"I could lick you good," he admitted in a stage whisper. "I'm a

son-off-a-gun all right--only I don't never get mad at somebody."

Brit Hunter smiled at that, it was so like Swan Vjolmar. But when they

were halfway to Thurman's ranch--Brit on horseback and Swan striding

easily along beside him, leading the blaze-faced horse, he glanced down

at Swan's face and wondered if Swan had not lied a little.

"What's on your mind, Swan?" he asked abruptly.

Swan started and looked up at him, glanced at the empty hills on either

side, and stopped still in the trail.

"Mr. Hunter, you been longer in the country than I have been. You seen

some good riding, I bet. Maybe you see some men ride backwards on a

horse?"

Brit looked at him uncomprehendingly. "Backwards?"

Swan led up the blaze-faced horse and pointed to the right stirrup.

"Spurs would scratch like that if you jerk your foot, maybe. You're a

good rider, Mr. Hunter, you can tell. That's a right stirrup, ain't it?

Fred Thurman, he's got his left foot twist around, all broke from

jerking in his stirrup. Left foot in right stirrup----" He pushed back

his hat and rumpled his yellow hair, looking up into Brit's face

inquiringly. "Left foot in right stirrup is riding backwards. That's a

damn good rider to ride like that--what you think, Mr. Hunter?"

CHAPTER SIX

LONE ADVISES SILENCE

Twice in the next week Lone found an excuse for riding over to the

Sawtooth. During his first visit, the foreman's wife told him that the

young lady was still too sick to talk much. The second time he went, Pop

Bridgers spied him first and cackled over his coming to see the girl.

Lone grinned and dissembled as best he could, knowing that Pop Bridgers

fed his imagination upon denials and argument and remonstrance and was

likely to build gossip that might spread beyond the Sawtooth. Wherefore

he did not go near the foreman's house that day, but contented himself

with gathering from Pop's talk that the girl was still there.

After that he rode here and there, wherever he would be likely to meet a

Sawtooth rider, and so at last he came upon Al Woodruff loping along the

crest of Juniper Ridge. Al at first displayed no intention of stopping,

but pulled up when he saw John Doe slowing down significantly. Lone

would have preferred a chat with some one else, for this was a

sharp-eyed, sharp-tongued man; but Al Woodruff stayed at the ranch and

would know all the news, and even though he might give it an ill-natured

twist, Lone would at least know what was going on. Al hailed him with a

laughing epithet.

"Say, you sure enough played hell all around, bringin' Brit Hunter's

girl to the Sawtooth!" he began, chuckling as if he had some secret

joke. "Where'd you pick her up, Lone? She claims you found her at Rock

City. That right?"

"No, it ain't right," Lone denied promptly, his dark eyes meeting Al's

glance steadily. "I found her in that gulch away this side. She was in

amongst the rocks where she was trying to keep outa the rain. Brit

Hunter's girl, is she? She told me she was going to the Sawtooth. She'd

have made it, too, if it hadn't been for the storm. She got as far as

the gulch, and the lightning scared her from going any farther." He

offered Al his tobacco sack and fumbled for a match. "I never knew Brit

Hunter had a girl."

"Nor me," Al said and sifted tobacco into a cigarette paper. "Bob, he

drove her over there yesterday. Took him close to all day to make the

trip--and Bob, he claims to hate women!"

"So would I, if I'd got stung for fifty thousand. She ain't that kind.

She's a nice girl, far as I could tell. She got well, all right, did

she?"

"Yeah--only she was still coughing some when she left the ranch. She

like to of had pneumonia, I guess. Queer how she claimed she spent the

night in Rock City, ain't it?"

"No," Lone answered judicially, "I don't know as it's so queer. She

never realized how far she'd walked, I reckon. She was plumb crazy when

I found her. You couldn't take any stock in what she said. Say, you

didn't see that bay I was halter-breaking, did yuh, Al? He jumped the

fence and got away on me, day before yesterday. I'd like to catch him up

again. He'll make a good horse."

Al had not seen the bay, and the talk tapered off desultorily to a final

"So-long, see yuh later." Lone rode on, careful not to look back. So she

was Brit Hunter's girl! Lone whistled softly to himself while he studied

this new angle of the problem,--for a problem he was beginning to

consider it. She was Brit Hunter's girl, and she had told them at the

Sawtooth that she had spent the night at Rock City. He wondered how

much else she had told; how much she remembered of what she had told

him.

He reached into his coat pocket and pulled out a round leather purse

with a chain handle. It was soiled and shrunken with its wetting, and

the clasp had flecks of rust upon it. What it contained Lone did not

know. Virginia had taught him that a man must not be curious about the

personal belongings of a woman. Now he turned the purse over, tried to

rub out the stiffness of the leather, and smiled a little as he dropped

it back into his pocket.

"I've got my calling card," he said softly to John Doe. "I reckon I had

the right hunch when I didn't turn it over to Mrs. Hawkins. I'll ask her

again about that grip she said she hid under a bush. I never heard about

any of the boys finding it."

His thoughts returned to Al Woodruff and stopped there. Determined still

to attend strictly to his own affairs, his thoughts persisted in playing

truant and in straying to a subject he much preferred not to think of at

all. Why should Al Woodruff be interested in the exact spot where Brit

Hunter's daughter had spent the night of the storm? Why should Lone

instinctively discount her statement and lie whole-heartedly about it?

"Now if Al catches me up in that, he'll think I know a lot I don't know,

or else----" He halted his thoughts there, for that, too, was a

forbidden subject.

Forbidden subjects are like other forbidden things: they have a way of

making themselves very conspicuous. Lone was heading for the Quirt ranch

by the most direct route, fearing, perhaps, that if he waited he would

lose his nerve and would not go at all. Yet it was important that he

should go; he must return the girl's purse!

The most direct route to the Quirt took him down Juniper Ridge and

across Granite Creek near the Thurman ranch. Indeed, if he followed the

trail up Granite Creek and across the hilly country to Quirt Creek, he

must pass within fifty yards of the Thurman cabin. Lone's time was

limited, yet he took the direct route rather reluctantly. He did not

want to be reminded too sharply of Fred Thurman as a man who had lived

his life in his own way and had died so horribly.

"Well, he didn't have it coming to him--but it's done and over with,

now, so it's no use thinking about it," he reflected, when the roofs of

the Thurman ranch buildings began to show now and then through the thin

ranks of the cottonwoods along the creek.

But his face sobered as he rode along. It seemed to him that the sleepy

little meadows, the quiet murmuring of the creek, even the soft rustling

of the cottonwood leaves breathed a new loneliness, an emptiness where

the man who had called this place home, who had clung to it in the face

of opposition that was growing into open warfare, had lived and had left

life suddenly--unwarrantably, Lone knew in his heart. It might be of no

use to think about it, but the vivid memory of Fred Thurman was with him

when he rode up the trail to the stable and the small corrals. He had to

think, whether he would or no.

At the corral he came unexpectedly in sight of the Swede, who grinned a

guileless welcome and came toward him, so that Lone could not ride on

unless he would advertise his dislike of the place. John Doe, plainly

glad to find an excuse to stop, slowed and came to where Swan waited by

the gate.

"By golly, this is lonesome here," Swan complained, heaving a great

sigh. "That judge don't get busy pretty quick, I'm maybe jumping my job.

Lone, what you think? You believe in ghosts?"

"Naw. What's on your chest, Swan?" Lone slipped sidewise in the saddle,

resting his muscles. "You been seeing things?"

"No--I don't be seeing things, Lone. But sometimes I been--like I _feel_

something." He stared at Lone questioningly. "What you think, Lone, if

you be sitting down eating your supper, maybe, and you feel something

say words in your brain? Like you know something talks to you and then

quits."

Lone gave Swan a long, measuring look, and Swan laughed uneasily.

"That sounds crazy. But it's true, what something tells me in my brain.

I go and look, and by golly, it's there just like the words tell me."

Lone straightened in the saddle. "You better come clean, Swan, and tell

the whole thing. What was it? Don't talk in circles. What words did you

feel--in your brain?" In spite of himself, Lone felt as he had when the

girl had talked to him and called him Charlie.

Swan closed the gate behind him with steady hands. His lips were pressed

firmly together, as if he had definitely made up his mind to something.

Lone was impressed somehow with Swan's perfect control of his speech,

his thoughts, his actions. But he was puzzled rather than anything else,

and when Swan turned, facing him, Lone's bewilderment did not lessen.

"I'll tell you. It's when I'm sitting down to eat my supper. I'm just

reaching out my hand like this, to get my coffee. And something says in

my head, 'It's a lie. I don't ride backwards. Go look at my saddle.

There's blood----' And that's all. It's like the words go far away so I

can't hear any more. So I eat my supper, and then I get the lantern and

I go look. You come with me, Lone. I'll show you."

Without a word Lone dismounted and followed Swan into a small shed

beside the stable, where a worn stock saddle hung suspended from a

crosspiece, a rawhide string looped over the horn. Lone did not ask

whose saddle it was, nor did Swan name the owner. There was no need.

Swan took the saddle and swung it around so that the right side was

toward them. It was what is called a full-stamped saddle, with the

popular wild-rose design on skirts and cantle. Much hard use and

occasional oilings had darkened the leather to a rich, red brown, marred

with old scars and scratches and the stains of many storms.

"Blood is hard to find when it's raining all night," Swan observed,

speaking low as one does in the presence of death. "But if somebody is

bleeding and falls off a horse slow, and catches hold of things and

tries like hell to hang on----" He lifted the small flap that covered

the cinch ring and revealed a reddish, flaked stain. Phlegmatically he

wetted his finger tip on his tongue, rubbed the stain and held up his

finger for Lone to see. "That's a damn funny place for blood, when a man

is dragging on the ground," he commented drily. "And something else is

damn funny, Lone."

He lifted the wooden stirrup and touched with his finger the rowel

marks. "That is on the front part," he said. "I could swear in court

that Fred's left foot was twisted--that's damn funny, Lone. I don't see

men ride backwards, much."

Lone turned on him and struck the stirrup from his hand. "I think you

better forget it," he said fiercely. "He's dead--it can't help him any

to----" He stopped and pulled himself together. "Swan, you take a fool's

advice and don't tell anybody else about feeling words talk in your

head. They'll have you in the bug-house at Blackfoot, sure as you live."

He looked at the saddle, hesitated, looked again at Swan, who was

watching him. "That blood most likely got there when Fred was packing a

deer in from the hills. And marks on them old oxbow stirrups don't mean

a damn thing but the need of a new pair, maybe." He forced a laugh and

stepped outside the shed. "Just shows you, Swan, that imagination and

being alone all the time can raise Cain with a fellow. You want to watch

yourself."

Swan followed him out, closing the door carefully behind him. "By golly,

I'm watching out now," he assented thoughtfully. "You don't tell

anybody, Lone."

"No, I won't tell anybody--and I'd advise you not to," Lone repeated

grimly. "Just keep those thoughts outa your head, Swan. They're bad

medicine."

He mounted John Doe and rode away, his eyes downcast, his quirt slapping

absently the weeds along the trail. It was not his business, and

yet---- Lone shook himself together and put John Doe into a lope. He had

warned Swan, and he could do no more.

Halfway to the Quirt he met Lorraine riding along the trail. She would

have passed him with no sign of recognition, but Lone lifted his hat and

stopped. Lorraine looked at him, rode on a few steps and turned. "Did

you wish to speak about something?" she asked impersonally.

Lone felt the flush in his cheeks, which angered him to the point of

speaking curtly. "Yes. I found your purse where you dropped it that

night you were lost. I was bringing it over to you. My name's Morgan.

I'm the man that found you and took you in to the ranch."

"Oh." Lorraine looked at him steadily. "You're the one they call Loney?"

"When they're feeling good toward me. I'm Lone Morgan. I went back to

find your grip--you said you left it under a bush, but the world's plumb

full of bushes. I found your purse, though."

"Thank you so much. I must have been an awful nuisance, but I was so

scared--and things were terribly mixed in my mind. I didn't even have

sense enough to tell you what ranch I was trying to find, did I? So you

took me to the wrong one, and I was a week there before I found it out.

And then they were perfectly lovely about it and brought me--home." She

turned the purse over and over in her hands, looking at it without much

interest. She seemed in no hurry to ride on, which gave Lone courage.

"There's something I'd like to say," he began, groping for words that

would make his meaning plain without telling too much. "I hope you won't

mind my telling you. You were kinda out of your head when I found you,

and you said something about seeing a man shot and----"

"Oh!" Lorraine looked up at him, looked through him, he thought, with

those brilliant eyes of hers. "Then I did tell----"

"I just wanted to say," Lone interrupted her, "that I knew all the time

it was just a nightmare. I never mentioned it to anybody, and you'll

forget all about it, I hope. You didn't tell any one else, did you?"

He looked up at her again and found her studying him curiously. "You're

not the man I saw," she said, as if she were satisfying herself on that

point. "I've wondered since--but I was sure, too, that I had seen it.

Why mustn't I tell any one?"

Lone did not reply at once. The girl's eyes were disconcertingly direct,

her voice and her manner disturbed him with their judicial calmness, so

at variance with the wildness he remembered.

"Well, it's hard to explain," he said at last. "You're strange to this

country, and you don't know all the ins and outs of--things. It wouldn't

do any good to you or anybody else, and it might do a lot of harm." His

eyes nicked her face with a wistful glance. "You don't know me--I really

haven't got any right to ask or expect you to trust me. But I wish you

would, to the extent of forgetting that you saw--or thought you

saw--anything that night in Rock City."

Lorraine shivered and covered her eyes swiftly with one hand. His words

had brought back too sharply that scene. But she shook off the emotion

and faced him again.

"I saw a man murdered," she cried. "I wasn't sure afterwards; sometimes

I thought I had dreamed it. But I was sure I saw it. I saw the horse go

by, running--and you want me to keep still about that? What harm could

it do to tell? Perhaps it's true--perhaps I did see it all. I might

think you were trying to cover up something--only, you're not the man I

saw--or thought I saw."

"No, of course I'm not. You dreamed the whole thing, and the way you

talked to me was so wild, folks would say you're crazy if they heard you

tell it. You're a stranger here, Miss Hunter, and--your father is not as

popular in this country as he might be. He's got enemies that would be

glad of the chance to stir up trouble for him. You--just dreamed all

that. I'm asking you to forget a bad dream, that's all, and not go

telling it to other folks."

For some time Lorraine did not answer. The horses conversed with sundry

nose-rubbings, nibbled idly at convenient brush tips, and wondered no

doubt why their riders were so silent. Lone tried to think of some

stronger argument, some appeal that would reach the girl without

frightening her or causing her to distrust him. But he did not know what

more he could say without telling her what must not be told.

"Just how would it make trouble for my father?" Lorraine asked at last.

"I can't believe you'd ask me to help cover up a crime, but it seems

hard to believe that a nightmare would cause any great commotion. And

why is my father unpopular?"

"Well, you don't know this country," Lone parried inexpertly. "It's all

right in some ways, and in some ways it could be a lot improved. Folks

haven't got much to talk about. They go around gabbling their heads off

about every little thing, and adding onto it until you can't recognize

your own remarks after they've been peddled for a week. You've maybe

seen places like that."

"Oh, yes." Lorraine's eyes lighted with a smile. "Take a movie studio,

for instance."

"Yes. Well, you being a stranger, you would get all the worst of it. I

just thought I'd tell you; I'd hate to see you misunderstood by folks

around here. I--I feel kinda responsible for you; I'm the one that found

you."

Lorraine's eyes twinkled. "Well, I'm glad to know one person in the

country who doesn't gabble his head off. You haven't answered any of my

questions, and you've made me feel as if you'd found a dangerous, wild

woman that morning. It isn't very flattering, but I think you're honest,

anyway."

Lone smiled for the first time, and she found his smile pleasant. "I'm

no angel," he disclaimed modestly, "and most folks think I could be

improved on a whole lot. But I'm honest in one way. I'm thinking about

what's best for you, this time."

"I'm terribly grateful," Lorraine laughed. "I shall take great care not

to go all around the country telling people my dreams. I can see that it

wouldn't make me awfully popular." Then she sobered. "Mr. Morgan, that

was a _horrible_ kind of--nightmare. Why, even last night I woke up

shivering, just imagining it all over again."

"It was sure horrible the way you talked about it," Lone assured her.

"It's because you were sick, I reckon. I wish you'd tell me as close as

you can where you left that grip of yours. You said it was under a bush

where a rabbit was sitting. I'd like to find the grip--but I'm afraid

that rabbit has done moved!"

"Oh, Mr. Warfield and I found it, thank you. The rabbit had moved, but I

sort of remembered how the road had looked along there, and we hunted

until we discovered the place. Dad has driven in after my other luggage

to-day--and I believe I must be getting home. I was only out for a

little ride."

She thanked him again for the trouble he had taken and rode away. Lone

turned off the trail and, picking his way around rough outcroppings of

rock, and across unexpected little gullies, headed straight for the ford

across Granite Creek and home. Brit Hunter's girl, he was thinking, was

even nicer than he had pictured her. And that she could believe in the

nightmare was a vast relief.

CHAPTER SEVEN

THE MAN AT WHISPER

Brit Hunter finished washing the breakfast dishes and put a stick of

wood into the broken old cook-stove that had served him and Frank for

fifteen years and was feeling its age. Lorraine's breakfast was in the

oven, keeping warm. Brit looked in, tested the heat with his gnarled

hand to make sure that the sour-dough biscuits would not be dried to

crusts, and closed the door upon them and the bacon and fried potatoes.

Frank Johnson had the horses saddled and it was time to go, yet Brit

lingered, uneasily conscious that his habitation was lacking in many

things which a beautiful young woman might consider absolute

necessities. He had seen in Lorraine's eyes, as they glanced here and

there about the grimy walls, a certain disparagement of her

surroundings. The look had made him wince, though he could not quite

decide what it was that displeased her. Maybe she wanted lace curtains,

or something.

He set the four chairs in a row against the wall, swept up the bits of

bark and ashes beside the stove, made sure that the water bucket was

standing full on its bench beside the door, sent another critical glance

around the room, and tiptoed over to the dish cupboard and let down the

flowered calico curtain that had been looped up over a nail for

convenience. The sun sent a bright, wide bar of yellow light across the

room to rest on the shelf behind the stove where stood the salt can, the

soda, the teapot, a box of matches and two pepper cans, one empty and

the other full. Brit always meant to throw out that empty pepper can and

always neglected to do so. Just now he remembered picking up the empty

one and shaking it over the potatoes futilely and then changing it for

the full one. But he did not take it away; in the wilderness one learns

to save useless things in the faint hope that some day they may become

useful. The shelves were cluttered with fit companions to that empty

pepper can. Brit thought that he would have "cleaned out" had he known

that Lorraine was coming. Since she was here, it scarcely seemed worth

while.

He walked on his boot-toes to the door of the second room of the cabin,

listened there for a minute, heard no sound and took a tablet and pencil

off another shelf littered with useless things. The note which he wrote

painstakingly, lest she might think him lacking in education, he laid

upon the table beside Lorraine's plate; then went out, closing the door

behind him as quietly as a squeaking door can be made to close.

Lorraine, in the other room, heard the squeak and sat up. Her wrist

watch, on the chair beside her bed, said that it was fifteen minutes

past six, which she considered an unearthly hour for rising. She pulled

up the covers and tried to sleep again. The day would be long enough, at

best. There was nothing to do, unless she took that queer old horse with

withers like the breastbone of a lean Christmas turkey and hips that

reminded her of the little roofs over dormer windows, and went for a

ride. And if she did that, there was nowhere to go and nothing to do

when she arrived there.

In a very few days Lorraine had exhausted the sights of Quirt Creek and

vicinity. If she rode south she would eventually come to the top of a

hill whence she could look down upon further stretches of barrenness. If

she rode east she would come eventually to the road along which she had

walked from Echo, Idaho. Lorraine had had enough of that road. If she

went north she would--well, she would not meet Mr. Lone Morgan again,

for she had tried it twice, and had turned back because there seemed no

end to the trail twisting through the sage and rocks. West she had not

gone, but she had no doubt that it would be the same dreary monotony of

dull gray landscape.

Monotony of landscape was one thing which Lorraine could not endure,

unless it had a foreground of riders hurtling here and there, and of

perspiring men around a camera tripod. At the Sawtooth ranch, after she

was able to be up, she had seen cowboys, but they had lacked the dash

and the picturesque costuming of the West she knew. They were mostly

commonplace young men, jogging past the house on horseback, or loitering

down by the corrals. They had offered absolutely no interest or "color"

to the place, and the owner's son, Bob Warfield, had driven her over to

the Quirt in a Ford and had seemed exactly like any other big,

good-looking young man who thought well of himself. Lorraine was not

susceptible to mere good looks, three years with the "movies" having

disillusioned her quite thoroughly. Too many young men of Bob Warfield's

general type had attempted to make love to her--lightly and not too

well--for Lorraine to be greatly impressed.

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