XI. NATURAL SCULPTURE

We may say that all the forms in the non-living world come by chance, or

by the action of the undirected irrational physical forces, mechanical

or mechanico-chemical. There are not two kinds of forces shaping the

earth's surface, but the same forces are doing two kinds of work, piling

up and pulling down--aggregating and accumulating, and separating and

disintegrating.

It is to me an interesting fact that the striking and beautiful forms in

inorganic nature are not as a rule the result of a building-up process,

but of a pulling-down or degradation process. A natural bridge, an

obelisk, caves, canals, the profile in the rocks, the architectural and

monumental rock forms, such as those in the Grand Cañon and in the

Garden of the Gods, are all the result of erosion. Water and other

aerial forces are the builders and sculptors, and the nature and

structure of the material determine the form. It is as if these striking

forms were inherent in the rocks, waiting for the erosive forces to

liberate them. The stratified rocks out of which they are carved were

not laid down in forms that appeal to us, but layer upon layer, like the

leaves of a book; neither has the crumpling and deformation of the

earth's crust piled them up and folded them in a manner artistic and

suggestive. Yet behold what the invisible workmen have carved out of

them in the Grand Cañon! It looks as though titanic architects and

sculptors had been busy here for ages. But only little grains of sand

and a vast multitude of little drops of water, active through geologic

ages, were the agents that wrought this stupendous spectacle. If the

river could have builded something equally grand and beautiful with the

material it took out of this chasm! But it could not--poetry at one end

of the series and dull prose at the other. The deposition took the form

of broad, featureless, uninteresting plains--material for a new series

of stratified rocks, out of which other future Grand Cañons may be

carved. Thus the gods of erosion are the artists, while the builders of

the mountains are only ordinary workmen.

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