CHAPTER VIII

MESOPOTAMIA

[See the diagrams of flint implements, Illustration II; pottery and

brick-forms, Illustration XIV; cuneiform signs, and other scripts

Illustration XV].

Mesopotamian antiquities are nearly always found in Tells, or

artificial mounds, which are the sites of ancient towns or temples.

The surrounding plain for a distance of several hundred yards out,

whether steppe-desert or untilled land, will usually be found to be

productive of antiquities, either a few inches or few feet deep or,

in the case of the dessert, actually lying upon the surface. These

are usually the result of rainstorms washing out antiquities from the

tell itself. Each tell or ganglion of connected tells usually has a

number of small subsidiary tells round about it, the sites of small

isolated buildings or villages connected with the central settlement.

Originally the settlements were built upon natural rises of the

ground which stood up as islands in the fen-country.

Visitors should give the local names of tells in Arabic characters,

when possible, so that mistakes in transliteration into English may

be avoided. Antiquities bought in the neighbourhood of a tell should

be noted as coming from that neighbourhood. Depredations by Arabs (or

by others!) should be noted, and reported to the nearest Political

Officer or Inspector of Antiquities. The barbarous practice of

forcibly dislodging inscribed bricks from walls, as trophies and

'souvenirs', which has unhappily been common during the war, should

never be imitated and always discountenanced as much as possible.

Other good spots for antiquities than tells are rare. In the

mountainous and stony country of the North we may meet with rock-

sculptures, as at Bavian, and these should always be recorded by a

traveller, even if he is not certain that they have not been remarked

before: something new may turn up at any time. Antiquities acquired

in the neighbourhood of such monuments should be noted, and their

precise place of origin ascertained, if possible, as in this way the

site of some ancient settlement adjoining the monument may be

identified. The open ruin-fields, or _Khurbas_, characteristic of

Palestine are not usual, except in the case of Parthian or Sassanian

palace ruins such as Ctesiphon, Hatra, or Ukheidhir, which were often

abandoned almost as soon as they were built, so that no later

population could pile up rubbish-heaps or graves above them.

In order to aid the visitor to get some idea of the age of a tell or

other site from the antiquities found on its surface and its

neighbourhood, and so to be able to give some idea of what is likely

to be found in it, the following hints have been drawn up.

In the first place, most of the surface remains, are, as elsewhere,

pottery sherds. These should tell us their date by their appearance.

It must be said, however, that our experience on the subject of the

development of Mesopotamian pottery is limited. Owing to the

attention of Assyriologists having been so long focussed on the study

of the cuneiform records, to the neglect of general archaeology, we

have nothing like the knowledge of these things that we have in Egypt

or in Greece. Such minutiae of information as our common knowledge of

ceramic development in Egypt or in Greece gives us with regard to

these countries, enabling us to date sites with great accuracy, are

not vet available for Mesopotamia. And if for this reason all

possible information as to the objects found on archaeological sites

is desirable, it is also impossible yet to give the visitor any

absolute guide to the distinctive appearance of pottery at every

period. The main periods are known. The 'prehistoric', the Sumerian,

the late Babylonian, and the Parthian styles are easily

distinguishable. If a visitor is able to tell us that such-and-such a

mound is prehistoric or is Parthian, or that settlements of both

periods existed on it, this is what we want. One of the most general

of criteria with regard to pottery is whether it is glazed or not. If

glazed, it is, generally speaking, late. Other things besides pottery

are of course found, and the presence or the absence of metal, and

the occurrence of stone implements, are important. But it must be

remembered that stone was used long into the 'Bronze' Age, and

contemporaneously with copper. There is no sudden break between the

two periods. Fragments of shell and mother-of-pearl, often with

incised designs, are very characteristic of the earliest period.

Coins are of late date; a tell with coins on it is certain to contain

buildings as late as the fourth or third century B.C. (though it may

also contain far older buildings as well). One of the most useful

criteria of age is: Bricks. The form of the brick is a very good

guide to date. The Babylonians used both kiln-baked and crude bricks.

The oldest type, whether baked or crude, is plano-convex in form, and

uninscribed. The mortar is bitumen. Later on rectangular bricks,

often square, made in moulds, were introduced. These usually bore the

name of the royal builder. Later on bricks became generally oblong

and much like our own. In the sixth century the square shape was

revived. Both shapes were in use at the Nebuchadnezzar period. Glazed

bricks were then common. Under the Persians mortar took the place of

bitumen. Under the Parthians and Sassanians, bricks were yellow,

oblong, small, and very hard. Details will be found below, The names

of various excavated sites are given in brackets as the 'classical'

sources of information on certain points, and as the places from

which type-antiquities have come to our Museums. Ancient names are in

capitals; museums in italics.

I. PREHISTORIC (?) AGE: Chalcolithic (aeneolithic) period, before

3500 B.C.

Until quite recently no traces of the Stone Age had been discovered

in Babylonia other than a few possible palaeoliths lying on the

surface of the desert: all traces of a Neolithic Age were supposed to

have been buried beneath the alluvium of the valley. In Assyria,

however, neolithic traces in the shape of obsidian flakes had been

discovered by the late Prof. L. W. King in the course of his

excavation of the mound of Kuyunjik (NINEVEH), besides fragments of

painted pottery resembling those from the earliest deposits in Asia

Minor and those found by the American geologist Pumpelly in his

diggings in the _kurgans_ of Turkestan, (to which he assigned an

extremely remote date B.C.). In Persia, and about the head of the

Persian Gulf, somewhat similar pottery was discovered by de Morgan

and the other French excavators at Susa, Tepe Musyan, Bandar Bushir,

and other places: here again the dates were put at a very remote

period. With the exception of a few flint saw-blades from Warka [1],

Fara, Zurghul, and Babylon [2], no similar remains had been found in

Babylonia until, in 1918, Capt. R. Campbell Thompson, exploring on

behalf of the British Museum, discovered flint and obsidian flakes

and painted pottery lying on the surface of the desert at Tell Abu

Shahrein (ERIDU), and also at Tell Muqayyar (UR). The continued

excavations carried out by Mr. H. R. Hall for the Museum in 1919 have

produced more of the same evidence from both places, besides a new

'prehistoric' site at Tell el-Ma'abed or Tell el-'Obeid near Ur. It

seems that these antiquities date from the very end of the neolithic,

or rather to the succeeding 'chalcolithic', age; whether they are

really prehistoric, as regards Babylonian history, must until more

evidence from stratified deposits is found remain undecided. They

prove the occupation of the head of the Persian Gulf at the beginning

of history by a people whose primitive art was closely akin to that

of early Elam, and distinct from that of the Sumerians.

[1] Found by Loftus in 1854: their early date was not recognized at

the time.

[2] Koldewey, _Excavations at Babylon, E.T._, p. 261, fig. 182.

Koldewey curiously speaks of the saw-blades as 'palaeolithic.' They

are, of course, nothing of the sort.

Characteristics: flint, chert, obsidian, green and red jasper, and

quartz-crystal flakes, arrowheads, cores, and saw-blades. Chert and

limestone rough hoe-blades (easily mistaken for palaeolithic

implements; they are, however, much flatter); polished serpentine or

jasper celts; lentoid (lentil-shaped), amygdaloid (almond-shaped),

and discoid beads of cornelian, crystal, obsidian, &c., unpolished;

nails of translucent quartz and obsidian (obviously imitations of

metal types); hard grey pottery sickles, pottery cones of various

sizes, and pottery objects like gigantic nails bent up at the ends;

pottery painted with designs in black, usually geometrical (see

illustration XIV, Fig. 1), but sometimes showing plant-forms or even

animals. This ware is often very fine, so much so as to look as if

wheelmade. The shapes are chiefly bowls (often closely resembling

early Egyptian stone bowl types), pots with suspension-handles or

lugs, and spouted 'kettles'. All these objects are at Shahrein and

el-'Obeid found lying on the desert surface at the distance of 50 or

100 yards from the tell; they are supposed to have been washed out of

the lower strata of the latter by rains. Objects of this kind should

be recorded from any site, and the neighbourhood of a desert tell

should always be searched for them.

[ILLUSTRATION XIV MESOPOTAMIAN POTTERY, SEALS, ETC].

[ILLUSTRATION XV: CUNEIFORM AND OTHER SCRIPTS].

II. EARLY BRONZE (Copper) AGE: First Sumerian (pre-Sargonic) Period;

c. 3500-3000 B.C. Earliest Sumerian civilization.

Typical sites. Older strata at Telloh (LAGASH); Fara (SHURUPPAK);

Tell 'Obeid (ancient name as yet unknown); Shahrein (ERIDU).

Characteristics. Writing. First appearance of script, already

conventionalized from pictographs. Cut on stone and incised on clay

tablets and bricks of characteristic early style. Brick buildings,

with crenellated walls (until the discovery of Tell 'Obeid supposed

to date only from the later Sumerian period) of typical plano-convex

bricks, baked or crude, usually with thumb-mark down length of

convex side (Shahrein), or with two thumb-holes (for carrying the

brick when wet?), or vent-holes ('Obeid); at first uninscribed, later

with long inscriptions; measuring 10 x 6 x 2-2 1/4 ins. (Shahrein),

and 8 x 6 x 2-2 1/4 ins. ('Obeid); poorly shaped and baked (see XIV,

Fig. 3). Bitumen used for mortar; laid very thick. Hard white stucco

on internal faces of crude brick house walls, often decorated with

red, white, and black painted horizontal stripes (Shahrein.)

Pottery. Wheel and hand-made; drab, fine or coarse paste, unpainted

and usually undecorated. Typical shapes: (see XIV, Figs. 2 abc)

mostly handleless vases, and cups, and spouted 'kettles' (again often

resembling early Egyptian types).

Metals: Copper. Extensive use: large copper figures of animals,

heads cast, bodies of copper plates fastened by nails over a core of

clay with a mixture of bitumen and straw; the figures have eyes,

tongues, and teeth of red and white stone and nacre (Tell 'Obeid);

goat's head with inlaid eyes of nacre (Fara). Otherwise ordinary

treatment of eye shows a number of wrinkle lines round it, and it is

always disproportionately large (bull's heads, Tell 'Obeid and

Telloh). Small fragments of copper or bronze on the surface of a tell

should never be neglected, as there may be enough in any fragment to

give an idea of possible archaic remains within the tell.

Silver. Rare. Fine engraved vase of Entemena (Telloh, _Louvre_).

Gold. Not uncommon. Copper nails with gold-plated heads (Shahrein).

Stone. Portrait figures in round (Bismaya, Telloh, &c.), usually

representing men, with face and head shaven; very prominent large

curved nose; usually squatting with arms crossed, sometimes standing;

only garment a kilt apparently made of locks of natural wool. Usually

inscribed in archaic characters on back of shoulders. Material: a

grey or a white limestone most usual; tufa and dolerite also used.

Reliefs: large stelae (Stele of the Vultures; Telloh, _Louvre_,

fragment in _B. M._), completely inscribed; small relief plaques,

inscribed (Telloh, _Louvre_). Flint carved and engraved cylinder-

seals, of limestone, black basalt, jasper, diorite, &c. Vases, bowls,

and cups (usually fragmentary), of white and pink limestone and

breccia. Maceheads of breccia, granite, &c., of same type as the

early Egyptian (Shahrein).

Shell. Very largely used for decoration; small plaques of nacre

often engraved with scenes of men worshipping, &c. (Telloh);

tessellated pillars with nacre plaques ('Obeid). Seal-cylinders of

shell.

Wood. Rarely survives; small beams plated with copper ('Obeid).

Burials. Pottery coffins with lids, mat burials; bodies contracted;

funerary furniture, copper, stone or pottery drinking cups held near

mouth: copper weapons, fish-hooks, net weights; beads of agate,

lapis, shell (unpolished); colour-dishes, (Fara). (The idea that the

Babylonians ever burnt their dead is now discredited; the supposed

'fire-necropoles' at Zurghul, &c., are not substantiated.)

The burials are hard to distinguish from similar contracted

interments of later date, except that the furniture is more abundant

in early times and mat graves are unusual in later days Mounds of

this age may be known by the occurrence on the surface of scraps of

oxydized copper, nails, &c.; shell-fragments; undecorated light drab

sherds; and the typical small plano-convex bricks.

III. MIDDLE BRONZE AGE.

1. Early Semitic or Akkadian (Sargonid) period; c. 3000-2500 B.C.

Characteristics. Less crude style of art: development of writing (see

XIV, Fig. 1); first inscribed clay tablets of usual style; beginnings

of cuneiform, developed from the archaic semi-pictographic character.

Bricks still plano-convex; stamped inscriptions begin. Stone

maceheads of same type as earlier. Large and well-cut cylinder-seals

of fine limestone, lapis, diorite, granite, and shell are

characteristic of the period: they are generally of an easily

recognizable form (reel-shaped) with sides showing a marked concavity

(see XIV, Fig. 5). The great development of art is shown by the stele

of Naram-Sin (_Louvre_) found at Susa. Not many mounds of this period

have been dug.

2. Later Sumerian (Gudea) and early Semitic Babylonian (Hammurabi)

periods; c. 2500-1800 B.C.

Characteristics. Typical 'Gudea' style of sculpture, in round and

relief (Telloh, _Louvre_); materials hard diorite, dolerite and

basalt as well as limestone: characteristic treatment of eye with

heavily marked brows: elaborate tiaras and head-dresses of female

figures, &c. Very high development. Regular use of cuneiform on clay

tablets and cones (see XV, Figs. 13-15); non-cuneiform character (in

a developed form) still used in brick stamps (XV, Fig. 10) and on

stone monuments. Bricks (XIV, Fig. 4) now rectangular and well made,

either square (14 ins., usually, by 2 1/2 ins. thick) or oblong (11

1/2 x 8 x 2 1/2 ins., or 10 x 5 x 2 1/2 ins.) with stamps or incised

inscriptions of Ur-Engur, Dungi, Bur-Sin, Gudea and other kings (XV,

Fig. 10), from Ur, Shahrein, Telloh, Niffer, &c. Bricks of Bur-Sin

from Shahrein often have inscription-stamps also on the smaller sides

(thickness). Great buildings of crude and baked brick (Telloh, Ur);

temple-towers (ziggurats) of crude brick faced with burnt brick (Ur,

Shahrein, Niffer). Town ruins of Hammurabi's age (Babylon): crude

brick: plans always confused and haphazard. Bitumen still used for

mortar. Burials, contracted, often in double pots (mouth to mouth),

sealed with bitumen. With the bodies are found large numbers of agate

and cornelian beads, unpolished.

Mounds of this period may be recognized by the typical square or

oblong bricks (often with thumb-holes), with stamps of kings' names,

&c., in non-cuneiform characters, or with hand-incised inscriptions

in early cuneiform, made while the clay was wet; clay tablets or

cones inscribed in early cuneiform; copper nails (those with gold-

plated heads found at Shahrein may also date from this time); drab or

black pottery sherds with impressed or incised designs, generally

rough and evidently made with a piece of stick or the thumb-nail;

rough stone quern-slabs with rubbers, grinding and hammer-stones,

&c.; and the burials described above (these, however, also occur in

later times).

IV. LATER BRONZE AGE:

Kassite, Middle Babylonian, and Early Assyrian periods; c. 1800-

1000 B.C.

Characteristics. Stabilization of Babylonian art; typical 'Kassite'

cylinder-seals with straight sides (XIV, Fig. 6); disappearance of

old non-cuneiform character with gradual disuse of Sumerian; early

stone-cut inscriptions in cuneiform (see XV, Fig. 16; an Elamite

inscription). Occasional and rare appearance of glazed pottery

(imitation of Egyptian), and multi-coloured glass; early Assyrian

sculpture (those unversed in minutiae of Mesopotamian art will only

be able to tell this earlier work from the later by the earlier style

of the accompanying inscriptions). Not many mounds of this period

have been dug.

V. EARLY IRON AGE:

1. Late Babylonian and Assyrian periods; c. 1000-540 B.C.

Characteristics. Flourishing period of Assyrian art and writing (for

details see the archaeological books, which are very full on this

period). Mounds may be known by the occurrence of fragments of

granite or basalt bowl-querns, often with feet; pieces or whole vases

of the multi-coloured opaque glass usually called 'Phoenician' (which

are already found in the preceding period); alabaster pots; straight-

sided cylinder seals (see XIV, Fig. 6); Syrian conical seals of

steatite (XIV, Fig. 7); small and rude clay figures of deities, such

as Ishtar or Papsukal (the guardian of buildings), and animals, such

as horses, sheep, doves, ducks, &c.; bronze pins, often with birds on

the heads; baked clay tablets of the fine Kuyunjik type (see XV, Fig.

12; script, Fig. 17); pottery lamps with long protruding curved

nozzles; pottery vases simple and undecorated save by incised lines,

as for many centuries past (for types see XIV, Figs. 9 a b c d);

light-blue glazed ware introduced from Egypt towards end of period;

polychrome glazed ware with designs of rosettes, chevrons) &c.,

somewhat earlier; large pots without feet common for storage of grain

and oil, sometimes for tablets: mouth often closed with a brick.

Stone pithoi are also found. Vertical drains or sinks, made of a

number of pottery cylindrical drums, fitting on top of or into one

another, are found everywhere on town-mounds of this period; visitors

should avoid tumbling into them, as they are often open or only

covered by a very thin crust of earth. Usually they are perforated to

allow of soaking into the surrounding earth, and are, when excavated

whole, generally found capped by, a beehive-shaped perforated cover.

Sometimes these drains were made of old pots with their lower parts

broken off, and fitted into one another. Secular buildings were of

burnt brick; sacred buildings usually of crude brick, from religious

conservatism. Crude bricks nearly always oblong; burnt bricks square

(14 ins.) or oblong (9x6x3 ins.). The burnt brick of Nebuchadnezzar's

time is extraordinarily fine and hard, and the bitumen-mortar so

finely spread as to be almost invisible (Babylon). Walls of this

reign have a rock-like solidity and tenacity that should make them

easily recognizable. Those of immediately preceding reigns show the

bitumen far more clearly, and the bricks are usually not as finely

made as Nebuchadnezzar's; at Babylon the latter's work is thus at

once distinguishable from that of Nabopolassar. A typical brick-

inscription of Nebuchadnezzar is illustrated above, XV, Fig. 11. It

is in the revived archaic script, always used for this purpose by the

late Babylonian kings. Use of coloured glazed brick is characteristic

of period; often relief figures of animals are made up of glazed

bricks each specially moulded for its proper position and numbered

(Ishtar Gate, Babylon). Royal palaces were often decorated with

reliefs depicting conquests, &c., carved on slabs of alabastrine

marble placed along the brick walls, with great statues of human-

headed bulls (_Cherubim_), &c. (Nimrud [CALAH], Kuyunjik [NINEVEH],

Khorsabad. _Brit. Mus._ and _Louvre_.) Burials usually in drab clay

pot-coffins (larnakes) with covers; bodies still contracted; funerary

furniture scanty, consisting chiefly of pins, beads, an occasional

cylinder-seal, and a few pots (XIV, Figs. 9 a b c d). Ribbed pots

with blue (weathered green) glaze, often pitched both within and

without, were also employed towards the end of the period, inverted

over the bodies. Also anthropoid pottery sarcophagi, an idea imported

from Egypt. Child burials in bowls. Iron objects sometimes buried

with the dead; often found in palace-ruins (weapons, horse-furniture,

&c.). Bronze commonly used for gates, door, bolts, &c. (Gates of

Shalmaneser's palace; _Brit. Mus._).

2. Persian (Achaemenian) period: c. 540-330 B.C.

This period is distinguished from the former by the less frequent use

of bronze, the introduction of coinage, and the development of the

simplified Persian cuneiform writing (never on tablets, only on stone

monuments; see XV, Fig. 18). Bitumen ceased to be used as mortar in

buildings. Persian walls (e. g. the Apadana at Babylon) are easily

distinguished by the use of clay mortar, and the unusual thickness of

the mortar-courses between the bricks. Burials in shallow trough-like

pottery coffins, with the bodies at full length, but with the knees

slightly flexed (these continued during the next period).

VI. MIDDLE IRON AGE:

1. Greek and Parthian periods; c. 330 B.C.-220 A.D.

Characteristics. Sudden degeneration and disappearance of the ancient

native civilization and art; imitation of Greek culture, Greek

buildings (theatre at Babylon), and inscriptions; Greek legends on

Parthian coins; Parthian kings call themselves 'Philhellenes';

Graeco-Roman architecture imitated (Hatra). Graeco-Roman terra-

cottas, pottery lamps, pilgrim-flasks and bone-carvings; classical

seal gems; Roman glass; fragments of imitation of classical sculpture

in marble (the material being adopted as well as the style); and, of

course, coins--these are characteristic remains found on mounds of

this period. About l00 B.C. the use of cuneiform was given up; clay

tablets were no longer used. Aramaic became the usual form of

writing; ink used on sherds; wax tablets. Small bowls often found

with ink-written incantations in Judaeo-Aramaic (see XV, Fig. 19).

Mounds of this period are perhaps most easily recognized by the

quantities of deep-blue glazed sherds found lying about on them. The

glaze is rather thin, laid on a coarse drab ware, and is often

cracked. The blue is very fine, rivalling the old Egyptian. Burials

of this period are often found in (besides the shallow pottery

coffins mentioned above) rectangular oblong boxes of thin coarse ware

with light friable blue glaze (Babylon), or (later) in slipper-shaped

coffins (possibly Sassanian) of the same ware, rudely decorated with

human figures (warriors) in relief, on panels (Warka). The blue glaze

has often changed to a dark green, especially in the case of the

Warka slipper-coffins. The lids are cemented to the coffins.

Internments are now full length, the old custom of contraction having

been entirely abandoned [1]. Gold ornaments and pieces of gold leaf,

gold fillets, &c., are not unfrequently found with the bodies,

besides armlets, toe and finger rings, &c., of silver and bronze, the

finger-rings usually of ordinary Roman types; pottery, lamps, and

glass vessels. These coffins are often in brick vaults, usually

placed haphazard in the ground, as in earlier times. Bricks small,

hard, and yellow.

[1] The western custom of cremation was never adopted, in spite of

the Hellenization of culture. It offended both Babylonian and Iranian

sentiment, although the Parthians were never very orthodox followers

of Ahuramazda, and venerated (at least platonically) the most popular

deities of the Greek pantheon.

2. Sassanian Period; c. 220-650 A.D.

Characteristics. Reaction towards Oriental motives in art: a typical

_antika_ of the period is the Sassanian seal of cornelian,

chalcedony, or haematite, in shape sometimes a ring, more often a

flat sphere with one-third cut off to form a seal-base, perforated

for stringing (see XIV, Fig. 8), and inscribed in Pehlevi (see XV,

Fig. 20) a script that to the unitiated looks very like Cufie Arabic:

the language is Old-Persian, which was spoken by the court officials

at Ctesiphon, the language of the people being Aramaic. Sculpture

barbarized, but with a picturesque character of its own (Nakhsh-i-

Rustam, Tak-i-Bostan), sometimes reminiscent of Indian work.

Architecture: Parthian-Roman traditions (Ctesiphon). Pottery usually

glazed blue (thicker glaze). Unglazed bowls with Hebrew and Mandaitic

magical inscriptions. Bronze no longer used except for coins. Objects

from mounds very like those of preceding age, but less of Roman

origin. Not much known of burials; the Warka slipper-coffins usually

regarded as Parthian may possibly be of early Sassanian age.

VII. LATER IRON AGE:

Muhammadan Period; c. 650-1500 A.D.[1]

Characteristics. Development of art under Persian influence till

Tartar conquest in thirteenth century: the destruction and

depopulation of the country at that time brought all real artistic

development to an end. Flourishing period: the 'Abbasid Khalifate:

ninth century: Harun al-Rashid. Ruins of the ancient city and palaces

of Samarra: halls with modelled and painted plaster-decorations, not

only geometrical but also (Persian heterodox influence) representing

trees, birds, &c. No more sculpture in round or relief of human

figures or animals. The only survival of classical tradition would

appear to be to some extent in architecture: Greek architects.

Coins: thin gold, and silver, with Cufic inscriptions only (see XV,

Fig. 21). Mounds of this period may be known by fragments of marble-

carving with Cufic inscriptions, plasterwork, Arab and Persian vase

and tile fragments in thick blue, green, yellow, or brown glaze,

metallic lustre-glaze, &c., variegated glass bangles, and rings; bits

of cloudy white glass (from lamps); fragments of wood, carved and

inlaid with bone, nacre, &c., in geometrical patterns; textile

fragments, (which are naturally not commonly found in older mounds),

&c.

Nothing is said with regard to burials as these may not be touched.

[1] The limit of age which constitutes an 'antiquity' for legal

purposes is fixed in most antiquity-laws at 1500 A.D.

APPENDIX

LAWS OF ANTIQUITIES

The following brief notes on the Laws of Antiquities in force in the

various territories with which this book is concerned must not be

taken as absolving the traveller from the necessity of consulting the

full text of the laws. At the time of going to press, the Turkish Law

presumably prevails in such parts of the Turkish Empire as are not

occupied by the troops of the Entente; in the remainder, temporary

regulations are in force which will doubtless be modified when the

new governments are established; and it is possible that the Turkish

Law itself may be brought into greater harmony with modern ideas.

The Greek Law of Antiquities.

[Greek], 24 July 1899, Athens, [Greek] 1889.

All antiquities found are the property of the Government and are

controlled by an Archaeological Commission, consisting of the Ephor

General of Antiquities and the ephors of the archaeological

collections in Athens. Fixed antiquities must be reported by the

discoverer to the Ephor General or one of the ephors of antiquities

or other official. Damaging of ruins or remains of monuments is

forbidden. Owners of the land on which portable antiquities desirable

for the National Museums are found are compensated to the extent of

half their value. Any person who finds antiquities on his land must

report them within five days, on pain of confiscation. The same

applies to any one who finds antiquities on another person's land, or

in any other way comes into possession of antiquities. Informers

against breaches of the law are rewarded by the amount of the

compensation due to those who keep the law. Objects not considered

worth keeping by the Museums are returned to the owner of the land.

Excavations, even on private property, must be authorized by the

Ministry of Education. The Government has the right of expropriating

land for purposes of excavation. In Government excavations, the owner

of the land receives one-third of the value of the objects considered

worth keeping by the Museums. Secret excavation is punished by

confiscation of the finds, imprisonment and temporary loss of civil

rights. In authorized excavations by a landowner or his

representative the excavator receives half the value of the finds

taken by the Museums. Any one attempting to excavate on another man's

land is punished by imprisonment. Antiquities found in the country

may not be exported (on pain of imprisonment or fine and temporary

loss of civil rights) without permission, which is only granted for

objects not considered by the Archaeological Commission to be of use

to the Museums. Such objects on export are subject to a tax of 10

percent. _ad valorem_ unless declared entirely valueless by the

Commission. Antiquities imported into the country must be declared in

the Customs House and reported to the Ephor General of Antiquities, a

descriptive catalogue in duplicate being sent, and cannot be re-

exported without permission, which is obtained by producing the

articles with the original catalogue to the Ephor General; if not

reported they are regarded as having been found in the country.

The Turkish Law of Antiquities.

Loi sur les Antiquites promulguee le 29 Sefer 1324 (10 Avril 1322).

Extrait du _Levant Herald_ du 8, 9, 11 et 13 Juin 1906. Constantinople,

Imprimerie du _Levant Herald,_ Pera, 1906.

Antiquities are controlled by the Director-General of the Imperial

Museums and a Commission, the Directors of Public Instruction in the

provinces acting as agents. All ancient monuments and objects

(including those of Islamic date) are the property of the Government.

Any fixed antiquities discovered must be reported under pain of fine

within 15 days to the official in charge of antiquities, or in his

absence to the nearest civil or military official. Punishment by fine

and imprisonment is inflicted for destroying or injuring monuments,

measuring or making impressions without authorization.

Transportable antiquities found on a man's land must be reported by

him within a week. The landowner receives half the value of objects

thus reported and bought by the State; objects not reported are

confiscated, and the landowner fined. This clause applies to those

who find antiquities on land belonging to other private persons or to

the State. Excavation is the exclusive privilege of the Museums, but

firmans may be obtained by scientific societies and specialists.

Unauthorized excavation is punished by imprisonment and confiscation.

The State has the right of making preliminary soundings and of

expropriation. Applications for leave to excavate must be made to the

Minister of Public Instruction. All finds belong to the State.

Unauthorized dealing in antiquities is punishable by fine,

imprisonment, and confiscation. Exportation of antiquities found in

the Empire is forbidden. Antiquities imported must be reported to the

directorate of antiquities, and may not be sent from one part of the

Empire to another, or re-exported, without permission from the

Director-General.

The Cypriote Law of Antiquities.

To Consolidate and Amend the Law relating to Ancient Monuments and

Antiquities, and to provide Museums. Law no. IV of 1905. See Sir J.

T. Hutchinson and S. Fisher, _The Statute Laws of Cyprus,_ 1878-1906

(London, 1906), pp. 595-608.

Objects later than the Turkish conquest, and coins of Byzantine or

later times, are not deemed to be antiquities. All undiscovered

antiquities of movable character are the property of the Government;

all immovable antiquities are also the property of the Government,

unless some person shall be the owner of them. All antiquities must

be reported by the person in possession of them to the Museum

Committee, on pain of confiscation; antiquities found except in the

course of authorized excavations must be reported within five days to

the District Commissioner, One-third of such movable antiquities is

taken by the Government, one-third by the finder, and one-third by

the owner of the land. Damage to ancient monuments is punished by

fine or imprisonment or both. Unauthorized excavation, even on land

belonging to the excavator, and the purchasing of objects illegally

excavated, are punished by fine or imprisonment or both. Application

for leave to excavate must be made to the Chief Secretary for

Government. All antiquities found in excavation belong to the

Government; only duplicates, and objects not required by the Museum,

are given to the excavator. The Government has the right to

expropriate land for the purpose of excavations. The Museum Committee

may acquire the interests of any private person in an antiquity on

payment of compensation. If the sum agreed on is not paid within six

months, the Museum Committee loses all right to its acquisition.

Export of antiquities is forbidden except with the permission of the

High Commissioner, which is granted only for objects not required by

the Museum or for antiquities the interests in which the Museum

Committee has failed to acquire in the manner described.

The Egyptian Law of Antiquities.

La Nouvelle Loi sur les Antiquites de l'Egypte et ses annexes.

Service des Antiquites. Le Caire, Imprimerie de l'Institut francais

d'archeologie orientala. 1913.

All antiquities belong to the State. The State has the right of

expropriating ground containing antiquities. Transportable

antiquities when found must be reported to nearest administrative

authority or agents of the Service of Antiquities: the finder

receives half the objects thus reported or their value. Excavation,

dealing in antiquities, and exportation are forbidden unless under

authorization. Destruction of and damage to antiquities is punishable

by fine and imprisonment. Applications for leave to export or to

excavate should be made to the Director-General of Service of

Antiquities. A tax of 1 1/2 per cent. is levied on the declared value

of objects passed for export. Leave to excavate is granted only to

savants recommended by Governments or learned societies, or to

private persons presenting proper guarantees. The excavator pays the

cost of guarding the site. The Government takes half the portable

objects found.

General Principles of a Model Law of Antiquities for the Near and

Middle East.

The following statement of Principles which should form the

foundation of the Laws of Antiquities to be enacted for the various

Provinces formerly under Turkish rule was drawn up by an

International Committee in Paris and recommended to the Commission

for regulating the Mandates under the League of Nations. It follows

closely the Recommendations of the Archaeological Joint Committee on

the same subject. It was proposed at the same time that the Treaty

with Turkey should enjoin the adoption by that Power of a Law of

Antiquities on the same lines:

Principes du reglement devant etre adopte par chacune des Puissances

mandataires.

1. 'ANTIQUITY' signifie toute construction, tout produit de

l'activite humaine, anterieur a l'annee 1700.

2, Toute personne qui, ayant decouvert une antiquite, la signalera a

un employe du Departement des Antiquites du pays, sera recompensee

suivant la valeur de l'objet, le principe a adopter devant etre

d'agir par encouragement plutot que par menace.

3. Aucun objet antique ne pourra etre vendu sauf au Departement des

Antiquites du pays, mais si ce Departement renonce a l'acquerir la

vente en deviendra libre. Aucune antiquite ne pourra sortir du pays

sans un permis d'exportation dudit Departement.

4. Toute personne qui, expres ou par negligence, detruira ou

deteriorera un objet ou une construction antique, devra etre passible

d'une peine a fixer par l'autorite du pays.

5. Aucun deblaiement ni aucune fouille ayant pour objet la recherche

d'antiquites ne seront permis sous peine d'amendc, sauf aux personnes

autorisees par le Departement des Antiquites du pays.

6. Des conditions equitables devront etre fixees par chaque Puissance

mandataire pour l'expropriation temporaire ou permanente des terrains

qui pourraient offrir un interet historique ou archeologique.

7. Les autorisations pour les fouilles ne devront etre accordees

qu'aux personnes qui offrent des garanties suffisantes d'experience

archeologique. Aucune des Puissances mandataires ne devra, en

accordant ces autorisations, agir de facon a ecarter, sans motif

valable, les savants des autres nations.

8. Les produits des fouilles pourront etre divises entre le

fouilleur et le Departement des Antiquites de chaque pays dans une

proportion fixee par ce Departement. Si, pour des raisons

scientifiques, la division ne semble pas possible, le fouilleur devra

recevoir, au lieu d'une partie de la trouvaille, une juste indemnite.

INDEX

Abu Shahrein, 85, 88, 90.

Achaemenian period in Mesopotamia, 93.

Aegean, prehistoric age in the 36 f: pottery in Palestine, 73.

Aeneolithic; see Chalcolithic.

Akkadian period, 90.

Alphabets: see Inscriptions.

Aramaic inscriptions, 62, 66; in Mesopotamia, 93.

Archaeological Joint Committee, 38.

Arches, corbelled, 40.

Arcosolium tombs, 71 f.

Asia Minor, 47 ff.

Assyrian period, 91.

Attic pottery, 44 f.

Babylon. 85, 90, 92 f.

Babylonian period, 91.

Bandar Bushir, 85.

Barometer, 10, 33.

Bavian, 83.

Beads: Cypriote, 56: Egyptian, 78 f.; Greek, 41; Hittite, 60;

Mesopotamian, 88 ff.; Syrian, 64.

Belt Jibrin, 73.

Bitumen in Mesopotamia, 84, 88.

Black-figured Greek pottery, 44.

Bricks, 14 f.; in Egypt, 82; in Mesopotamia, 84-93.

Bronze Age: in Asia Minor, 48; in Cyprus, 56; in Greece, 36 f.; in

Mesopotamia, 88; in Syria, 60.

Bronze, forgeries in, 24.

Brooches (fibulae): Greek, 40, 44; in Syria, 61 f.

Bubastites, 79.

Buildings, recording of, 14.

Burials: see Tombs.

Buying, advice about. 24 f.

Calah, 92.

Camera, 10 f.

Casting in plaster, 19.

Caves, 15, 72.

Cemeteries, 15, 55, 70, 78: see also Tombs.

Chalcolithic period: in Mesopotamia, 85: in Syria, 59 f.

Cisterns in Palestine, 77.

Coins; in Cyprus, 58; in Egypt, 79; in Mesopotamia, 84, 92 ff.;

forgeries of, 24; making impressions of, 19 f; recording finds of, 9.

Combs, Egyptian, 78.

Committee, Archaeological Joint, 28.

Compass, prismatic, 10.

Copper: in Mesopotamia, 88 f.; in Syria, 60.

Copying, 17 ff.

Corbelled arches, 40.

'Corinthian' pottery, 41.

Crete, 36; pottery from, in Palestine, 73.

Crusaders' churches in Palestine, 76.

Ctesiphon, 84, 94.

Cuneiform inscriptions: in Asia Minor, 51; in Mesopotamia, 90 ff.

Cup-markings in Palestine, 77.

Cyclopean walls, 40

Cylinders and cylinder-sealings: in Cyprus, 56; in Egypt, 78;

Hittite, 60, 62, 64; in Mesopotamia, 89 ff.

Cyprus, 54 ff.; Law of Antiquities, 97; pottery from, in Palestine,

73.

Dipylon period, 40.

Dolmens in Palestine, 77.

Drawing and copying, 17 f.

Egypt, 78-82; Law of Antiquities, 98.

Egyptian hieroglyphics, 20; pottery in Palestine, 73; scarabs

imitated in Syria, 62; stone bowls, Mesopotamian pottery types

resembling, 88.

Eridu, 85, 88.

Excavations: laws controlling, 95 ff.; unauthorized, 7.

Fara, 85, 88 f.

Fibulae: see Brooches.

Figurines: Cypriote, 55; Greek, 35, 40 f., 44 f.; Syrian, 60, 62, 64.

Finds, importance of not breaking up, 9.

Flint implements, 29 ff.: see also Stone Age.

Forgeries, 24 f.

Geometric bronze age ware in Greece, 36; period, 40.

Glass; in Cyprus, 57; in Egypt, 78 ff.; in Mesopotamia, 91; in

Syria, 64.

Glaze, Egyptian, 78 f.; imitated in Babylonia, 91.

Greece, 35 ff., Law of Antiquities, 95.

Hatra, 84.

Hebrew alphabets, 66.

Hieroglyphics, copying of, 17, 20; Hittite, 51, 62.

Hill sanctuaries in Palestine, 76.

Hittite antiquities: in Asia Minor, 51; in Syria, 59 ff.

Inscriptions: copying of, 17, 20 f.; Aramaic, 63, 66, 93; cuneiform,

51, 87, in Cyprus, 57, Greek, 44, 51 f; Hittite, 51, 62; Latin, 53;

Lycian,51; Lydian, 51; in Palestinian tombs, 71; Semitic, 62, 66 f.,

87.

Institutions, archaeological, 26 f.

Iron Age: in Asia Minor, 50; in Cyprus, 56; in Greece, 40; in

Mesopotamia, 91-93; in Syria, 60, 62.

Itinerary, recording of, 13 f.

Jewellery, forged, 24.

Kassite period, 91.

Khirbet (khirbah), 68 ff.

Khorsabad, 92.

Kohl-pots, 62,78 f.

Kok tombs, 71 f.

Kuyunjik, 85, 92.

Laconian pottery, 45.

Lagash, 88.

Lamps, Aegean, 37.

Latin inscriptions in Asia Minor, 53.

Laws of Antiquities, 7, 95 ff.

Levelling, 33.

Licences for acquiring antiquities, 9.

Lycian inscriptions and monuments, 51.

Lydian inscriptions, 51.

Ma'abed, Tell el-, 85.

Mastabas, 78.

Mapping, 13.

Mesopotamia, 83 ff.

Minoan Age. 36; pottery in Palestine, 73.

'Minyan' ware, 37.

Mortar, bitumen, 84, 90, 92.

Mosaic, 77, 79.

Mounds, 14: see also Tell.

Muqayyar, Tell, 85.

Museums, use of, 7 f.

'Mycenaean' Age, 37; pottery in Palestine, 73.

Naksh-i-Rustam, 94.

Neolithic Age: see Stone Age.

Niffer, 90.

Nimrud, 92.

Nineveh, 85, 92.

Numerals, West Semitic, 67.

'Obeid, Tell el-, 85, 88 f.

Obsidian: Aegean, 37; Mesopotamian, 85, 88.

Olive-presses in Palestine, 77.

Orientalizing Greek antiquities, 41, 44.

Outfit, 10 f.

Packing of antiquities, 22 f.

Palestine, 65 ff.

Papyri, forged, 24.

Paraffin-wax, 22 f.

Parthian period in Mesopotamia, 93.

Pehlevi script, 93 f.

Persian period: in Mesopotamia, 92; in Syria, 62.

Photography, 10 f., 21 f.

Phrygian inscriptions, 55.

Pins: Greek, 40, 44; Hittite, 60, 62; Mesopotamian, 91.

Place-names, Eastern, 68 f., 83.

Planning, 14, 16 f.

Plaster casting, 19 f.

Pottery, _passim_; hand-made and wheel-made, 29, 49 f; importance of,

29. 84; packing of, 23.

Preservation of antiquities, 22 f.

'Proto-Corinthian' pottery, 41.

Ptolemaic period, 79.

Red-figured Greek pottery, 44.

Rhodian jar-handles: in Egypt, 79; in Palestine, 73.

Rock-cut tombs, 70 f.

Rock-sculptures in Mesopotamia, 83.

Saites, 79.

Samarra, 94.

Sanctuaries: in Cyprus, 54 f.; in Palestine, 76.

Sargonid period, 90.

Sassanian period, 93 f.

Scarabs: in Cyprus, 56; in Egypt, 78; in Syria, 62, 64; forged, 24.

Schools of archaeology, 8, 26 f.

Sculpture, squeezing of, 18.

Seals: Aegean, 37; Hittite, 62; Mesopotamian, 86, 89, 91; Sassanian,

93; Syrian, of Persian period, 64: see also Cylinders, Scarabs.

Semitic inscriptions, 62, 65-7, 87.

Shahrein, Tell Abu, 85, 88, 90.

Shuruppak, 88.

Sinjerli, 59, 62.

Sites, identification of, 68.

Societies, archaeological, 8, 26 f.

Squeezing, 17 ff.

Stone Age, 29 ff.; in Asia Minor, 48; in Cyprus, 56; in Greece, 35

f.; in Mesopotamia, 84 f., 88; in Palestine, 76; in Syria, 59 f.

Sumerian period, 88 ff.

Susa, 85.

Syria, Central and North, 59ff.

Tak-i-Bostan, 94.

Tall: see Tell.

Telephotography, 12.

Tell (mound), 68 f., 83.

Telloh, 88 ff.

Tepe Musyan, 85.

Terra-cottas; see Figurines.

Trees, sacred, 77.

Tombs and burials: in Cyprus, 55; in Mesopotamia. 89-94; 'of the

Kings', at Jerusalem, 71; rockcut, in Palestine, 70 f.; in Syria, 59

f: see also Cemeteries.

Turkish Law of Antiquities, 96.

Ukheidir, 84.

Ur, 85, 90.

'Urfirnis' ware, 37.

Ushabtis, 78 f.

Warka, 85, 93 f.

Wine-presses in Palestine, 77.

Zurghul, 85, 89.

How to Observe in Archaeology Suggestions for Travellers in the Near and Middle East · 第 8 / 8 章