Produced by Al Haines
THE TALE OF LAL
_A FANTASY_
BY
RAYMOND PATON
AUTHOR OF "THE DRUMMER OF THE DAWN"
BRENTANO'S CHAPMAN & HALL LTD.
NEW YORK LONDON
1914
AN EXPLANATION AND AN APOLOGY
Upon behalf of Ridgwell and Christine the author has been urged to
explain that three things--facts, common-sense, and probability--have
of necessity been throughout entirely omitted in relating this story.
The children, however, have comforted the author by declaring that
these particular things are not required at all in any book of the
present day, but are merely an old-fashioned survival of the past,
which is gradually dying out.
One of the sole remaining examples we possess of fact, common-sense,
and probability being the celebration of the 5th of November, which has
somehow become a day of national thanksgiving, and is without doubt one
of the most important dates in the calendar, and very dear to the
hearts of the English people.
A PREFACE
The aspect of Trafalgar Square, like everything else in the world,
depends largely upon how it is viewed, and through whose eyes it is
seen.
A Japanese artist, for instance, visiting London, immediately selected
Trafalgar Square seen by night-time as a subject for a picture. He
thoughtfully omitted any suggestion of either omnibuses, taxi-cabs, or
the populace.
He likewise decided that all the statues were most unpicturesque, and
the varied and flashing electric advertisements to be seen hung up on
high around the Square were not only hideous but impossible.
Consequently this imaginative being flung upon his canvas a mysterious
blue space, void of anything save the brilliantly coloured lanterns of
his own land, swung upon bamboo poles, trembling in the darkness at
picturesquely convenient distances. The effect was quite beautiful,
but of course it could not in any way be considered as a reasonable
likeness of this particular Square.
A French artist also selecting this portion of London for a picture,
determined at once that it would be more becoming, not to say
diplomatic, to paint only one end of the low stone wall surrounding the
Square; yet entertaining doubts afterwards that it might not perhaps be
recognised, he added the central stone cupola of the National Gallery,
appearing over all like a hastily bestowed blessing, but covered the
remaining space upon his canvas with imaginary stalls of glowing
flowers, and even more imaginary flower-sellers. His picture was
greatly admired, and very much resembled the Market Square in Havre
upon a Monday morning.
A Spanish artist chancing to pass the same way, likewise hastily
completed a picture of Trafalgar Square as he wished to see it, adding
by way of a decorative effect a lattice-work of trellised vines like
unto his beloved vineyards of Andalusia. Dwarf oranges grew in
profusion and hung their coloured golden globes over the squat stone
walls. A brilliant Southern sun beat upon both, baking the walls
red-hot and ripening the oranges at one and the same time. This
picture the artist named Trafalgar Square when the Sun Shines.
A Cubist painter, not to be outdone with regard to his point of view of
such a subject, covered an immense canvas with wonderful heaving
squares of ochre and green, viewed from a background suggesting endless
mud. This suggestion, however, may have been in the nature of a small
tribute to the usual condition of the London streets. This production
which the Cubist artist was optimistic enough to name simply Trafalgar
Square, was instantly bought by a famous geologist, who to this day
indulges in the beautiful belief that he possesses the only indication
of what this particular portion of the world was like before ever the
earth was made.
Last of all arrived a Futurist painter, who painted _everything_ in
Trafalgar Square, and nothing that did _not_ appear in it. The
painter, however, selected a really wonderful aspect of the Square,
seen from a most strange angle, a sort of bird's-eye view of it, which
could only have been obtained from a balloon. So remarkable was the
perspective that the entire Square, as seen in the picture, appeared as
if it were being gradually drawn sideways up to Heaven. The great
Nelson column and all the four lions could be viewed simultaneously,
and the artist had painted _all the four lions alike_.
Now a Writer whose chambers overlooked Trafalgar Square, and who was
acquainted with its every aspect, by night as well as day, knew full
well that the Futurist artist was wrong when he painted all the four
lions _alike_. The Writer knew that one Lion was totally different
from all the others; so the Writer smiled and kept his own counsel.
I will wait, said the Writer, until somebody else has made the same
discovery that I have made. I will remain completely silent concerning
one square patch of fairyland placed within the very hub and centre of
the Universe, within the busiest part of a great city. When some other
traveller finds the key to the mystic place, we shall both discover it
is possible to talk about something which nobody else understands, and
be enabled to compare notes.
CONTENTS
CHAP.
AN EXPLANATION AND AN APOLOGY
A PREFACE
BOOK I
WHAT RIDGWELL AND CHRISTINE DECLARED
I THE PLEASANT-FACED LION
II BY ORDER OF THE LION
III THE GOLDEN PAVILION
IV PREPARING FOR A VISITOR
BOOK II
WHAT THE WRITER AND THE LORD MAYOR DECLARED
V THE WRITER APPEARS ON THE SCENE
VI TWO DICK WHITTINGTONS
VII THE LION MAKES HIS SIGN
VIII AN UPSETTING ARTICLE IN THE MORNING PAPER
IX THE WRITER PLANS WICKED PLANS
BOOK III
WHAT THE PUBLIC HEARD ABOUT
X THE LION GOES TO COURT
XI THE END OF THE MATTER
BOOK I
WHAT RIDGWELL AND CHRISTINE DECLARED
CHAPTER I
THE PLEASANT-FACED LION
Ridgwell always told Christine afterwards that he thought the Lion
first spoke to him in Trafalgar Square, the day when he was lost in the
fog.
Ridgwell never knew how he became separated from the rest, but like all
other unpleasant experiences it was one step, so to speak, and there he
was, wandering about lost. The fog appeared to have swallowed up the
friends he had been walking with a moment before; he could only hear
voices as if people were talking through a gramophone, and see looming
black shadows which did not seem to be accompanied by any bodies; then
whack--he walked right into something big which did not move. At this
point Ridgwell was seriously thinking about commencing to cry.
"Stop that," said a gruff voice.
"What?" faltered Ridgwell.
"Going to cry."
"I am not sure," said Ridgwell, "that I was."
"I am," said the gruff voice. "I saw the corners of your mouth go
down. Now can you climb up? No, of course you can't, you are too
small. Here, catch hold of my paw! There you are!" grunted the Lion,
when Ridgwell was seated safely. "You just fit nicely; all the
children fit in here. Knock those rolled-up policemen's capes off,
they annoy me every day when they put them there. They tickle me, and
I can't scratch about with my paws either."
Ridgwell was now lost in amazement, and regarded the Lion in
open-mouthed astonishment.
The Lion purred contentedly. It was a nice homely sounding, domestic
purr, and many times deeper and more impressive than that of a cat.
"What's your name?" demanded the Lion, whilst Ridgwell was still
gasping.
"Ridgwell."
"Very appropriate too," said the Lion. "Here you are sitting in safety
on the Ridge with me, and you are Well, aren't you?"
"Yes, thank you."
"There you are then," said the Lion. "_Ridge-Well_, what more do you
want? Now I suppose you wish to know who I am? Well, I don't mind
telling you. I am the Pleasant-Faced Lion. I am the only real Lion of
the four, consequently I have a more intelligent expression than the
others. The other three are only just common lions, and are always
asleep. Now _I_ come to life once in every generation and have a talk
to the children, or to any one grown up who is imaginative enough to
understand me. I like children, they are a hobby of mine. I am not in
my usual spirits to-day," continued the Lion, "I have caught cold."
"Have you?" said Ridgwell. "I am very sorry."
"Yes, they washed me for Trafalgar Day in some beastly solution which
was most unsuitable to me. I cannot shake off the cold. Hang on!"
shouted the Lion suddenly, "I am going to sneeze, and I may shake you
off the pedestal." Whereupon the Lion grabbed Ridgwell gently with his
paw to steady him, and after sneezing heavily, proceeded. "After
washing me for Trafalgar Day, which was most unnecessary, they hung a
ridiculous wreath round my neck with a large N in leaves upon it. To
add to the injury, an absurd person stood staring at me and explained
to her children that the N stood for Napoleon. Bah!!!" growled the
Lion. "Bah!!! Ignorance!"
"What did it stand for?" asked Ridgwell.
"Nile," grunted the Lion. "Short for Battle of the Nile."
"But I am so astonished. I did not know that you could talk, Mister
Lion."
"Oh, for Heaven's sake don't call me Mister Lion, call me Lal."
"Why Lal?" inquired Ridgwell.
"Short for Lionel," whispered the Lion. "Lionel is my proper name."
"Oh, I see, but, Mister----"
"There you go again," said the Lion. "Call me Lal and be friendly."
"Indeed I am very friendly, Mister--I mean Lal; but there are so many
things I don't understand."
"Common complaint of little boys," grumbled the Lion, "and you are
going to see a lot more things in a minute that you will find most
amazing. For instance, would you like to see a tournament?"
"Rather, Lal, I've always longed to see a tournament, but they never
have such things now, do they? Aren't they all ended in England?"
"On the contrary," declared the Lion, "one is about to begin."
"Where?"
"Here in front of your eyes, and if you like you shall stay and see it.
St. George outside Westminster has challenged the Griffin at Temple Bar
to fight. All the really important Statue folk will be present. King
Richard I from outside the Houses of Parliament will ride up to see
fair play. Charles I. will come over from Whitehall across the road;
Oliver Cromwell will most likely put in an appearance, if he can only
make up his mind to leave his mound outside the Commons in those big
boots of his."
"But, Lal," questioned Ridgwell, "surely Charles I. and Cromwell won't
come to the Tournament together? Will they speak and be friendly?"
"No, no," confessed the Lion, "we still have great trouble with those
two, they never speak. You see Cromwell is jealous of Charles, because
Charles is mounted upon a nice horse, and rides past Cromwell and never
notices him at all. Now Cromwell has to go about on foot, squeaking
and squelching in those big boots, so that he never gets up to Charles,
which annoys Cromwell very much."
"Why?"
"Well, you see, Cromwell wants to shout out 'Ha!!!' at Charles, and he
never gets a chance. Cromwell gets left out very much in the cold,"
continued the Lion, "Richard I. never notices him either."
"Why is that?" asked Ridgwell.
"It's like this," said the Lion, "and it's only reasonable when you
come to think of it. Richard I. spent nearly the whole of his time
fighting to preserve a shrine, whilst Cromwell spent most of his time
destroying them. Of course that annoys Richard, so Richard simply
looks through Cromwell whenever they meet. Nothing would induce him to
notice Cromwell."
"I should think that must annoy Cromwell," debated Ridgwell.
"It does," agreed the Lion, "but Cromwell always shouts out Ho! at
Richard; he thinks Ho! is more appropriate to Richard's period.
Richard, however, with perfect self-possession which is beyond all
praise, never appears to hear him at all. Cromwell will always keep
turning his head round to stare most rudely at Richard and Charles as
they gallop past, hoping that Richard will hear him shout Ho! and
Charles will hear him shout Ha!, and that irritating habit of his,
together with Charles's treatment of the matter, was probably the
origin of the terms, 'Roundhead' and 'Cavalier.'"
"Really!" said Ridgwell.
The Lion coughed slightly. "Not really," said the Lion, "only perhaps."
"But, Lal, if the statues of London move about and are coming here for
a tournament as you say, won't people miss them?"
"Good gracious goodness, no," exclaimed the Lion. "Why! the people of
London wouldn't miss them in a year, let alone a few hours! Then
perhaps some person might notice something wasn't in its usual place
and would write to the papers asking what it meant, and the London
County Council would hold an inquiry."
"But, Lal, will General Gordon, George III. and Nelson take part in the
Tournament?"
"Bless me, child, how you mix up your history," observed the Lion, "of
course not. They are only moderns, the others are ancients. Two Kings
waiting to see fair play between a Griffin and a Saint who are about to
have a fight, belong to quite another time. George III. and General
Gordon are moved out of the way before the combat starts; and as for
Nelson, he was frozen long ago up there; it is a ridiculous attitude
for so great a man, and a worse altitude, but there he is, and you
cannot alter it; however he is frozen and mercifully doesn't feel
anything or see anything that is going on."
"But if they are going to fight and charge one another, won't the
fountains be in the way?" inquired Ridgwell anxiously, as he looked up
into the Lion's good-humoured face.
"If you look again hard," grinned the Lion, "you will find that the
fountains and the stone lakes around them have disappeared."
Ridgwell immediately looked in the direction the Lion indicated, and
was amazed to find only a big, wide, open space of stone, one of the
largest spaces in London.
"But how did they----" commenced Ridgwell.
"Hush!" said the Lion, "you really mustn't chatter any more. Here they
come, and I have to be Judge of the Tournament, also the Referee; and
to be a Referee," sighed the Lion, "is always a thankless task."
At this moment, amidst a clatter that was indescribable, the Griffin,
looking a most ungainly object, came gallumping into the open space.
The Griffin appeared to be all wings, and scales, and claws, yet this
somewhat grisly appearance was entirely misleading, for he possessed an
amiable, although foolish disposition, whilst his expression owed much
of its peculiarity to a habit he had acquired of breaking into broad
smiles of astonished self-appreciation. The Griffin was very vain, and
the one thing he craved for was notoriety.
"Good evening, Lionel; where's George?" demanded the Griffin. "I don't
see him."
"You'll see quite enough of him before he's finished with you,"
retorted the Pleasant-Faced Lion, loftily. "However, here he comes."
St. George at this moment entered the wide stone space immediately in
front of the Lion, to whom he made a profound salute.
St. George looked very handsome in his scaly armour, and his short
bright sword glistened blue in the half light. Ridgwell had little
time to notice other details, for two horsemen came galloping in.
Both were in armour and both were mounted upon beautiful horses.
"Who are they?" asked Ridgwell.
"Don't you see?" whispered the Lion. "King Richard I. and King Charles
I. Ah," sighed the Lion, "what a noble figure Richard is! He is my
special favourite; you see," explained the Lion, "he is named after me."
"Is he?"
"Of course. Is he not called Richard Coeur-de-Lion? I am de-Lion,"
announced the Lion proudly. "He carried a picture of me on his shield
once. You may notice," proceeded the Lion, "that King Charles
unfortunately rides slightly upon one side. It is not his fault, but
owing to the fact that he has no girth to his saddle."
The horsemen wheeled one to either end of the arena before bringing
their horses to a standstill.
The two opponents, St. George and the Griffin, stood facing each other
in the centre, waiting for the combat to commence.
"Before we start," announced the Lion, "I am the Judge. There is, of
course, to be no bloodshed; indeed," he added, in his wisest and most
judicial manner, "bloodshed is impossible. The Griffin is almost
over-protected (if I can use such a term) with scales, St. George is
fully covered with armour. The Griffin possesses his remarkable claws,
St. George a flat sword, so both are well matched. Therefore the
contest resolves itself into a trial of skill and strength. Both shall
be weighed in the scales."
"He! he! he!" sniggered the Griffin, "if my scales cannot crush the
scales of George's blatant armour may I live to bite my own nails.
Why, I will squash him as flat as an empty meat tin."
"Swank," murmured St. George, nonchalantly.
"The reason of the contest," continued the Lion in a loud voice, as if
he were reading from some document which he had committed to memory,
"is owing to a ridiculous assertion made by the Griffin. The Griffin
claims to be the older established of the two. St. George laughs at
this claim derisively. The Griffin sorely provoked to it,
unfortunately fell back upon dates, and his memory being very weak he
hoped to conceal his shakiness about dates, with phrases. He therefore
declared that Temple Bar where he now stands, once possessed two gates
which have since been removed. Nevertheless the Griffin contends that
he is still there and Temple Bar is still there; in this he is
undoubtedly right; yet, not content with this, he further asserts that
this is the whole cause and origin of the phrase, 'Two to one, Bar
one.' St. George here present, who knows something about horses,
immediately called him a--well, it is not a nice word," broke off the
Lion in parenthesis, "anyway St. George intimated that the truth was
not in the Griffin. Hence a trial by combat. Are you ready?" roared
the Lion; "then commence."
From his quite comfortable seat between the Lion's paws, Ridgwell now
watched the strangest combat he would ever be likely to witness.
The Griffin advanced towards St. George with about as much grace as a
dancing camel would possess. His excessive angularity was accentuated
by his extraordinary clumsiness. St. George did not appear at all
disconcerted by the flapping of the Griffin's wings, but managed to
avoid his clumsy clutches with great skill. Had St. George not slipped
upon a piece of orange-peel, inadvertently left upon the floor of the
arena, it is doubtful if the Griffin would ever have touched him. As
St. George slipped, the Griffin hugged him tightly. Ridgwell held his
breath, for it almost seemed as if St. George's armour must indeed
crumple up.
"Meat tins," shrieked the Griffin.
"Break away," commanded the Lion.
"Here, I say," snorted the Griffin, "I'd only just got him."
"Break away," ordered the Lion, "no hugging."
The Griffin retired to his corner pouting.
When the second bout started, Ridgwell noticed that there was something
like a smile upon St. George's face, and he soon understood the reason
of it. St. George had found out his adversary's weak spot.
The Griffin advancing with a rush upon his hind legs, with his front
claws doubled up reaching high over St. George to pull him down, was
brought to a sudden standstill.
There was a rapid sound of "Whack! whack! whack! whack!" four times.
St. George had hit the Griffin with the flat of his sword upon the most
tender part of the Griffin's claws. The Griffin's mouth trembled.
"Whack! whack! whack! whack!" came four more swashing blows, whilst the
Griffin hesitated. Then the Griffin broke down completely, and wept
aloud bitterly.
"He's broken my knuckles," sobbed the Griffin.
"Do you give in?" asked the Lion.
"Oh yes," sobbed the Griffin. "Oh! my poor paws."
"Shall he chase you round the arena?" demanded the Lion.
"No," whimpered the Griffin; "I'll go home quietly."
Thereupon King Richard raised his sword and saluted to indicate that
the fight was over, and followed by King Charles, who still swerved
slightly to one side in his saddle, the two Kings rode out of the
Square.
"Shake hands?" asked St. George of the Griffin, before he departed.
The Griffin shook his head dolefully instead, whilst great tears
coursed down his cheeks.
"Oh no," sniffed the Griffin, "I don't think I shall ever shake hands
again."
When everybody had gone, the Griffin slowly hobbled to his feet, and
moving towards home, half sobbed and half sang in a way that was
intensely comic--
"Oh! Temple Bar, Oh! Temple Bar,
With broken knuckles you seem so far.
And all my claws are broken too;
Oh! Temple Bar, what shall I do?
To _hit_ me with a sword held flat,
'Twas grim of George to think of that."
"Now you have seen the tournament," observed the Lion to Ridgwell, "I
suppose you will have to get home somehow."
"Yes, please, Lal."
"And of course," said the Pleasant-Faced Lion, "you will want to come
again."
"Rather," laughed Ridgwell.
"Well, to-morrow night there is a very different sort of entertainment.
I and the Statue folk are going to give an evening party, the grandest
you have ever seen, or will ever be likely to see."
"Oh, Lal, can I come and bring Christine?"
"Who is Christine?" inquired the Lion, cautiously; "you know we cannot
admit everybody."
"Christine is my little sister. At least," added Ridgwell, "Christine
is older than I am, but she is little all the same."
"I see."
"And she would so enjoy it, Lal," pleaded Ridgwell.
"Very well," said the Lion, "both come just this once. Now for home.
Come," commanded the Lion, "jump up. I learned that common expression
from the people who every moment of the day mount upon the horrid Buzz,
Buzz, things."
"Don't you like the Motor Omnibuses then?"
"The Buzz Buzzes you mean, child. No, I dislike them intensely, they
make such a noise both day and night that I cannot hear myself purr
even. Jump up. Where do you want to go to?"
"To Balham, please, Lal."
"Ah, that's the man with the Ass, isn't it?" demanded the Lion.
For a moment Ridgwell looked quite shocked. "Oh no, Lal, you are
thinking of Balaam."
"Spelt the same way," snapped the Lion, who did not like being
corrected upon historical matters.
"No, Lal, there is an H in Balham and people never drop it."
"Glad to hear it," grunted the Lion. "I only wish the people who
collect the pennies from the passengers upon the Buzz Buzz things would
say the same. Day by day," added the Lion in an aggrieved tone, "I
hear them shout out the expressions--'Olloway, 'Igate, 'Arrow. The
Board Schools," continued the Lion in his wisest tones, "are
responsible for a most imperfect system of education."
"But, Lal," pleaded Ridgwell, "you will take me to Balham, won't you?
I do not know how I should get home if you didn't take me there."
"Yes," said the Lion, "of course, I shall take you home, but you
mustn't come to see me too often, you know, it's outside the four-mile
radius. However," concluded the Lion, "I shall follow the tram lines.
Jump up," once more commanded the Lion, "and hang on, because you know
I go at a good pace when once started."
Whereupon Ridgwell clambered upon the Pleasant-Faced Lion's back, and
convulsively hugging him half round his great neck, buried his head in
the Lion's mane and shut his eyes, whilst the Lion took a bold jump
from off his pedestal, and started in a brisk trot for Balham.
When they had arrived at their destination outside Ridgwell's home, the
Lion stood in the road and wagged his tail contentedly.
"Thank you for bringing me home, Lal," said Ridgwell as he clambered
off the Lion's back.
"Good-night," whispered the Lion hoarsely, for after his long run he
was almost out of breath. "Mind you close the hall door safely after
you."
The Pleasant-Faced Lion, who appeared to be pleased at having brought
his little charge home, stood in the road and purred quite loudly for
some time.
But none of the neighbours, who heard the deep sound echoing through
the quiet road, thought of looking out of the window. They merely
believed the sound proceeded from some powerful motor car which had
stopped in the vicinity.
Then the Pleasant-Faced Lion jogged home to his pedestal in Trafalgar
Square, well pleased with his night's work.
CHAPTER II
BY ORDER OF THE LION
"Hullo, Lal!" said Ridgwell, as he looked up at the Lion the following
evening.
"Hullo!" rejoined the Lion huskily. "Who is that you have brought with
you?"
"This is Christine," said Ridgwell.
"How do you do?" said the Pleasant-Faced Lion, and he seemed to look
even more pleasant than usual. The Lion stretched himself, descended
from his pedestal, and held out his paw to shake hands with Christine:
Christine responded to these greetings shyly.
Ridgwell really thought the Lion was one of the most amiable creatures
he had ever met.
"If you do not mind," the Lion observed to Christine, "you might walk
upon the other side of Ridgwell and not next to me."
"Oh, Lal, why?" asked Christine.
"Who asked Christine to call me Lal?" inquired the Lion, as he lifted
his head up with an intensely comical air of self-importance.
"I did," said Ridgwell; "you told me always to call you Lal."
"Quite right," replied the Lion. "But do you always do exactly alike,
you two?"
"Yes, always," said Ridgwell.
"Humph!" grunted the Lion. "Suppose there is only one apple and you
both want it, what happens?"
"We exactly divide it," said Ridgwell.
"Mathematically correct," said the Lion. "Good."
"But please why can't I walk next to you, _Mister_ Lion?"
"Ha!" shrieked the Lion, "there she goes, Mister Lion. You taught her
that too, I suppose."
"Hush, Lal," said Ridgwell, "don't get excited. Christine will soon
get out of the habit and call you Lal, directly she knows how pleasant
you are."
"You haven't answered my question, Lal," objected Christine.
"Well, little Christine, it is like this," and the Lion pondered deeply
for awhile. "If you walked _next_ to me and rested your hand upon my
mane as you are doing now, anybody who saw us might take us for Una and
the Lion, otherwise Beauty and the Beast, and oh! my dear child,"
implored the Lion, "you surely could not wish me ever to be called a
_beast_."
"Of course not," said Christine; "we wouldn't hurt your feelings for
worlds. So, Ridgie, you walk next to Lal, and I will walk the other
side of you."
"A most reasonable child," muttered the Lion, "really quite reasonable."
"Did you bring the sulphur tablets?" asked the Lion mysteriously.
"Yes, here they are. Christine has them wrapped up in a packet,"
explained Ridgwell; "but, Lal, what can you want with sulphur tablets?
You promised me we should both be asked to the party, but sulphur
tablets do seem such an odd thing to want as a start. I have thought
over it, and Christine has thought over it, and we cannot really think
what they can be for."
The Lion chuckled his most pleasant chuckle.
"Give it up?"
"Yes," nodded Ridgwell.
"So would any one else," grinned the Lion, "except me. Have you ever
thought how the thick yellow London fogs come?" inquired the Lion
insinuatingly. "Do you know what causes them?"
"No," said Ridgwell. "I don't think anybody knows that."
"I do," replied the Lion.
"What causes them, then?" asked Ridgwell.
"The yellow fogs are caused solely by the habit the other three lions
have of sucking sulphur tablets whilst they are asleep," declared the
Lion. "They are always sleeping, and directly two sulphur tablets are
placed in the corner of each one's mouth they go on sleeping and
breathing, sleeping and breathing. The result is a thick yellow fog."
"I never knew that was the cause of London fogs," mused Ridgwell.
"One of them," sighed the Lion; "and who can wonder at it? Just look
at the size of their mouths."
"But your mouth is as large as theirs, is it not?" debated Christine.
"Yes," said the Lion, "but there is a particular reason for my mouth
being large."
"Why?" asked the children.
"On account of all the wisdom I utter," replied the Lion loftily.
"Anyway," said Ridgwell, "it does seem a horrid preparation for a party
to start with a fog. Surely nobody would see what was going on."
"Hush, hush, my children," remonstrated the Pleasant-Faced Lion. "Just
gather round and listen, and do not interrupt. You will be amazed at
all the things you are about to see and hear, for you are going to be
present to-night for a few minutes at the most wonderful party ever
given in the whole world."
"That will be lovely," said Ridgwell and Christine. "And oh! Lal,
really we have looked forward to it so much."
The Lion patted each of the children in turn affectionately upon the
head with its paw, and they remembered afterwards that his paw was as
soft as velvet, and really wasn't heavy at all.
"Chatter, chatter, chatter," said the Lion, "just like the magpies and
the sparrows, and the fashionable Society people for that matter, but
you must not interrupt. I am just like one of those guides that do all
the talking, and if I am interrupted I lose my place, get all my
thoughts out of order, and all the ceremony will be wrong. Then King
Richard and King Charles will both be down upon me, and say the party
was rotten, and that I was to blame; and as for Boadicea, she has a
nasty temper, and will probably hit me over the head with her reins."
"Oh, Lal, do you mean to say that King Richard and King Charles and
Boadicea are coming to the party?"
"Yes, all of them," grunted the Lion. "Now be quiet, and just listen.
The sulphur tablets which seem to cause you so much mystification are
simply to cause a fog upon the _outside_ of Trafalgar Square, and to
shut out the sight of the most wonderful party in the world from the
gaze of all the other people who have not been invited to it. Imagine
the millions of people who would flock to see such a sight, if it were
not screened off. Drivers of the Buzz Buzz things they call
motor-buses and taxis, loafers, tramps, idlers, City men, work-girls,
curious women--and, by the way, remember that women are always
curious--would flock in millions, attracted by the lovely lights, which
will be brighter than anything you have ever seen, by the jewels, which
will be more dazzling than anything you have ever dreamed of, to say
nothing about the gorgeous costumes that will rival anything displayed
upon the Field of the Cloth of Gold, outdo the splendours of any court,
and put the pageant of the grandest pantomime ever witnessed to shame.
Follow me," commanded the Lion, "and you will see what you will see
only once in your lives, and it all begins with the sulphur tablets."
Ridgwell and Christine followed, and were dumb with amazement. The
Lion gently took the packet of sulphur tablets from Christine and
thanked her for providing them. Gingerly he approached each of the
other three sleeping lions in turn and insinuatingly placed two in the
mouth of each lion; one tablet each side between each lion's big front
teeth and its tongue.
"It's a dreadful habit," said the Pleasant-Faced Lion, "to suck sulphur
tablets in your sleep, but I suppose it's soothing. Now watch,"
observed Lal maliciously. "Sleeping and breathing, sleeping and
breathing, the sulphur tablets will soon commence to work."
Slowly as they watched, thick jets of yellow vapour commenced to rise
upward and all around.
"Come," whispered Lal, "the thick fog stops like a wall at the back of
their pedestals and all round Trafalgar Square. As I told you,"
chuckled the Lion, "the fog is only upon the _outside_ of where the
party will take place."
He now quickly drew the children out of the fog inside the immense
charmed circle of Trafalgar Square, where the atmosphere was quite
clear, but as yet quite dark.
The Lion lifted up his head and gave a most piercing and peculiar
whistle; once, twice, three times and yet a fourth he repeated this
signal.
The signal was answered in a curious manner. The whole space commenced
to vibrate with a strange humming sound which resembled violins,
violoncellos, flageolets and flutes being played upon very faintly.
The sounds were so weirdly fascinating that any one might have imagined
it proceeded from a little group of Eastern musicians playing upon
reeds in order to charm some snake to uncoil and become sociable after
a lengthy seclusion in its wicker-work basket.
"What is that music?" asked Ridgwell.
"The eight Dolphins of the fountains are humming happily. They are
waiting to carry out my commands," answered the Lion.
Once again the Lion whistled four times.
Ridgwell and Christine, who were listening intently, could hear the
scurrying of flying feet racing along. The sound drew nearer and
nearer, until several dark forms were jostling each other immediately
in front of where they stood, and they could feel the warm breath of
some living things upon their hands. Suddenly in the darkness there
was a chorus of hoarse laughter.
Ridgwell and Christine started slightly.
"Are they spirits?" inquired Ridgwell, with a note of anxiety in his
voice.
"No," vouchsafed the Lion, "only the four merry laughing little Lions
from outside Westminster Abbey. They are the most ridiculous creatures
in all London.
"Stop laughing," commanded the Lion.
"Hear me, Gamble, Grin, Grub, and Carry-on-Merry, and hearken
attentively.
"Carry-on-Merry, have you all stopped laughing?" demanded the Lion.
"Yes, mighty Lal, we are simply grinning at present, which is as near
to being serious as we can ever become. We are only waiting for your
commands."
The Lion lifted up his mighty head and called, "Silence, Dolphins."
Immediately the curious sounds of humming ceased.
"The party I give is to be the most beautiful in the world, displaying
wonders such as no Emperor can procure. Each of the Four Seasons shall
appear before us, perfect in every way, to be followed by the Pavilion
of Gold."
"It shall be done, O Lal."
"My guests will be all the stray children of London. Call them from
every street and court, from out every by-way, alley, and lane."
"They are all here waiting, O Lal."
"Good. Also gather together all the lost and stray dogs of London,
every single one who is wandering about to-night."
"They have all been summoned, O Lal."
"The Royalty present will include Queen Boadicea, King Richard I., King
Charles I., and St. George."
"Each has received a royal invitation, O Lal, and the Royal personages
will all be pleased to attend."
"Each boy and girl is to be dressed in the most costly costume,
according to their taste."
"All is prepared for them, Lal, and even as you desire, great splendour
awaits them, and nothing will be lacking for their perfect enjoyment."
"Good; see that all is well done, and be ready to begin when I give the
signal. You understand?"
"We understand," laughed the four merry Lions.
"We obey," squeaked the Dolphins.
"Only one thing remains to be done, to dress you, Ridgwell, and you,
Christine."
"What shall we be dressed in?" inquired Christine.
"Shut your eyes," said the Lion gently, "and stretch your hands over
the lake of the fountain and take what the Dolphins give you. They
know what you want, and their taste in such matters is exquisite."
The children shut their eyes and obeyed. The Lion leant over the rim
of the lake and whispered to the Dolphins--
"Dress the boy like a prince, and the girl like a little queen. The
richest stuff, mind, five guineas a yard. Give her a crown of the
whitest daisies with shell pink petal tips for a crown. No jewels, no
pearls, no, no.
Take, oh take the pearls away,
For they bring tears, the wise men say.
chanted the Lion in his rich double bass. "Give them both jewelled
shoe buckles; give the boy jewelled levée buttons for his satin
breeches, a plain gold circlet for his head. A train for the girl from
her shoulders, of pure cloth of gold; bring it light, so that it does
not weigh heavily. White satin for the boy, with richest figured
velvet doublet set with cloth of gold. Hang round their necks now,
with all its luminous jewels, the highest order in the world, the Order
of Great Imagination," commanded the Lion, "For by the Order of Great
Imagination they shall see things that no one else can see, they shall
be able to listen to things that no one else shall be able to hear.
They shall delight in the exquisiteness of things as no one else can
delight in them, who has not received this order. For I declare to you
all that a child who has this glittering order shall know of things
that nobody else in the whole world shall know of. Everything is
ready."
"Let us have Spring," commanded the Lion.
Immediately the words were uttered there came the soft beating of
birds' wings over Ridgwell's head. The atmosphere instantly became
fragrant with the myriad scents of wild flowers.
A mist seemed to swim for a second before their eyes, and, as it
cleared away, they were standing together with many other children
knee-deep in unending banks of bluebells and primroses.
They were in the midst of the most perfect wooded dell they had ever
beheld.
Thousands of delicate flower-stems thrust their tiny spears from earth
and emerald moss, blossoming with flowers before their wondering eyes.
The spiral hedges slowly shook out dappled clusters of white hawthorn.
The interlaced trees above them, amidst which all the birds in
Christendom appeared to be carolling simultaneously, gently outspread
friendly arms, overladen with powdered red and white may blossom.
Butterflies with gaily painted wings hovered tenderly overhead, and
tiny silver thistledown balls sailed across the blue sky spaces, like
little wayward balloons without anybody in charge of them.
"You can all pick as many flowers as you like," suggested the Lion.
"Flowers were meant for the children to pick, so make yourselves
nosegays, garlands, and crowns galore. There are no notices _here_ to
keep off the grass. You can also chase the butterflies if you like,
but I warn you that you will never catch them. As a matter of fact
that is the one thing I don't permit. Any butterfly with really nice
feelings objects most decidedly when a pin is run through its body, as
much as a happy fish hates to be caught upon a hook. I sympathise with
both of them, and consider such practices ought to be stopped."
Ridgwell, well-nigh immersed in a bank of bluebells, listened in a
semi-enchanted condition to the Lion's words of wisdom, and watched the
brilliant-coloured butterflies chasing each other in the pearly spaces
above him.
Christine, grasping a great yellow bunch of primroses in each hand,
ceased picking flowers and watched the bright-eyed squirrels and
rabbits gambolling everywhere around.
"Ridgie, have you noticed all the rabbits and squirrels are quite tame?"
"Of course they're tame," agreed the Lion, "Nobody here to hurt them;
why, they will come and eat out of your hand."
"Why is that?" asked Ridgwell.
"No guns or traps," chuckled the Lion. "Any animal respectably brought
up is indignant at the very thought of a gun or a trap; consequently
they keep themselves to themselves, and seldom go out into society."
Ridgwell's gaze roamed over the lovely spring landscape, and rested
upon the masses of flowers the other children were picking.
"Everything here is just as it ought to be, isn't it, Lal?"
"Every single thing," answered the Lion. "But it is going to change,
you know, almost directly."
"Change?" echoed Ridgwell. "Why, Lal?"
The Pleasant-Faced Lion chuckled softly, and lifting his head, called
out, "Summer."
Immediately the Lion said "Summer," everything around commenced to
alter most strangely.
Banks of primroses became stretches of sparkling golden sands, and the
great masses of bluebells, after swaying once or twice, dissolved
themselves into the misty rippling waves of a summer sea.
Christine and Ridgwell, looking hopelessly perplexed, found they were
each in a tiny boat with a pearly sail, skimming over shallow blue
waters that sparkled like sapphires.
The sky over their heads had changed to the burning blue of a summer
day. The air was filled with the sweet salt spray of the sea, which
descended in delicious showers upon all of them.
"Have all the children got boats?" demanded the Lion.
"All," shrilled the Dolphins. "Their boats can't upset, Lal, and the
waters are transparent, and shallow enough for them to fish up coloured
shells, coral, and mother-of-pearl. There's a sunken treasure-ship
half buried in the sands far upon the other side, Lal, if they sail for
it."
"They'll all make for that safe enough," answered the Lion. "Push
their boats off, Dolphins, and help them all to land upon the far
shore."
The Dolphins, splashing the water into little white frothy waves,
accompanied the little bobbing fleet of pearl-boats, and sang gaily as
they swam alongside.
"Blue and gold on the summer sea,
Each little mast with a sail of pearl,
Each dipping boat holds a boy or girl,
A most enchanting argosy.
A ship one's longed for most perhaps
That cannot anyhow collapse.
We'll sail away to the golden strand,
And maybe discover No Man's Land;
Each one of us will get a peep
Into the wonders of the deep,
Dredging for shells of brilliant hue,
And discovering mermaids too.
Sing ho! for a galleon of Spanish gold,
With jewels and ivory in the hold.
What treasure we'll find upon the main!
What triumph when we sail home again!
The wonder of every lad and lass
Will be the booty we amass."
After a short but entrancing voyage, and even whilst Ridgwell and
Christine stood with the other children waist-deep in the great carven
hold of the sunken Spanish galleon, shovelling out golden doubloons and
precious jewels, the sound of Lal's voice came across the water to them.
"Autumn, ahoy!" shouted Lal.
* * * * *
"Isn't it bewildering, Chris?" lamented Ridgwell. "Only a second ago
we were enthroned in a castle of golden coins and precious stones, and
now, without any sort of warning whatever, we are standing upon the top
of a waggon-load of newly-mown hay."
"Yes, Ridgie, and look at Lal across there, laughing about it like
anything."
"He certainly does play tricks with us, Chris. See, he is sending all
the children racing across to draw our hay-cart with those ropes of
acorns and leaves they are holding. Hullo!" broke off Ridgwell,
"somebody is throwing things at me, and if they continue doing it I
shall jolly well start throwing back again."
Christine looked up from the stack of loose hay surrounding her in the
cart upon which they stood.
"Why, it's apples," announced Christine.
"Where?" inquired her brother.
"Look, Ridgie, overhead, hundreds of them hanging from every tree. We
can reach them quite easily."
There could be no doubt about the matter. Rosy apples ripened by the
sun dangled in clusters overhead, and gently fell down at the very
moment when any one felt disposed to eat them.
Within easy reach grew trailing brambles smothered with ripened patches
of fragrant blackberries.
The Pleasant-Faced Lion lifted up his voice and inquired if the company
present desired anything better, at the season they were now passing
through, than unlimited apples, blackberries, and hay.
"No," came a simultaneous chorus from all the children.
"Good," replied the Lion. "After you have all eaten as many apples and
blackberries as you want, the battle of the new-mown hay will start. I
shall be the umpire. If Ridgwell and Christine can throw enough hay
from their big cart to bury all the children around them, they will
have won. If the other children can throw up enough hay to completely
smother the cart, Ridgwell and Christine will have lost. Now start,"
laughed the Lion.
"Look here, Chris, we must get to work, so here goes."
Whereupon Ridgwell seized a big armful of loose hay and awaited the
attack.
"We have the advantage of height," observed Christine, as she hastily
gathered as much hay as she could hold, "and you know, Ridgie, it is
much easier for us to throw down than it is for them to throw up."
"How about numbers?" objected Ridgwell; "why, it's two against
hundreds, Chris."
Then the battle commenced. That engagement was a memorable one amidst
the scented hay. Not infrequently it happened that only a laughing
eye, or the tip of a small nose was anywhere visible to show who might
be the victor. Nobody will ever be quite sure who won, and it is
doubtful if the point was ever decided.
Ridgwell, feeling very smothered up, was remarking to Christine in
muffled tones that he thought they must have lost, when the voice of
Lal announced "Winter."
"Don't you feel buried, Chris?"
"Yes," came the unexpected reply, "I am. I'm simply buried in furs and
snow!"
"Furs and snow?" repeated Ridgwell incredulously. "What on earth do
you mean, Chris? Oh, good gracious, Chris, I've got an extraordinary
feeling I'm falling over a sort of precipice."
"So we are," rejoined Christine philosophically. "Don't you see,
Ridgie, that Lal has changed everything again. We are on a toboggan
sleigh, and just starting down no end of a steep hill."
Ridgwell rubbed the finely powdered snow out of his eyes.
An entrancing winter scene lay below them. Giant blue-green pine-trees
were dotted about over the glistening snow which flashed with a million
diamond sparkles. All the children were clad in beautiful furs.
Some of them were sliding and skating, others snowballing and tumbling
in the snow.
"Hang on, Ridgwell and Christine," shouted the Lion, "your toboggan has
started at a pretty good pace. Hold tight."
Ridgwell and Christine shut their eyes, and as neither of them had any
breath during that wild descent, they could only compare notes
afterwards as to the amazing sensations they experienced during these
moments.
When the toboggan had finally brought itself to a standstill Ridgwell
extricated himself and viewed the snow-powdered spaces in front of them
a trifle apprehensively. Bounding along towards them raced a pack of
animals. Their eyes were glistening and their tongues hanging out.
"Wolves!" muttered Ridgwell. "Oh! I say, Chris, I don't think I quite
care about meeting wolves. Do you? They don't look very friendly
either, by the way they are coming along."
"It's the stray dogs," shouted Christine; "and look, Carry-on-Merry is
putting little teams of them into sleighs to draw us along."
"Sleigh races about to start," called the Lion. "Take your seats,
shake the reins and you will hear the silver bells tinkle. The first
sleigh to reach the farthest pine-trees wins the race. Off you go."
Away flew the dogs, drawing the children over the powdered snow tracks.
After the race Carry-on-Merry collected all the children together.
"I propose a snowball match," grinned Carry-on-Merry. "Gamble, Grin,
Grub, and myself upon one side, against all you children."
"Ho, ho, ho!" laughed the Pleasant-Faced Lion. "My goodness, what a
beating all you children are going to have. Why, Carry-on-Merry and
his lot can manufacture snowballs as quick as lightning."
The battle commenced without delay, and it was a terrific conflict.
Hundreds of little snowballs whizzed through the air.
"Ha! ha!" laughed the Pleasant-Faced Lion, "the children are
retreating. Carry-on-Merry, Gamble, Grin, and Grub, I believe you are
the champion snowballers of the world. I think myself you must have
acquired the gift from some unusually impish urchins whose methods you
have closely observed round Westminster way. I consider your skill
quite in accordance with the best street traditions."
The children were eventually snowballed to a standstill, and flinging
away their remaining ammunition rolled themselves over on the snow to
avoid any more of the unerring missiles of Carry-on-Merry and his band.
"Give in," demanded the Lion pleasantly.
"Never!" laughed the children.
"But you're beaten, you know," insisted the Lion. "Carry-on-Merry, you
can take them all prisoners and escort them to the Pavilion of Gold."
Even whilst the children were tumbling in the snow the atmosphere
became inky black.
The darkness was not in any way alarming; it had taken place so
gradually that they scarcely noticed it, which only intensified the
marvellous change which was to follow.
CHAPTER III
THE GOLDEN PAVILION
Christine and Ridgwell never forgot the sight that met their eyes when
the strange transformation took place. It was dazzling in its beauty
and it was some seconds before they could realise the full wonder of
it. The dimness of the light changed to the most exquisite
illuminations imaginable.
Christine and Ridgwell realised that the party was to take place in a
gorgeous golden pavilion.
The fountains, which had slid to either end of the pavilion, shot up
brilliant globes of changing light which hovered in the air like tiny
coloured air balls, whilst the tops of the fountains spraying a golden
mist, were echoed again in the lustrous glow of walls and roof.
From the pearly dome whose outline was only faintly suggested overhead,
and upon every side, hung myriad stacks of flowers, which now and again
fell in fragrant jewelled showers upon the children, just as soon as
each blossom had grown into perfection.
Upon a golden dais at one end were King Richard and King Charles clad
in glittering silver armour, with Queen Boadicea arrayed in purple, in
the centre; whilst St. George stood beside them in shining golden
splendour.
Ridgwell and Christine stood beside the Pleasant-Faced Lion upon
another dais immediately facing the royal personages. The Lion was no
longer a dull, copper green hue; his whole body had changed to the
colour of burnished gold and his great mane shone like a sun.
Forty children dressed in the vermilion and black of Beef-eaters from
the Tower with halberts in their hands, lined the way up the shallow
golden steps to each dais, twenty upon either side.
The Lion gave his last orders for the ceremony--
"Gamble, Grin, Grub, and Carry-on-Merry, sound the Merry Fanfare on
your silver trumpets!"
The four little lions gaily arrayed in scarlet and gold advanced into
the centre of the great space and executed a remarkable fanfare, which
without being entirely a march, or wholly a waltz, was nevertheless
delightful to listen to.
Immediately a procession of the most lovely children entered, dressed
in every brilliant costume imaginable.
The delicious fragrance of the scented golden mist, diffused from the
two fountains, filled the air as the happy and beautiful children, boys
and girls, danced into the pavilion. They all paused to bow to the
Royalty present, and St. George; then they advanced to where Ridgwell
and Christine stood beside the Pleasant-Faced Lion.
They greeted the Lion as an old acquaintance and blew him kisses as
they passed.
As they moved along, glittering in costly silks and satins, winding in
and out with the changing colours of a rainbow, Ridgwell spoke to the
Lion--
"Lal, Christine and I have never seen so many lovely children before.
Surely these are not the stray ragged children of London? Why, their
faces are the colour of the new roses that are falling everywhere about
us, and look how bright their eyes are!"
The Lion smiled, then pointed to the scented golden spray being
showered from the two fountains.
"They look lovely as you see them," said the Lion, "because perpetual
health, and love, and happiness are being diffused upon them from the
fountains. Outside they were different," continued the Lion; "but here
the dark circles disappear from beneath their eyes, which become bright
and full of love, as they ought to be, the little puckers of care and
want are sponged out of their faces by the spray from the fountain.
The pallor of their faces changes to rosy health and beauty as it
should; the pinched look many of them wear, gives place to roundness
and the happy laughing curves of childhood that doesn't know or reckon
of any care."
"But, Lal, where do all these wonderful things come from?" questioned
Ridgwell; "the great canopy, the golden carpet, all the costumes and
the jewels?"
The Lion chuckled. "They all come out of the fountains, straight from
the warehouses of the merchants. The Dolphins bring them. Everything
comes from the fountains."
"You see," proceeded the Lion, "there is going to be plenty to eat and
drink and everything of the best." Once again the Lion pointed towards
the two fountains: "See the eight golden dolphins with their golden
trays, they hand up delicious cakes, the best fruit, ices, lemonade,
chocolates, sandwiches, anything you want."
"Shall we have some of those delightful things to eat too?" asked
Ridgwell.
"Oh, be reassured, my child," smiled the Lion, "the Dolphins won't
forget either you or Christine, they will dance up to you with their
trays filled with everything you want."
"If all those other children look so very beautiful, what do _we_ look
like?" Ridgwell asked the Lion in a whisper. "You see there are no
looking-glasses, are there?"
For the first time the children remembered to look at one another.
Christine was the first to speak, and it was with a cry of great
delight she turned to Ridgwell--
"Oh, Ridgie, you are lovely," said Christine.
"Course he is," said the Lion.
"I don't know about that," said Ridgwell hesitatingly. "I think you
have made a mistake in the excitement."
"I've not," insisted Christine; "why, you look like a beautiful little
Prince."
Here Ridgwell, who, overcome with modesty at these tributes, had been
examining his jewelled shoe-buckles with downcast eyes, looked up at
his sister.
"Well, how about you?" exclaimed Ridgwell. "Why, you look like a
lovely fairy queen----"
"Course she does," said the Lion.
"Don't be silly, Ridgie," said Christine, severely.
"I'm not," asserted Ridgwell. "I've never seen you look like that.
Perhaps," added Ridgwell, "these glittering orders we wear round our
necks have something to do with it."
"You're right," said the Lion, "the priceless Order of Great
Imagination enables you to see everything that is beautiful as it
really is, and, of course, everything here is beautiful, so," added the
Lion logically, "why should you both be different from anything else?"
The Lion beckoned to one of the Dolphins.
"Here," said the Lion, as the Dolphin approached them, "hold up your
burnished golden tray and let the boy see himself."
The Dolphin held up the polished tray and Ridgwell looked into it
wonderingly.
"My goodness," said the Lion, "I thought girls were vain, but boys are
worse!"
"That _can't_ be me," said Ridgwell.
"Well, it isn't me," grumbled the Lion, "that's certain."
Christine peeped over the shoulder of Ridgwell's golden tunic.
"It's like us," said Christine, "but yet it isn't us at all."
"That is what people always say when they see their own photographs for
the first time," observed the Lion wisely. "Ha!" broke off the Lion,
"here come the dogs."
"Have you placed the two long troughs at the far end for them?"
demanded the Lion.
"Yes," chorussed the little lions.
"What have you filled them with?" questioned the Lion.
"Finest mutton and chicken bones in one," laughed Carry-on-Merry,
"water in the other."
"Have you remembered their special strip of comfortable carpet?" asked
the Lion anxiously.
"It's there," grinned Carry-on-Merry.
"Why are the stray dogs to have a strip of special comfortable carpet?"
asked Christine.
"Because they like to pick the bones afterwards upon the carpet," said
the Lion; "it's a little habit of theirs, and they are not so highly
trained as we are."
A most extraordinary procession now made its appearance before them.
The children might have thought it was a Noah's Ark, only the dogs
advanced in fours. Newfoundlands, St. Bernards, Mastiffs, Retrievers,
every conceivable dog down to tiny fox terriers, Spaniels and Yorkshire
terriers. They all looked very happy and their coats shone as if they
had been lately washed and had afterwards dried themselves in the
golden rays of the warm sun, which even now seemed to linger over them.
"Lovely creatures," said Christine.
"Ripping," said Ridgwell, "they are dears."
"Started to munch their bones already," grunted the Lion. "Well,
they're not so highly educated as we are. A party to them is a party,
and they don't wait for anybody, which, after all, is the proper thing
to do. Where's the Griffin?" demanded the Lion of Carry-on-Merry,
after that intelligent creature, having acted like a verger (a habit he
had probably acquired from a life-long proximity to Westminster Abbey),
had shown all the dogs to their places along one side where the
comfortable carpet formed a sort of aisle.
"Ha! Ha! Ha!" laughed Carry-on-Merry, "the Griffin is late."
"He's always late," grumbled the Lion, "his head's weak, and he never
can remember what time a party starts."
"Here he comes," grunted Carry-on-Merry, "and, oh! my goodness, what
_does_ he look like?"
"Absolutely ludicrous as usual," said the Lion.
The Griffin presented an intensely comical appearance. Wishing to keep
up the dignity of the City, he had chosen for his party-dress a scarlet
Lord Mayor's robe, edged with fur, which he had folded around himself
in an exceedingly ridiculous fashion.
Upon his head, as he believed it to be becoming, he had placed jauntily
sideways, an immense green dunce's cap from one of the children's giant
crackers, which the Griffin had pulled as he entered the doors.
The Griffin had decided to adorn his front feet with strips of scarlet
flannel, because he declared that he had chilblains, and furthermore,
his paws were exceedingly tender after his encounter upon the previous
evening with St. George.
It was thus that the Griffin ambled in trailing his Lord Mayor's robes
behind him, and smiling aimlessly from right to left upon everybody
present.
"Has everybody missed me?" sniggered the Griffin. "I fear I'm late!"
"Nobody has missed you at all," retorted the Pleasant-Faced Lion.
The Griffin looked hurt for a moment.
"Oh, surely, Lal," entreated the Griffin; "_surely_ some one missed me!"
"No," said the Lion firmly.
The corners of the Griffin's mouth trembled.
"Now then," said the Lion, sternly, "no emotion."
"No! no! Lal," faltered the Griffin, "but when I think of that lovely
saying, 'Everybody's Loved by Some one'----"
"There are exceptions to every rule," snapped the Lion.
"Oh," sniggered the Griffin, "then it does apply even to me, for I
myself am an exception. There is only one of me," ended the Griffin
eagerly, "only one in all London."
"Some things don't bear repeating," said the Lion.
The Griffin's weak memory came to his aid at this awkward moment:
"That must particularly apply to your last remark," simpered the
Griffin.
"You have heard somebody else say that," objected the Lion.
"True," sniggered the Griffin, "and it will not be the first time that
the remembrance of other people's sayings have passed for wit; and I
have always so longed to be a wit," sighed the Griffin. "Don't you
think, Lal, that I might one day be a wit?" inquired the Griffin
anxiously.
"No," said the Lion, "I don't; you have none of the necessary
qualifications."
Once again the Griffin's mouth trembled piteously.
"Oh, Lal," implored the Griffin, "think, only think again."
"I couldn't," answered the Lion, "some things don't bear thinking
about."
The Griffin, with two tears trembling in his eyes, clasped his
flannel-wrapped foreclaws together beseechingly and changed the nature
of his supplication:
"Very well, Lal, then perhaps as you have never seen me act, I might
arrange some theatricals and amuse the children and the company
present. Of course," simpered the Griffin, "I should play the chief
funny part myself; wouldn't it be wonderful if I played the chief funny
part myself?"
The Lion looked at the Griffin contemplatively for a second: "You will
never be funnier than you are now," remarked the Lion, "and we are not
going to have any theatricals at all, the children are going to dance."
"The very thing," agreed the Griffin. "I will lead them; I dance so
beautifully."
"No," said the Lion firmly, "if any one leads them it will be
Carry-on-Merry, but they won't want any leading at all. The best thing
you can do is to keep quite quiet and make yourself useful."
"Oh, Lal, don't ask me to be useful," shuddered the Griffin. "It is
such a dreadful word, and _anybody_ can be useful."
"You think so," said the Lion, as he smiled his wisest smile.
"I must be something far better than that," remonstrated the Griffin,
"and it has just struck me that I had better go round and find out from
everybody what they would like me to do," and the Griffin moved off
eagerly to gather the opinions of everybody present as to this most
interesting point which concerned him so closely.
"Always dying to show off," grunted the Lion. "You can see in the
Griffin the absolute type of one who being weak in the head and totally
unable to do anything, is nevertheless always longing to show off
before others, who are cleverer than himself."
"Perhaps he will find somebody who wants him to do something,"
suggested Ridgwell, hopefully; "but why didn't he want to be useful?"
"Because the poor Griffin believes himself to be extremely ornamental,
and therefore, like all conceited people, he will never be able to see
himself as he is in reality. He wishes to lead before he has been able
to learn."
Carry-on-Merry, Gamble, Grin, and Grub had by this time fixed up a
strangely decorated Maypole; it was nothing less than St. George's
Pillar, but so bedecked with hanging flowers and brilliant silken
corded ribbons that the children had some difficulty in recognising it
again.
Then the four laughing lions could be seen racing along with a most
wonderful piano-organ, into which Gamble, Grin, and Grub were
harnessed, whilst Carry-on-Merry turned the handle.
It must at once be admitted that this particular musical instrument
differed very considerably from any piano-organ ever heard in the
streets, and it could never have come anywhere from the neighbourhood
of Saffron Hill.
It discoursed the sweetest music in the nature of a dance tune that was
irresistible, and the feet of all the children present started in time
to it simultaneously.
"Now, Ridgwell," said the Lion, "take Christine and dance with her. Or
would you sooner stay here and look on at the sight?"
"I shall do both," asserted Ridgwell, "dance first and look on
afterwards."
"Good," assented the Lion; "an able definition of eating your cake and
having it at the same time. Off you go then."
"Won't the Kings, Boadicea, and St. George dance too?" asked Christine.
"No, George doesn't dance," said the Lion, "neither do the Royalty;
they graciously look on. I don't dance either, I do not consider it
dignified, so I sit here, conduct the ceremony, and beat time to the
music with my paw."
That dance was the wildest, gladdest, merriest thing the children ever
remembered, and the threads of golden light filtering through the flash
of the coloured costumes as they wound in and out, added tints of
splendour as of an ancient pageant.
Who could keep from dancing to such an exquisite tune, and who could
help being glad when ropes of lovely flowers were being twined round
lovelier childish faces, flower-like themselves, flushed with gay
excitement, with perfect health, with gladness?
Ribbons of changing light they threaded in and out, round and through,
no one could tell how many times, and over all the golden scented dew
of perfect health and beauty fell from the two fountains upon the
up-turned faces.
It is true the Griffin made several ineffectual attempts to break
through the laughing, whirling ring, under the impression that the
circle was incomplete without him, but Gamble, Grin, and Grub were
always at hand to pull him back, and prevent this amiable but mistaken
intrusion.
From the piano-organ which he turned so gaily, Carry-on-Merry found it
was necessary to caution the Griffin after his last frantic attempt to
break through the ring of dancing children.
"I want to dance," urged the Griffin.
"I think you want a keeper," grinned Carry-on-Merry, "or a policeman or
something, to keep you in order."
The Griffin turned pale.
"Oh! no," implored the Griffin, "not a _policeman_."
"Well, then, behave," grinned Carry-on-Merry.
"Very well," sulked the Griffin, "as I am not wanted I think I shall go
home and give a party to myself."
"Don't go," grinned Carry-on-Merry, "I have thought of something you
could do presently."
The Griffin flushed with delight.
"Will it be something grand?" asked the Griffin breathlessly,
"something that will show me off, something that will make me talked
about, something so big that it won't be like anything else?"
"Rather," grinned Carry-on-Merry; "you bet it won't be like anything
else, at least," added Carry-on-Merry truthfully, "it won't be like
anything else I have ever known."
"Oh, thank you, thank you," gushed the Griffin. "I could swoon with
joy, I feel so overwrought that I shall go to one of the fountains and
ask the dear Dolphins for some light refreshment."
"No, you don't," instantly objected Carry-on-Merry, "the dance is
nearly over, and the children are all going there immediately; you
would only be in the way, but," added Carry-on-Merry, with a wicked
twinkle in his eyes, "I have a much finer idea than that."
"Really?" inquired the Griffin. "Really a fine idea?"
"Ripping," responded Carry-on-Merry, as he mysteriously produced from
an inside pocket of his royal scarlet coat a big white damask dinner
napkin.
"What _can_ it be for?" simpered the Griffin; "and will it help to show
me off to advantage?" he anxiously inquired.
"Rather," said Carry-on-Merry. "Listen! Put this dinner napkin over
your face, sit in a corner and go to sleep. Now the _most_ remarkable
thing you could do in an assembly like this to attract attention, would
be to go to sleep."
The Griffin for a moment looked dubious. "Then," said Carry-on-Merry
with a still more wicked gleam in his mischievous eyes, "I will tell
every one that you are 'The Sleeping Beauty' and everybody will
immediately want to see you."
"How lovely," sighed the Griffin, "and I shall look the part and be the
part; in fact," added the Griffin, "I shall be _the_ thing of the
evening."
"_You will_," rejoined Carry-on-Merry enigmatically, "but that is not
all. When I wake you up at last, of course all the children will
laugh."
"What at?" inquired the Griffin suspiciously.
"Why, for joy at the discovery."
"Humph!" debated the Griffin, "only joy--not admiration?"
"Oh, yes," glibly replied Carry-on-Merry, "admiration, of course, and
the sheer beauty of the thing. Ha! ha! ha!"
"Yes, yes," eagerly interrupted the Griffin, "sheer beauty sounds
better, sounds more like me."
"Of course it does," laughed Carry-on-Merry. "Then perhaps I shall ask
you to sing."
"Oh! Carry-on-Merry," faltered the Griffin in a broken voice, "you
have touched my heart--that is the very thing I was waiting for
somebody to ask me to do. To sing," rhapsodised the Griffin--"to be
like one of those great singers out of the opera, to pour out one's
heart tones, to be gazed at by every eye, to be listened to by every
ear, to be the adored of all. How can I thank you? How can I repay
you?"
"Don't, please," implored Carry-on-Merry, who appeared to be choking
inwardly, "don't thank me any more now, I can't bear it--some other
time."
"Yet stay," cried the Griffin, with unexpected and dramatic suddenness,
"who is going to kiss me?"
"Kiss you?" echoed Carry-on-Merry blankly, "kiss you? Good gracious!
I give it up."
"Yet," pondered the Griffin, "somebody had to kiss the Sleeping Beauty!"
"You won't find anybody to do it," said Carry-on-Merry decisively.
"Why not?" asked the Griffin sharply.
"I mean," amended Carry-on-Merry, "nobody could be found for the moment
of sufficient importance."
"Oh, I see," replied the Griffin, "yet perhaps Boadicea would oblige."
"Out of the question," said Carry-on-Merry. "Besides you know she
never takes part in any--any--er--_festivities_ at all."
"True," lamented the Griffin, "and yet assuredly I must be kissed for
the thing to be natural."
Carry-on-Merry turned away his head, for Carry-on-Merry almost felt
that he could not trust himself to speak at that moment. Then one of
his many bright ideas occurred to him. "I know," rapidly explained
Carry-on-Merry, "I have it; I will find some important personage
present to give you a rap."
"Where?" moaned the Griffin, "not on my knuckles. You know I cannot
stand anything of that nature on my knuckles."
"No--no----" grinned Carry-on-Merry. "I mean a tap, just a little tap."
"I see," agreed the Griffin. "Very well, one little tap, a tap as
dainty as if a feather had brushed me in my sleep."
"Or a floating piece of thistledown," laughed Carry-on-Merry.
"Oh yes," said the Griffin. "Thistledown sounds more romantic, and
then I shall wake from my dream."
"I don't think myself you ever will," observed Carry-on-Merry, quite as
if he were thinking of something else.
"What!" said the Griffin. "Never wake?"
"Yes, yes," interrupted Carry-on-Merry hastily, "but you have to go to
sleep first, you know, and you had better hurry up whilst the children
are eating, then you won't be observed."
"But I want to be observed," objected the Griffin.
"Of course you do," insisted Carry-on-Merry, "but that comes later on.
Go at once."
The amiable Griffin departed accordingly to carry out his part of the
programme, and forthwith lumped himself in a distant corner, with the
grace of a camel who had found sudden and unexpected opportunities of
benefiting his health through sleep. From this slumber the Griffin
found it necessary to rouse himself after a little while, upon hearing
the children all shouting his name. The entire party having partaken
of the delightful refreshments provided according to the various
requirements of their constitutions, were watching a moving series of
cinematograph pictures of London.
One of the great golden spaces of the walls formed the screen, Gamble,
Grin and Grub, full of laughter, manipulated the cinematograph machine,
whilst Carry-on-Merry gaily pointed out the pictures with a big golden
wand.
All the children loved the pictures, for they were faithful portraits
of themselves as they appeared every day in the London streets, when
they were not arrayed in gorgeous robes for a Princely Party.
The streets they knew only too well but yet they loved them. Were they
not always in the streets--were they not passing every day of their
lives the very scenes they were now watching flung upon the screen?
The picture being shown at the moment the Griffin heard his name
called, was a Royal Procession passing Temple Bar.
Instantly the children recognised the Griffin and called him by name.
The Griffin awoke, saw himself being shown upon the moving picture
film, and gave a shriek of delight.
"Stop! oh, stop!" shrieked the Griffin, as he ambled across to
Carry-on-Merry and seized the Gold Wand. "Please don't hurry past this
beautiful picture. Of course," cried the Griffin with a silly laugh,
"of course it's me, _ME_ with Royalty passing me. Is it not
beautiful?--you can all see for yourselves. I am sitting higher up
than Royalty itself. Notice the way the Royal personages bow and laugh
as they pass me."
"They laugh right enough," agreed Carry-on-Merry.
"Eh?" said the Griffin suspiciously.
"The Griffin ought to have been a showman," observed the Pleasant-Faced
Lion.
"Now we pass on to the next picture," called Carry-on-Merry.
"Oh, _don't_ hurry," implored the Griffin. "Don't pass the most
beautiful of all the pictures in such haste."
"_Next_ picture," laughed Carry-on-Merry.
The Griffin, after bestowing a hurt look upon Carry-on-Merry, retired,
and again composed himself for sleep.
His slumber this time was not destined to be of long duration.
A grey sombre figure suddenly strode into the brilliant flower-draped
pavilion; a slouch hat made the figure look very sinister, and a sword
clanked at his side.
The figure strode on and scowled darkly at King Richard sitting
gracefully upon his charger. "Ho! ho!" called the sombre man in a loud
voice. "Ho! ho!" he repeated with a mirthless laugh.
King Richard neither moved not took the faintest notice.
On strode the figure towards King Charles seated upon his charger, and
who was regarding the children with the pleasantest expression possible.
"Ha!" shouted the figure as it strode along. "Ha! I say, Ha!"
King Charles still smiled gravely and took no notice. The striding
figure that shouted "Ha!" might never have uttered a word for all the
notice King Charles took of him.
"Ha!" shouted the figure for the last time.
Then, seeing that nobody took any notice of him, the figure looked
glum, and folding his arms espied the Griffin peacefully asleep, the
white dinner napkin covering his fond, foolish face, waiting to be
awakened, so the Griffin fondly hoped--awakened by a gentle tap as
Beauty. The Griffin's slumber seemed to annoy the sombre man
intensely, for without uttering a syllable he drew his sword and smote
the Griffin hard upon the red flannel paws that were folded with a view
to pictorial effect beside the Griffin's covered face.
There was a shriek of anguish, and the Griffin awoke.
The pain the Griffin suffered from the blow upon his tender paws was as
nothing compared to the blow to the Griffin's feelings when he realised
that his ineffably touching picture of the Sleeping Beauty had been
spoiled for the evening. A great surge of sudden hatred swept over the
Griffin at the swaggering intruder who had dared to strike him, and
simultaneously the Griffin remembered something he had once heard said
by a man in blue wearing a helmet close to where he always stood in
Fleet Street.
The Griffin seized Carry-on-Merry's golden wand for the second time
that evening and approached the sombre man of the top boots and the
slouch hat menacingly. "Move on," shouted the Griffin, giving a
lifelike imitation of the man in blue with a helmet. "Move on, d'ye
hear?"
The sombre figure backed a little way in astonishment.
"Move on," said the Griffin, "out of this; we don't want you here.
Orff you go!" The sombre figure retreated a little more. "If I catch
you here again," said the Griffin pompously, "I will run you in; no
loafing here!" The sombre man gave one scowl, sheathed his sword with
a clank, and hurriedly took his departure without once looking back or
uttering any further remark.
"Bravo!" muttered the Lion, "that is the first useful thing the Griffin
has done all the evening."
"Who was that dismal looking man muffled up like a brigand?" asked
Ridgwell.
The Lion smiled. "That was Oliver Cromwell. He came to try and spoil
the party."
"Why?" asked Ridgwell.
"He doesn't like the extravagance," said the Lion; "he hates any
display, and cannot bear to see children happy."
"Thank you, Griffin," said Christine.
"Listen, all of you," simpered the Griffin, "some one has thanked me.
Oh! Fancy anybody thanking _me_. Has everybody heard me publicly
thanked?" asked the Griffin anxiously.
"Yes, everybody," said the Lion; "we don't want any more of it."
The Griffin looked sulky.
"As long as everybody knows what I did," said the Griffin. "Nobody
else thought of doing it. Do you think it was better than my being the
Sleeping Beauty?" inquired the Griffin eagerly.
"Yes," replied the Lion, "it was more realistic."
"Fancy that, more realistic! how beautiful!" and the Griffin sidled
away, sniggering with self-gratified pride at his own achievement.
"I am afraid," explained the Lion to Christine and Ridgwell, "that he
intends to sing."
"But can he sing?" inquired Ridgwell.
"No," said the Lion, "it is a wretched performance; yet, like all other
people who cannot really sing, he is dying to be asked to do so, and I
feel sure that some one will be misguided enough to ask him. You see,"
explained the Lion, "the Griffin cannot sing in tune, but like most
people afflicted in the same way, he is totally unconscious of his
failing, and really believes his own singing to be quite beautiful."
Christine and Ridgwell both laughed. "It must be very funny," they
said.
"It is so funny," answered the Lion, "and so deplorable at the same
time that it is almost beyond a joke."
Almost before the Lion had finished speaking Carry-on-Merry, with a
particularly wicked laugh, danced to the centre of the bright ball-room
and said he thought that perhaps the Griffin might be persuaded to sing.
"I thought so," groaned the Lion.
The Griffin gurgled with pleasure, and immediately started to look coy,
and playfully tap the golden carpet spread upon the ground with his
forepaws, as if he had suddenly discovered some new beauty in the
pattern of the luxurious floor covering.
"Really," said the Griffin, "I do not think I could. Oh! really _no_."
"Showing off," grunted the Lion; "he'll sing in the end, safe enough.
Worse luck!"
"With all these beautiful singers here," smirked the Griffin, "to ask
_me_. Oh!--really!"
"Oh, please sing," everybody murmured politely.
"Oh--oh!--really," simpered the Griffin, trying in vain to blush. "You
see, I am not perhaps in my usual form."
"What on earth will it be like, then?" ventured the Lion.
"I am sure you will honour and delight the company," laughed
Carry-on-Merry, with his wickedest laugh.
"Besides," demurred the Griffin hesitatingly, "I have two chilblains
and such tender paws, I don't think I could really."
"We did not ask you to _play_," interrupted the Lion shortly.
"No, no," replied the Griffin hastily, "to sing--I understand. Yes, to
sing. Oh--fancy asking _me_ to sing. Well, well, perhaps a few bars."
"Now we are in for it," said the Lion, "and I don't suppose you will
ever hear anything like it again."
"I do so want to hear the Griffin," said Ridgwell, "and I really cannot
think what it will be like."
"Like?" echoed the Lion, "it will be like the effect of the first early
gooseberries of the year without sugar or milk; it will be like slate
pencils squeaking upon slates; like a trombone that somebody is
learning to play for the first time. However, nothing short of an
earthquake will stop him now, for, as I tell you, he is simply dying to
sing the moment he thinks anybody at all will listen to him, and that
he can show off. However," added the Lion, "when it gets beyond all
human endurance, I make a sign to Richard I. Now the Griffin is
terribly frightened of Richard I."
"Why?" asked both the children.
"Because the Griffin is afraid that Richard will advance and hit him on
the paws with the big sword he carries."
"And will he?" asked the children.
"Yes," said the Lion, "if it gets too bad."
Everybody stopped talking now, for the Griffin, after much further
pressing, had made up his mind what he was going to sing. He decided
to make a start in a key which was indescribable, and with a voice that
resembled the twanging of a banjo that had not been tuned.
And thus the Griffin sang--
"Of a merry, merry king I will relate
Who owned much silver, gold and plate,
And wishing to be up-to-date
Within his city,
Placed a handsome Griffin outside the gate,
A creature pretty.
"Yet one thing, the merry, merry king forgot
That it would be his Griffin's lot
To be very, very cold, or very, very hot,
High up in Fleet Street.
So slowly the faithful creature got
Chilblains upon his feet.
"The Griffin grew prettier day by day
Directing the traffic along each way,
With always a pleasant word to say
All along Fleet Street.
One trouble alone caused him dismay,
His very tender feet.
_Chorus--_
"Oh! my poor tender feet!
Of what use are England's laws,
Unless they protect my claws
And keep me warm in the street?
Nothing so young and fair,
Ever sniffed Fleet Street air,
Ever sang like the Dove--
And--All that I ask is love."
At this point the Griffin was so overcome by his own performance that
he burst into tears; and despite the excessive hilarity of every one
present, to say nothing of Carry-on-Merry, who was rolling upon the
floor in his mirth, the Griffin continued to sob, and from time to time
wiped away the big tears that rolled down his cheeks with the fur upon
the Lord Mayor's mantle that he wore.
"It always affects me," sobbed the Griffin.
"Yes," answered the Lion, "it has affected all of us strangely."
"Nearly been the death of me," gulped Carry-on-Merry.
"I think I will go home now," said the Griffin, as he surreptitiously
wiped away the last tears and prepared to depart.
"Oh, don't think of leaving us yet," said the Lion.
"Very well," sniffed the Griffin; "perhaps I may be asked to sing
again."
"Not if I know it," whispered the Lion in an undertone; "one
performance of that nature is quite sufficient for one evening."
At this moment Carry-on-Merry announced that the dogs, wishing to
return thanks for the general pleasantness of the party, and being
unable to sing themselves, had deputed one of their number, a most
intelligent bob-tail sheep-dog, to compose an ode.
This particular dog, it was thought, had some claims as a poet, since
he was a lineal descendant of the canine companion who invariably
accompanied Robert Burns in all his wanderings.
The three laughing little lions would now sing the ode the bob-tailed
sheep-dog had composed, with the general permission of the company.
"Let us hear it," said the Lion.
"Oh! fancy singing after me," remarked the Griffin.
"Yes," agreed the Lion, "it shows great courage."
Gamble, Grin, and Grub arranged themselves in order, and Gamble
commenced--
"Cross Chelsea Bridge, by Chelsea town
There is a place called Battersea.
The very name to Christian dog's
Will make them shudder fearfully."
Here Grin took up the solo.
"A place where gloomy prison doors
Do shut up homeless dogs
If ever they get lost, or stray
During the London fogs."
Grub hereupon came forward.
"When once inside that citadel
Within three days or four,
They send you to a dreadful room
Where you never bark no more."
Then came the Chorus--
"Pleasant-Faced Lion, our thanks to thee
For having avoided Battersea."
"Very well sung," admitted the Lion. "I suppose that, being always so
close to Westminster Abbey, the little lions have taken some useful
hints from what they have heard going on inside.
"The time has come for the party to finish," announced the
Pleasant-Faced Lion, "but before it is ended----"
"Has it got to end now?" Ridgwell asked wistfully.
"Everything has to come to an end some time," replied the Lion quietly,
"from ices and parties to empires and the world. However," he added
encouragingly, "one can always look forward to some possible and
pleasant continuation of almost everything, although, perhaps, on
different, not to say advanced lines. Before you children go I shall
be able to show you the most wonderfully coloured transformation scene
you have ever witnessed. Watch carefully the long wall of the Pavilion
which you are facing," commanded the Lion.
Carry-on-Merry romped up at this moment laughing as merrily as when the
evening commenced.
"Time?" inquired Carry-on-Merry.
The Pleasant-Faced Lion nodded.
"Yes, now," he said.
Slowly the golden wall and the roof with its masses of brilliantly
hanging flowers seemed to fade away.
The children knew it was Trafalgar Square they were looking at once
again, yet a Trafalgar Square transformed out of all resemblance to its
usual familiar aspect.
As the walls appeared to drop before their eyes a brilliant golden
bungalow palace with the children dressed as Scarlet Beefeaters grouped
down its shining steps glimmered through the rose-pink light in which
they beheld it. Surely it could not be the National Gallery!
All the children present passed and repassed before it in their
dazzling costumes, making vivid splashes of colour, as changeful and as
fascinating as a kaleidoscope.
The fountains still sprayed their mists of violet, amethyst and gold.
"Mark the changing colours well," said the Lion, "and take in all the
picture well, for you will not see it ever like this again."
The happy fresh voices of the children were still singing with a rare
outburst of melody--
"Pleasant-Faced Lion, our thanks to thee,
For all your hospitality."
"Amen!" said the Lion. "Come, Ridgwell and Christine, jump on!"
commanded the Lion, as he sank down in order to enable the two children
to get on his back. "Home now!"
Both the children looked back many times, of course. They saw the
golden bungalow palace for the last time in all its changing lights.
Noticed that Queen Boadicea stood majestically upon the topmost step
with King Richard upon one side of her and King Charles upon the other.
St. George stood with his armour flashing a few steps below. The four
merry dogs were gathered around him, whilst Carry-on-Merry was resting
his laughing head in one of St. George's hands.
The coloured lights grew paler, a mist danced before their eyes, then
twinkled and disappeared.
"It is gone," said Ridgwell, "and oh! how dark the streets look now!"
"But _what_ a party," said Christine.
"And what a feast," added Ridgwell.
"Yes," replied the Lion philosophically, "it is really remarkable how
times have changed. In the olden days, long, long ago, everything was
reversed. For instance, it was the Lions who were then provided with
the feast, and the children who were eaten."
"Horrid!" shivered Ridgwell. "You mean, Lal, those wicked Roman
Emperors who let the poor Christians be eaten?"
"My child," announced the Lion gravely, "free meals have invariably
been productive of much unpleasant discussion and inquiries afterwards.
But see now," he added coaxingly, "the perfect state of perfection the
world has arrived at. The Pleasant Lions give the banquet themselves
now. Every single thing to-night was provided by Lions. I gave the
party--I, the Pleasant-Faced Lion. The four laughing lions from
Westminster helped. Richard Coeur-de-Lion presided, and Messrs. Lyons
provided all the refreshments."
"Any rate, Lal," observed Ridgwell, "although Christine and I both love
you, of course--lions must have been very cruel and savage once,
otherwise they wouldn't have _thought_ of eating anybody, would they?"
"Ah, my little boy," replied the Pleasant-Faced Lion softly, "if you
were kept without food for days and days I wonder what you would do."
"Tuck in like mad the first chance I got," announced Ridgwell with
conviction.
"Perhaps the lions did the same thing," observed Lal gently. "However,
I feel I cannot offer any excuse for their past conduct; yet,"
continued the Pleasant-Faced Lion wisely, as he jogged contentedly on,
homewards towards Balham, "I have a fair proposition to make to you,
although it may seem somewhat in the nature of a riddle to you both at
the present moment."
"What is it?" asked the children in a breath.
"Suppose," said the Lion--"I only say suppose--both of you ever had a
chance of eating me, of--ahem! in short, devouring your old friend Lal,
would you do it?" asked the Lion, with an odd tremble in his voice.
The question seemed to be so odd, not to mention out of place, that
both the children laughed.
"Why, Lal," chuckled Ridgwell, "how ridiculous you are. How could
Christine or myself ever possibly eat even a little bit of you?"
"No," answered the Lion, "I believe you are both little Christian
children, and yet," he added with a sigh, "you might both become
Pagans."
"What's a Pagan?" asked Ridgwell.
Again the Lion sighed. "My child," he said, "you have a very great
deal to learn, and among the many things at present hidden from you is
the fact that both you and Christine will see me once again and once
only."
"Where?" asked the children.
"At your home in Balham."
"Good gracious," said Ridgwell, "will you knock at the hall door?"
"No," said the Pleasant-Faced Lion.
"Or appear sitting in the raspberry bushes in the garden?" ventured
Christine. "If so, you will spoil them, you know!"
"No," said the Lion, "certainly not."
"Then how will you come?" asked Ridgwell.
"You will see me again once more," asserted the Lion, "in three days
from now, and moreover inside your own home."
"Three days from now is Ridge's birthday," ventured Christine; "of
course, it would be very nice to see you, but I do wonder how you will
come, and I do wonder how we shall be able to explain you away."
The Pleasant-Faced Lion laughed his gruffest laugh.
"I don't think you could very well _explain_ me away, little Christine."
"Suppose you sat on the hearth-rug and people seemed a little distant
or awkward?" commenced Ridgwell.
"Yes," broke in Christine, "or some of those dreadful long pauses
occurred when nobody speaks and every one looks at every one else and
feels uncomfortable--would you _say_ something?"
"Yes," said the Lion. "I have plenty of tact, but really there won't
be any need," and the Pleasant-Faced Lion again chuckled softly to
himself.
"There is only one thing I want you to do," said the Pleasant-Faced
Lion, and he still seemed to be choked with merriment as if a sudden
idea had occurred to him.
"What is it, Lal?" inquired both the children.
"Upon Ridgwell's birthday night, before you both go to bed, I want you,
Ridgwell, to remember a little rhyme and say it to yourself."
"A hymn?" asked Ridgwell.
"Not exactly a hymn."
"After we have said our prayers?"
"Certainly," replied the Lion obligingly, "any time before you go to
bed will do; will you promise to remember?"
"Of course, Lal."
"Well, this is the little rhyme," whispered the Lion mysteriously; and
somehow it seemed to Ridgwell as if the Lion was still laughing at him
as he repeated the following extraordinary rhyme--
"Christian child or Pagan child,
Which is my denomination,
Have I eaten dear old Lal
In my birthday celebration?"
Ridgwell repeated the mysterious rhyme after the Lion, then he shook
his head.
"Don't understand it, do you?" grinned the Lion.
"Not a bit," answered Ridgwell.
"I give it up, too," said Christine.
"Are you laughing at us, Lal?" inquired Ridgwell anxiously.
"Ah!" said the Lion, "I wonder; however, he who laughs last, laughs
last; that saying is true without a doubt; and," he concluded with a
chuckle, "I bet you both anything you like that I have the last laugh.
In fact, one day when you pass me you may hear me laugh, although I
shall never speak to either of you again in public. And that reminds
me of something I want to warn both of you about particularly. Never
appear to notice me in public or speak to me whenever you chance to
pass me in Trafalgar Square; you would only collect a crowd, make me
very uncomfortable, and convey the unfortunate impression to everybody
within earshot that you were mad. The same thing applies to
Carry-on-Merry; he has a most provoking face, and the happy laugh
always to be seen upon it might tempt you both to suppose that he was
listening; now mind you never give way to the temptation of addressing
either of us in public, and never refer to anything that has happened
even in private, for you will only be misunderstood. Remember,"
concluded the Lion, "that the Great Order of Imagination is only given
to a very few people; those who do not possess it do not understand it.
See, your own has faded already!"
Both the children clasped their hands simultaneously to their necks
where the glittering order had hung and shone only a few minutes before.
Then they stared blankly at the place where it had been. Alas! the
luminously lighted jewels of the order were no longer there.
"Oh, Lal," said Ridgwell, "shall we never have it again?"
"Only the memory of it," replied the Lion gently; "that never fades."
"Only the memory," echoed Ridgwell thoughtfully.
"Nobody can ever take that away from you," said the Lion.
"Did any other little boy ever have the Great Order of Imagination,
Lal?"
"Yes," said the Lion, "there was _one_ who had the highest and greatest
order of all, the Pure Soul of Imagination itself." The Lion paused
and seemed to be thinking.
"Where is he now?" whispered Ridgwell, for unconsciously he seemed to
have lowered his voice.
The Lion lifted his great and noble head, and looked upwards towards
the silver stars above them. The Lion shook his head doubtfully, and
the children noticed that there was something very like a tear in his
eyes.
"I don't know which particular star," said the Lion, "but somewhere
there, I think; but then, you see, I'm only a Pagan."
The Lion stopped and purred; they were outside the familiar windows of
their own home.
"Oh, Lal," whispered the children, "how shall we remember all we've
seen to-night; how shall we be able to think about it and go through it
all again, if the Order of Imagination has been taken away from us and
if we are never to speak to you again, and only to see you once more?
Even then you cannot tell us _how_ we are going to see you."
The Lion smiled. "I can arrange that easily. Be of good heart, little
Ridgwell and Christine. I know a writer--he comes and talks to me at
night sometimes, though I never answer him--and I will suggest he
writes it all down for you. I can ask him things without saying a
word."
"Will you?" pleaded the children. "Oh, please ask him, Lal!"
"Yes," said the Lion, "I will; good-night."
CHAPTER IV
PREPARING FOR A VISITOR
Upon the third day after bidding good-bye to their strange friend, the
children felt they had every reason to be excited as to what events the
day would bring forth, to say nothing of endless speculations as to the
manner in which their most uncommon visitor might choose to appear to
them.
Consequently after Ridgwell had opened his birthday presents the first
thing in the morning, he held a sort of council of war with Christine.
"You see, Chris, fortunately the house hasn't any underneath part,"
explained Ridgwell, "so that we can keep watch, both of us, all on one
floor so to speak. You take guard of the French windows in the
drawing-room where you can see the greater part of the garden, and I
will watch the windows of the dining-room, where I can see the road
both ways up to the house."
"Shan't we get tired of always looking at the same spot?" objected
Christine.
"I have thought of a plan for that, Chris. When either of us want a
change, just shout out, 'Sister Ann, sister Ann, do you see anybody
coming?'"
"I see," nodded Christine, "everybody will only think we are playing a
game."
"Then," pursued Ridgwell, full of inspiration, "if Lal isn't looming in
sight anywhere, the other will shout out, 'Not a sail in the offing,'
then we change over rooms."
"Anyway Lal couldn't sail, could he?" queried Christine.
"You don't know how he might come," whispered Ridgwell. "He might even
come in a motor car, and anyway it's only so that other people shan't
understand."
"It seems to me," remarked Christine logically, "that people won't
understand him anyway, and less when they see him than when they don't."
"It's an anxious time, isn't it, Chris?"
"Very," assented Christine, "and anyhow we shall have to drop Cookie a
hint, because you see her window in the kitchen looks over a part of
the garden that we can't see from the drawing-room."
"Of course," mused Ridgwell, "the weak spot about Cookie is that she
gets shocks so quickly."
"She's sure to get one to-day," commenced Christine hopefully, "when
Lal comes."
"Very well then, we'll give her a sort of hint," suggested Ridgwell.
Now Cookie, beloved of the children, to say nothing of the household
generally, was a fat person, with very red cheeks, and very
good-humoured rolling green eyes that somehow always looked as if they
had been originally intended for gooseberries, which had boiled and
bubbled during her many cooking operations and had never been permitted
to simmer.
"What do you children want in the kitchen?" commenced Cookie. "Master
Ridgie, you know quite well that your birthday cake ain't to be ready
till tea-time."
"But, Cookie dear," commenced Ridgwell insinuatingly.
Cookie dear continued the mystic rights over which she presided as high
priestess, her vermilion red hands and arms continued to splash about
in a very big basin, where she contrived to throw up little waves of
very white flour as if she were about to take a morning dip in it, yet
hesitated before taking the plunge. These mysterious rites having been
accomplished and the flour having as it were received a final blessing
from Cookie's hands, Cookie commenced to beat up eggs.
"I know you've come wheedling for something," objected Cookie, "and you
ain't going to 'ave it, Master Ridgie. Why, you've only just finished
your breakfast."
"I don't want anything to eat," announced Ridgwell.
Cookie eyes boiled and rolled ominously, whilst a sort of faint concern
appeared upon the surface of them. "If you can't eat, Master Ridgie,
then you must be ill and want some medicine."
"No, no," hastily interposed Ridgwell, "I don't want any medicine, we
only came in to ask you a question."
"Well, you can't ask me any of your questions now, I'm busy," asserted
Cookie. "Ain't got no time."
"Oh, Cookie dear, you can listen whilst you beat up an egg,"
expostulated Ridgwell.
"_Egg!_" shouted Cookie indignantly, "three blessed eggs for your cake,
and 2 1/2d. each, new laid too, and I only bought a dozen of 'em."
"Yes, yes, Cookie dear. I meant three eggs, the number doesn't matter,
and it won't take a minute for us to tell you. It's just this.
Suppose a great big beautiful Lion came and sat in the middle of the
raspberry canes just outside your kitchen door, what would you do?"
"Is this a conundrum?" demanded Cookie. "If so, I don't know no answer
to it, Master Ridgie."
"It isn't a riddle, Cookie, at all. If a Lion really came to see you,
what would you do?"
"I should fetch a policeman at once," announced Cookie.
Ridgwell smiled. "A policeman wouldn't be any good, Cookie! Really,
you know, he couldn't do anything."
"Then I should fetch two policemen," said Cookie, shortly and
conclusively. Cookie, at this point in the argument, beat the three
new-laids at such a furious rate, that the foam of them whirled round
and round very much like the agitated thoughts of Cookie herself at
being confronted with such an outrageous problem the first thing in the
morning.
"'Owever," amended Cookie, "afore I went to fetch them policemen, I'd
throw all the boiling green water over him, from the window first, and
see if that wouldn't shift 'im."
Both Ridgwell and Christine laughed outright, the idea was too
ridiculous. To think of their friendly and Pleasant-Faced Lal coming
to make a society call and having boiling cabbage water thrown over his
stately head, was altogether too much for their gravity.
"How indignant he would be," laughed Ridgwell. "Oh! Chris only think
how hurt he would feel as he shook the stuff off his mane and whiskers!"
This imaginary picture, however, seemed to be too much for Christine,
so she determined to speak seriously to Cookie.
"Cookie," said Christine in her most earnest manner, "a lion may arrive
outside this door (pointing to the article in question in a most
impressive fashion) at any moment to-day."
"Yes," added Ridgwell, "and we only want you to be prepared."
Cookie's eyes seemed to boil a little faster for a moment, appeared to
swell in fact and be altogether overdone, as she fixed her orbs upon
the door in question, then up went Cookie's apron over her head, and
alas! down went the three new-laid at 2 1/2d. each, all spilled upon
the floor, and the cup broken as well.
At this moment the children instinctively realised that discretion was
sometimes the better part of valour, and made speedy preparations to
vacate in favour of other quarters of the house, not, however, before
they could hear Cookie moaning beneath her apron:
"Escaped I s'pose, oh! mighty 'Eavens! escaped from the Crystal
Palace, or the Zoo, or a circus or somethink, oh, it ain't safe living
in England! Blowed if I don't bolt the kitchen door, and nobody warned
me or told me it was in the morning papers. Thank goodness I've taken
in the milk, and them three eggs all spoiled. Only nine left now,"
moaned Cookie, "and cutlets and pancakes for lunch too."
"Come, Chris," whispered Ridgwell. "You see we can't expect much
support from Cookie."
"No," agreed Christine, as they departed for the dining-room. "How
about Mother? Let's hear what she says."
"Yes," assented Ridgwell. "You see Mother is very nice and kind always
to anybody who calls, and perhaps if she spoke to Lal and welcomed him
a bit when he comes, he might feel at home at once."
"I can't think where we are going to ask him to sit, can you, Ridgie?
You see," explained Christine, "it's so inhospitable to leave him in
the hall, and if he walks into the drawing-room and swishes his tail
even contentedly, all the china would go over at once."
"No, Chris, Lal is much too well mannered to do anything like that, but
I'm afraid the only place for him will be the hearth-rug in front of
the fire. Stop a minute, Chris, I've got it. Of course, the sofa in
the drawing-room. Nobody must sit on the sofa at all to-day, then it
will be all ready for him when he comes, and we shall only have to tuck
him in a bit at the sides if he's too big."
Matters were not much better understood in the drawing-room, for a lady
visitor had just called and was waiting for Mother to come down. Mrs.
Tallcat was a lady who always deemed it her duty to call once a week
upon everybody, whether people wished to see her or whether they did
not wish to see her.
Had a census of opinion been taken concerning Mrs. Tallcat's calls,
Mrs. Tallcat would have found, much to her astonishment no doubt, that
she possessed very few votes, and no votes at all from children.
"Would you very much mind if you didn't sit upon the sofa?" commenced
Ridgwell gently.
Mrs. Tallcat, always inclined towards huffiness at a moment's notice,
consequently selected a chair.
"Is the sofa likely to give way?" inquired Mrs. Tallcat suspiciously.
"No," explained Christine, "it is because it is so strong and firm on
its legs that we have chosen it."
"I never allow _my_ boy to play upon the sofa," sniffed Mrs. Tallcat,
as if she were referring to a piano.
"It isn't to play upon," remarked Ridgwell, "but we are expecting a
very, very solid visitor."
Mrs. Tallcat sniffed for the second time. "I never allow my boy to
make any remarks whatever upon visitors who call," responded Mrs.
Tallcat icily.
"Oh, Lal doesn't mind," said Christine cheerfully.
"Who is Lal?" inquired Mrs. Tallcat, "a gentleman friend of your
father's?"
"No," said Ridgwell, "Lal is a lion, and Father doesn't know him yet."
"Tut, tut, tut," snapped Mrs. Tallcat crossly. "Directly _my_ boy
begins to talk nonsense I send him straight to bed."
"It's bad for the health to go to bed at the wrong time," suggested
Ridgwell pensively.
"My boy always does as he's told," announced Mrs. Tallcat triumphantly;
"if he doesn't, he is whipped."
At this point a new idea suddenly struck Ridgwell. "Chris," he
whispered audibly, "we must somehow get the old cat out of the way."
Mrs. Tallcat instantly bridled, and her face became inflamed with
anger. "How _dare_ you!" commenced the indignant lady.
"I mean the _other_ cat," explained Ridgwell, "our own cat."
The explanation, although convincing, was perhaps ambiguous. It was
undoubtedly fortunate that Mother timed her appearance at this point to
a nicety, and so prevented any further complications.
"Dreadful time her boy must have, don't you think, eh, Chris?" asked
Ridgwell.
Christine nodded.
"Only fancy, Chris," pursued Ridgwell, "calling her little boy Tom.
Tom Tallcat; why, he'll be chaffed no end at school. I do feel sorry
for him; and then the way she dresses him, coloured velvet and a
brigand's hat with a feather in it, just as if he was part of a circus.
I'm glad Mother doesn't dress me like that. The other day I met him
and he'd got a bow and arrow. She'd actually sent him into the street
with a bow and arrow. I said 'Hullo, Robin Hood,' not meaning
anything, and he began to cry; it was awkward, and I'm sure he feels
it. Father said that the Society for Prevention of Cruelty to Children
ought to interfere, but I think that was perhaps only one of Father's
jokes."
"I think," suggested Mother, who had caught audible fragments of this
conversation, "I think you children had better run away now and play."
The morning appeared to go quite quickly up to the cutlets and the
pancake stage.
The late afternoon shadows threw their creeping patterns over both
lawns, and still there was no sign whatever of their eccentric friend
Lal.
Tea-time came and passed, and then the shadows grew deeper, first blue,
then violet, then black, the trees and shrubs could scarcely be
distinguished at all; and, as ill luck would have it, there was no moon.
At length the time arrived when the family not unreasonably suggested
that the blinds of the house should be pulled down. Here was a
dilemma. How was it possible to warn the household of the
Pleasant-Faced Lion's approach if the blinds were pulled down? When
Ridgwell found, in spite of much lingering, that the last crumb of cake
had been consumed, to say nothing of the last currant which he had made
last quite a long time, and that the third summons to go to bed must
have some sort of notice taken of it, he resigned himself to the
inevitable, and with a hopeless look at Christine, prepared to talk to
Father.
Father was reading quite quietly, and apparently deeply engrossed in a
book, and somehow that didn't help matters.
"Please, Father, would you mind very much if the hall door and the back
door were both left wide open all night?"
Father considered this somewhat odd request for a space, then inquired
with a stray gleam of amusement in his eyes, "Do you consider the house
stuffy? Or have you suddenly adopted one of the Futurist ideas
concerning Health?"
"No, it isn't that, but Chris and I expect somebody; no, I mean
_something_, and we should be so disappointed if it, no, I mean _he_
didn't come."
"Rather a late visitor," said Father, "and rather an inconsiderate one
if this quite Eastern welcome of him includes us all catching our death
of cold. No, Ridgie, I'm afraid he will have to knock."
"But, Father, I'm not sure he can knock."
"Then ring," suggested their parent, "nice new electric bell I've just
had fixed up. He's only got to push the button."
"Perhaps he doesn't understand about electric bells," objected Ridgwell.
"Your friend seems a trifle old-fashioned," observed Father,
good-naturedly.
"And then," said Ridgwell, "his paw is so big he might never find the
bell-push."
"I see; a dog, eh?"
"No, bigger than a dog, much."
"Well, then, say a donkey."
"No, Father, bigger than a dog, and not so big as a donkey."
"I give it up," said Father, "but I promise whatever he is he shall be
attended to and entertained if possible."
"I cannot think what you will say to him," debated Ridgwell anxiously.
"I will do my best, Ridgwell; but from your description I should
imagine the conversation will be a little one-sided. However,"
remarked Father drily, "perhaps he can be persuaded to smoke, or drink."
"No, Father, he never smokes, and he only drinks water."
"Ah! very abstemious," murmured Father; "perhaps he is a vegetarian as
well, sounds like it, and they are always the most difficult people to
entertain."
At this moment the conversation was interrupted by a loud knocking at
the front door, and immediately the new electric bell sounded
throughout the house. Ridgwell and Christine nearly tumbled over one
another in order to get to the hall door first.
"It's Lal after all," shouted Ridgwell.
"Sure to be," chimed in Christine.
At length in the struggle the hall door was opened, but it wasn't the
form of the Pleasant-Faced Lion who greeted them, only Mr. Jollyface, a
friend of Father's and a happy, jolly old bachelor, who loved both of
the children.
"Anybody with you?" inquired Ridgwell anxiously, as he peered either
side of Mr. Jollyface's portly form.
"No, only me," chuckled Mr. Jollyface. "Whom are you expecting? Glad
to find you children up; I've got something for you in my pocket,
Master Ridgie; your birthday, isn't it?"
"Yes," confessed Ridgwell, but it could be plainly seen that his former
enthusiasm had died a sudden death. "But do tell me, Mr. Jollyface,
did you see anything as you came along?"
"Lots of things," replied Mr. Jollyface, cheerily.
"A lion?" whispered Ridgwell mysteriously.
"No," debated Mr. Jollyface, "no, I think I may say that a lion was the
only thing I didn't see."
"Oh, Mr. Jollyface, are you sure?"
"Yes," replied Mr. Jollyface gravely, "I can really be quite certain
upon that point."
"If you had seen a great lion, Mr. Jollyface, what would you have done?"
"I think," debated Mr. Jollyface, as he prepared to disencumber himself
of his great-coat, "I think I should have wished him good-evening and
passed politely, like the--ahem--Levite, on the opposite side of the
way."
"Oh, Mr. Jollyface," sighed Ridgwell, "if you only knew we have waited
all day long for a lion."
"Now, that's very funny," whispered Mr. Jollyface, "for I have actually
brought one for you in my pocket, I have really. Here it is,"
announced the imperturbable Mr. Jollyface, as he produced a parcel from
his pocket and thrust it into Ridgwell's hand.
"No, no, not that sort of lion," remonstrated Ridgwell.
"Well, perhaps this one would do," suggested Mr. Jollyface. "It's the
best sort of lion, you know, really, and made of the very finest
chocolate, too."
Here a well-known voice was heard to remark: "If I have to speak to you
children once more about going to bed there will be trouble."
"Scamper off," exclaimed the good-natured Mr. Jollyface; then he added,
"you know you can eat chocolate in bed quite as well as you can
anywhere else. I used to enjoy it as a boy more than I should have
done upon a plate in the dining-room. Off you go; good-night, kids."
Thereupon Father claimed Mr. Jollyface, and as the children slowly
mounted the stairs they could hear him saying: "So it was you the
children were waiting for, and the animal friend they expected was a
chocolate lion, eh?"
"Very likely," agreed Mr. Jollyface. "Ha! ha! ha! so they have been
puzzling you, my old friend, eh?"
"Well, children's riddles are very difficult to guess," said Father,
"and yet they are always so simple."
"Chris," observed Ridgwell dejectedly, as they reached their room and
turned the handle of the door, "they none of them understand; isn't it
dreadful? and they are grown up, too, and really ought to know."
"We've waited and waited, Ridgie, and there's nothing else to be done;
Lal won't come now, and he's never broken his word before, has he?"
"He might come, Chris; let's roll up the blind."
"No, the garden looks the same as it always does; there isn't a thing
in sight. Suppose we don't go to sleep just yet and keep awake a bit;
Lal might come and throw a stone at the window."
"Let's eat the chocolate," suggested Chris, who was occasionally
practical, "while we wait."
Ridgwell untied the small parcel, a wooden box, about half the size of
one of Father's cigar-boxes, and appeared to be made of the same kind
of brown wood.
Disclosed to view at length, the birthday present was seen to be a
fairly large chocolate lion lying upon a pedestal. The entire
sweet-meat model was covered in thick golden paper; this was quickly
stripped off, and Ridgwell did the honours as possessor.
"I'll eat his head half, Chris, and give you the other half; I think
that's a fair division."
"Right," agreed Christine; "we can't eat more than that to-night, and
the pedestal part will do for the morning."
"I can't understand Lal disappointing us to-night as he has done," said
Ridgwell, as he slowly munched his chocolate. "Can you, Chris?"
"No--isn't this chocolate good, Ridgie?"
"Yes, but fancy having to be contented with a chocolate lion when we
know a real one! On my birthday too, and yet he promised faithfully we
should see him again."
"He has forgotten us," confessed the children as they went to bed.
"Suppose he has too much to think of," said Ridgie; "he can't remember
everything."
Christine never knew quite how long she had been asleep that night,
before she distinctly heard muffled mutterings from her brother
Ridgie's bed the other side of their little room. Surely Ridgie
couldn't be saying his prayers at this time of night; then Christine
was certain she heard half-smothered sobs.
"Ridgie, what's the matter; are you crying?" demanded Christine. The
sobs became very audible now, and even an apparent effort to stifle
them with the bed-clothes did not seem in any way to lessen them.
Christine pressed the button of the electric light, and in the sudden
illumination regarded her brother across the room.
"Ridgie, why are you crying? are you in pain? have you eaten too much?"
"No," sobbed Ridgie, "no, but oh! Chrissie, I've--I've--we've eaten
Lal."
Christine sat up in bed.
"Ridgie," demanded Christine, "are you dreaming?"
"No," whispered Ridgie, between his sobs; "don't you remember--
Christian child or Pagan child
Which is my denomination?
Have I eaten dear old Lal
In my birthday celebration?
Here, overcome by recollections, Ridgwell broke down completely. "I
_have_ eaten him," moaned Ridgwell; "at least, _we've_ eaten him, for
you helped. He said we should eat him, and we've done it. That's how
Lal meant to come to us; now, I remember, it was exactly like him.
Just as--as he is in Trafalgar Square on his pedestal. Oh, Chris,
after all the Christians have eaten a lion; he said we should; we
aren't Christians any longer, we're Pagans, and--and," confessed
Ridgwell with a final outburst, "I feel like a cannibal; it's beastly."
Christine had become quite pale during this recital; but she thought
for awhile before replying.
"Perhaps, Ridgie, Lal meant us to eat him--I mean his likeness in
chocolate--all the time, and most likely he isn't angry with us at all.
He might have arranged it all as a joke."
"It isn't a joke at all," sniffed Ridgwell, "it's horrible. We have
eaten one of our very best friends. Oh! if only the Order of Great
Imagination hadn't been taken away from us!"
"I am not so sure, Ridgie," observed Christine, with feminine
intuition, "that you have lost _all_ your order of imagination; I think
you have still a lot left, or you would never have discovered Lal's
riddle."
It was Ridgwell's turn now to sit up in bed, and he asked eagerly--
"Do you really think it was only a riddle, Chris, and Lal meant only to
have a joke with us?"
Christine nodded gravely.
"I feel very comforted with that," said Ridgwell, "so turn off the
light, Chris, and we'll go to sleep again; but oh, won't I just tell
Lal next time I pass him in Trafalgar Square!"
Some few moments afterwards in the darkness Christine answered--
"You hadn't better make any remarks to Lal in public; you know he
cautioned us about attracting a crowd."
"Crowd or no crowd, I mean to tell him what I think of him," asserted
Ridgwell before he turned over and went to sleep.
* * * * *
The clock in the hall was just chiming twelve, and Mr. Jollyface was
taking his departure.
Father and Mother were wishing him good-night and thanking him for
bringing the chocolate lion for Ridgwell.
"It is really quite remarkable how I came to buy it," agreed Mr.
Jollyface; "but I was passing through Trafalgar Square when I
remembered that I hadn't bought Ridgie a present, and the sight of the
corner lion, as I crossed the Square, made me remember a sweetstuff
model of him I had seen in a chocolate shop in the Strand, so I went
and bought it. But really the most wonderful thing about it is the
almost uncanny intelligence of your children. Bless my soul! they
couldn't have known I had bought it; and yet, would you believe it,
they actually expected a lion, and asked me if I had brought one with
me."
"Yes," agreed Father, "it's very wonderful; they were trying to
describe a lion before you came in. I think at times children must
have second sight, and that is why I am afraid we sometimes do not
understand them. Good-night, Jollyface; come and see us again soon."
BOOK II
WHAT THE WRITER AND THE LORD MAYOR DECLARED