1994: SOME PUBLISHERS GET BOLD AND GO DIGITAL

= [Overview]

Some bold publishers decided to use the web as a marketing

tool. In the U.S., NAP (National Academy Press) was the first

publisher in 1994 to post the full text of some books, for

free, with the authors' consent. NAP was followed by MIT Press

in 1995. Michael Hart, founder of Project Gutenberg, wrote in

1997: "As university publishers struggle to find the right

business model for offering scholarly documents online, some

early innovators are finding that making a monograph available

electronically can boost sales of hard copies" (excerpt from

the Project Gutenberg Newsletter of October 1997). Digital

publishing became mainstream in 1997. Digitization accelerated

the publication process. Editors, designers and other

contributors could all work at the same time on the same book.

For educational, academic and scientific publications, digital

publishing was a cheaper solution than print books, with

regular updates to include the latest information.

= Publishers get bold

Some publishers decided to use the web as a marketing tool. In

the U.S., NAP (National Academy Press) was the first publisher

in 1994 to post the full text of some books, for free, with the

authors' consent. NAP was followed by MIT Press (MIT:

Massachusetts Institute of Technology) in 1995.

NAP was created by the National Academy of Sciences to publish

its own reports and the ones of the National Academy of

Engineering, the Institute of Medicine, and the National

Research Council. In 1994, NAP was publishing 200 new books a

year in science, engineering, and health. The new NAP Reading

Room offered 1,000 entire books, available online for free in

various formats: "image" format, HTML format and PDF format.

Oddly enough, there was no drop in sales - on the contrary,

sales increased.

In 1995, MIT Press was publishing 200 new books per year and 40

journals, in science and technology, architecture, social

theory, economics, cognitive science, and computational

science. MIT Press also decided to put a number of books online

for free, as "a long-term commitment to the efficient and

creative use of new technologies". Sales of print books with a

free online version increased.

Michael Hart, founder of Project Gutenberg, wrote in 1997: "As

university publishers struggle to find the right business model

for offering scholarly documents online, some early innovators

are finding that making a monograph available electronically

can boost sales of hard copies. The National Academy Press has

already put 1,700 of its books online, and is finding that the

electronic versions of some books have boosted sales of the

hard copy monographs - often by two to three times the previous

level. It's 'great advertising', says the Press's director. The

MIT Press is experiencing similar results: 'For each of our

electronic books, we've approximately doubled our sales. The

plain fact is that no one is going to sit there and read a

whole book online. And it costs money and time to download

it'." (excerpt from the Project Gutenberg Newsletter of October

1997)

= Publishers go digital

Digital publishing became mainstream in 1997, as the latest

trend in the many changes underwent by traditional publishing

since the 1970s. Traditional printing was first disrupted by

new photocomposition machines, with lower costs. Text and image

processing began to be handed over to desktop publishing and

graphic art studios. Impression costs went on decreasing with

photocopiers, color photocopiers and digital printing.

Digitization also accelerated the publication process. Editors,

designers and other contributors could all work at the same

time on the same book.

For educational, academic and scientific publications, online

publishing became a cheaper solution than print books, with

regular updates to include the latest information. Readers

didn't need any more to wait for a new printed edition, often

postponed if not cancelled because of commercial constraints.

Some universities began to create their own textbooks online,

with chapters selected in an extensive database, as well as

papers and comments from professors. For a seminar, a few print

copies could be made upon request, with a selection of online

articles sent to a printer.

Digital publishing and traditional publishing became

complementary. The frontier between the two supports -

electronic and paper - began to vanish. Recent print media

already stem from an electronic version anyway, on a word

processor, a spreadsheet or a database. More and more documents

became "only" electronic, and more and more print books were

digitized to be included in digital libraries and bookstores.

In the mid-1990s, though, there was no proof that electronic

documents would make us paperless in the near future, and save

some trees. Many people still needed a print version for easier

reading, or for their archives, in the fear the electronic file

would be accidentally deleted. We were still a transition

period, from paper to digital.

A History of EBooks · 第 9 / 25 题