Such was the impression which Burns made at first on the fair, the

titled, and the learned of Edinburgh; an impression which, though

lessened by intimacy and closer examination on the part of the men,

remained unimpaired, on that of the softer sex, till his dying-day.

His company, during the season of balls and festivities, continued to

be courted by all who desired to be reckoned gay or polite. Cards of

invitation fell thick on him; he was not more welcome to the plumed

and jewelled groups, whom her fascinating Grace of Gordon gathered

about her, than he was to the grave divines and polished scholars, who

assembled in the rooms of Stewart, or Blair, or Robertson. The classic

socialities of Tytler, afterwards Lord Woodhouslee, or the elaborate

supper-tables of the whimsical Monboddo, whose guests imagined they

were entertained in the manner of Lucullus or of Cicero, were not

complete without the presence of the ploughman of Kyle; and the

feelings of the rustic poet, facing such companies, though of surprise

and delight at first, gradually subsided, he said, as he discerned,

that man differed from man only in the polish, and not in the grain.

But Edinburgh offered tables and entertainers of a less orderly and

staid character than those I have named--where the glass circulated

with greater rapidity; where the wit flowed more freely; and where

there were neither highbred ladies to charm conversation within the

bounds of modesty, nor serious philosophers, nor grave divines, to set

a limit to the license of speech, or the hours of enjoyment. To these

companions--and these were all of the better classes, the levities of

the rustic poet's wit and humour were as welcome us were the tenderest

of his narratives to the accomplished Duchess of Gordon and the

beautiful Miss Burnet of Monboddo; they raised a social roar not at

all classic, and demanded and provoked his sallies of wild humour, or

indecorous mirth, with as much delight as he had witnessed among the

lads of Kyle, when, at mill or forge, his humorous sallies abounded as

the ale flowed. In these enjoyments the rough, but learned William

Nicol, and the young and amiable Robert Ainslie shared: the name of

the poet was coupled with those of profane wits, free livers, and that

class of half-idle gentlemen who hang about the courts of law, or for

a season or two wear the livery of Mars, and handle cold iron.

Edinburgh had still another class of genteel convivialists, to whom

the poet was attracted by principles as well as by pleasure; these

were the relics of that once numerous body, the Jacobites, who still

loved to cherish the feelings of birth or education rather than of

judgment, and toasted the name of Stuart, when the last of the race

had renounced his pretensions to a throne, for the sake of peace and

the cross. Young men then, and high names were among them, annually

met on the pretender's birth-day, and sang songs in which the white

rose of Jacobitism flourished; toasted toasts announcing adherence to

the male line of the Bruce and the Stuart, and listened to the strains

of the laureate of the day, who prophesied, in drink, the dismissal of

the intrusive Hanoverian, by the right and might of the righteous and

disinherited line. Burns, who was descended from a northern race,

whoso father was suspected of having drawn the claymore in 1745, and

who loved the blood of the Keith-Marishalls, under whose banners his

ancestors had marched, readily united himself to a band in whose

sentiments, political and social, he was a sharer. He was received

with acclamation: the dignity of laureate was conferred upon him, and

his inauguration ode, in which he recalled the names and the deeds of

the Grahams, the Erskines, the Boyds, and the Gordons, was applauded

for its fire, as well as for its sentiments. Yet, though he ate and

drank and sang with Jacobites, he was only as far as sympathy and

poesie went, of their number: his reason renounced the principles and

the religion of the Stuart line; and though he shed a tear over their

fallen fortunes--though he sympathized with the brave and honourable

names that perished in their cause--though he cursed "the butcher,

Cumberland," and the bloody spirit which commanded the heads of the

good and the heroic to be stuck where they would affright the

passer-by, and pollute the air--he had no desire to see the splendid

fabric of constitutional freedom, which the united genius of all

parties had raised, thrown wantonly down. His Jacobitism influenced,

not his head, but his heart, and gave a mournful hue to many of his

lyric compositions.

Meanwhile his poems were passing through the press. Burns made a few

emendations of those published in the Kilmarnock edition, and he added

others which, as he expressed it, he had carded and spun, since he

passed Glenbuck. Some rather coarse lines were softened or omitted in

the "Twa Dogs;" others, from a change of his personal feelings, were

made in the "Vision:" "Death and Doctor Hornbook," excluded before,

was admitted now: the "Dream" was retained, in spite of the

remonstrances of Mrs. Stewart, of Stair, and Mrs. Dunlop; and the

"Brigs of Ayr," in compliment to his patrons in his native district,

and the "Address to Edinburgh," in honour of his titled and

distinguished friends in that metropolis, were printed for the first

time. He was unwilling to alter what he had once printed: his friends,

classic, titled, and rustic, found him stubborn and unpliable, in

matters of criticism; yet he was generally of a complimental mood: he

loaded the robe of Coila in the "Vision," with more scenes than it

could well contain, that he might include in the landscape, all the

country-seats of his friends, and he gave more than their share of

commendation to the Wallaces, out of respect to his friend Mrs.

Dunlop. Of the critics of Edinburgh he said, they spun the thread of

their criticisms so fine that it was unfit for either warp or weft;

and of its scholars, he said, they were never satisfied with any

Scottish poet, unless they could trace him in Horace. One morning at

Dr. Blair's breakfast-table, when the "Holy Fair" was the subject of

conversation, the reverend critic said, "Why should

'--Moody speel the holy door

With tidings of _salvation_?'

if you had said, with tidings of _damnation_, the satire would have

been the better and the bitterer." "Excellent!" exclaimed the poet,

"the alteration is capital, and I hope you will honour me by allowing

me to say in a note at whose suggestion it was made." Professor

Walker, who tells the anecdote, adds that Blair evaded, with equal

good humour and decision, this not very polite request; nor was this

the only slip which the poet made on this occasion: some one asked him

in which of the churches of Edinburgh he had received the highest

gratification: he named the High-church, but gave the preference over

all preachers to Robert Walker, the colleague and rival in eloquence

of Dr. Blair himself, and that in a tone so pointed and decisive as to

make all at the table stare and look embarrassed. The poet confessed

afterwards that he never reflected on his blunder without pain and

mortification. Blair probably had this in his mind, when, on reading

the poem beginning "When Guildford good our pilot stood," he

exclaimed, "Ah! the politics of Burns always smell of the smithy,"

meaning, that they were vulgar and common.

In April, the second or Edinburgh, edition was published: it was

widely purchased, and as warmly commended. The country had been

prepared for it by the generous and discriminating criticisms of Henry

Mackenzie, published in that popular periodical, "The Lounger," where

he says, "Burns possesses the spirit as well as the fancy of a poet;

that honest pride and independence of soul, which are sometimes the

muse's only dower, break forth on every occasion, in his works." The

praise of the author of the "Man of Feeling" was not more felt by

Burns, than it was by the whole island: the harp of the north had not

been swept for centuries by a hand so forcible, and at the same time

so varied, that it awakened every tone, whether of joy or woe: the

language was that of rustic life; the scenes of the poems were the

dusty barn, the clay-floored reeky cottage, and the furrowed field;

and the characters were cowherds, ploughmen, and mechanics. The volume

was embellished by a head of the poet from the hand of the now

venerable Alexander Nasmith; and introduced by a dedication to the

noblemen and gentlemen of the Caledonian Hunt, in a style of vehement

independence, unknown hitherto in the history of subscriptions. The

whole work, verse, prose, and portrait, won public attention, and kept

it: and though some critics signified their displeasure at expressions

which bordered on profanity, and at a license of language which they

pronounced impure, by far the greater number united their praise to

the all but general voice; nay, some scrupled not to call him, from

his perfect ease and nature and variety, the Scottish Shakspeare. No

one rejoiced more in his success and his fame, than the matron of

Mossgiel.

Other matters than his poems and socialities claimed the attention of

Burns in Edinburgh. He had a hearty relish for the joyous genius of

Allan Ramsay; he traced out his residences, and rejoiced to think that

while he stood in the shop of his own bookseller, Creech, the same

floor had been trod by the feet of his great forerunner. He visited,

too, the lowly grave of the unfortunate Robert Fergusson; and it must

be recorded to the shame of the magistrates of Edinburgh, that they

allowed him to erect a headstone to his memory, and to the scandal of

Scotland, that in such a memorial he had not been anticipated. He

seems not to have regarded the graves of scholars or philosophers; and

he trod the pavements where the warlike princes and nobles had walked

without any emotion. He loved, however, to see places celebrated in

Scottish song, and fields where battles for the independence of his

country had been stricken; and, with money in his pocket which his

poems had produced, and with a letter from a witty but weak man, Lord

Buchan, instructing him to pull birks on the Yarrow, broom on the

Cowden-knowes, and not to neglect to admire the ruins of Drybrugh

Abbey, Burns set out on a border tour, accompanied by Robert Ainslie,

of Berrywell. As the poet had talked of returning to the plough, Dr.

Blair imagined that he was on his way back to the furrowed field, and

wrote him a handsome farewell, saying he was leaving Edinburgh with a

character which had survived many temptations; with a name which would

be placed with the Ramsays and the Fergussons, and with the hopes of

all, that, in a second volume, on which his fate as a poet would very

much depend, he might rise yet higher in merit and in fame. Burns, who

received this communication when laying his leg over the saddle to be

gone, is said to have muttered, "Ay, but a man's first book is

sometimes like his first babe, healthier and stronger than those which

follow."

On the 6th of May, 1787, Burns reached Berrywell: he recorded of the

laird, that he was clear-headed, and of Miss Ainslie, that she was

amiable and handsome--of Dudgeon, the author of "The Maid that tends

the Goats," that he had penetration and modesty, and of the preacher,

Bowmaker, that he was a man of strong lungs and vigorous remark. On

crossing the Tweed at Coldstream he took off his hat, and kneeling

down, repeated aloud the two last verses of the "Cotter's Saturday

Night:" on returning, he drunk tea with Brydone, the traveller, a man,

he said, kind and benevolent: he cursed one Cole as an English

Hottentot, for having rooted out an ancient garden belonging to a

Romish ruin; and he wrote of Macdowal, of Caverton-mill, that by his

skill in rearing sheep, he sold his flocks, ewe and lamb, for a couple

of guineas each: that he washed his sheep before shearing--and by his

turnips improved sheep-husbandry; he added, that lands were generally

let at sixteen shillings the Scottish acre; the farmers rich, and,

compared to Ayrshire, their houses magnificent. On his way to Jedburgh

he visited an old gentleman in whose house was an arm-chair, once the

property of the author of "The Seasons;" he reverently examined the

relic, and could scarcely be persuaded to sit in it: he was a warm

admirer of Thomson.

In Jedburgh, Burns found much to interest him: the ruins of a splendid

cathedral, and of a strong castle--and, what was still more

attractive, an amiable young lady, very handsome, with "beautiful

hazel eyes, full of spirit, sparkling with delicious moisture," and

looks which betokened a high order of female mind. He gave her his

portrait, and entered this remembrance of her attractions among his

memoranda:--"My heart is thawed into melting pleasure, after being so

long frozen up in the Greenland bay of indifference, amid the noise

and nonsense of Edinburgh. I am afraid my bosom has nearly as much

tinder as ever. Jed, pure be thy streams, and hallowed thy sylvan

banks: sweet Isabella Lindsay, may peace dwell in thy bosom

uninterrupted, except by the tumultuous throbbings of rapturous love!"

With the freedom of Jedburgh, handsomely bestowed by the magistrates,

in his pocket, Burns made his way to Wauchope, the residence of Mrs.

Scott, who had welcomed him into the world as a poet in verses lively

and graceful: he found her, he said, "a lady of sense and taste, and

of a decision peculiar to female authors." After dining with Sir

Alexander Don, who, he said, was a clever man, but far from a match

for his divine lady, a sister of his patron Glencairn, he spent an

hour among the beautiful ruins of Dryburgh Abbey; glanced on the

splendid remains of Melrose; passed, unconscious of the future, over

that ground on which have arisen the romantic towers of Abbotsford;

dined with certain of the Souters of Selkirk; and visited the old keep

of Thomas the Rhymer, and a dozen of the hills and streams celebrated

in song. Nor did he fail to pay his respects, after returning through

Dunse, to Sir James Hall, of Dunglass, and his lady, and was much

pleased with the scenery of their romantic place. He was now joined by

a gentleman of the name of Kerr, and crossing the Tweed a second time,

penetrated into England, as far as the ancient town of Newcastle,

where he smiled at a facetious Northumbrian, who at dinner caused the

beef to be eaten before the broth was served, in obedience to an

ancient injunction, lest the hungry Scotch should come and snatch it.

On his way back he saw, what proved to be prophetic of his own

fortune--the roup of an unfortunate farmer's stock: he took out his

journal, and wrote with a troubled brow, "Rigid economy, and decent

industry, do you preserve me from being the principal _dramatis

personae_, in such a scene of horror." He extended his tour to

Carlisle, and from thence to the banks of the Nith, where he looked at

the farm of Ellisland, with the intention of trying once more his

fortune at the plough, should poetry and patronage fail him.

On his way through the West, Burns spent a few days with his mother at

Mossgiel: he had left her an unknown and an almost banished man: he

returned in fame and in sunshine, admired by all who aspired to be

thought tasteful or refined. He felt offended alike with the patrician

stateliness of Edinburgh and the plebeian servility of the husbandmen

of Ayrshire; and dreading the influence of the unlucky star which had

hitherto ruled his lot, he bought a pocket Milton, he said, for the

purpose of studying the intrepid independence and daring magnanimity,

and noble defiance of hardships, exhibited by Satan! In this mood he

reached Edinburgh--only to leave it again on three hurried excursions

into the Highlands. The route which he took and the sentiments which

the scenes awakened, are but faintly intimated in the memoranda which

he made. His first journey seems to have been performed in ill-humour;

at Stirling, his Jacobitism, provoked at seeing the ruined palace of

the Stuarts, broke out in some unloyal lines which he had the

indiscretion to write with a diamond on the window of a public inn. At

Carron, where he was refused a sight of the magnificent foundry, he

avenged himself in epigram. At Inverary he resented some real or

imaginary neglect on the part of his Grace of Argyll, by a stinging

lampoon; nor can he be said to have fairly regained his serenity of

temper, till he danced his wrath away with some Highland ladies at

Dumbarton.

His second excursion was made in the company of Dr. Adair, of

Harrowgate: the reluctant doors of Carron foundry were opened to him,

and he expressed his wonder at the blazing furnaces and broiling

labours of the place; he removed the disloyal lines from the window of

the inn at Stirling, and he paid a two days' visit to Ramsay of

Ochtertyre, a distinguished scholar, and discussed with him future

topics for the muse. "I have been in the company of many men of

genius," said Ramsay afterwards to Currie, "some of them poets, but

never witnessed such flashes of intellectual brightness as from

him--the impulse of the moment, sparks of celestial fire." From the

Forth he went to the Devon, in the county of Clackmannan, where, for

the first time, he saw the beautiful Charlotte Hamilton, the sister of

his friend Gavin Hamilton, of Mauchline. "She is not only beautiful,"

he thus writes to her brother, "but lovely: her form is elegant, her

features not regular, but they have the smile of sweetness, and the

settled complacency of good nature in the highest degree. Her eyes are

fascinating; at once expressive of good sense, tenderness and a noble

mind. After the exercise of our riding to the Falls, Charlotte was

exactly Dr. Donne's mistress:--

"Her pure and eloquent blood

Spoke in her cheeks, and so distinctly wrought,

That one would almost say her body thought."

Accompanied by this charming dame, he visited an old lady, Mrs. Bruce,

of Clackmannan, who, in the belief that she had the blood of the royal

Bruce in her veins, received the poet with something of princely

state, and, half in jest, conferred the honour of knighthood upon him,

with her ancestor's sword, saying, in true Jacobitical mood, that she

had a better right to do that than some folk had! In the same pleasing

company he visited the famous cataract on the Devon, called the

Cauldron Lian, and the Rumbling bridge, a single arch thrown, it is

said by the devil, over the Devon, at the height of a hundred feet in

the air. It was the complaint of his companions that Burns exhibited

no raptures, and poured out no unpremeditated verses at such

magnificent scenes. But he did not like to be tutored or prompted:

"Look, look!" exclaimed some one, as Carron foundry belched forth

flames--"look, Burns, look! good heavens, what a grand sight!--look!"

"I would not look--look, sir, at your bidding," said the bard, turning

away, "were it into the mouth of hell!" When he visited, at a future

time, the romantic Linn of Creehope, in Nithsdale, he looked silently

at its wonders, and showed none of the hoped-for rapture. "You do not

admire it, I fear," said a gentleman who accompanied him; "I could not

admire it more, sir," replied Burns, "if He who made it were to desire

me to do it." There are other reasons for the silence of Burns amid

the scenes of the Devon: he was charmed into love by the sense and the

beauty of Charlotte Hamilton, and rendered her homage in that sweet

song, "The Banks of the Devon," and in a dozen letters written with

more than his usual care, elegance, and tenderness. But the lady was

neither to be won by verse nor by prose: she afterwards gave her hand

to Adair, the poet's companion, and, what was less meritorious, threw

his letters into the fire.

The third and last tour into the North was in company of Nicol of the

High-School of Edinburgh: on the fields of Bannockburn and

Falkirk--places of triumph and of woe to Scotland, he gave way to

patriotic impulses, and in these words he recorded them:--"Stirling,

August 20, 1787: this morning I knelt at the tomb of Sir John the

Graham, the gallant friend of the immortal Wallace; and two hours ago I

said a fervent prayer for old Caledonia, over the hole in a whinstone

where Robert the Bruce fixed his royal standard on the banks of

Bannockburn." He then proceeded northward by Ochtertyre, the water of

Earn, the vale of Glen Almond, and the traditionary grave of Ossian. He

looked in at princely Taymouth; mused an hour or two among the Birks of

Aberfeldy; gazed from Birnam top; paused amid the wild grandeur of the

pass of Killiecrankie, at the stone which marks the spot where a second

patriot Graham fell, and spent a day at Blair, where he experienced the

graceful kindness of the Duke of Athol, and in a strain truly elegant,

petitioned him, in the name of Bruar Water, to hide the utter nakedness

of its otherwise picturesque banks, with plantations of birch and oak.

Quitting Blair he followed the course of the Spey, and passing, as he

told his brother, through a wild country, among cliffs gray with eternal

snows, and glens gloomy and savage, reached Findhorn in mist and

darkness; visited Castle Cawdor, where Macbeth murdered Duncan; hastened

through Inverness to Urquhart Castle, and the Falls of Fyers, and turned

southward to Kilravock, over the fatal moor of Culloden. He admired the

ladies of that classic region for their snooded ringlets, simple

elegance of dress, and expressive eyes: in Mrs. Rose, of Kilravock

Castle, he found that matronly grace and dignity which he owned he

loved; and in the Duke and Duchess of Gordon a renewal of that more than

kindness with which they had welcomed him in Edinburgh. But while he

admired the palace of Fochabers, and was charmed by the condescensions

of the noble proprietors, he forgot that he had left a companion at the

inn, too proud and captious to be pleased at favours showered on others:

he hastened back to the inn with an invitation and an apology: he found

the fiery pedant in a foaming rage, striding up and down the street,

cursing in Scotch and Latin the loitering postilions for not yoking the

horses, and hurrying him away. All apology and explanation was in vain,

and Burns, with a vexation which he sought not to conceal, took his seat

silently beside the irascible pedagogue, and returned to the South by

Broughty Castle, the banks of Endermay and Queensferry. He parted with

the Highlands in a kindly mood, and loved to recal the scenes and the

people, both in conversation and in song.

On his return to Edinburgh he had to bide the time of his bookseller

and the public: the impression of his poems, extending to two thousand

eight hundred copies, was sold widely: much of the money had to come

from a distance, and Burns lingered about the northern metropolis,

expecting a settlement with Creech, and with the hope that those who

dispensed his country's patronage might remember one who then, as now,

was reckoned an ornament to the land. But Creech, a parsimonious man,

was slow in his payments; the patronage of the country was swallowed

up in the sink of politics, and though noblemen smiled, and ladies of

rank nodded their jewelled heads in approbation of every new song he

sung and every witty sally he uttered, they reckoned any further

notice or care superfluous: the poet, an observant man, saw all this;

but hope was the cordial of his heart, he said, and he hoped and

lingered on. Too active a genius to remain idle, he addressed himself

to the twofold business of love and verse. Repulsed by the stately

Beauty of the Devon, he sought consolation in the society of one, as

fair, and infinitely more witty; and as an accident had for a time

deprived him of the use of one of his legs, he gave wings to hours of

pain, by writing a series of letters to this Edinburgh enchantress, in

which he signed himself Sylvander, and addressed her under the name of

Clarinda. In these compositions, which no one can regard as serious,

and which James Grahame the poet called "a romance of real Platonic

affection," amid much affectation both of language and sentiment, and

a desire to say fine and startling things, we can see the proud heart

of the poet throbbing in the dread of being neglected or forgotten by

his country. The love which he offers up at the altar of wit and

beauty, seems assumed and put on, for its rapture is artificial, and

its brilliancy that of an icicle: no woman was ever wooed and won in

that Malvolio way; and there is no doubt that Mrs. M'Lehose felt as

much offence as pleasure at this boisterous display of regard. In

aftertimes he loved to remember her:--when wine circulated, Mrs. Mac

was his favourite toast.

The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. With a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham · 第 5 / 79 段