FOOTNOTE:

[5] We must expect from this censure upon the Italian mode of

declamation, the celebrated Monti, who recites verses as well as he

composes them. It is really one of the greatest dramatic pleasures that

can be experienced, to hear him recite the Episode of Ugolin, of

Francesca da Rimini, the Death of Clorinda, &c.

Chapter iv.

The Senator took the crown of myrtle and laurel which he was to place on

the head of Corinne. She removed the shawl which graced her forehead,

and all her ebon hair fell in ringlets about her shoulders. She advanced

with her head bare, and her look animated by a sentiment of pleasure and

gratitude which she sought not to conceal. She a second time bent her

knee, to receive the crown; but she displayed less agitation and tremor

than at first; she had just spoken; she had just filled her mind with

the most noble thoughts, and enthusiasm conquered diffidence. She was

no longer a timid woman, but an inspired priestess who joyfully

consecrated herself to the worship of genius.

As soon as the crown was placed on the head of Corinne all the

instruments were heard in those triumphant airs which fill the soul with

the most sublime emotion. The sound of kettle-drums, and the flourish of

trumpets, inspired Corinne with new feelings--her eyes were filled with

tears--she sat down a moment, and covered her face with her

handkerchief. Oswald, most sensibly affected, quitted the crowd, and

advanced to speak to her, but was withheld by an invincible

embarrassment. Corinne looked at him for some time, taking care

nevertheless, that he should not observe the attention she paid him; but

when the Prince Castel-Forte came to take her hand, in order to conduct

her to the car, she yielded to his politeness with an absent mind; and,

while she permitted him to hand her along, turned her head several

times, under various pretexts, to take another view of Oswald.

He followed her, and at the moment when she descended the steps

accompanied by her train, she made a retrograde movement, in order to

behold him once more, when her crown fell off. Oswald hastened to pick

it up; and in restoring it to her, said in Italian, that an humble

mortal like himself might venture to place at the feet of a goddess that

crown which he dared not presume to place on her head[6]. Corinne

thanked Lord Nelville in English, with that pure national accent--that

pure insular accent, which has scarcely ever been successfully imitated

on the continent. What was the astonishment of Oswald in hearing her! He

remained at first immovably fixed to the spot where he was, and feeling

confused he leaned against one of the lions of basalt at the foot of

the stairway descending from the Capitol. Corinne viewed him again,

forcibly struck with the emotion he betrayed; but she was dragged away

towards the car, and the whole crowd disappeared long before Oswald had

recovered his strength and his presence of mind.

Corinne, till then, had enchanted him as the most charming of

foreigners--as one of the wonders of that country he had come to visit;

but her English accent recalled every recollection of his native

country, and in a manner naturalised all the charms of Corinne. Was she

English? Had she passed several years of her life in England? He was

lost in conjecture; but it was impossible that study alone could have

taught her to speak thus--Corinne and Lord Nelville must have lived in

the same country. Who knows whether their families were not intimate?

Perhaps even, he had seen her in his infancy! We often have in our

hearts, we know not what kind of innate image of that which we love,

which may persuade us that we recognise it in an object we behold for

the first time.

Oswald had cherished many prejudices against the Italians; he believed

them passionate, but changeable, and incapable of any deep and lasting

affection. Already the language of Corinne at the Capitol had inspired

him with a different idea. What would be his fortune, then, if he could

at once revive the recollections of his native country, and receive by

imagination a new existence,--live again for the future without

forgetting the past!

In the midst of his reveries, Oswald found himself upon the bridge of St

Angelo, which leads to the castle of the same name, or rather to the

tomb of Adrian, which has been converted into a fortress. The silence of

the place, the pale waves of the Tiber, the moon-beams which shed their

mild radiance upon the statues placed on the bridge, and gave to those

statues the appearance of white spectres steadfastly regarding the

current of the waters, and the flight of time which no longer concerned

them; all these objects led him back to his habitual ideas. He put his

hand upon his breast, and felt the portrait of his father which he

always carried there; he untied it, contemplated the features, and the

momentary happiness which he had just experienced, as well as the cause

of that happiness, only recalled, with too severe a remembrance, the

sentiment which had already rendered him so guilty towards his father:

This reflection renewed his remorse.

"Eternal recollection of my life!" cried he: "Friend so offended, yet so

generous! Could I have believed that any pleasurable sensation would so

soon have found access to my heart? It is not thou, best and most

indulgent of men,--it is not thou who reproachest me with them--it was

thy wish that I should be happy, and, in spite of my errors, that is

still thy desire: but at least, may I not misconceive thy voice, if thou

speak to me from heaven, as I have misconceived it upon earth!"

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