CHAPTER III

ASIA MINOR

[See the diagrams of pottery, Illustration V: ASIA MINOR POTTERY]

1. Introductory.

Travellers are more likely to make new discoveries elsewhere than on

the actual sites of ancient towns and villages. In many cases the

site is found to be entirely bare of all remains except sometimes

small fragments of pottery. In general, inscribed and other stones

have been carried away to serve as building material for mosques,

houses, fountains, bridges, &c., or as headstones for graves in

cemeteries or for other utilitarian purposes. It is, therefore, in

and near modern villages and towns that inscriptions are chiefly to

be found, as well as smaller antiquities, such as clay tablets, pots

or fragments of them, terra-cotta figures, coins, and so forth. The

smaller articles may sometimes be found in the bazaars, but they are

usually in the hands of individuals.

It should not be assumed that inscriptions which are exposed to

public view have all been copied; moreover, new stones are constantly

being turned up, especially where building is going on and where

there are old sites or cemeteries close at hand. Great numbers of

inscribed stones are hidden away in private dwellings, where they are

difficult of discovery and of access. Travellers should take

advantage of opportunities that may offer of examining antiquities in

private houses, and of visiting sites or monuments about which

information may be received, particularly if they are a little off

the beaten track. Reward will often come in the shape of valuable

discoveries, of which many remain to be made. Cilicia in particular

has been imperfectly explored, and interesting monuments and

inscriptions, particularly Hittite, may be found there.

2. Pottery Fabrics.

It is not yet possible to describe fully or accurately the succession

of styles, or even to assign all known fabrics to their proper

periods. For this reason, even the most fragmentary specimens are of

interest, provided only that:

(1) the outer surface is fairly well preserved,

(2) the place of discovery is known.

All fragments showing a rim or spout, handles or part of a base,

should be preserved until they can be compared with a more perfect

specimen.

The following fabrics, however, are widely distributed, and usually

seem to have flourished in the order in which they are here

described:

A.

Hand-made wares, rough within, but smooth or burnished surface, self-

coloured (drab or brown), or intentionally coloured black (by charred

matter in the clay, or by a smoky fire), or red (by a clear fire,

sometimes aided by a wash or 'slip' of more ferruginous clay).

Sometimes a black ware is 'overfired' to an ashy grey.

In such wares ornament is rare, and consists mainly of (a) incised

dots, dashes, or lines, in simple rectilinear patterns (chevrons,

zigzags, lozenges), often enhanced by a white chalky filling (V, Figs 5-

8); (b) ridges or bosses modelled in the clay surface, or adhering to

it. The forms are plump and globular, often round-bottomed or

standing on short feet. Rims are absent or ill-developed; necks

actually prolonged into trough-spouts or long beaks; handles are very

simple and short. Vases are sometimes modelled like animals, or have

human faces or breasts (V, Figs. 1-4).

These wares begin in the Stone Age, and seem to predominate in the

early and middle Bronze Age. Locally they may have lasted even later,

but the use of the potter's wheel spread rapidly in the early Bronze

Age.

B.

Hand-made wares of light-coloured clay, with painted decoration,

usually in black or reddish-brown. The paint is generally without

glaze, but sometimes is decayed and easily washes off.

The forms and ornaments resemble those of class A, but are less rude

and more varied. Distinct rims and standing-bases appear, and spouts

give place to a pinched lip.

C.

Hand-made wares of black or other dark clay, with painted decoration

in white or ochre. These fabrics are rather rare, and the paint is

easily washed off. The forms follow those of class B.

Classes B and C seem to begin early in the Bronze Age, and are

gradually replaced by the corresponding wheel-made fabrics of class

D.

D.

Wheel-made pottery begins in the Bronze Age, and is distinguished by

its symmetrical forms, and by the texture of the inner surface,

especially about the rim and base, where the potter's fingers have

grazed the whirling clay. Self-coloured wares still occur, and are

sometimes elegant ('bucchero' ware); but the improved furnaces now

permit general use of light-coloured clays, suited to painted

decoration. Glazed paint is still rare, and may be taken as probable

token of date not earlier than the end of the Bronze Age. The glaze-

painted wares of the Greek island-world occasionally wandered to the

mainland a little earlier than this, but not far from the coast. On

wheel-made pottery the ornament is either (a) applied while the pot

is on the wheel, and consequently limited to lines and bands

following the plane of rotation, or (b) added afterwards, free-hand,

usually between such bands, and especially on the neck and shoulder.

Simple rectilinear schemes are commonest (panels, lozenges, and

triangles, enriched with lattice and chequers) (V, Figs. 9, 10, 11, 12);

with these in the Early Iron Age appear little targets of concentric

circles drawn mechanically with compasses (V, Figs. 13-15); also, by

degrees, birds (V, Fig. 16), animals, and simple plant designs

(rosettes, lotus, palmette), and occasionally human figures. But as a

rule, the mainland pottery is very simply decorated, and insular

imports are rare, except within the area within Greek colonization.

In the Later Iron Age or Historic Period, from the seventh century

onward, the pot-fabrics of Asia Minor rapidly assimilate two main

classes of foreign fashions, Greek and Oriental.

E.

The Oriental types (mainly from Syria) are all plump and heavy

looking, usually in coarse buff or cream-coloured ware, almost

without paint. The Greek forms are more graceful, varied, and

specialized; light-coloured clays predominate, with simple bands of

black ill-glazed paint, absorbed by the inferior clays.

After Alexander's time the Greek and the Oriental forms became

confused; the general level of style and execution falls, painted

decoration almost disappears, and the outer surface is often ribbed

by uneven pressure of the fingers on the whirling clay. This fashion

is a sign of late Hellenistic or Graeco-Roman date.

F.

Meanwhile, the black-glazed Greek (mainly Athenian) wares spread

widely for table use, and were imitated locally from the fourth

century onwards. The clay is pale or reddish (genuine Greek fabrics

are usually quite red within) and the glaze thick, black, and of a

brilliant glassy smoothness. Imitations are of all degrees of

inferiority.

G.

Other late fabrics have smooth ill-glazed surfaces, of various red,

brown, or chocolate tints, over hard-baked dull-fractured paste not

unlike modern earthenware, but usually dark-coloured. These wares

begin in the Hellenistic period, and go on into the Roman and early

Byzantine Ages. They have sometimes a little ornament in a hard white

or cream 'slip' which stands up above the surface of the vase. These

fabrics are all for table use, or for tomb-furniture, and are usually

of small size.

H.

Pottery with vitreous glaze like modern earthenware only appears on

Byzantine and Turkish sites. There a few late Greek and Roman fabrics

of glazed ware, mostly of dark brown and olive-green tints; but they

are rare, and usually found in tombs. The earlier glazes are applied

directly to the clay; later a white or coloured slip is applied

first, and a clear siliceous glaze over this.

3. Inscriptions and Monuments.

A. Hittite Civilization. (See figures, Illustration VI: Hittite

Inscriptions, etc.)

(1) From 2000 B.C. onwards baked clay tablets with cuneiform (or

wedge-shaped) writing (Illustration VI, Fig. 1) to be found anywhere

in Eastern Asia Minor, within the Halys bend and south of it, in

Southern Cappadocia, in Cilicia, and in North Syria up to the

Euphrates.

(2) 1000-700 B.C. probably: inscriptions generally cut on stone, dark

and hard (black basalt), or on the living rock, in hieroglyphic

writing. The hieroglyphs are either cut in relief (VI, Fig. 4) or

incised (VI, Fig. 2). Found in the same region and sporadically west

of the Halys.

(3) From 1400 B.C. and 900 B.C. onwards monuments and sculpture.

Human figures are short and thick, generally wearing boots with toes

turned up (VI, Fig. 3.) Found in the same regions as the inscriptions

and also west of the Halys to the sea.

B. Lydian inscriptions.

From about 500 B.C. Letters mostly like Greek capitals (sometimes

reversed); (Illustration IV, at bottom).

C. Lycian inscriptions and monuments.

From about 500 B.C. inscriptions, sometimes with a Greek translation.

(IV, at bottom.)

Monuments, mostly with inscriptions, are generally tombs in stone,

built to imitate wood, with the ends of beams projecting or showing.

D. Greek antiquities.

(1) Early period to 323 B.C. the great Greek colonies on the seaboard

and in the coast valleys really formed an outlying part of Greece,

and for them the section on Greece should be consulted.

(2) Periods of Seleucid and Pergamene rule, 323-130 B.C.

Inscriptions of these periods to be found mostly in the coastal

region, rarely on the plateau. Chiefly royal ordinances, thank

offerings, municipal honorary inscriptions, decrees, covenants, and

the like.

(3) Graeco-Roman period, 130 B.C.-A.D. 400.

Language of inscriptions remains normally Greek, though the lettering

gradually assumes a different character from century to century,

steadily deteriorating. The Phrygian language, written in Greek

letters, survives for several centuries in epitaphs, part of the

inscription often being in Greek.

Latin inscriptions are not common except in Roman colonies during the

earlier centuries of their existence. Elsewhere they are chiefly

official documents of various kinds (e.g. imperial ordinances,

milestones usually of columnar shape with the Emperor's titles,

boundary stones, &c.), or expressions of homage to Emperors, honorary

inscriptions to governors and other officials, dedications, epitaphs,

&c. Sometimes a Greek version is added.

Latin inscriptions of the Republican period (recording decrees of the

Senate) are extremely rare.

[ILLUSTRATION VI: HITTITE INSCRIPTIONS, ETC.]

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