danced charmingly on the tight-rope. During all these
different productions, Fanfaro was continually assisting the performers;
he handed Girdel the weights and took them from him; he accompanied
Robeckal's sword exercise with hollow beats on a tambourine; he played
the violin while Caillette danced on the rope, and acted as Bobichel's
foil in his comic acts. Fanfaro himself was not to appear before the
second part; for the conclusion of the first part a climax was to be
given in which Girdel would perform a piece in which he had everywhere
appeared with thunders of applause; the necessary apparatus was being
prepared.
This apparatus consisted of a plank supported by two logs which stood
upright in the centre of the circus. In the centre of the plank was a
windlass, from which hung an iron chain with a large hook.
Fanfaro rolled an empty barrel under the plank and filled it with irons
and stones weighing about three thousand pounds. Thereupon the barrel
was nailed up and the chain wound about it; strong iron rings, through
which the chain was pulled, prevented it from slipping off.
Girdel now walked up. He wore a costume made of black tights, and a
chin-band from which an iron hook hung. He bowed to the spectators,
seized the barrel with his chin hook and laid himself upon his back.
Fanfaro stood next to his foster-father, and from time to time blew a
blast with his trumpet. At every tone the heavy cask rose a few inches
in the air, and breathlessly the crowd looked at Girdel's performance.
The cask had now reached a height on a level with Girdel; the spectators
cheered, but suddenly an ominous breaking was heard, and while a cry of
horror ran through the crowd, Fanfaro, quick as thought, sprung upon the
cask and caught it in his arms.
What had happened? Girdel lay motionless on the ground. Fanfaro let the
heavy cask glide gently to the floor and then stood pale as death near
the athlete. The chain had broken, and had it not been for Fanfaro's
timely assistance Girdel would have been crushed to pieces by the heavy
barrel.
The violent shock had thrown Girdel some distance away. For a moment all
were too frightened to stir, but soon spectators from all parts of the
house came running up and loud cries were heard.
Caillette had thrown herself sobbing at her father's feet; Bobichel and
Fanfaro busied themselves trying to raise the fallen man from the
ground, and Rolla uttered loud, roaring cries which no doubt were
intended to express her grief. Robeckal alone was not to be seen.
"Oh, Fanfaro, is he dead?" sobbed Caillette.
Fanfaro was silent and bent anxiously over Girdel; Rolla, on the other
hand, looked angrily at the young man and hissed in his ear:
"Do not touch him. I will restore him myself."
Instead of giving the virago an answer, Fanfaro looked sharply at her.
The wretched woman trembled and recoiled, while the young man, putting
his ear to Girdel's breast, exclaimed:
"Thank God, he lives!"
Caillette uttered a low moan and became unconscious; two soft hands were
laid tenderly on her shoulders, and when the tight-rope dancer opened
her eyes, she looked in Irene's face, who was bending anxiously over
her.
Girdel still remained motionless; the young countess handed Fanfaro an
elegantly carved bottle filled with smelling-salts, but even this was of
no avail.
"Wait, I know what will help him!" exclaimed Bobichel, suddenly, and
hurrying out he returned with a bottle of strong brandy.
With the point of a knife Fanfaro opened Girdel's tightly compressed
lips; the clown poured a few drops of the liquid down his throat, and in
a few moments Girdel slowly opened his eyes and a deep sigh came from
his breast. When Bobichel put the bottle to his mouth again, he drank a
deep draught.
"Hurrah, he is rescued!" exclaimed the clown, as he wiped the tears from
his eyes. He then walked to Rolla and mockingly whispered: "This time
you reckoned without your host."
Rolla shuddered, and a look flew from Bobichel to Fanfaro.
Robeckal now thought it proper to appear and come from behind a post. He
said in a whining voice:
"Thank God that our brave master lives. I dreaded the worst."
Schwan, who was crying like a child, threw a sharp look at Robeckal, and
Fanfaro now said:
"Is there no physician in the neighborhood?"
"No, there is no physician in Sainte-Ame, and Vagney is several miles
distant."
"No matter, I shall go to Vagney."
"Impossible, the floods have destroyed all the roads; you risk your
life, Fanfaro," said Schwan.
"And if that is so, I am only doing my duty," replied the young man. "I
owe it to my foster-father that I did not die of cold and starvation."
"You are an honest fellow. Take one of my horses and ride around the
hill. It is certainly an out-of-the-way road, but it is safe. Do not
spare the horse; it is old, but when driven hard it still does its
duty."
"Monsieur Fanfaro," said Irene, advancing, "take my riding horse; it
flies like the wind, and will carry you to Vagney in a short time."
"She is foolish," complained Madame Ursula, while Fanfaro accepted
Irene's offer without hesitating; "the riding horse is an English
thoroughbred and cost two thousand francs."
No one paid any attention to her. Fanfaro swung himself into the saddle,
and, throwing a cloak over his shoulders, he cordially said:
"Mademoiselle, I thank you."
"Don't mention it; I am following your advice," laughed Irene.