XLV

Philip soon realised that the spirit which informed his friends was

Cronshaw’s. It was from him that Lawson got his paradoxes; and even

Clutton, who strained after individuality, expressed himself in the

terms he had insensibly acquired from the older man. It was his ideas

that they bandied about at table, and on his authority they formed

their judgments. They made up for the respect with which unconsciously

they treated him by laughing at his foibles and lamenting his vices.

“Of course, poor old Cronshaw will never do any good,” they said. “He’s

quite hopeless.”

They prided themselves on being alone in appreciating his genius; and

though, with the contempt of youth for the follies of middle-age, they

patronised him among themselves, they did not fail to look upon it as a

feather in their caps if he had chosen a time when only one was there

to be particularly wonderful. Cronshaw never came to Gravier’s. For the

last four years he had lived in squalid conditions with a woman whom

only Lawson had once seen, in a tiny apartment on the sixth floor of

one of the most dilapidated houses on the Quai des Grands Augustins:

Lawson described with gusto the filth, the untidiness, the litter.

“And the stink nearly blew your head off.”

“Not at dinner, Lawson,” expostulated one of the others.

But he would not deny himself the pleasure of giving picturesque

details of the odours which met his nostril. With a fierce delight in

his own realism he described the woman who had opened the door for him.

She was dark, small, and fat, quite young, with black hair that seemed

always on the point of coming down. She wore a slatternly blouse and no

corsets. With her red cheeks, large sensual mouth, and shining, lewd

eyes, she reminded you of the Bohemienne in the Louvre by Franz Hals.

She had a flaunting vulgarity which amused and yet horrified. A

scrubby, unwashed baby was playing on the floor. It was known that the

slut deceived Cronshaw with the most worthless ragamuffins of the

Quarter, and it was a mystery to the ingenuous youths who absorbed his

wisdom over a cafe table that Cronshaw with his keen intellect and his

passion for beauty could ally himself to such a creature. But he seemed

to revel in the coarseness of her language and would often report some

phrase which reeked of the gutter. He referred to her ironically as la

fille de mon concierge. Cronshaw was very poor. He earned a bare

subsistence by writing on the exhibitions of pictures for one or two

English papers, and he did a certain amount of translating. He had been

on the staff of an English paper in Paris, but had been dismissed for

drunkenness; he still however did odd jobs for it, describing sales at

the Hotel Drouot or the revues at music-halls. The life of Paris had

got into his bones, and he would not change it, notwithstanding its

squalor, drudgery, and hardship, for any other in the world. He

remained there all through the year, even in summer when everyone he

knew was away, and felt himself only at ease within a mile of the

Boulevard St. Michel. But the curious thing was that he had never

learnt to speak French passably, and he kept in his shabby clothes

bought at La Belle Jardiniere an ineradicably English appearance.

He was a man who would have made a success of life a century and a half

ago when conversation was a passport to good company and inebriety no

bar.

“I ought to have lived in the eighteen hundreds,” he said himself.

“What I want is a patron. I should have published my poems by

subscription and dedicated them to a nobleman. I long to compose rhymed

couplets upon the poodle of a countess. My soul yearns for the love of

chamber-maids and the conversation of bishops.”

He quoted the romantic Rolla,

“Je suis venu trop tard dans un monde trop vieux.”

He liked new faces, and he took a fancy to Philip, who seemed to

achieve the difficult feat of talking just enough to suggest

conversation and not too much to prevent monologue. Philip was

captivated. He did not realise that little that Cronshaw said was new.

His personality in conversation had a curious power. He had a beautiful

and a sonorous voice, and a manner of putting things which was

irresistible to youth. All he said seemed to excite thought, and often

on the way home Lawson and Philip would walk to and from one another’s

hotels, discussing some point which a chance word of Cronshaw had

suggested. It was disconcerting to Philip, who had a youthful eagerness

for results, that Cronshaw’s poetry hardly came up to expectation. It

had never been published in a volume, but most of it had appeared in

periodicals; and after a good deal of persuasion Cronshaw brought down

a bundle of pages torn out of The Yellow Book, The Saturday Review, and

other journals, on each of which was a poem. Philip was taken aback to

find that most of them reminded him either of Henley or of Swinburne.

It needed the splendour of Cronshaw’s delivery to make them personal.

He expressed his disappointment to Lawson, who carelessly repeated his

words; and next time Philip went to the Closerie des Lilas the poet

turned to him with his sleek smile:

“I hear you don’t think much of my verses.”

Philip was embarrassed.

“I don’t know about that,” he answered. “I enjoyed reading them very

much.”

“Do not attempt to spare my feelings,” returned Cronshaw, with a wave

of his fat hand. “I do not attach any exaggerated importance to my

poetical works. Life is there to be lived rather than to be written

about. My aim is to search out the manifold experience that it offers,

wringing from each moment what of emotion it presents. I look upon my

writing as a graceful accomplishment which does not absorb but rather

adds pleasure to existence. And as for posterity—damn posterity.”

Philip smiled, for it leaped to one’s eyes that the artist in life had

produced no more than a wretched daub. Cronshaw looked at him

meditatively and filled his glass. He sent the waiter for a packet of

cigarettes.

“You are amused because I talk in this fashion and you know that I am

poor and live in an attic with a vulgar trollop who deceives me with

hair-dressers and garcons de cafe; I translate wretched books for the

British public, and write articles upon contemptible pictures which

deserve not even to be abused. But pray tell me what is the meaning of

life?”

“I say, that’s rather a difficult question. Won’t you give the answer

yourself?”

“No, because it’s worthless unless you yourself discover it. But what

do you suppose you are in the world for?”

Philip had never asked himself, and he thought for a moment before

replying.

“Oh, I don’t know: I suppose to do one’s duty, and make the best

possible use of one’s faculties, and avoid hurting other people.”

“In short, to do unto others as you would they should do unto you?”

“I suppose so.”

“Christianity.”

“No, it isn’t,” said Philip indignantly. “It has nothing to do with

Christianity. It’s just abstract morality.”

“But there’s no such thing as abstract morality.”

“In that case, supposing under the influence of liquor you left your

purse behind when you leave here and I picked it up, why do you imagine

that I should return it to you? It’s not the fear of the police.”

“It’s the dread of hell if you sin and the hope of Heaven if you are

virtuous.”

“But I believe in neither.”

“That may be. Neither did Kant when he devised the Categorical

Imperative. You have thrown aside a creed, but you have preserved the

ethic which was based upon it. To all intents you are a Christian

still, and if there is a God in Heaven you will undoubtedly receive

your reward. The Almighty can hardly be such a fool as the churches

make out. If you keep His laws I don’t think He can care a packet of

pins whether you believe in Him or not.”

“But if I left my purse behind you would certainly return it to me,”

said Philip.

“Not from motives of abstract morality, but only from fear of the

police.”

“It’s a thousand to one that the police would never find out.”

“My ancestors have lived in a civilised state so long that the fear of

the police has eaten into my bones. The daughter of my concierge would

not hesitate for a moment. You answer that she belongs to the criminal

classes; not at all, she is merely devoid of vulgar prejudice.”

“But then that does away with honour and virtue and goodness and

decency and everything,” said Philip.

“Have you ever committed a sin?”

“I don’t know, I suppose so,” answered Philip.

“You speak with the lips of a dissenting minister. I have never

committed a sin.”

Cronshaw in his shabby great-coat, with the collar turned up, and his

hat well down on his head, with his red fat face and his little

gleaming eyes, looked extraordinarily comic; but Philip was too much in

earnest to laugh.

“Have you never done anything you regret?”

“How can I regret when what I did was inevitable?” asked Cronshaw in

return.

“But that’s fatalism.”

“The illusion which man has that his will is free is so deeply rooted

that I am ready to accept it. I act as though I were a free agent. But

when an action is performed it is clear that all the forces of the

universe from all eternity conspired to cause it, and nothing I could

do could have prevented it. It was inevitable. If it was good I can

claim no merit; if it was bad I can accept no censure.”

“My brain reels,” said Philip.

“Have some whiskey,” returned Cronshaw, passing over the bottle.

“There’s nothing like it for clearing the head. You must expect to be

thick-witted if you insist upon drinking beer.”

Philip shook his head, and Cronshaw proceeded:

“You’re not a bad fellow, but you won’t drink. Sobriety disturbs

conversation. But when I speak of good and bad…” Philip saw he was

taking up the thread of his discourse, “I speak conventionally. I

attach no meaning to those words. I refuse to make a hierarchy of human

actions and ascribe worthiness to some and ill-repute to others. The

terms vice and virtue have no signification for me. I do not confer

praise or blame: I accept. I am the measure of all things. I am the

centre of the world.”

“But there are one or two other people in the world,” objected Philip.

“I speak only for myself. I know them only as they limit my activities.

Round each of them too the world turns, and each one for himself is the

centre of the universe. My right over them extends only as far as my

power. What I can do is the only limit of what I may do. Because we are

gregarious we live in society, and society holds together by means of

force, force of arms (that is the policeman) and force of public

opinion (that is Mrs. Grundy). You have society on one hand and the

individual on the other: each is an organism striving for

self-preservation. It is might against might. I stand alone, bound to

accept society and not unwilling, since in return for the taxes I pay

it protects me, a weakling, against the tyranny of another stronger

than I am; but I submit to its laws because I must; I do not

acknowledge their justice: I do not know justice, I only know power.

And when I have paid for the policeman who protects me and, if I live

in a country where conscription is in force, served in the army which

guards my house and land from the invader, I am quits with society: for

the rest I counter its might with my wiliness. It makes laws for its

self-preservation, and if I break them it imprisons or kills me: it has

the might to do so and therefore the right. If I break the laws I will

accept the vengeance of the state, but I will not regard it as

punishment nor shall I feel myself convicted of wrong-doing. Society

tempts me to its service by honours and riches and the good opinion of

my fellows; but I am indifferent to their good opinion, I despise

honours and I can do very well without riches.”

“But if everyone thought like you things would go to pieces at once.”

“I have nothing to do with others, I am only concerned with myself. I

take advantage of the fact that the majority of mankind are led by

certain rewards to do things which directly or indirectly tend to my

convenience.”

“It seems to me an awfully selfish way of looking at things,” said

Philip.

“But are you under the impression that men ever do anything except for

selfish reasons?”

“Yes.”

“It is impossible that they should. You will find as you grow older

that the first thing needful to make the world a tolerable place to

live in is to recognise the inevitable selfishness of humanity. You

demand unselfishness from others, which is a preposterous claim that

they should sacrifice their desires to yours. Why should they? When you

are reconciled to the fact that each is for himself in the world you

will ask less from your fellows. They will not disappoint you, and you

will look upon them more charitably. Men seek but one thing in

life—their pleasure.”

“No, no, no!” cried Philip.

Cronshaw chuckled.

“You rear like a frightened colt, because I use a word to which your

Christianity ascribes a deprecatory meaning. You have a hierarchy of

values; pleasure is at the bottom of the ladder, and you speak with a

little thrill of self-satisfaction, of duty, charity, and truthfulness.

You think pleasure is only of the senses; the wretched slaves who

manufactured your morality despised a satisfaction which they had small

means of enjoying. You would not be so frightened if I had spoken of

happiness instead of pleasure: it sounds less shocking, and your mind

wanders from the sty of Epicurus to his garden. But I will speak of

pleasure, for I see that men aim at that, and I do not know that they

aim at happiness. It is pleasure that lurks in the practice of every

one of your virtues. Man performs actions because they are good for

him, and when they are good for other people as well they are thought

virtuous: if he finds pleasure in giving alms he is charitable; if he

finds pleasure in helping others he is benevolent; if he finds pleasure

in working for society he is public-spirited; but it is for your

private pleasure that you give twopence to a beggar as much as it is

for my private pleasure that I drink another whiskey and soda. I, less

of a humbug than you, neither applaud myself for my pleasure nor demand

your admiration.”

“But have you never known people do things they didn’t want to instead

of things they did?”

“No. You put your question foolishly. What you mean is that people

accept an immediate pain rather than an immediate pleasure. The

objection is as foolish as your manner of putting it. It is clear that

men accept an immediate pain rather than an immediate pleasure, but

only because they expect a greater pleasure in the future. Often the

pleasure is illusory, but their error in calculation is no refutation

of the rule. You are puzzled because you cannot get over the idea that

pleasures are only of the senses; but, child, a man who dies for his

country dies because he likes it as surely as a man eats pickled

cabbage because he likes it. It is a law of creation. If it were

possible for men to prefer pain to pleasure the human race would have

long since become extinct.”

“But if all that is true,” cried Philip, “what is the use of anything?

If you take away duty and goodness and beauty why are we brought into

the world?”

“Here comes the gorgeous East to suggest an answer,” smiled Cronshaw.

He pointed to two persons who at that moment opened the door of the

cafe, and, with a blast of cold air, entered. They were Levantines,

itinerant vendors of cheap rugs, and each bore on his arm a bundle. It

was Sunday evening, and the cafe was very full. They passed among the

tables, and in that atmosphere heavy and discoloured with tobacco

smoke, rank with humanity, they seemed to bring an air of mystery. They

were clad in European, shabby clothes, their thin great-coats were

threadbare, but each wore a tarbouch. Their faces were gray with cold.

One was of middle age, with a black beard, but the other was a youth of

eighteen, with a face deeply scarred by smallpox and with one eye only.

They passed by Cronshaw and Philip.

“Allah is great, and Mahomet is his prophet,” said Cronshaw

impressively.

The elder advanced with a cringing smile, like a mongrel used to blows.

With a sidelong glance at the door and a quick surreptitious movement

he showed a pornographic picture.

“Are you Masr-ed-Deen, the merchant of Alexandria, or is it from far

Bagdad that you bring your goods, O, my uncle; and yonder one-eyed

youth, do I see in him one of the three kings of whom Scheherazade told

stories to her lord?”

The pedlar’s smile grew more ingratiating, though he understood no word

of what Cronshaw said, and like a conjurer he produced a sandalwood

box.

“Nay, show us the priceless web of Eastern looms,” quoth Cronshaw. “For

I would point a moral and adorn a tale.”

The Levantine unfolded a table-cloth, red and yellow, vulgar, hideous,

and grotesque.

“Thirty-five francs,” he said.

“O, my uncle, this cloth knew not the weavers of Samarkand, and those

colours were never made in the vats of Bokhara.”

“Twenty-five francs,” smiled the pedlar obsequiously.

“Ultima Thule was the place of its manufacture, even Birmingham the

place of my birth.”

“Fifteen francs,” cringed the bearded man.

“Get thee gone, fellow,” said Cronshaw. “May wild asses defile the

grave of thy maternal grandmother.”

Imperturbably, but smiling no more, the Levantine passed with his wares

to another table. Cronshaw turned to Philip.

“Have you ever been to the Cluny, the museum? There you will see

Persian carpets of the most exquisite hue and of a pattern the

beautiful intricacy of which delights and amazes the eye. In them you

will see the mystery and the sensual beauty of the East, the roses of

Hafiz and the wine-cup of Omar; but presently you will see more. You

were asking just now what was the meaning of life. Go and look at those

Persian carpets, and one of these days the answer will come to you.”

“You are cryptic,” said Philip.

“I am drunk,” answered Cronshaw.

Of Human Bondage · 第 44 / 123 题