After fruitless waiting for a chance of visiting Egypt and Europe, to

sift the matter to the bottom, I have at last resolved to give my ideas

to the world as they stand; crude necessarily, so I must be excused if

in some details I may be found erroneous; there is truth I know in the

general conclusions. I am presumptuous enough to believe that the R.B.

cubit of 1·685 British feet was the measure of the pyramids of Gïzeh,

although there may have been an astronomical 25 inch cubit also. It

appears to me that no cubit measure to be depended on is either to be

got from a stray measuring stick found in the joints of a ruined

building, or from any line or dimensions of one of the pyramids. I

submit that a most reasonable way to get a cubit measure out of the

Pyramids of Gïzeh, was to do as I did:--take them as a whole, comprehend

and establish the general ground plan, find it geometric and harmonic,

obtain the ratios of all the lines, establish a complete set of natural

and even numbers to represent the measures of the lines, and finally

bring these numbers to cubits by a common multiplier (which in this case

was the number eight). After the whole proportions had been thus

expressed in a cubit evolved _from_ the whole proportions, I established

its length in British feet by dividing the base of Cephren, as known, by

the number of my cubits representing its base. It is pretty sound

evidence of the theory being correct that this test, with 420 cubits

neat for Cephren, gave me also a neat measure for Cheops, from Piazzi

Smyth's base, of 452 cubits, and that at the same level, these two

pyramids become equal based.

I have paid little attention to the inside measurements. I take it we

should first obtain our exoteric knowledge before venturing on esotoric

research. Thus the intricate internal measurements of Cheops, made by

various enquirers have been little service to me, while the accurate

measures of the base of Cheops by Piazzi Smyth, and John James Wild's

letter to Lord Brougham, helped me amazingly, as from the two I

established the plan level and even bases of Cheops and Cephren at plan

level--as I have shown in the preceding pages. My theory demanded that

both for the building of the pyramids and for the construction of the

models or subsidiary instruments of the surveyors, simple slope ratios

should govern each building; before I conclude, I shall show how I got

at my slope ratios, by evolving them from the general ground plan.

I am firmly convinced that a careful investigation into the ground plans

of the various other groups of pyramids will amply confirm my survey

theory--the relative positions of the groups should also be

established--much additional light will be then thrown on the subject.

Let me conjure the investigator to view these piles _from a distance_

with his mind's eye, as the old surveyors viewed them with their bodily

eye. Approach them too nearly, and, like Henry Kinglake, you will be

lost in the "_one idea of solid immensity._" Common sense tells us they

were built to be viewed from a distance.

Modern surveyors stand _near_ their instruments, and send their flagmen

to a distance; the Egyptian surveyor was _one of his own flagmen_, and

his instruments were towering to the skies on the distant horizon. These

mighty tools will last out many a generation of surveyors.

The modern astronomer from the top of an observatory points his

instruments direct at the stars; the Egyptian astronomer from the summit

of his particular pyramid directed his observations to the rising and

setting of the stars, or the positions of the heavenly bodies in

respect to the far away groups of pyramids scattered around him in the

distance; and by comparing notes, and with the knowledge of the relative

position of the groups, did these observers map out the sky. Solar and

lunar shadows of their own pyramids on the flat trenches prepared for

the purpose, enabled the astronomer at each observatory to record the

annual and monthly flight of time, while its hours were marked by the

shadows of their obelisks, capped by copper pyramids or balls, on the

more delicate pavements of the court-yards of their public buildings.

We must grasp that their celestial and terrestrial surveys were almost a

reverse process to our own, before we can venture to enquire into its

details. It then becomes a much easier tangle to unravel. That a

particular pyramid among so many, should have been chosen as a favoured

interpreter of Divine truths, seems an unfair conclusion to the other

pyramids;--that the other pyramids were rough and imperfect imitations,

appears to my poor capacity "a base and impotent conclusion;"--(as far

as I can learn, _Mycerinus_, in its perfection, was a marvel of the

mason's art;) but that one particular pyramid should have anything to do

with the past or the future of the lost ten tribes of Israel (whoever

that fraction of our present earthly community may be), seems to me the

wildest conclusion of all, except perhaps the theory that this one

pyramid points to the future of the British race. Yet in one way do I

admit that the pyramids point to our future.

Thirty-six centuries ago, they, already venerable with antiquity, looked

proudly down on living labouring Israel, in helpless slavery, in the

midst of an advanced civilization, of which the history, language, and

religion are now forgotten, or only at best, slightly understood.

Thirty-six centuries hence, they may look down on a civilization equally

strange, in which our history, language, and religion, Hebrew race, and

British race, may have no place, no part.

If the thoughts of noble poets live, as they seem to do, old Cheops,

that mountain of massive masonry, may (like the brook of our Laureate),

in that dim future, still be singing, as he seems to sing now, this

idea, though not perhaps these words:

"For men may come, and men may go,

But I go on for ever."

"Ars longa, vita brevis." Man's work remains, when the workman is

forgotten; fair work and square, can never perish entirely from men's

minds, so long as the world stands. These pyramids were grand and noble

works, and they will not perish till their reputation has been

re-established in the world, when they will live in men's memories to

all generations as symbols of the mighty past. To the minds of many now,

as to Josephus in his day, they are "_vast and vain monuments,_" records

of folly. To me they are as monuments of peace, civilization and

order--relics of a people living under wise and beneficent

rulers--evidences of cultivation, science, and art.

§ 16. THE PENTANGLE OR FIVE POINTED STAR THE GEOMETRIC SYMBOL OF THE

GREAT PYRAMID.

From time immemorial this symbol has been a blazing pointer to grand and

noble truths, and a solemn emblem of important duties.

Its geometric significance, however, has long been lost sight of.

It is said to have constituted the seal or signet of King Solomon (1000

B.C.), and in early times it was in use among the Jews, as a symbol of

safety.

It was the Pentalpha of Pythagoras, and the Pythagorean emblem of health

(530 B.C.).

It was carried as the banner of Antiochus, King of Syria (surnamed

Soter, or the Preserver), in his wars against the Gauls (260 B.C.).

Among the Cabalists, the star with the sacred name written on each of

its points, and in the centre, was considered talismanic; and in ancient

times it was employed all over Asia as a charm against witchcraft. Even

now, European troops at war with Arab tribes, sometimes find, under the

clothing, on the breasts of their slain enemies, this ancient emblem, in

the form of a metal talisman, or charm.

The European Göethe puts these words into the mouth of Mephistopheles:

"I am hindered egress by a quaint device upon the threshold,--that

five-toed damned spell."

I shall set forth the geometric significance of this star, as far as my

general subject warrants me, and show that it is the _geometric emblem

of extreme and mean ratio_, and the _symbol of the Egyptian Pyramid

Cheops_.

A plane geometric star, or a solid geometric pyramid, may be likened to

the corolla of a flower, each separate side representing a petal. With

its petals opened and exposed to view, the flower appears in all its

glorious beauty; but when closed, many of its beauties are hidden. The

botanist seeks to view it flat or open in its geometric symmetry, and

also closed, as a bud, or in repose:--yet judges and appreciates the one

state from the other. In the same manner must we deal with the five

pointed star, and also with the Pyramid Cheops.

In dealing with so quaint a subject, I may be excused, in passing, for

the quaint conceit of likening the interior galleries and chambers of

this pyramid to the interior whorl of a flower, stamens and pistil,

mysterious and incomprehensible.

Figure 67 (page 101), is the five pointed star, formed by the unlapping

of the five slant sides of a pyramid with a pentagonal base.

Figure 70 (page 106), is a star formed by the unlapping of the four

slant sides of the pyramid Cheops.

The pentagon GFRHQ, (_Fig._ 67) is the base of the pyramid "_Pentalpha_"

and the triangles EGF, BFR, ROH, HNQ and QAG, represent the five sides,

so that supposing the lines GF, FR, RH, HQ and QG, to be hinges

connecting these sides with the base, then by lifting the sides, and

closing them in, the points A, E, B, O, and N, would meet over the

centre C.

Thus do we close the geometric flower Pentalpha, and convert it into a

pyramid.

In the same manner must we lift the four slant sides of the pyramid

Cheops from its star development, (_Fig._ 70) and close them in, the

four points meeting over the centre of the base, forming the solid

pyramid. Such transitions point to the indissoluble connection between

plane and solid geometry.

As the _geometric emblem of extreme and mean ratio_, the pentangle

appears as an assemblage of lines divided the one by the others _in

extreme and mean ratio_.

To explain to readers not versed in geometry, what extreme and mean

ratio signifies, I refer to Figure 65:--

Fig. 65.

Let AB be the given line to be divided in extreme and mean ratio,

_i.e._, so that the whole line may be to the greater part, as the

greater is to the less part.

Draw BC perpendicular to AB, and equal to half AB. Join AC; and with BC

as a radius from C as a centre, describe the arc DB; then with centre A,

and radius AD, describe the arc DE; so shall AB be divided in E, in

extreme and mean ratio, or so that AB: AE:: AE: EB. (Note that AE is

equal to the side of a decagon inscribed in a circle with radius AB.)

Let it be noted that since the division of a line in mean and extreme

ratio is effected by means of the 2, 1 triangle, ABC, therefore, as the

exponent of this ratio, another reason presents itself why it should be

so important a feature in the Gïzeh pyramids in addition to its

connection with the primary triangle 3, 4, 5.

Fig. 66.

To complete the explanation offered with figure 65, I must refer to Fig.

66, where in constructing a pentagon, the 2, 1 triangle ABC, is again

made use of.

The line AB is a side of the pentagon. The line BC is a

perpendicular to it, and half its length. The line AC is produced

to F, CF being made equal to CB; then with B as a centre, and

radius BF, the arc at E is described; and with A as a centre, and

the same radius, the arc at E is intersected, their intersection

being the centre of the circle circumscribing the pentagon, and

upon which the remaining sides are laid off.

We will now refer to figure 67, in which the pentangle appears as the

symbolic exponent of the division of lines in extreme and mean ratio.

Thus: MC : MH :: MH : HC

AF : AG :: AG : GF

AB : AF :: AF : FB

while MN, MH or XC: CD:: 2: 1--being the geometric template of the work.

Thus every line in this beautiful symbol by its intersections with the

other lines, manifests the problem.

Note also that

GH = GA

AE = AF

DH = DE

I append a table showing the comparative measures of the lines in Fig.

67, taking radius of the circle as a million units.

Fig 67.

Table Showing the Comparative Measures of Lines.

(_Fig. 67._)

ME = 2000000 = diameter.

AB = 1902113 = AD ÷ DB

MB = 1618034 = MC + MH = MP + PB

AS = 1538841·5

EP = 1453086 = AG + FB

AF = 1175570 = AE = GB

MC = 1000000 = radius = CD + DX = CH + CX

AD = 951056·5 = DB = DS

PB = 854102

QS = 812298·5

MP = 763932 = CH × 2 = base of Cheops.

AG = 726543 = GH = XH = HN = PF = FB = Slant

edge of Cheops. = slant edge of Pent. Pyr.

DE = 690983 = DH = XD = apothem of Pentagonal Pyramid.

{apothem of Cheops.

MH = 618034 = MN = XC = {altitude of Pentagonal Pyramid.

{side of decagon inscr'd in circle.

MS = 500000

{mean proportional between MH and HC

485868 = {

{altitude of Cheops.

OP = 449027 = GF = GD + DF

HC = 381966 = half base of Cheops.

SO = 363271·5 = HS

CD = 309017 = half MH

PR = 277516

GD = 224513·5

SP = 263932

The triangle DXH represents a vertical section of the pentagonal

pyramid; the edge HX is equal to HN, and the apothem DX is equal to DE.

Let DH be a hinge attaching the plane DXH to the base, now lift the

plane DXH until the point X is vertical above the centre C. Then the

points A, E, B, O, N of the five slant slides, when closed up, will all

meet at the point X over the centre C.

We have now built a pyramid out of the pentangle, whose slope is 2 to 1,

altitude CX being to CD as 2 to 1.

Apothem DX = DE

Altitude CX = HM or MN

Altitude CX + CH = CM radius.

Apothem DX + CD = CM radius.

Edge HX = HN or PF

Note also that

MP

-- = CH

2

OP = HR

Let us now consider the _Pentangle as the symbol of the Great Pyramid

Cheops_.

The line MP = the base of Cheops.

The line CH = half base of Cheops.

The line HM = apothem of Cheops.

The line HN = slant edge of Cheops.

Thus: Apothem of Cheops = side of decagon.

Apothem of Cheops = altitude of pentagonal pyramid.

Slant edge of Cheops = slant edge of pentagonal pyramid.

Now since apothem of Cheops = MH

and half base of Cheops = HC

then do apothem and half base represent, when taken together, extreme

and mean ratio, and altitude is a mean proportional between them: it

having already been stated, which also is proved by the figures in the

table, that MC : MH :: MH : HC and apoth: alt :: alt : half base.

Thus is the four pointed star _Cheops_ evolved from the five pointed

star _Pentalpha_. This is shown clearly by Fig. 68, thus:--

Fig. 68.

Within a circle describe a pentangle, around the interior pentagon of

the star describe a circle, around the circle describe a square; then

will the square represent the base of Cheops.

Draw two diameters of the outer circle passing through the centre square

at right angles to each other, and each diameter parallel to sides of

the square; then will the parts of these diameters between the square

and the outer circle represent the four apothems of the four slant sides

of the pyramid. Connect the angles of the square with the circumference

of the outer circle by lines at the four points indicated by the

diameters, and the star of the pyramid is formed, which, when closed as

a solid, will be a correct model of Cheops.

Calling apothem of Cheops, MH = 34

and half base, HC = 21

as per Figure 6. Then-- MH + MC = 55

and 55 : 34 :: 34 : 21·018, being only in error a few inches in the

pyramid itself, if carried into actual measures.

The ratio, therefore, of apothem to half-base, 34 to 21, which I ascribe

to Cheops, is as near as stone and mortar can be got to illustrate the

above proportions.

Correctly stated arithmetically let MH = 2.

Then HC = √5 - 1

MC = √5 + 1

and altitude of Cheops = √(MH × MC)

Let us now compare the construction of the two stars:--

Fig. 69.

TO CONSTRUCT THE STAR PENTALPHA FIG. 69.

Describe a circle.

Draw diameter MCE.

Divide MC in mean and extreme ratio at H.

Lay off half MH from C, to D.

Draw chord ADB, at right angles to diameter ECM.

Draw chord BHN, through H.

Draw chord AHO, through H.

Connect NE.

Connect EO.

Fig. 70.

TO CONSTRUCT THE STAR CHEOPS, FIG. 70.

Describe a circle.

Draw diameter MCE.

Divide MC in mean and extreme ratio, at H.

Describe an inner circle with radius CH, and around it describe the

square a, b, c, d.

Draw diameter ACB, at right angles to diameter ECM.

Draw Aa, aE, Eb, bB, Bd, dM,

Mc, and cA.

The question now arises, does this pyramid Cheops set forth by the

relations of its altitude to perimeter of base the ratio of diameter to

circumference; or, does it set forth mean proportional, and extreme and

mean ratio, by the proportions of its apothem, altitude, and half-base?

The answer is--from the practical impossibility of such extreme accuracy

in such a mass of masonry, that it points alike to all, and may as

fairly be considered the exponent of the one as of the others. Piazzi

Smyth makes Cheops 761·65 feet base, and 484·91 feet altitude, which is

very nearly what he calls a [Pi] pyramid, for which I reckon the

altitude would be about 484·87 feet with the same base: and for a

pyramid of extreme and mean ratio the altitude would be 484·34 feet.

The whole difference, therefore, is only about six inches in a height of

nearly five hundred feet. This difference, evidently beyond the power of

man to discover, now that the pyramid is a ruin, would even in its

perfect state have been inappreciable.

It appears most probable that the star Pentalpha led to the star Cheops,

and that the star Cheops (_Fig_. 70) was the plan used by the ancient

architect, and the ratio of 34 to 21, hypotenuse to base, the template

used by the ancient builders.

Suppose some king said to his architect, "Make me a plan of a pyramid,

of which the base shall be 420 cubits square, and altitude shall be to

the perimeter of the base as the radius of a circle to the

circumference."--Then might the architect prepare an elaborate plan in

which the relative dimensions would be about--

R. B. CUBITS

{Base 420

Base angle 51° 51′ 14·3″ {Altitude 267·380304 &c.

{Apothem 339·988573 &c.

The king then orders another pyramid, of the same base, of which

altitude is to be a mean proportional between apothem and half-base--and

apothem and half-base taken as one line are to be in mean and extreme

ratio.

The architect's plan of this pyramid will be the simple figure

illustrated by me (_Fig_. 70), and the dimensions about--

R. B. CUBITS.

{Base 420

Base angle 51° 49′ 37-42/471″ {Altitude 267·1239849 &c.

{Apothem 339·7875153 &c.

But the builder practically carries out _both_ plans when he builds to

my templates of 34 to 21 with--

R. B. CUBITS.

{Base 420

Base angle 51° 51′ 20″ {Altitude 267·394839 &c.

{Apothem 340

and neither king nor architect could detect error in the work.

The reader will remember that I have previously advanced that the level

of Cephren's base was the plan level of the Gïzeh pyramids, and that at

this level the base of Cheops measures 420 R.B. cubits--same as the

base of Cephren.

This hypothesis is supported by the revelations of the pentangle, in

which the ratio of 34 to 21 = apothem 340 to half-base 210 R.B. cubits,

is so nearly approached.

Showing how proportional lines were the order of the pyramids of Gïzeh,

we will summarise the proportions of the three main pyramids as shewn by

my dimensions and ratios, very nearly, viz.:--

_Mycerinus. Base : Apothem :: Altitude : Half-Base._

as shown by the ratios, (_Fig_. 13), 40 : 32 :: 25 : 20.

_Cephren. Diagonal of Base : Edge :: Edge : Altitude._

as shown by ratios, (_Fig_. 12), 862 : 588 :: 588 : 400.

_Cheops. (Apothem + Half Base): Apoth. :: Apoth. : Half Base._

as shown by the ratios, (_Fig_. 9), 55 : 34 :: 34 : 21.

and--_Apothem : Altitude :: Altitude : Half-B._

Similar close relations to other stars may be found in other pyramids.

Thus:--_Suppose NHO of figure 69 to be the NHO of a heptangle instead of

a pentangle_, then does NH represent apothem, and NO represent base of

the pyramid Mycerinus, while the co-sine of the angle NHM (being MH

minus versed sine) will be equal to the altitude of the pyramid. The

angle NHM in the heptangle is, 38° 34′ 17·142″, and according to my

plan of the pyramid Mycerinus, the corresponding angle is 38° 40′ 56″.

(_See Fig_. 19.) This angular difference of 0° 6′ 39″ would only make

a difference in the apothem of the pyramid of _eight inches_, and of

_ten inches_ in its altitude (apothem being 283 ft. 1 inch, and

altitude 221 ft.).

§ 17. THE MANNER IN WHICH THE SLOPE RATIOS OF THE PYRAMIDS WERE ARRIVED

AT.

The manner in which I arrived at the Slope Ratios of the Pyramids, viz.,

32 _to_ 20, 33 _to_ 20, and 34 _to_ 21, for _Mycerinus_, _Cephren_, and

_Cheops_, respectively (_see Figures_ 8, 7 _and_ 6), was as follows:--

First, believing in the connection between the relative positions of the

Pyramids on plan (_see Fig_. 3, 4 _or_ 5), and their slopes, I viewed

their positions thus:--

Mycerinus, situate at the angle of the 3, 4, 5 triangle ADC, is likely

to be connected with that "primary" in his slopes.

Cephren, situate at the angle of the 20, 21, 29 triangle FAB, and

strung, as it were, on the hypotenuse of the 3, 4, 5 triangle DAC, is

likely to be connected with _both_ primaries in his slopes.

Cheops, situate at the point A, common to both main triangles, governing

the position of the other pyramids, is likely to be a sort of mean

between these two pyramids in his slope ratios.

Reasoning thus, with the addition of the knowledge I possessed of the

angular estimates of these slopes made by those who had visited the

ground, and a useful start for my ratios gained by the reduction of base

measures already known into R.B. cubits, giving 420 as a general base

for Cheops and Cephren at one level, and taking 210 cubits as the base

of Mycerinus (half the base of Cephren, as generally admitted), I had

something solid and substantial to go upon. I commenced with Mycerinus.

(_See Fig_. 71.)

_Fig. 71. (Mycerinus)_

LHNM represents the base of the pyramid. On the half-base AC I described

a 3, 4, 5 triangle ABC. I then projected the line CF = BC to be the

altitude of the pyramid. Thus I erected the triangle BFC, ratio of BC to

CF being 1 to 1. From this datum I arrived at the triangles BEA, ADC,

and GKH. GK, EA, and AD, each represent apothem of pyramid; CF, and CD,

altitude; and HK, edge.

The length of the line AD being √(AC² + CD²), the length of the line HK

being √(HG² + GK²), and line CH (half diagonal of base) being

√(CG² + GH²). These measures reduced to R.B. cubits, calling the line

AC = ratio 4 = 105 cubits, half-base of pyramid, give the following

results:--

R. B. BRITISH

CUBITS. FEET.

Half-base LA = 105·000 = 176·925

Apothem EA = 168·082 = 283·218

Edge HK = 198·183 = 333·937

Altitude CD = 131·250 = 221·156

Half diag. of base CH = 148·4924 = 250·209

and thus I acquired the ratios:--

Half-base : Altitude :: Apothem : Base.

= 20 : 25 :: 32 : 40 nearly.

To place the lines of the diagram in their actual solid position--Let

AB, BC, CA and HG be hinges attaching the planes AEB, BFC, CDA and HKG

to the base LHNM. Lift the plane BCF on its hinge till the point F is

vertical over the centre C. Lift plane CDA on its hinge, till point D is

vertical over the centre C; then will line CD touch CF, and become one

line. Now lift the plane AEB on its hinge, until point E is vertical

over the centre C, and plane HKG on its hinge till point K is vertical

over the centre C; then will points E, F, D and K, all meet at one point

above the centre C, and all the lines will be in their proper places.

The angle at the base of Mycerinus, if built to a ratio of 4 to 5

(half-base to altitude), and not to the more practical but nearly

perfect ratio of 32 to 20 (apothem to half-base) would be the complement

of angle ADC, thus--

4 165″

--- = ·8 = Tan. < ADC = 38° 39′ 35---

5 477

312″

∴ < DAC = 51° 20′ 24---

477

but as it is probable that the pyramid was built to the ratio of 32 to

20, I have shown its base angle in Figure 19, as 51° 19′ 4″.

Figure 72 shows how the slopes of _Cephren_ were arrived at.

_Fig. 72. (Cephren)_

LHNM represents the base of the pyramid. On the half-base AC, I

described a 3, 4, 5 triangle ABC. I then projected the line CF (ratio 21

to BC 20), thus erecting the 20, 21, 29 triangle BCF. From this datum, I

arrived at the triangles BEA, ADC, and GKH; GK, EA and AD each

representing apothem; CF and CD, altitude; and HK, edge. The lengths of

the lines AD, HK and CH being got at as in the pyramid Mycerinus. These

measures reduced to cubits, calling AC = ratio 16 = 210 cubits

(half-base of pyramid) give the following result.

R. B. BRITISH

CUBITS. FEET.

Half-base 210·00 353·85 = LA

Apothem 346·50 583·85 = EA

Edge 405·16 682·69 = HK

Altitude 275·625 464·43 = CD

Half-diag. of base 296·985 500·42 = CH

thus I get the ratios of--Apothem : Half-Base :: 33 : 20, &c. The planes

in the diagram are placed in their correct positions, as directed for

Figure 71.

The angle at the base of Cephren, if built to the ratio of 16 to 21

(half-base to altitude), and not to the practical ratio of 33 to 20

(apothem to half-base), would be the complement of < ADC, thus--

16 16″

-- = ·761904 = Tan. < ADC = 37° 18′ 14--

21 46

30″

∴ < DAC = 52° 41′ 45--

46

but as it is probable that the pyramid was built to the ratio of 33 to

20, I have marked the base angle in Fig. 17, as 52° 41′ 41″.

The Solution of the Pyramid Problem; or, Pyramid Discoveries With a New Theory as to their Ancient Use · 第 4 / 5 段