CHAPTER XVIII

MR. GILFILLAN IS PUZZLED

Three days passed. The village had recovered from its excitement.

The Weekly Sun appeared with a long and harrowing account of

the "vile attempt to rifle the home of our esteemed and patriotic

citizeness," and sang the praises of Courtney Thane, whose

"well-known valour, acquired by heroic services during the Great

War," prevented what might have been "a most lamentable tragedy."

Those three days were singularly unprofitable to the "hero." He

was unable to see Alix crown. He made daily visits to her home but

always with the same result. Miss Crown was in no condition to see

any one.

"But she saw this fellow Conkling," he expostulated on the third

day. "He sold her a lot of phony oil stock. If she could see him,

I--"

"He came all the way from Chicago to see her,--with a letter from

Mr. Blythe," explained Mrs. Strong. "She had to see him. I guess

you can wait, can't you, Mr. Thane?"

"Certainly. That isn't the point. If I had seen her in time I should

have warned her against buying that stock. She's been let in for

a whale of a loss, that's all I can say,--and it's too late to do

anything about it. Good Lord, if ever a woman needed a man around

the house, she does. She--"

"I will tell her what you say," said Mrs. Strong calmly.

"Don't you do anything of the kind," he exclaimed hastily. "I was

speaking to you as a friend, Mrs. Strong. She means a great deal

to both of us. You understand how it stands with Alix and me, don't

you? I--I would cheerfully lay down my life for her. More than

that, I cannot say or do."

"She will be up by tomorrow," said Mrs. Strong, impressed in spite

of herself by this simple, direct appeal. (All that day she caught

herself wondering if he had cast his spell over her!)

"Please give her my love,--and say that I am thinking about her

every second of the day," said he gravely, and went away.

Alix had received another letter from Addison Blythe. Enclosed with

it was a communication from an official formerly connected with

the American Ambulance. It was brief and to the point:

Courtney Thane volunteered for service in the American Ambulance

in Paris in November, 1915. He was accepted and ordered to appear

at the hospital at Neuilly-sur-Seine for instructions. His conduct

was such that he was dismissed from the service before the expiration

of a week, his uniform taken away from him, and a request made to

the French Military authorities to see that he was ordered to leave

the country at once. Our records show that he left hurriedly for

Spain. He was a bad influence to our boys in Paris, and there was

but one course left open to us. We have no account of his subsequent

movements. With his dismissal from the service, he ceased to be an

object of concern to us.

Alix did not destroy this letter. She locked it away in a drawer

of her desk. She had made up her mind to confront Thane with this

official communication. It was an ordeal she dreaded. Her true

reason for refusing to see him was clear to her if to no one else:

she hated the thought of hurting him! Moreover, she was strangely

oppressed by the fear that she would falter at the crucial moment

and that her half-guarded defences would go down before the assault.

She knew his strength far better than she knew his weakness. She

had had an illuminating example of his power. Was she any stronger

now than on that never-to-be-forgotten night?...She put off the

evil hour.

And on the same third day of renunciation, she had a letter from

David Strong. She wept a little over it, and driven finally by a

restlessness such as she had never known before, feverishly dressed

herself, and set forth late in the afternoon for a long walk in

the open air. She took to the leaf-strewn woodland roads, and there

was a definite goal in mind.

II

Courtney remembered Rosabel Vick.

"I guess I'd better call her up," he said to himself. "I ought

to have done it several days ago. Beastly rotten of me to have

neglected it. She's probably been sitting over there waiting ever

since--Gad, she may; have some good news. Maybe she is mistaken."

He went over to the telephone exchange and called up the Vick house.

Rosabel answered.

"That you, Rosie?...Well, I couldn't. I've been laid up, completely

out of commission ever since I saw you....What?...I--I didn't

get that, Rosie. Speak louder,--closer to the telephone."

Very distinctly now came the words, almost in a wail:

"Oh, Courtney, why--why do you lie to me?"

"Lie to you? My dear girl, do you know what you are--"

A low moan, and a harsh, choking sob smote his ear, and then the

click of the receiver on the hook.

"Well, I'll be hanged!" he muttered angrily. "That's the last time

I'll call you up, take it from me."

And it was the last time he ever called her up.

Then he, too, ravaged by uneasy thoughts, struck off into the

country lanes, the better to commune with himself. In due course,

he came to the gate leading up to the top of Quill's Window. Here

he lagged. His gaze went across the strip of pasture-land to the

deserted house above the main-travelled road. He started. His gaze

grew more intense. A lone figure traversed the highway. It turned

in at the gate, and, as he watched, strode swiftly up the path to

the front door....He saw her bend over, evidently to insert a

key in the lock. Then the door opened and closed behind her.

III

Every word of David's letter was impressed on Alix's brain. Over and

over again she repeated to herself certain passages as she strode

rapidly through the winding lanes. She spoke them tenderly,

wonderingly, and her eyes were shining.

DEAREST ALIX:

I have always loved you. I want you to know it. There has never been

an hour in all these years that I have not thought of you, that your

dear face has not been before me. In France, here, everywhere,--always

I am looking into your eyes, always I am hearing your voice, always

I am feeling the gentle touch of your hand. Now you know. I could

not have told you before. I am the blacksmith's son. God knows I

am not ashamed of that. But I cannot forget, nor can you, that a

blacksmith's son lies buried at the top of that grim old hill, and

that he was not good enough for the daughter of a Windom. I hear

that you have given your heart to some one else. You will marry

him. But to the end of your days,--and I hope they may be many,--I

want you to know that there is one man who will love you with all

his heart and all his soul to the end of HIS days. I hope you will

be happy. It is my greatest, my only wish. Once upon a time, we

stole away, you and I, to write romances of love and adventure. Even

then, you were my heroine. I was putting you into my poor story,

but you were putting your dreams into yours, and I was not your

dream hero. Then we would read to each, other what we had written.

Do you remember how guardedly we read and how stealthy we were so

as not to arouse suspicion or attract attention to our lair? I

shall never forget those happy hours. Every line I wrote and read

to you, Alix dear, was of you and FOR you. You were my heroine.

My hero, feeble creature, told you how much I loved you, and you

never suspected.

I am telling you all this now, when my hope is dead, so that you

may know that my love for you began when you were little more than a

baby, and has endured to this day and will endure forever. I pray

God you may always be happy. And now, in closing, I can only add

the trite sentence,--which I recall reading in more than one novel

and which I was imitative enough to put into my own unfinished

masterpiece: If ever you are in trouble and despair and need me, I

will come to you from the ends of the earth. I mean it, Alix. With

all the best wishes in the world, I am and will remain

Yours devotedly,

DAVID.

P.S.--I have just looked up from this letter to catch sight of

myself in a mirror across the office. I have to smile. That beastly

but honourable glass reveals the true secret of my failure to

captivate you. How could any self-respecting heroine fall in love

with a chap with a nose like mine, and a mouth that was intended

for old Goliath himself, and cheek bones that were handed down

by Tecumseh, and eyes that squint a little--but I daresay that's

because they are somewhat blurred at this particular instant. I am

reminded of the "Yank" who had his nose shot off at Chateau Thierry.

He said that now that the Germans didn't have anything visible to

train their artillery on, the war would soon be over. He had lost

his nose but not his sense of the ridiculous. I have managed to

retain both.

Up in that bare, dust-laden room, with the two candles burning

at her elbows, sat Alix. There were tears in her eyes, a wistful

little smile on her lips. She was reading again the clumsy lines

David had written in those long-ago days of adolescence. Now they

meant something to her. They were stilted, commonplace expressions;

she would have laughed at them had they been written by any one else,

and she still would have been vastly amused, even now, were it not

for the revelations contained in his letter. And the postscript,--how

like him to have added that whimsical twist! He wanted her to smile,

even though his heart was hurt.

Ten years! Ten years ago they had sat opposite each other at this

dusty table, their heads bent to the task, their brows furrowed,

their hands reaching out to the same bottle of ink, their souls

athrill with romance. And she was writing of a handsome, incredibly

valiant hero, whilst he--he was writing of her! Time and again his

hand, in seeking the ink, had touched the hand of his heroine,--she

remembered once jabbing her pen into his less nimble finger as she

went impatiently to the fount of romance, and he had exclaimed with

a grimace: "Gee, you must have struck a snag, Alix!" She recalled

the words as of yesterday, almost as of this very moment, and her

arrogant rejoinder, "Well, why can't you keep your hand out of the

way?"

She was always hurting him, and he was always patient. She was

always sorry, and he was always forgiving. She was superior in her

weakness, he was gentle in his strength.

And his heroine? She read through the mist that filled her eyes

and saw herself. The lofty heroine wooed by the poor and humble

musician who crept up from unutterable depths to worship unseen

at her feet! "The Phantom Singer!" The lover she could not see

because her starry eyes were fixed upon the peak! And yet he stood

beneath her casement window and sang her to sleep, lulled her into

sweet dreams,--and went his lonely way in the chill of the morning

hours, only to return again at nightfall.

She looked up from the sheet she held. She stared, not into space,

but at the face of David Strong, sitting opposite,--the phantom

singer. It was as plain to her as if he were actually there. She

looked into his deep grey eyes, honest and true and smiling.

What was it he said in his letter? About his nose and mouth and

eyes? They were before her now. That keen, boyish face with its

coat of tan,--its broad, whimsical mouth and the white, even teeth

that once on a dare had cracked a walnut for her; its rugged jaw

and the long, straight nose; its wide forehead and the straight

eyebrows; and the thick hair as black as the raven's wing, rumpled

by fingers that strove desperately to encourage a recalcitrant

brain; and those big, bony hands, so large that her little brown

paws were lost in them; and the broad shoulders hunched over the

table, supported by widespread elbows that encroached upon her

allotted space so often that she had to remind him: "I do wish you'd

watch what you're doing," and he would get up and meekly recover

the scattered sheets of paper from the floor. Ugly? David ugly?

Why, he was BEAUTIFUL!

Suddenly her head dropped upon her arms, now resting on David's

manuscript; she sobbed.

"Oh, Davy,--Davy, I wish you were here! I wish you were here now!"

The creaking of the stairs startled her. She half arose and stared

at the open door, expecting to see--the ghost! Goose-flesh crept

out all over her. The ghost that people said came to--

The very corporeal presence of Courtney Thane appeared in the

doorway.

For many seconds she was stupefied. She could see his lips moving,

she knew he was speaking, she could see his smile as he approached,

and yet only an unintelligible mumble came to her ears.

"--and so I cut across the field and ventured in where angels do

not fear to tread," were the first words that possessed any degree

of coherency for her.

She hastily thrust the precious manuscript into the drawer. He

stopped several feet away and looked about the room curiously, his

gaze coming back to her after a moment. The light of the candles

was full on her face.

"Well, of all the queer places," he said. "What in the world brings

you here? I thought no one ever entered this house, Alix."

"I have not been inside this house in ten years," she said, struggling

for control of herself. "I came today to--to look for some papers

that were left here. I was on the point of leaving when you came

up." She picked up her gloves from the table.

"It's cold here. Do you think it was wise for you to sit here in

this chilly--Gad, it's like an ice-house or a tomb. Better let me

give you my coat." He started to remove his overcoat. There was an

anxious, solicitous expression in his eyes.

"No,--no, thank you. I am quite warm,--and I shall be as warm

as toast after I've walked a little way. I must be going now, Mr.

Thane." She took a few steps toward the door.

"Are you going away without blowing the candles out?" he inquired.

She halted. She felt herself trapped. She did not want to be alone

in the dark with him.

"If you will go ahead while there is light, I will follow--" The

solution came suddenly. "How stupid! There is nothing to prevent

us carrying the candles downstairs with us, is there? Will you take

one, please?"

She returned to the table and took up one of the candlesticks.

"I've been terribly worried about you, Alix," he said, without

moving. "How wonderful it is to see you again,--to see what is

really you and not the girl I've seen in dreams for the past few

endless nights. You in the flesh, you with your beautiful eyes, you

whose lips--oh, God, I--I have been nearly mad, Alix. A thousand

times I have felt you in my arms,--you've never been out of them

in my thoughts. I--"

"Please--please!" she cried, shrinking back and putting her hands

to her temples.

Still he did not move. There was a gentleness in his voice, a

softness that disarmed her. It was not the voice of a conqueror,

rather it was that of a suppliant.

"I am not worthy to touch the hem of your garment," he went on, an

expression of pain leaping swiftly to his eyes. "I am most unworthy.

My life has not been perfect. I have done many things that I am

ashamed of, things I would give my soul to recall. But my love for

you, Alix Crown, is perfect. All the good that God ever put into

me is in this feeling I have for you. You are the very soul of me.

If you tell me to go away, I will go. That is how I love you. You

DO believe I love you with all my heart and soul, don't you, Alix?

You DO believe that I would die for you?"

Now she was looking into his eyes across the candle flames. David's

features had vanished. She saw nothing save the white, drawn face

of the man whose voice, sweet with passion, fell upon her ears

like the murmur of far-off music. She felt the warm thrill of blood

rushing back into her icy veins, surging up to her throat, to her

trembling lips, to her eyes.

"I--I don't know what to think--I don't know what to believe," she

heard herself saying.

He came a step or two nearer. Her eyes never left his. She tried

to look away.

"I want you to me mine forever, Alix. I want you to be my wife. I

want you to be with me to the end of my life. I cannot live without

you. Do not send me away now. It is too late."

Her knees gave way. She sank slowly to the bench,--and still she

looked into his gleaming eyes.

He came to her. She was in his arms. His face was close to hers,

his breath was on her cheek....

"No! No!" she almost shrieked, and wrenched herself free. "Not now!

Not here! Give me time--give me time to think!"

She had sprung to her feet and was glaring at him with the eyes of

an animal at bay. He fell back in astonishment.

"You--you had no right to follow me here," she was crying. "You had

no right! This place is sacred. It is sanctuary." Her voice broke.

"My mother was born in this room. She died in this room. And I was

born here. Go! Please go!"

He controlled himself. He held back those words that were on his

tongue, ready to be flung out at her: "Yes, and in this room you

behaved like hell with David Strong!" But he checked them in time.

He lowered his head.

"Forgive me, Alix," he said abjectly. "I--I did not know. I was

wrong to follow you here. I could not help myself. I was mad to

see you. Nothing could have stopped me." He looked up, struck by a

sudden thought. "You call this sanctuary. It is a sacred place to

you. Will you make it sacred to me? Promise here and now, in this

sanctuary of yours, to be my wife, and all my life it shall be the

most sacred spot on earth."

She turned her head quickly to look at David Strong. A startled,

incredulous expression leaped into her eyes. He was not there.

By what magic had he vanished? She had felt his presence. He was

sitting there a moment ago, his tousled head bent down over the pad

of paper,--she was sure of it! Then she realized. A wave of relief

surged over her. He was not there to hear this man making love

to her in the room where he had poured out his soul to her. She

experienced a curious thrill of exultation. David could never take

back those unspoken words of love. She had them safely stored away

in that blessed drawer!

A flush of shame leaped to her cheeks. She could not banish the

notion that he,--honest, devoted David,--had seen her in this man's

arms, clinging to him, giving back his passionate kisses with all

the horrid rapture of a--She stiffened. Her head went up. She faced

the man who had robbed David.

"I cannot marry you," she said quietly. The spell was gone. She

was herself again. "I do not love you."

He stared, speechless, uncomprehending.

"You--you do not love me?" he gasped.

"I do not love you," she repeated deliberately.

"But, good God, you--you couldn't have kissed me as you--"

"Please!"

"--as you did just now," he went on, honestly bewildered. "You put

your arms around my neck,--you kissed me--"

"Stop! Yes, I know I did,--I know I did. But it was not love,--it

was not love! I don't know what it was. You have some dreadful,

appalling power to--Oh, you need not look at me like that! I don't

care THAT for your scorn. Call me a fool, if you like,--call me

ANYTHING you like. It is all one to me now. What's done, is done.

But it can never happen again. I will not even say that I am ashamed,

for in saying so I would be confessing that I was responsible for

my actions. I was not responsible. That is all, Mr. Thane. No

doubt you are sincere in asking me to be your wife. No doubt your

love for me is sincere. I should like to think so--always. It would

help me to forget my own weakness. I am going. I want you to leave

this house before I go, Mr. Thane."

She spoke calmly, evenly, with the utmost self-possession.

"I can't let you go like this, Alix! I can't take this as final.

You--you MUST care for me. How can I think otherwise? In God's

name, what has happened to turn you against me? You owe me more of

an explanation than--"

"You are right," she interrupted. "I do owe you an explanation.

This is not the time or the place to give it. If you will come to

see me tomorrow, I will tell you everything. It is only fair that

you should know. But not now."

"Has some one been lying about me?" he demanded, his eyes narrowing.

She waited an instant before replying.

"No, Mr. Thane," she said; "no one has been lying about you."

He took up his hat from the table.

"I will come tomorrow," he said. At the door he paused to say:

"But I am not going to give you up, Alix. You mean too much to me.

I think I understand. You are frightened. I--I should not have come

here."

"Yes, I WAS frightened," she cried out shrilly. "I was frightened,--but

I am not afraid now."

She had moved to Thane's side of the table, and there she stood

until she heard his footsteps on the little porch outside.

She was in an exalted frame of mind as she hurried from the house.

The short October day had turned to night. For a moment she paused,

peering ahead. A queer little thrill of alarm ran through her. She

had never been afraid of the dark before. But now she shivered.

A great uneasiness assailed her. She listened intently. Far up

the hard gravel road she heard the sound of footsteps, gradually

diminishing. He was far ahead of her and walking rapidly.

At the gate she stopped again. Then she struck out resolutely for

home,--the Phantom Singer was beside her. She was not afraid.

A farm-hand, leaning on the fence at the lower corner of the yard,

scratched his head in perplexity.

"Well, here's a new angle to the case," he mused sourly. "I'm up a

tree for sure. Why the devil should Miss Crown be meeting him out

there in this old deserted house. My word, it begins to look a

trifle spicy. It also begins to look like a case that ought to be

dropped before it gets too hot. I guess it's up to me to see my

dear old Uncle Charlie What's-His-Name."

Whereupon Mr. Gilfillan set off in the wake of the girl who had

employed him to catch the masked invader.

Quill's Window · 第 18 / 24 章