V--DROPPING BOMBS ON VENICE

The aeroplane--that is the great question; not that they are feared.

It is that every one asks with feverish anxiety what possible further

ravages will be accomplished among the marvellous art treasures. At

the time of Titian, when fashion decreed that every woman must have

that wonderful blonde hair for which Venice was famous, many of the

houses had constructed upon their roofs an open loggia, which was

called "Paltana." It was there that the beautiful Venetians after

having bathed their hair in some mysterious fluid remained for hours

allowing it to dry. Well, it is from these "Paltana" that the guard

watches over the city, armed with mitrailleuse and furnished with

megaphones, and every half hour one hears the sentinels calling as

they repeat the cry ringing from the Campanile of St. Marc: "_Per

l'aria, buona guardia_." And throughout the entire night the silence

is broken by a chain of cries which reunites these invisible belfries.

Nothing lacks. Searchlights, special cannon, aerial squadrons and

aquatic squadrons--all are ready for defence. But Venice is so filled

with treasures that it is only by the greatest luck that a bomb does

not destroy some unique object. It is my firm conviction that some

day St. Marc's or the Ducal Palace will be smashed by the Teutons.

Although everything possible in the way of protection has been done,

one trembles at the thought of what may happen. Already the Church of

the Scalzi has been pierced, and of the wonderful fresco of Tiepolo not

a piece as big as one's hand remains. Bombs have fallen within a few

feet of St. Marc's. These are the attacks of savages, purely barbarous,

with the sole intent of destroying something.

From the third story of the Hotel Danielli I witnessed raids by

Austrian hydravians. At 11:30 P.M. the signal of danger came. A gun

roared from the Moline. Sirens shrieked in many parts of Venice. Then

there was temporary silence, disturbed only by the rustle and shuffle

of feet as people scurried to shelter. Presently all the batteries

surrounding Venice opened fire. In intervals of this din one heard

the whine of the Austrian air motors, a noise like the buzzing of a

gigantic fly. It advanced over rooftops. Many batteries spat fire

into the air. But the only sign of the air machines that I observed

was what might be called a faint, very vague sort of electric fluid

which seemed to appear momentarily in different parts of the heavens.

From time to time all firing ceased. Silence came. One again heard

the hum of the invading motors. Then the air was assailed by the

explosion of a dropped bomb, followed by the crash of breaking roofs,

the splintering of glass, the shrieks of injured persons. The whole

effect was stupefying to me, not terrifying; but there is, too, a

feeling of quite utter helplessness. Shortly after the last bomb was

dropped the signal came that it was all over. The people fairly flung

themselves into the streets searching for souvenirs, scratching about

amusingly with candles and matches as they recounted laughable or

tragic experiences. Such raids are made preferably during the moon. It

is known that the defence is imperfect, that the only perfect defence

is one of reprisals, but as an English General said to me, "That is

a dirty game, dirty ball, as you Americans say. It is pretty hard to

descend to their methods."

Sem, the caricaturist, has a picturesque method of noting the odious

uselessness of bombarding Venice. "To fire on Venice," he says, "is as

if one amused oneself by firing at the chandelier."

I spent twenty-five days among these Italians, upon the plain and among

the mountains, days of wonderment. One must see the difficulties in

the midst of which they are fighting, the thousand obstacles, to do

them justice even feebly. The King is the soul of the army and of the

Government. He directs the struggle upon the field of battle--and he

is "always on the job." He is always in the place of danger and honor

and yet no one hears him spoken about. He disdains the theatrical

attitude. Beside the King is the Duke of Aosta, a fine presence and

a fine character, and Gen. Cadorna, an energetic chief. Cadorna is

a great friend of France. In an hour's talk with him he supplied me

with a vivid sense of the unfaltering spirit of Italy. I saw much of

D'Annunzio and I cannot resist the temptation to add my humble praise

to all that has already been addressed to him. He made every effort

in lifting Italy to arms against the Teutonic Powers and he well

personifies in his ardor and simplicity the people who followed his

exhortations. He spoke with good humor of the sufferings he endured,

saying that in their attempt to save his sight the doctors forgot that

he was possessed of a body and a soul. I read a letter of his, written

when he was 14, in which he predicted that his mission on earth would

be to chastise the hereditary enemy of his country. It is a beautiful

letter. I thought of that first chapter of Macchiavelli in which he

writes:

"The people who habit the countries on the north, situated on the

other side of the Rhine and the Danube, are born in these prolific

regions in such multitudes that a portion are forced to abandon the

native soil and to look about for a new country where they may advance

themselves." The Germans of to-day proceed differently, but in the same

spirit--but they are finding their match and more than their match in

the indomitable Italy of to-day.

True Stories of the Great War, Volume 4 (of 6) Tales of Adventure--Heroic Deeds--Exploits Told by the Soldiers, Officers, Nurses, Diplomats, Eye Witnesses · 第 101 / 172 题