CHAPTER XVIII

THE COURTS AND THE ORATORS. THE GREAT BATHS. THE PUBLIC PARKS AND

ENVIRONS OF ROME

=298. Roman Court Procedure Highly Scientific.=--If Publius Calvus

does not have to attend the Senate, two places will assuredly devour

a great part of his normal day--the court-house and the public baths.

Even if he is not plaintiff, defendant, or witness, like every man of

his class he delights in listening to oratory, and etiquette requires

that, whenever one of his numerous friends argues a case, he, with as

many other senators and equites as possible should sit in the front

of the audience, to “lend their distinguished influence,” to lead the

salvos of applause, and even to stand up conspicuously behind the

orator at critical points in his argument.

Roman courts are not like the Athenian dicasteries, huge juries of

many hundreds,[187] with tumultuous appeals from the letter of the

law to the emotions of the members. Personal influence has its part,

but everything is regulated, orderly, scientific. Cases which do not

involve the safety of the state or the fate of distinguished personages

are usually argued coldly, and with a nice attention to technicalities.

Your Roman jurisconsult (expert in the law) is as much superior to

an Athenian in developing the science of formal justice, as another

Athenian might be to a Roman, in breathing life into chiseled marble.

The administration of law is intricate. There are courts behind courts,

with final appeal either to the Senate (as we have just seen) or to

the Emperor.[188] The “law’s delays” are perfectly well understood by

adroit advocates; and Martial records a case that took twenty years

while dragging through three successive courts--to the ruin of both

sets of litigants.

=299. The Great Tribunals in the Basilicas.=--If we visit the great

basilicas, we find two kinds of tribunals steadily functioning. For

much civil business there is the great “Court of the Centumviri,” a

board not of “One Hundred” but actually of one hundred and eighty

distinguished citizens, who sit sometimes all together, sometimes

divided into four groups for conducting trials simultaneously. Their

stronghold is the Basilica Julia. It is a great honor to argue before

the Centumviri, and every advocate exhausts his wiles to induce the

grave judges to pay him the highest compliment (as they did to Pliny

the Younger) by “suddenly leaping to their feet and applauding him as

if they could not help themselves.”

The most of the higher litigation, however, goes before _judices_. A

_judex_ may be one of the great panel of 4000 citizens,--senators,

equites, and plebeians of substance who can be called upon to serve as

a kind of jury for ordinary trials of importance. The size of such a

jury depends on the nature of the case as provided by statute,--you can

have from 32 members up to a full 100. There is a high judge over the

entire body, either the prætor, or a professional expert in the law,

the _judex quæstionis_, who controls the presentation of evidence and

the strictly technical parts of the trial.

After the evidence has been submitted, orally or in writing, and the

orators have exhausted themselves, the jurors take small wax-covered

tablets and vote, each man marking simply letters: A = _absolvo_, “Not

guilty,” C = _Condemno_, “Guilty,” N.L. = _Non Liquet_, “No verdict.” A

bare majority can either acquit or condemn, but, of course, no man is

condemned on a plurality, and a tie means acquittal. If “No verdict”

is the decision, the case can still go to another trial. Roman juries,

therefore, do not have to be locked up for days to compel them to agree.

However, this jury system is often inconvenient and does not adapt

itself to that very technical justice in which the Roman jurisconsults

increasingly delight. More and more cases are being tried by a single

_judex_, or a small bench of _judices_, men highly trained in the

law, and especially appointed by the prætor or other high official,

to investigate a given case and report their findings. Under the

later Empire the large juries will disappear altogether, and a few

professional judges will become arbiters alike of the law and the

evidence--an excellent system from the standpoint of scientific

jurisprudence, but not so excellent if these judges become corrupt,

pliable, or subject to class prejudices.

=300. Great Stress on Advocacy.=--Whatever the tribunal may be,

great is the stress laid on the arts of the advocate. Calvus has served

a long probation arguing in the basilicas before his day of glory

came in the Senate. All the young Ciceros in the rhetoric schools

dream of the hour when they can stand in flowing togas before the

high raised platform of the judices, wave their arms, throw out their

voices, and plead the cause of some widow, or arraign some embezzler

or extortioner. The mere fact that senatorial speeches have to be

extremely careful, lest they trench upon imperial prerogative, puts

a greater premium upon private argument in the courts where usually

“Cæsar” has no interests.

The rewards of successful eloquence are great;[189] and if the legal

fees are small, rich clients, at least, never fail with big New Year’s

presents, and with legacies in their wills. Besides there are no

governmental prosecuting attorneys. Criminal actions can be started by

any citizen against any possible offender. To reward such zeal, a good

part of the fines or confiscated property of convicted criminals goes

to the self-appointed prosecutor. It is thus easy to see how, under

Tiberius, Nero, and Domitian, the delators (“professional accusers”)

grew fat prosecuting wealthy senators for “treason.” These good days

for the profession seem over, but the incomes of certain of the

leading advocates are princely, some almost vying with those of the

earlier Vibius Crispus and Epirius Marcellus, who had over 200,000,000

sesterces ($8,000,000) apiece.

=301. Cheap Pettifogging Lawyers.=--On the other hand Rome is infested

with starving pettifoggers, pretentious wretches, sleeping in dirty

tenements, and with hardly a decent toga to wear when they argue on

petty cases in the præfect’s court. Sometimes they get a better class

of client, hire a good robe and ring to wear at the trial, and win the

case in the Basilica. Their client will very likely decorate the stairs

to their tenement with palm leaves, but as the only fee[190] send them

a quantity of uncertain edibles--“a dried-up ham, a jar of sprats,

some veteran onions, or five flagons of [very cheap] wine that has

just sailed down the Tiber!” If any money is actually paid, lucky the

advocate who does not have to split his fee with some agent who has

secured the case for him!

=302. Character Witnesses; Torture of Slave Witnesses.=--One thing

more concerning these trials must be noted: the testimony of Roman

citizens carries much greater weight than that of aliens, and the

unreliability of Græco-Levantines is notorious. Freeborn men, Roman or

provincial, testify under oath. Only accusers have the right to compel

the attendance of unwilling witnesses, but the defense can bring not

merely voluntary witnesses to the facts, but can present as many as ten

_laudatores_, character witnesses, and if men of high standing are

vigorous in their friends’ praises, their opinions will offset very

many ugly facts in the testimony.

Frequently enough, however, the statements of slaves have to be taken.

These wretches, having little better status before the law than

animals, can only testify under torture. No master, nevertheless,

except in cases of treason, can ordinarily be compelled to let his

slaves testify _against_ him, but it is assumed that torture is

necessary if a master voluntarily offers his slave as witness,--for

what slave would dare uncompelled to say anything unwelcome to his

master in view of the terrific flogging waiting after he gets home?

The situation in short as to slave testimony is substantially as in

Athens.[191] This use of the rack and flogging post is one of the worst

blots upon the highly scientific and usually reasonable and humane

judicial system of Rome.

=303. Written Evidence; High Development of the Advocate’s Art.=--On

the other hand much weight is given to reliable written evidence.

Public documents from the record office, and the careful entries on

bankers’ ledgers are continually being introduced as testimony.

Much of the forensic oratory also is of a high order. The rhetoric

schools have not taught their better pupils in vain; despite much

silly display, “appeals to the emotions,” and artificiality, the art

of advocacy has never completely lost touch with the promotion of

justice; and usually the verdict goes still to him who best meets Cato

the Elder’s pungent definition of the true orator, _vir bonus, dicendi

peritus_ (“the good man versed in the art of speech”), and who recalls

that great republican’s classic injunction for all advocates--_rem

tene, verba sequentur_ (“Grasp the subject and the words will

follow”).[192]

In all matters not touching certain high interests the Roman courts are

perhaps as disinterested and clean as human tribunals can well be, and

the average _judex_ is charged with a passionate desire to do that

which is formally right. In the courts the spirit of Rome is often to

be seen at its best.

=304. Popularity and Necessity of the Baths.=--As the afternoon

advances, however, unless the case is extremely urgent, or the

advocates unwontedly skilful, the impassive toga-clad figures upon

the high seats of the tribunals begin to show signs of uneasiness.

The pleaders themselves reach in turn a suitable climax, as the

last filling of the water clocks runs out;--if necessary they can

finish their castigations or their excuses to-morrow. The courts are

adjourned, and judges, litigants, advocates, spectators, all hasten

from the Basilicas possessed with the thought which is common to nigh

every man in Rome not of the most unfortunate class--“To the Baths!”

The warm Italian climate makes frequent ablutions not merely

comfortable but necessary, but in the stern old days of the

earlier Republic Seneca specifically assures us that the fathers

of Rome were not wont to wash all over oftener than once a week

(_nundinæ_).[193] Long before the age of Hadrian, however, a daily

bath became a personal necessity. No dinner can be enjoyed without it.

No respectable man can feel comfortable deprived of it.

As the bathing habit grows, its luxury and elaboration grow

correspondingly. The daily bath becomes a social ceremony, and the

bathing place becomes almost as indispensable as the forum, or the

triclinium. Other peoples and ages may equal or surpass the Romans in

actual cleanliness; none can develop institutions really corresponding

to the enormous public _thermæ_ scattered over the capital.[194]

=305. Luxurious Private Baths.=--Probably every senator and all

the more pretentious equites have sumptuous private baths in their

own mansions. Here they can go when visits to the public thermæ are

inconvenient, or to refresh themselves between the long courses of

their great dinner parties.

The luxury of these private baths can be so prodigious as to afford

constant texts for the Stoical philosophers. Seneca has waxed almost

frantic telling how an aristocrat feels somewhat poverty-stricken

unless “the walls [of his bath] shine with great costly slabs, and

marbles of Alexandria tricked out with reliefs in stone from Numidia,

and with the whole ceiling elaborately covered with all varieties

of paintings, and unless Thasian marbles inclose the swimming pool,

and the water gushes out of silver taps”; likewise “how many a rich

freedman adorns his baths with fine collections of statues and a

multitude of pillars supporting nothing but serving only as ornaments.”

Essential, too, are such private baths for those so devoted to the

enjoyment that they insist on bathing several times a day.

=306. Government and Privately Owned Public Baths: Both Very

Popular.=--Even great nobles, however, enjoy the society and

recreations afforded by the public establishments; and there is often

no better way for a rich senator to display pomp and circumstance than

to enter one of the huge thermæ followed by a long train of slaves,

freedmen, and clients. Men of business, and, of course, mere toilers

must visit the baths when their duties give temporary leisure, but for

everybody who can control his time there is one preferable period--the

eighth or ninth hour, two or three P.M. It is around this time

that the bath attendants heat all their huge tanks to boiling and make

ready with an endless supply of anointing oils and “strigils” (metal

scrapers) to care for the onrush of the multitudes.

There are about sixteen enormous public baths in Rome owned by the

government, although often their care is leased to contractors. Small

baths, privately owned, opened to anybody at a tolerable fee and

managed solely for profit, exist in addition all over the city, and

nearly nine hundred stand licensed on the City Præfect’s books. Some of

these privately owned baths are elegant establishments, offering great

luxuries at corresponding prices.

The keepers of a bath-house (_balneatores_) rank low in social

estimation, for many of their places are the scenes of gross reveling

and debauchery; but there is excellent money in the business. Their

baths have names something like inns, and going about the metropolis,

we have noticed the “Baths of Daphne,” “The Æolian,” “The Diana,” “The

Mercury,” or they are simply called from the names of the owners, as

“Faustinian Baths” or “The Crassian.” On a signboard one can read

that the “Thermæ of Marcus Crassus” offer both salt- and fresh-water

baths.[195]

=307. The Great Baths of Trajan: Baths, Club-House, and

Café.=--However, if one would see and meet the world, a visit to the

great public baths is absolutely necessary. Some of these are located

on the outskirts of the capital; for example, the magnificent Baths

of Agrippa stand near the Pantheon in the Campus Martius; but only a

short distance from Publius Calvus’s mansion on the Esquiline rise what

are, perhaps, the finest public thermæ as yet existing in Rome, those

of Trajan, which were rebuilt on the site of a similar establishment

earlier erected by Titus.[196]

The Baths of Trajan constitute more than a vast establishment where

perhaps a thousand persons can bathe in the various tanks and pools

simultaneously. They supply many of the needs which another age

will meet partly by the club-house and partly by the café. They are

frequented by women as well as men, although the former are expected

to make their visits particularly during the morning hours and certain

special rooms are set aside for their use. These rules, however, are

often violated, and scenes can take place at the Baths of Trajan which

from the standpoint of a later time are simply indescribable.

=308. Heterogeneous Crowds in the Great Baths.=--One of the glories of

the great thermæ is their apparent democracy. Any freedman is entitled

to make use of them, although there are doubtless special recreation

and reposing rooms reserved for the rich elect. In theory the public

baths are free, but except on gala occasions when the Emperor wishes to

win popularity, there is usually a standard charge for admission of a

_quadrans_, a small copper coin (about ¼ cent). This simply covers the

expense of the attendants who look after one’s clothes, and provides

the oil for anointing--the use of the magnificent building goes for

nothing.

In such a place persons of every station can be seen mingling

together, social barriers partially break down, and a delightful

informality prevails. It is recorded of Hadrian that when he is in

the city, he proves his “liberal” habits by frequenting the public

baths and bathing in the great pools along with the meanest of his

subjects. Every afternoon, therefore, the thermæ are the scenes of

intensely bustling life. The noise rising from their great halls is

terrific--the shouting, laughing, splashing, running, exercising, going

on continuously.[197]

The Romans are preëminently a sociable people. They delight in the free

and easy contacts of the baths. What place has witnessed more financial

bargains struck, quarrels started or abated, lawsuits arranged,

marriage treaties negotiated, philosophical theories spun, artistic

points discussed, or even matters of imperial policy promoted than the

thermæ of Trajan? At the thermæ are continued all those matters you

talked over in the Forum this morning and which you will finish on the

supper couches to-night. The place, however, to a stranger is utterly

bewildering in its hugeness, its noise and the hurrying of its crowds

and its complexity, and few scenes in Rome could be more novel to a

visitor from another civilization.

[Illustration: PLAN OF ROMAN PUBLIC BATHS: partly

conjectural.]

=309. Entering the Thermæ.=--We can follow Calvus as he approaches

by the great southern portal which looks down from the slopes of the

Esquiline upon the great gray cylinder of the Flavian Amphitheater.

Before us stretches an enormous portico, fronting a high masonry

wall, of course crowned at many points with statues. The entrance

is relatively narrow in order to control the thousands of persons

streaming inside, each passing his copper to the attendants at the

gate. But once past the barrier, we see before us the vista, apparently

not of a bathing establishment, but of an ample, inclosed park, girded

on every side with handsome porticoes, scattered with trees, bright

shrubbery, and groups of sculpture, but with the domes seemingly of a

magnificent palace rising from the middle of the area.

This park is teeming with life; young men in the scantiest of costume

are running races on a long sandy track, others are tossing ball,

others engaged in a wrestling contest, Greek fashion, before a crowd

of spectators wedged upon seats along a kind of stadium. In a kind

of kiosk, or small temple, in a remote corner behind the shrubbery a

venerable man with the long beard of a philosopher is expounding the

theory of atoms to a small but select audience. We are told that there

are also _aulæ_ for learned conventicles, likewise excellent

libraries within the central building.

=310. Interior of the Baths: the Cold Room (_Frigidarium_).=--This

building itself is an enormous mass of brick and concrete, formed into

correspondingly enormous vaulted apartments and domes, their entire

surface covered with polished marbles or at least with brilliantly

colored stucco. At every point there are statues, singly and in groups,

historical and mythological, in the round or in high reliefs, in stone

and in bronze. Particularly to be noted is a marvelous if overrealistic

Laocoön group destined to be celebrated through the coming ages.[198]

It boots little to describe all the special chambers and features of

the Baths of Trajan; we can only notice those prime features common

to all public thermæ even in the provincial cities. The great mass of

visitors makes for the hall of the _frigidarium_ (“cold room”), a vast

unheated space, albeit comfortable enough on a warm Italian afternoon.

Here they toss off their garments, to their own personal slaves if they

are visitors of consequence, although there is a great force of regular

attendants (_capsarii_) whose prime business it is to take charge of

togas and tunics. For all their pains, thefts of clothes in the baths

are very common and give rise to frequent uproars.

Once stripped, even the gravest and oldest visitors are likely to

indulge in all kinds of gymnastics and horseplay. If they do not go

outside to limber themselves with tossing ball at trigon (see p. 206)

or with amateur races in the stadium, there are plenty of diversions

in the frigidarium itself. One can behold the “Very Noble” Varus, the

presiding consul, forgetful of all official dignity, competing with an

imperial legatus, both with their hands tied behind them and trying

by leaning backward to touch their heads against the tips of their

toes; while a prætor, an hour earlier an austere judge in the Basilica

Æmilia, is leaping up and down “murdering a good song by trying to sing

it.”[199]

=311. The Great Swimming Pool and the _Tepidarium_.=--All this

is usually preliminary to a splashing plunge into the clear cool

_natatio_, the great swimming pool of unheated water, which is nearly

200 feet long by 100 broad, and in which scores of Rome’s noblest

dignitaries now are to be seen splashing, swimming, and cavorting, with

perfect self-respect beside a much greater number of the plebeians. For

the many who do not prefer a warm bath, this is sufficient refreshment

on a summer day, and presently they will call their attendants to

bring towels, strigils, and ointments and hasten home. But your true

_habitué_ makes almost as much of his baths as of his dinners. He

delights in hot baths and all the refreshments that go with them.

“People want to be parboiled,” once declared Seneca disgustedly.

A hot bath involves an elaborate process. Often one will omit the

frigidarium with its cold shock, or take it later. In any case one

goes on to a second enormous chamber, perhaps the finest in the whole

building. A majestic dome soars over broad pavement. The pillars and

the fretwork on the ceiling and vaulting groan with heavy gilding. The

groups of statues flanking each of the huge marble-incrusted piers are

themselves of heroic size. The light streams down over the polished

marbles of the walls and pendentives, upon hundreds of persons lolling

about on stone benches, conversing, or lazily meditating. A warm mist

is rising; one feels as if in a plant house of tropical exotics, while

the elaborate mosaic designs are pleasantly warm under one’s bare feet.

Such luxury of course is enjoyed in the _tepidarium_ where the bathers

are gently warmed before the actual hot bath. It is an oblong hall,

nearly as large as the great cold swimming tank,[200] and, as stated,

the decorations are almost overpowering in their richness. Anybody will

explain that the floors are composed largely of hollow tiles through

which warm air of just the right temperature is being continually

forced from the great system of charcoal furnaces (“hypocausts”)

located in the substructures of the thermæ.

=312. The Hot Baths (_Caldaria_): Their Sensuous Luxury.=--At intervals

some person rises from the couches and hastens away to one of the

smaller chambers located at the four corners of the tepidarium. These

are the actual _caldaria_ (hot baths), wherein a perpetual fine steam

is rising. The water here is so hot that only experienced bathers can

find a plunge in the large porphyry tanks enjoyable. If one can endure

the heat, however, soon it becomes a kind of stupid bliss to lie back

motionless in the heated water, gazing upward to the vaulted ceiling

which is skilfully painted in a deep blue interspersed with trees,

foliage, birds, and gilt stars, as if one were dropping off to slumber

in the forest some summer evening! If the acme of life is merely

sensuous enjoyment, what can existence offer greatly surpassing this!

After you have lain quiescent in the caldarium until its pleasure has

begun to pall, the proper thing next is to pass to the _laconicum_.

Here the hypocausts have heated the floor and walls with an intense dry

heat. The bathers loll again upon marble slabs, and first are dried off

and then burst into a profuse perspiration. The ceremony of the bath is

at last over.

Your slaves or the regular attendant now will scrape you down with

the thin flexible bronze strigils, rub you thoroughly with towels,

and anoint you with unguents, the more costly and highly perfumed the

better. In the numerous small chambers around the great laconicum, open

for special fees, there is a greater luxury still;--here such elderly

magnates as Varus, or even young noblemen of the more effeminate type,

will be elaborately massaged and finally rubbed down with very soft

woolen blankets, by at least three expert masseurs working together.

After such an experience surely body and mind ought to be prepared for

the pleasures of the dinner party.

=313. Restaurants, Small Shops, and Sports in or around the

Baths.=--Very much more might be added about the Great Baths. For

those people who wish to linger until the edge of meal time, there is

no need to go hungry. Close by the entrance are numerous restaurants

(_popinæ_) of more than ordinary elegance. Here you can send your

slave for sweet cakes, slices of toasted honey bread, sausages, eggs,

and like viands; and in the great frigidarium and tepidarium the

peddlers from these restaurants are always going about with trays of

such food, crying their wares and making the ordinary bedlam so much

the greater. Directly in the thermæ themselves are small shops for

the sale of fine perfumes and unguents; and often in the corridors

and antechambers you can find crowds gazing at special displays of

paintings, or of new statuary--for the public baths are practically the

art galleries of Rome.

As for the frequenters of the baths, here even more than in the fora

are the trysting spots for parasites. Let an approachable nobleman be

seen lolling at ease in the tepidarium and he is instantly spotted by

some dinner hunter. Innumerable are the attentions that can then be

paid him. Does he wish to play handball?--The parasite retrieves for

him. Does he lay aside a fine garment?--At once “his remarkable taste”

is praised to the skies. Does he lie perspiring in the laconicum?

His “friend” tries to anticipate the slaves in wiping the sweat from

his brow. No act is too obsequious--all in hopes of hearing those

delightful words, “Come home and dine!” In the halls of the women

similar scenes are enacted, but we cannot pursue them.

At last the sun dials that stand in every open spot around the thermæ

indicate that the afternoon is well spent. From the laconicum the

refreshed bathers return to the milder tepidarium, to recover from the

shock of the intense heat and to resume their garments. Then the crowds

all hasten out again. Some of the privately owned bathing-places may

remain open all night, but the great thermæ, lately the scene of such

boisterous life, stand vast, dark, and empty.

=314. The Great Porticoes along the Campus Martius. The Park System

towards the Tiber.=--The public baths are not the only places for

daily enjoyment which a solicitous government has provided for the

quirites. The fora are limited and the city proper is very closely

built, but around its outskirts and especially to the north and west

there is a genuinely magnificent park system. The beginnings of this

are reached after you go through the Forum of Trajan and follow along

“Broadway.” Here are the great porticoes and promenades of the Sæpta

Julia. The famous stores (see p. 228) are mostly on the east side of

the avenue verging off towards the slopes of the Quirinal, but the west

side, going clear across the broad Campus Martius to the Tiber, is more

strictly public property.

This wide level area formed by the great bend in the river has

long since ceased to be a mere parade ground for the army. There

are broad masses of greenery, grateful shade trees, spreading over

neatly graveled walks, as well as literally miles of lofty porticoes

stretching in every direction and giving comfortable places for

strolling in bad weather. The greatest of these porticoes is, of

course, the long Sæpta Julia, but there is a succession of others, so

that you can almost wander from the Column of Trajan across the Campus

clear to the Ælian Bridge completely defiant of any rain.

In the open pleasure grounds there are always people exercising without

the restraints inevitable at the thermæ, playing ball, wrestling,

exhibiting horses and chariots, as well as very many children chasing

about with hoops. If legionaries are passing through the city, their

leathern tents probably stand here, and here, too, can be held all the

vast open-air pageants which cannot accommodate themselves inside any

building.

=315. Public Buildings upon the Campus Martius.=--Out of the lofty

trees, however, there rise still loftier structures. Two of the great

public thermæ, those of Nero and Agrippa, are here upon the Campus

Martius. In this region, also, are three of the principal theaters,

that of Pompeius, accommodating some 25,000 people, and two others

(Theaters of Marcellus and Balbus) only slightly smaller. Here is the

Flaminian Circus and the Amphitheater of Taurus for those horse races

and gladiator fights which do not demand the huge Circus Maximus or

Flavian. Here again is the golden-roofed Pantheon and a great number

of other temples to such ill-assorted gods as the Egyptian Serapis

and Isis, Neptune, Minerva of the Campus, and the old Latin goddess

Juturna. Notable, too, are the triumphal arches raised across several

of the broad avenues.

You can in fact wander on across this region from one marvelous

structure to another until the eye and brain become weary trying to

enumerate, much more to comprehend the succession of buildings every

one of which is a triumph of marble and of sculpture. Pressing on to

the marge of the Tiber itself, the river above the commercial bridges

is seen covered with gay pleasure skiffs plying about under bright

flags. The shores are lined with handsome little houses, usually

decorated in the doors with potted shrubs or boughs of foliage.

Innocent they look in the day time but at night when their windows

blaze with lamps they will be veritable traps of iniquity for the

enjoyment and then the ruin of the unwary.

=316. The Tombs of Hadrian and Augustus.=--Across the river near

its main bend, can be noticed the green slopes of the hill of the

Vatican uncrowned as yet by any temple of fame, but with the suburban

Circus of Nero stretching along its slopes. Directly across the

current, also, is rising the enormous circular mass of the Mausoleum

of Hadrian, with the derricks and staging still above it swinging to

place the last of that galaxy of statues which will look down upon the

Tiber.[201]

[Illustration: CASTLE OF ST. ANGELO: Tomb of Hadrian

in its present state.]

We do not cross over to the new structure, but proceeding along the

bank to the point where the Via Flaminia continuing “Broadway” bears

down beside the river, we see before us the older but very majestic

Mausoleum of Augustus. It lifts itself fully 220 feet in the air, its

base composed of a vast cylinder coated with sculptured marbles, above

which there is heaped a conical mound of earth, planted with evergreen

trees, while on the summit stands a colossal statue of its mighty

builder himself. Within repose the urns not merely of Augustus, but of

nearly all the worthier members of the imperial families.

[Illustration: TOMB OF HADRIAN. _Restored after

Von Falke._]

These are only some of the features of the Campus Martius which foreign

visitors such as Strabo acclaim as the most remarkable section of

Rome, if not the one most charged with her past history. Time fails

to visit the other great public pleasure-grounds upon the slopes of

the Pincian--the “Gardens of Lucullus” and the “Gardens of Sallust,”

or that other wide park northeast of the Esquiline, the “Gardens of

Mæcenas,” presenting yet other vistas of shrubbery, groves, promenades,

and green lawns, interspersed with pleasure pavilions. It behooves us

now to return to Rome and to visit some of the most important centers

of its life--the theater, the amphitheater, and the circus.

A day in old Rome · 第 18 / 23 章