Walpole's anecdotes of painters a catalogue is given professing to
contain a complete list of all of HOGARTH'S paintings and their
then owners. This painting appears in that list, but the owner's
name is not given.
(_Bryan Collection._)
B-290. The Harlot's Progress. (25X31½.) _Copy from William Hogarth._
This copy is by HORREMANS, of Vienna, and is one of the famous series
of the "Harlot's Progress." The copyist has seen fit to make some
variations from the print.
(_Bryan Collection._)
B-291. Portrait. (48X39.) _Sir Joshua Reynolds._
In his early style.
(_Bryan Collection._)
B-292. Pallas Appearing to Achilles, after the Death of Patroclus.
(17½X14.) _Benjamin West._
This is a sketch for a large picture.
(_Bryan Collection._)
B-293. Portrait of Charles Wilson Peale, (1741-1827.) (28X23.) _Benjamin
West._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-294. View of Genesee Falls, New York. (9½X13.) _Count Beaujolais._
This sketch is quite faithful as a representation of the
locality. Its chief interest, however, consists in its having been
made by the brother of Louis Philippe, when the two princes were
on their visit to this country, after the first French Revolution.
Collection Louis Philippe.
(_Bryan Collection._)
B-295. Landscape. (17½X24.) _Joseph Vollmering._
(_Bryan Collection._)
B-296. Winter-Scene. (10½X13½.) _Joseph Vollmering._
(_Bryan Collection._)
B-297. Murillo Sketching the Beggar-Boy. (17X21.) _Edwin White._
(_Bryan Collection._)
B-298. Family Group. (56X89.) _Charles Wilson Peale._
This composition contains portraits of the artist and his
brothers, St. George and James Peale; his sister, Margaret J.
Ramsey; his wife, Rachel Brewer Peale; his cousin, Margaret Durgan;
his sister, Elizabeth Digby Peale Polk; his mother, Margaret
Peale; his children, Titian R. and Rembrandt Peale; also the old
dog Argus, so well known to the frequenters of the Museum. The
following inscription is on the picture: "C. W. Peale painted these
portraits of his family in 1773--wishing to finish every work he
had undertaken--completed this picture in 1809."
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-299. Portrait of George Washington, (1732-1799.) (29X24.) _Charles
Wilson Peale._
(_Bryan Collection._)
B-300. Portrait of John Beale Bordley, (1727-1804.) (23X20.) _Charles
Wilson Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-301. Portrait of Pieter Johan Van Berckel, (1725-1800.) (23X20.)
_Charles Wilson Peale._
Minister Plenipotentiary from the Netherlands to the United
States of America, 1782--being the first Minister sent and
recognized.
(_Bryan Collection._)
B-302. Portrait of Gilbert C. Stuart, (1755-1828.) (23X20.) _Charles
Wilson and Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-303. Portrait of George Washington, (1732-1799.) (30½X24½.) _Gilbert
C. Stuart._
(_Bryan Collection._)
[Illustration: B-293. CHARLES WILSON PEALE.
_BENJAMIN WEST._
(BRYAN COLLECTION)]
B-304. Portrait of John Adams, (1735-1826.) (20X22½.) _Gilbert C.
Stuart._
(_Bryan Collection._)
B-305. Portrait of Alexander Hamilton, (1757-1804.) (30X25½.)
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-306. Portrait of Thomas Jefferson, (1743-1826.) (29X24.) _Rembrandt
Peale._
Painted in 1805.
(_Bryan Collection._)
B-307. Portrait of Dr. Joseph Priestley, (1733-1804.) (23X20.)
_Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-308. Portrait of Mrs. James Madison, (1772-1849.) (30X24½.) _Rembrandt
Peale._
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-309. Portrait of Stephen Decatur, U. S. N., (1751-1808.) (28½X23.)
_Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-310. Portrait of Jacob Jones, U. S. N., (1768-1850.) (28½X23.)
_Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-311. Portrait of William Bainbridge, U. S. N., (1774-1833.) (28½X23.)
_Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-312. Portrait of Oliver H. Perry, U. S. N., (1785-1819.) (28½X23.)
_Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-313. Portrait of William Handy, M.D. (30X25.) _Edward Savage._
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-314. Portrait of the Seneca Chief, Corn Plant, or Ki-on-twog-ky.
(30X25.) _F. Bartoli._
This portrait was painted at New York city, in the year 1796,
and is engraved in McKenney's History of the Indian Tribes, Vol.
I., page 85.
(_Bryan Collection._)
B-315. Portrait of Jean Parisot de la Valette. (29X24.)
Grand Master of the Knights of Malta, 1565. A modern copy of
this picture is in the Gallery at Versailles.
(_Bryan Collection._)
B-316. Portrait of Cadwallader D. Colden, (1769-1834.) (35X28½.) _John
Wesley Jarvis._
First Vice President of the Society, 1821.
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-317. Portrait of William Tilghman, (1756-1827.) (21X17.) _Rembrandt
Peale._
Chief Justice of Pennsylvania.
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-318. A Presentation at the Temple. (30X38.) _Spanish School._
(_Bryan Collection._)
B-319. St. Cecilia. In the Style of Correggio. (47X66.)
(_Bryan Collection._)
B-320. Fête Champêtre. (30X39½.) _Gonzales Coques._
(_Bryan Collection._)
B-321. Female Head. (18½X14½.) _School of Correggio._
(_Bryan Collection._)
B-322. St. Paul restored to Sight. (18½X14½.) _Copy from Domenichino._
(_Bryan Collection._)
B-323. Adoration of the Shepherds. (16X11½.) _Copy from Spagnoletto._
(_Bryan Collection._)
B-324. Female Head. (19X15.) _Copy from Greuze._
Original in the Lichtenstein Gallery.
(_Bryan Collection._)
B-325. Family Group, of the Artist, Wife and Children. (39X36½.)
_Michael Van Musscher._
(_Bryan Collection._)
B-326. Æneas and his son Ascanius visiting Dido. (25X21.) _Constantine
Netscher._
(_Bryan Collection._)
B-327. Portrait of Orelia Doria. (49X29.) _Italian School._
(_Bryan Collection._)
B-328. Portrait of Madalena Doria. (49X29.) _Italian School._
(_Bryan Collection._)
B-329. German Baron and his Family. (21X27½.) _Bartholomew Vander Helst._
(_Bryan Collection._)
B-330. Virgin and Child. (17X11½.)
(_Bryan Collection._)
B-331. Christ appearing to the Magdalen. (23X19.) _Fra Bartolomeo._
(_Bryan Collection._)
B-332. Virgin and Child. (22½X16.) _Bernardo Zenale._
From the Collection of Du Bluisel, Paris, 1870.
(_Bryan Collection._)
B-333. Triptique. (18X32.)
(_Bryan Collection._)
B-334. Landscape, with Figures. (28½X42.) _Adam Pynaker._
(_Bryan Collection._)
B-335. Family Fête. (33X39.) _Jan Steen._
From the Collection of Comtesse de Vergez, Paris, 1870.
(_Bryan Collection._)
B-336. Landscape, with Figures. (37X51.) _William de Buytenweg._
(_Bryan Collection._)
B-337. Bacchanal. (21X32.) _Sebastien Bourdon._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-338. Landscape, with Figures. (25½X30.) Cornelius Huysmans.
(_Bryan Collection._)
B-339. Landscape. (22X32½.) _Minderhout Hobbema._
(_Bryan Collection._)
B-340. The Fortune Teller. (23½X21.) _Antoine Watteau._
(_Bryan Collection._)
B-341. Snow Scene. (8X10.) _Philip Wouwermans._
From the Gaudinot Collection, Paris, 1839.
(_Bryan Collection._)
B-342. Dutch Interior. (23X21.) _Renier Brakenburg._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-343. Portrait of Margerethea De Bije. (19X14½.) _Constantine Netscher._
Wife of François Meerman, Recorder of the City of Leyden. She
died December 12, 1712.
(_Bryan Collection._)
B-344. Interior of a Cottage. (14X11.)
(_Bryan Collection._)
B-345. Portrait of a Dog. (29X42.) _John B. Weenix._
(_Bryan Collection._)
B-346. The Artist. (5X4.) _Godfrey Schalcken._
(_Bryan Collection._)
B-347. Landscape with Cattle. (16X22.) _Albert Cuyp._
(_Bryan Collection._)
B-348. Italian Landscape. (18½X25.) _Jan Hackaert._
(_Bryan Collection._)
B-349. Still Life. (19½X24.) _J. B. Simeon Chardin._
(_Bryan Collection._)
B-350. The Sacrifice. (17½X23.) _Leonard Bramer._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-351. The Village Fête. (11½X14½.) _Renier Brakenburg._
(_Bryan Collection._)
B-352. Flemish Interior. (15½X19½.) _Renier Brakenburg._
(_Bryan Collection._)
B-353. Portrait. (25X21¾.) _J. B. Simeon Chardin._
(_Bryan Collection._)
B-354. Landscape. (15X22.) _Adam Pynaker._
(_Bryan Collection._)
B-355. Pleasure Party. (19X15½.) _Antoine Watteau._
(_Bryan Collection._)
B-356. Interior. (15X12.) _Egbert van Hemskerk._
(_Bryan Collection._)
B-357. The Virgin and the Infant Jesus crushing the Serpent. (50X23.)
_Pietro Berretini da Cortona._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-358. Landscape. (9X12.) _Dutch School._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-359. Entrance to a Park. (25X19½.) _Isaac Moucheron and John
Lingelbach._
(_Bryan Collection._)
B-360. Marine View. (15½X24.)
(_Bryan Collection._)
B-361. Portrait. (23X18.) _Francis Hals._
(_Bryan Collection._)
B-362. Winter Scene. (14X18½.) _Egbert Vander Poel._
(_Bryan Collection._)
B-363. Portrait. (32½X26.) _Mlle. Ledoux._
(_Bryan Collection._)
B-364. Landscape. (9½X11.) _Isaac Moucheron._
(_Bryan Collection._)
B-365. Portrait of a Gentleman. (18X15.) _Gerard Terburg._
(_Bryan Collection._)
B-366. Portrait of a Lady. (18X15.) _Gerard Terburg._
(_Bryan Collection._)
B-367. Temptation of St. Anthony. (15X11½.) _Matthew Van Helmont._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-368. The Frozen Canal. (14X21.) _Hendrik Van Avercamp._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-369. Portrait of a Lady. (22X18.) _Thomas Gainsborough._
(_Bryan Collection._)
B-370. Landscape. (28X24½.) _Adam Pynaker._
(_Bryan Collection._)
B-371. The Lovers. (10X8½.)
(_Bryan Collection._)
B-372. Interior. (9½X13½.) _Adrian Van Ostade._
(_Bryan Collection._)
B-373. St. Jerome at Prayer. (15½X12½.) _Lodovico Mazzolino._
(_Bryan Collection._)
B-374. Family Group. (14X41½.) _Henry Goltzius._
(_Bryan Collection._)
B-375. Virgin and Child. (13X9½.)
(_Bryan Collection._)
B-376. The Flight into Egypt. (12X8½.) Oval Top.
(_Bryan Collection._)
B-377. Virgin and Child. (7X6.) _Bernard Van Orley._
(_Bryan Collection._)
B-378. Scene from "M. de Pourceaugnac." (9X15.) _Antoine Watteau._
From the Collection of Comtesse de Vergez, Paris, 1870.
(_Bryan Collection._)
B-379. The Fatigues of War. (9X13.) _Antoine Watteau._
(_Bryan Collection._)
B-380. The Relaxations of War. (9X13.) _Antoine Watteau._
(_Bryan Collection._)
B-381. The Lover's Present. (12X15.) _S. Freudenberger._
Water-color of a lady receiving a present of a spaniel dog.
Signed and dated Paris, 1770.
(_Bryan Collection._)
The following described Pictures were STOLEN from the BRYAN COLLECTION
before it was received by the Society.
Cupid discharging an Arrow. _In the style of Correggio._
Cupid after the discharge of the Arrow--with finger raised constraining
silence. _In the style of Correggio._
Adoration of the Magi. _Leonard Bramer._
The Virgin, with the infant Christ and Joseph, sits in
front of a ruined building. Around them the Magi are grouped in
adoration. The distribution of the light in this little picture is
truly grand, and the color is rich and harmonious. The influence of
Rembrandt is apparent in every touch.
Vision of St. Louis. _Anthony van Dyck._
The sainted King starts from a canopied couch to gaze upon
the apparition of Pope GREGORY IV., who appears before him,
cloud-borne, and surrounded by angels. In the background is a
sentinel. This little picture is noble in style and harmonious in
color. The action of the figures is remarkably free and vigorous.
A Lace-Worker. _Peter De Hooghe._
A young woman sits by an open window, with her hands
resting upon the cushion on which is her work. The light falls
in a broad mass upon one side of her face and figure, while the
other is in the half-shadow of reflected light. This little
sketch, so unobtrusive in subject and treatment, will impress
the close observer with a sense of great power and thorough
knowledge--knowledge which is content to know without seeming
learned.
Miniature Portrait. _Balthazar Denner._
An old man, wearing a cap, and a breastplate over a rich
doublet. This head is painted with an elaborateness of detail
worthy of Gerard Douw, while at the same time it is modelled with a
free and learned hand.
(_Collection of General Count Turenne._)
THE DURR COLLECTION
WITH ADDITIONS PURCHASED BY THE
DURR GALLERY FUND
LOUIS DURR
Louis Durr was born in Carlsruhe, Germany, in 1821, and died in New
York City, March 31, 1880. His father was the Treasurer of the Duke of
Baden-Baden, and was a watch-maker by trade, as well as a dealer in
works of art.
Mr. Durr graduated from the Lyceum in his native city, and after
visiting Geneva and Paris, came to this country with his brother in
1848 and for a time was connected with Balbach's gold smelting works in
Newark, N. J. In 1853-54 he was established at 111 Nassau Street, this
city, as a refiner of gold and silver. In 1856 he removed to 51 Ann
Street and the following year to 53 Ann Street, where he carried on his
business as an assayer and refiner for many years with his brother.
He accumulated a fortune and spent all his spare time studying and
collecting works of art. He lived at No. 30 East 4th Street, where he
kept his paintings.
He was a member of the Liederkranz Club, then near his home, and became
a member of this Society in 1873.
By will Mr. Durr directed that the most meritorious works of art were to
be selected from his gallery of paintings and placed by his executors in
some public art gallery, to be known as the "Durr Gallery of Paintings,"
the residue of his paintings to be sold and the proceeds invested for
the purchase of suitable additions for the "Durr Gallery of Paintings."
In 1880 the executors of his estate under the terms of his will offered
the collection of paintings to The New York Historical Society, and in
1882 they were transferred to the Society, together with the proceeds of
the above-mentioned sale, which the Society designated the "Durr Gallery
Fund" and from which the Gallery is added to.
[Illustration: 17. BUST OF LOUIS DURR. IN BRONZE.
_HENRY BAERER._
FOUNDER OF THE DURR COLLECTION.
PRESENTED BY THE EXECUTORS OF HIS ESTATE.]
THE DURR COLLECTION
NO. SUBJECTS OF PAINTINGS. ARTISTS.
D-1. St. Ferdinand I., King of Castile, receiving the Code de las
Partidas from the Madonna. (65X41½.) _Murillo._
(_Durr Collection._)
D-2. The Immaculate Conception. (24X32.) _Murillo._
From the Emmet Collection.
(_Durr Collection._)
D-3. Jesus Suffering. (19X24.) _J. A. Escalante._
Signed. From the Emmet Collection.
(_Durr Collection._)
D-4. Jesus Victorious. (19X24.) _J. A. Escalante._
Signed. From the Emmet Collection.
(_Durr Collection._)
D-5. St. John the Baptist. (41X65½.) _Velasquez._
From a collection brought from Seville, and purchased by Mr.
Francis Tomes.
(_Durr Collection._)
D-6. Ecce Homo. (50X80.) _Luis Morales._
From a Catholic church in Mexico, brought to New York about
1855.
(_Durr Collection._)
D-7. Portrait of a Philosopher. (29X39.) _Spagnoletto._
Purchased in Philadelphia.
(_Durr Collection._)
D-8. Adoration of the Shepherds. (45X37.) _Il Bassano._
Brought from Italy by Mr. W. Metcalfe.
(_Durr Collection._)
D-9. Martyrdom of St. Sebastian. (21X27.) _Tintoretto._
(_Durr Collection._)
D-10. Martyrdom of St. Lawrence. (90X97.) _Titian._
This painting is signed, and shows evidences of being the
first of three of this subject which Titian painted--the second,
ordered by King Philip II. of Spain, remains at the Escurial; the
third is in the Jesuits' Church at Venice. This composition is
esteemed by such authorities as Kugler one of the most important of
Titian's works.
From the collection owned by Gideon Nye, Jr., who valued this
picture at sixteen thousand guineas.
(_Durr Collection._)
D-11. Portrait. (19X25.)
The following is inscribed in French on the back of
the portrait: "Collection of Alix, General-in-Chief of
Westphalia.--This precious picture was found in the wagon of a
vivandière, named Michau, who was killed at the battle of Marengo.
After being in the possession of General Lemarois, it passed into
the private cabinet of the Chevalier Denon, Director of the Musée
Napoleon."
(_Durr Collection._)
D-12. Assumption of the Virgin. (19½X40½.) _Piazetta._
(_Durr Collection._)
D-13. Italian Palace. (68½X47½.) _Pannini._
From the Stone Collection.
(_Durr Collection._)
D-14. Landscape. (28½X23½.) _Salvator Rosa._
(_Durr Collection._)
D-15. Arion and Dolphin. (60½X45½.) _Annibale Caracci._
Signed.
(_Durr Collection._)
D-16. Christ and the Disciples at Emmaus. (70½X46½.) _Paul Veronese._
Bought in Philadelphia. The same composition, with slight
variations, is in the Dresden Gallery.
(_Durr Collection._)
D-17. Madonna and Child. (18X22½.) _Fra Bartolomeo._
(_Durr Collection._)
D-18. Holy Family. (7X9½.) _School of Correggio._
(_Durr Collection._)
D-19. Portrait of Jerome Savonarola. (22½X28½.) _Fra Bartolomeo._
(_Durr Collection._)
D-20. Lucretia. (22X26½.) _Venetian School, 17th Century._
(_Durr Collection._)
D-21. Nymphs Disarming Cupids. (14X11.) _Francesco Albano._
(_Durr Collection._)
D-22. Pieta. (11X15.) _Annibale Caracci._
(_Durr Collection._)
D-23. Bacchus and Ariadne. (51X39½.) _Titian._
This is an old copy. The original is now in the National
Gallery, London.
(_Durr Collection._)
D-24. Palace of the Prince of Orange, in the South of France, with
Portrait figures. (44X43.) _Federigo Zuccaro._
(_Durr Collection._)
D-25. Cattle Piece. (13X13.) _Tempesta._
(_Durr Collection._)
D-26. Cattle Piece. (13X13.) _Tempesta._
(_Durr Collection._)
D-27. Spanish Lady and Children. (67X85½.) _Velasquez._
Purchased with Le Brun's Scenes in the Life of Alexander.
(_Durr Collection._)
D-28-33. Scenes from the Life of Alexander the Great. (75X72.) _Charles
Le Brun._
Le Brun's larger pictures of Nos. D-28, 29, 30, 32 and 33,
found in the collection of Louis XIV., are in the Louvre.
D-28. Triumphal Entry of Alexander into Babylon. (72X74½.) _Charles Le
Brun._
(_Durr Collection._)
D-29. Alexander and Hephestion entering the Tent of Darius. (74X77.)
_Charles Le Brun._
(_Durr Collection._)
D-30. Defeat of Darius at Arbela. (72X74½.) _Charles Le Brun._
(_Durr Collection._)
D-31. Alexander cutting the Knot of Gordius. (73X75½.) _Charles Le Brun._
(_Durr Collection._)
D-32. Porus brought to Alexander after his Defeat. (72X74½.) _Charles Le
Brun._
(_Durr Collection._)
D-33. Passage of the Granicus. (72X74½.) _Charles Le Brun._
(_Durr Collection._)
D-34. Adoration of the Golden Calf. (70X49.) _Nicholas Poussin._
Brought from Italy by James Benkard. The subject was a
favorite one with Poussin.
(_Durr Collection._)
D-35. Portrait of a French Gentleman. (32½X42.) _Hyacinthe Rigaud._
(_Durr Collection._)
D-36. Odysseus Taking Leave of Penelope. (50X37.) _Claude Lorraine._
(_Durr Collection._)
D-37. Evening Landscape. (39X31.) _Gaspar Poussin._
(_Durr Collection._)
D-38. Virgin and Child. (23½X36.)
Signed I. G.
(_Durr Collection._)
D-39. Adoration of the Magi. (25X31½.) _Dutch School, 15th Century._
(_Durr Collection._)
D-40. Christ in the Prætorium. _John de Mabuse._
Signed "IOANNES, MALBODIVS, PINCEB 1527." From the collection
of Thomas Jefferson, made at Paris while United States Minister to
France. Sold at Boston, July 19, 1833.
(_Durr Collection._)
D-41. Christ Sinking Under the Cross. (13X18½.) _Copy from Albrecht
Dürer._
This composition forms one of the series in the Passion,
engraved by Dürer on wood.
(_Durr Collection._)
D-42. Christ with the Tribute Money. (33½X11¾.) _Albrecht Dürer._
Signed A. D., dated 1525. The wings of this triptique are
ornamented with the head of a Monk and of a Nun.
(_Durr Collection._)
D-43. The Last Judgment. (31½X43½.) Oval Top. _Lucas Van Leyden._
(_Durr Collection._)
D-44. St. Paul Preaching at Athens. (23X30.) _Martin Van Veen Hemskerk._
(_Durr Collection._)
D-45. The Holy Night. (36X28.) _Karl du Jardin._
(_Durr Collection._)
D-46. Christ Before Caiaphas. (63X43.) _G. Van Herp._
Signed. This and the two following pictures, forming a series,
were brought from Seville by E. Boonen Graves. From the Emmet
Collection.
(_Durr Collection._)
D-47. Christ Bearing the Cross. (63X43.) _G. Van Herp._
(_Durr Collection._)
D-48. Christ Crowned with Thorns. (63X43.) _G. Van Herp._
(_Durr Collection._)
D-49. Landing of Æneas in Italy. (60X40½.) _Tempesta._
(_Durr Collection._)
D-50. The Madonna. (29X36.) _Philip de Champagne._
Bought by Mr. Durr at Stuttgart.
(_Durr Collection._)
D-51. The Angel Gabriel. (29X36.) _Philip de Champagne._
Bought by Mr. Durr at Stuttgart.
(_Durr Collection._)
D-52. Kitchen Utensils. (11X13.) _Barend Cornelis._
A Dutch painter, of whose life little is known, but whose
manner of handling is praised by Karel Van Mander, the art
commentator of the seventeenth century, as being superior to that
of his contemporaries. This picture is signed.
(_Durr Collection._)
D-53. Halt at a Tavern. (14½X10.) _Peter Bout._
(_Durr Collection._)
D-54. Portraits of John Bainbridge, M.D., (1582-1643) and Daughter.
(38X50.) _Sir Peter Lely._
Bought at the sale of the collection of Thomas Sully, December
20, 1872.
(_Durr Collection._)
D-55. Portrait of a Lady. (27X33½.) Oval. _B. Denner._
Signed and dated 1734.
(_Durr Collection._)
D-56. Portrait of a Gentleman. (27X33½.) Oval. _B. Denner._
Signed and dated 1734.
(_Durr Collection._)
D-57. Miracle of the Loaves and Fishes. (43½X29.) _Andreas Both._
Purchased December, 1865, from the collection of Joseph M.
Meert de Domberg.
(_Durr Collection._)
D-58. Moses Striking the Rock. (43½X29.) _Andreas Both._
In this picture almost every position of the human body is
represented. It is from the collection of Joseph M. Meert de
Domberg.
(_Durr Collection._)
D-59. Still Life. (41X47½.) _Van Westhofen._
(_Durr Collection._)
D-60. Portrait of a Gentleman. (15X19.) _School of Van Dyck._
(_Durr Collection._)
D-61. Landscape with Spanish Figures. (53½X49½.) _Lucas Vanuden._
(_Durr Collection._)
D-62. Landscape, with Cattle. (48X37½.) _John H. Roos._
This and the following picture were purchased in Bavaria by
Mr. Keller.
(_Durr Collection._)
D-63. Landscape, with Cattle. (48X37½.) _John H. Roos._
(_Durr Collection._)
D-64. Crossing the River. (23X16½.) _Solomon Ruysdael._
(_Durr Collection._)
D-65. Passage of the Red Sea. (32X25.) _Francis Francken, the Elder._
Brought by Mr. Forbes from Sicily.
(_Durr Collection._)
D-66. The Crucifixion. (26X20.) _Francis Francken, the Elder._
From the collection of John G. Boker.
(_Durr Collection._)
D-67. Landscape with Figures. (40X24½.) _D. Hagelstein._
A pupil of A. Elzheimer, figures by C. Poelemburg. Signed and
dated 1630.
(_Durr Collection._)
D-68. Game. (47X36½.) _J. B. Weenix._
(_Durr Collection._)
D-69. The Riverside. (21X14½.) _Jan Van Hughtenburg._
(_Durr Collection._)
D-70. Marine. (22X17½.) _L. Backhuysen._
(_Durr Collection._)
D-71. Expulsion of Adam and Eve. (94X69.) _A. Bloemaert._
(_Durr Collection._)
D-72. Mother and Child. (27½X35.) _Jan Victor._
Purchased February, 1870, at the sale of the collection of
Thomas Thompson.
(_Durr Collection._)
D-73. Landscape. (9X11.) _Anthony Waterloo._
(_Durr Collection._)
D-74. Reptiles, Birds, and Insects. (29X38½.) _Otho Marcellis._
Signed and dated 1667. From the collection of Gideon Nye, Jr.
(_Durr Collection._)