The character of Mr. Pitt was, perhaps, one of the most singular that

ever existed. With few talents, and fewer virtues, he acquired and

preserved in one of the most trying situations, and in spite of all

opposition, the highest reputation for the possession of every moral

excellence, and as having carried the attainments of eloquence and

wisdom as far as human abilities could go. This he did (strange as it

appears) by a negation (together with the common virtues) of the common

vices of human nature, and by the complete negation of every other

talent that might interfere with the only one which he possessed in a

supreme degree, and which indeed may be made to include the appearance

of all others--an artful use of words, and a certain dexterity of

logical arrangement. In these alone his power consisted; and the defect

of all other qualities which usually constitute greatness, contributed

to the more complete success of these. Having no strong feelings, no

distinct perceptions, his mind having no link as it were, to connect it

with the world of external nature, every subject presented to him

nothing more than a _tabula rasa_, on which he was at liberty to lay

whatever colouring of language he pleased; having no general

principles, no comprehensive views of things, no moral habits of

thinking, no system of action, there was nothing to hinder him from

pursuing any particular purpose, by any means that offered; having

never any plan, he could not be convicted of inconsistency, and his own

pride and obstinacy were the only rules of his conduct. Having no

insight into human nature, no sympathy with the passions of men, or

apprehension of their real designs, he seemed perfectly insensible to

the consequences of things, and would believe nothing till it actually

happened. The fog and haze in which he saw everything communicated

itself to others; and the total indistinctness and uncertainty of his

own ideas tended to confound the perceptions of his hearers more

effectually, than the most ingenious misrepresentation could have done.

Indeed, in defending his conduct he never seemed to consider himself as

at all responsible for the success of his measures, or to suppose that

future events were in our own power; but that as the best-laid schemes

might fail, and there was no providing against all possible

contingencies, this was a sufficient excuse for our plunging at once

into any dangerous or absurd enterprise, without the least regard to

consequences. His reserved logic confined itself solely to the

_possible_ and the _impossible_; and he appeared to regard the

_probable_ and _improbable_, the only foundation of moral prudence or

political wisdom, as beneath the notice of a profound statesman; as if

the pride of the human intellect were concerned in never entrusting

itself with subjects, where it may be compelled to acknowledge its

weakness.[13] From his manner of reasoning, he seemed not to have

believed that the truth of his statements depended on the reality of

the facts, but that the things depended on the order in which he

arranged them in words: you would not suppose him to be agitating a

serious question which had real grounds to go upon, but to be

declaiming upon an imaginary thesis, proposed as an exercise in the

schools. He never set himself to examine the force of the objections

that were brought against his measures, or attempted to establish these

upon clear, solid grounds of his own; but constantly contented himself

with first gravely stating the logical form, or dilemma, to which the

question reduced itself, and then, after having declared his opinion,

proceeded to amuse his hearers by a series of rhetorical commonplaces,

connected together in grave, sonorous, and elaborately, constructed

periods, without ever showing their real application to the subject in

dispute. Thus, if any member of the Opposition disapproved of any

measure, and enforced his objections by pointing out the many evils

with which it was fraught, or the difficulties attending its execution,

his only answer was, 'That it was true there might be inconveniences

attending the measure proposed, but we were to remember, that every

expedient that could be devised might be said to be nothing more than a

choice of difficulties, and that all that human prudence could do was

to consider on which side the advantages lay; that for his part, he

conceived that the present measure was attended with more advantages

and fewer disadvantages than any other that could be adopted; that if

we were diverted from our object by every appearance of difficulty, the

wheels of government would be clogged by endless delays and imaginary

grievances; that most of the objections made to the measure appeared to

him to be trivial, others of them unfounded and improbable; or that if

a scheme free from all these objections could be proposed, it might

after all prove inefficient; while, in the meantime, a material object

remained unprovided for, or the opportunity of action was lost.' This

mode of reasoning is admirably described by Hobbes, in speaking of the

writings of some of the Schoolmen, of whom he says, that 'They had

learned the trick of imposing what they list upon their readers, and

declining the force of true reason by verbal forks: that is,

distinctions which signify nothing, but serve only to astonish the

multitude of ignorant men.' That what I have here stated comprehends

the whole force of his mind, which consisted solely in this evasive

dexterity and perplexing formality, assisted by a copiousness of words

and commonplace topics, will, I think, be evident in any one who

carefully looks over his speeches, undazzled by the reputation or

personal influence of the speaker. It will be in vain to look in them

for any of the common proofs of human genius or wisdom. He has not left

behind him a single memorable saying--not one profound maxim--one solid

observation--one forcible description--one beautiful thought--one

humorous picture--one affecting sentiment.[14] He has made no addition

whatever to the stock of human knowledge. He did not possess any one of

those faculties which contribute to the instruction and delight of

mankind--depth of understanding, imagination, sensibility, wit,

vivacity, clear and solid judgment. But it may be asked, If these

qualities are not to be found in him, where are we to look for them?

And I may be required to point out instances of them. I shall answer,

then, that he had none of the profound legislative wisdom, piercing

sagacity, or rich, impetuous, high-wrought imagination of Burke; the

manly eloquence, strong sense, exact knowledge, vehemence, and natural

simplicity of Fox: the ease, brilliancy, and acuteness of Sheridan. It

is not merely that he had not all these qualities in the degree that

they were severally possessed by his rivals, but he had not any of them

in any striking degree. His reasoning is a technical arrangement of

unmeaning commonplaces; his eloquence merely rhetorical; his style

monotonous and artificial. If he could pretend to any one excellence in

an eminent degree, it was to taste in composition. There is certainly

nothing low, nothing puerile, nothing far-fetched or abrupt in his

speeches; there is a kind of faultless regularity pervading them

throughout; but in the confined, mechanical, passive mode of eloquence

which he adopted, it seemed rather more difficult to commit errors than

to avoid them. A man who is determined never to move out of the beaten

road, cannot lose his way. However, habit, joined to the peculiar

mechanical memory which he possessed, carried this correctness to a

degree which, in an extemporaneous speaker, was almost miraculous; he

perhaps hardly ever uttered a sentence that was not perfectly regular

and connected. In this respect he not only had the advantage over his

own contemporaries, but perhaps no one that ever lived equalled him in

this singular faculty. But for this, he would always have passed for a

common man; and to this the constant sameness, and, if I may so say,

vulgarity of his ideas, must have contributed not a little, as there

was nothing to distract his mind from this one object of his

unintermitted attention; and as even in his choice of words he never

aimed at anything more than a certain general propriety, and stately

uniformity of style. His talents were exactly fitted for the situation

in which he was placed; where it was his business, not to overcome

others, but to avoid being overcome. He was able to baffle opposition,

not from strength or firmness, but from the evasive ambiguity and

impalpable nature of his resistance, which gave no hold to the rude

grasp of his opponents: no force could bind the loose phantom, and his

mind (though 'not matchless, and his pride humbled by such rebuke'),

soon rose from defeat unhurt,

'And in its liquid texture mortal wound

Receiv'd no more than can the fluid air.'[15]

1806.

FOOTNOTES:

[13] One instance may serve as an example for all the rest:--When Mr.

Fox last summer (1805) predicted the failure of the new confederacy

against France, from a consideration of the circumstances and relative

situation of both parties, that is, from an exact knowledge of the

actual state of things, Mr. Pitt contented himself with

answering--and, as in the blindness of his infatuation, he seemed to

think quite satisfactorily--'That he could not assent to the

honourable gentleman's reasoning, for that it went to this, that we

were never to attempt to mend the situation of our affairs, because in

so doing we might possibly make them worse.' No; it was not on account

of this abstract possibility in human affairs, or because we were not

absolutely sure of succeeding (for that any child might know), but

because it was in the highest degree probable, or _morally_ certain,

that the scheme would fail, and leave us in a worse situation than we

were before, that Mr. Fox disapproved of the attempt. There is in this

a degree of weakness and imbecility, a defect of understanding

bordering on idiotism, a fundamental ignorance of the first principles

of human reason and prudence, that in a great minister is utterly

astonishing, and almost incredible. Nothing could ever drive him out

of his dull forms, and naked generalities; which, as they are

susceptible neither of degree nor variation, are therefore equally

applicable to every emergency that can happen: and in the most

critical aspect of affairs, he saw nothing but the same flimsy web of

remote possibilities and metaphysical uncertainty. In his mind the

wholesome pulp of practical wisdom and salutary advice was immediately

converted into the dry chaff and husks of a miserable logic.

[14] I do remember one passage which has some meaning in it. At the

time of the Regency Bill, speaking of the proposal to take the king's

servants from him, he says, 'What must that great personage feel when

he waked from the trance of his faculties, and asked for his

attendants, if he were told that his subjects had taken advantage of

his momentary absence of mind, and stripped him of the symbols of his

personal elevation.' There is some grandeur in this. His admirers

should have it inscribed in letters of gold; for they will not find

another instance of the same kind.

[15] I will only add, that it is the property of true genius to force

the admiration even of enemies. No one was ever hated or envied for

his powers of mind, if others were convinced of their real excellence.

The jealousy and uneasiness produced in the mind by the display of

superior talents almost always arises from a suspicion that there is

some trick or deception in the case, and that we are imposed on by an

appearance of what is not really there. True warmth and vigour

communicate warmth and vigour; and we are no longer inclined to

dispute the inspiration of the oracle, when we feel the '_presens

Divus_' in our own bosoms. But when, without gaining any new light or

heat, we only find our ideas thrown into perplexity and confusion by

an art that we cannot comprehend, this is a kind of superiority which

must always be painful, and can be cordially admitted. For this reason

the extraordinary talents of Mr. Pitt were always viewed, except by

those of his own party, with a sort of jealousy, and _grudgingly_

acknowledged; while those of his rivals were admitted by all parties

in the most unreserved manner, and carried by acclamation.

ESSAY XV

ON THE CHARACTER OF LORD CHATHAM

Lord Chatham's genius burnt brightest at the last. The spark of

liberty, which had lain concealed and dormant, buried under the dirt

and rubbish of state intrigue and vulgar faction, now met with

congenial matter, and kindled up 'a flame of sacred vehemence' in his

breast. It burst forth with a fury and a splendour that might have

awed the world, and made kings tremble. He spoke as a man should

speak, because he felt as a man should feel, in such circumstances. He

came forward as the advocate of liberty, as the defender of the rights

of his fellow-citizens, as the enemy of tyranny, as the friend of his

country, and of mankind. He did not stand up to make a vain display of

his talents, but to discharge a duty, to maintain that cause which lay

nearest to his heart, to preserve the ark of the British constitution

from every sacrilegious touch, as the high-priest of his calling, with

a pious zeal. The feelings and the rights of Englishmen were enshrined

in his heart; and with their united force braced every nerve,

possessed every faculty, and communicated warmth and vital energy to

every part of his being. The whole man moved under this impulse. He

felt the cause of liberty as his own. He resented every injury done to

her as an injury to himself, and every attempt to defend it as an

insult upon his understanding. He did not stay to dispute about words,

about nice distinctions, about trifling forms. Be laughed at the

little attempts of little retailers of logic to entangle him in

senseless argument. He did not come there as to a debating club, or

law court, to start questions and hunt them down; to wind and unwind

the web of sophistry; to pick out the threads, and untie every knot

with scrupulous exactness; to bandy logic with every pretender to a

paradox; to examine, to sift evidence; to dissect a doubt and halve a

scruple; to weigh folly and knavery in scales together, and see on

which side the balance preponderated; to prove that liberty, truth,

virtue, and justice were good things, or that slavery and corruption

were bad things. He did not try to prove those truths which did not

require any proof, but to make others feel them with the same force

that he did; and to tear off the flimsy disguises with which the

sycophants of power attempted to cover them. The business of an orator

is not to convince, but persuade; not to inform, but to rouse the

mind; to build upon the habitual prejudices of mankind (for reason of

itself will do nothing), and to add feeling to prejudice, and action

to feeling. There is nothing new or curious or profound in Lord

Chatham's speeches. All is obvious and common; there is nothing but

what we already knew, or might have found out for ourselves. We see

nothing but the familiar everyday face of nature. We are always in

broad daylight. But then there is the same difference between our own

conceptions of things and his representation of them, as there is

between the same objects seen on a dull cloudy day or in the blaze of

sunshine. His common sense has the effect of inspiration. He

electrifies his hearers, not by the novelty of his ideas, but by their

force and intensity. He has the same ideas as other men, but he has

them in a thousand times greater clearness and strength and vividness.

Perhaps there is no man so poorly furnished with thoughts and feelings

but that if he could recollect all that he knew, and had all his ideas

at perfect command, he would be able to confound the puny arts of the

most dexterous sophist that pretended to make a dupe of his

understanding. But in the mind of Chatham, the great substantial

truths of common sense, the leading maxims of the Constitution, the

real interests and general feelings of mankind were in a manner

embodied. He comprehended the whole of his subject at a single

glance--everything was firmly riveted to its place; there was no

feebleness, no forgetfulness, no pause, no distraction; the ardour of

his mind overcame every obstacle, and he crushed the objections of his

adversaries as we crush an insect under our feet. His imagination was

of the same character with his understanding, and was under the same

guidance. Whenever he gave way to it, it 'flew an eagle flight, forth

and right on'; but it did not become enamoured of its own emotion,

wantoning in giddy circles, or 'sailing with supreme dominion through

the azure deep of air.' It never forgot its errand, but went straight

forward, like an arrow to its mark, with an unerring aim. It was his

servant, not his master.

To be a great orator does not require the highest faculties of the

human mind, but it requires the highest exertion of the common

faculties of our nature. He has no occasion to dive into the depths of

science, or to soar aloft on angels' wings. He keeps upon the surface,

he stands firm upon the ground, but his form is majestic, and his eye

sees far and near: he moves among his fellows, but he moves among them

as a giant among common men. He has no need to read the heavens, to

unfold the system of the universe, or create new worlds for the

delighted fancy to dwell in; it is enough that he see things as they

are; that he knows and feels and remembers the common circumstances

and daily transactions that are passing in the world around him. He is

not raised above others by being superior to the common interests,

prejudices, and passions of mankind, but by feeling them in a more

intense degree than they do. Force, then, is the sole characteristic

excellence of an orator; it is almost the only one that can be of any

service to him. Refinement, depth, elevation, delicacy, originality,

ingenuity, invention, are not wanted; he must appeal to the sympathies

of human nature, and whatever is not founded in these, is foreign to

his purpose. He does not create, he can only imitate or echo back the

public sentiment. His object is to call up the feelings of the human

breast; but he cannot call up what is not already there. The first

duty of an orator is to be understood by every one; but it is evident

that what all can understand, is not in itself difficult of

comprehension. He cannot add anything to the materials afforded him by

the knowledge and experience of others.

Lord Chatham, in his speeches, was neither philosopher nor poet. As to

the latter, the difference between poetry and eloquence I take to be

this: that the object of the one is to delight the imagination, that

of the other to impel the will. The one ought to enrich and feed the

mind itself with tenderness and beauty, the other furnishes it with

motives of action. The one seeks to give immediate pleasure, to make

the mind dwell with rapture on its own workings--it is to itself 'both

end and use': the other endeavours to call up such images as will

produce the strongest effect upon the mind, and makes use of the

passions only as instruments to attain a particular purpose. The poet

lulls and soothes the mind into a forgetfulness of itself, and 'laps

it in Elysium': the orator strives to awaken it to a sense of its real

interests, and to make it feel the necessity of taking the most

effectual means for securing them. The one dwells in an ideal world;

the other is only conversant with realities. Hence poetry must be more

ornamented, must be richer and fuller and more delicate, because it is

at liberty to select whatever images are naturally most beautiful, and

likely to give most pleasure; whereas the orator is confined to

particular facts, which he may adorn as well as he can, and make the

most of, but which he cannot strain beyond a certain point without

running into extravagance and affectation, and losing his end.

However, from the very nature of the case, the orator is allowed a

greater latitude, and is compelled to make use of harsher and more

abrupt combinations in the decoration of his subject; for his art is

an attempt to reconcile beauty and deformity together: on the

contrary, the materials of poetry, which are chosen at pleasure, are

in themselves beautiful, and naturally combine with whatever else is

beautiful. Grace and harmony are therefore essential to poetry,

because they naturally arise out of the subject; but whatever adds to

the effect, whatever tends to strengthen the idea or give energy to

the mind, is of the nature of eloquence. The orator is only concerned

to give a tone of masculine firmness to the will, to brace the sinews

and muscles of the mind; not to delight our nervous sensibilities, or

soften the mind into voluptuous indolence. The flowery and sentimental

style is of all others the most intolerable in a speaker.--I shall

only add on this subject, that modesty, impartiality, and candour, are

not the virtues of a public speaker. He must be confident, inflexible,

uncontrollable, overcoming all opposition by his ardour and

impetuosity. We do not _command_ others by sympathy with them, but by

power, by passion, by will. Calm inquiry, sober truth, and speculative

indifference will never carry any point. The passions are contagious;

and we cannot contend against opposite passions with nothing but naked

reason. Concessions to an enemy are clear loss; he will take advantage

of them, but make us none in return. He will magnify the weak sides of

our argument, but will be blind to whatever makes against himself. The

multitude will always be inclined to side with that party whose

passions are the most inflamed, and whose prejudices are the most

inveterate. Passion should therefore never be sacrificed to punctilio.

It should indeed be governed by prudence, but it should itself govern

and lend its impulse and direction to abstract reason. Fox was a

reasoner, Lord Chatham was an orator. Burke was both a reasoner and a

poet; and was therefore still farther removed from that conformity

with the vulgar notions and mechanical feelings of mankind, which will

always be necessary to give a man the chief sway in a popular

assembly.

1806.

ESSAY XVI

BELIEF, WHETHER VOLUNTARY?

'Thy wish was father, Harry, to that thought.'

Winterslow: Essays and Characters Written There · 第 15 / 17 段