CHAPTER XIII.

CAPE LOPEZ AND AN OPEN PRAIRIE ONCE MORE--KING BANGO AND HIS THREE

HUNDRED WIVES--HIS FIVE IDOLS--SLAVE BARRACOONS--THE CORPSE AND THE

VULTURES.

Cape Lopez is a long sandy arm of land reaching out into the sea. As

you approach it from the ocean it has the appearance of overflowed

land. It is so low that the bushes and the trees growing on it seem,

from a distance seaward, to be set in the water.

The bay formed by Cape Lopez is about fourteen miles long. Among

several small streams which empty their water into it is the Nazareth

river, one of whose branches is the Fetich river. The bay has numerous

shallows and small islands, and abounds in all sorts of delicious fish.

On the cape itself many large turtles from the ocean come to lay their

eggs. I will tell you by-and-by what a nice time I had fishing at Cape

Lopez; but I have many other things to talk about before I come to

that.

I arrived at Cape Lopez one evening when it was almost dark. The next

morning I prepared myself for a visit to King Bango, the king of the

country. The royal palace is set up on a tolerably high hill, and

fronts the seashore. Between the foot of this hill and the sea there

is a beautiful prairie, over which are scattered the numerous little

villages called Sangatanga. I never tired of looking at this prairie.

I had lived so long in the gloomy forest that it gave me great delight

to see once more the green and sunlit verdure of an open meadow. I

found the royal palace surrounded by a little village of huts. As I

entered the village I was met by the _mafouga_, or officer of the king,

who conducted me to the palace. It was an ugly-looking house of two

stories, resting on pillars. The lower story consisted of a dark hall,

flanked on each side by rows of small dark rooms, which looked like

little cells. At the end of the hall was a staircase, steep and dirty,

up which the mafouga piloted me. When I had ascended the stairs I found

myself in a large room, at one end of which was seated the great King

Bango, who claims to be the greatest chief of this part of Africa. He

was surrounded by about one hundred of his wives.

King Bango was fat, and seemed not over clean. He wore a shirt and

an old pair of pantaloons. On his head was a crown, which had been

presented to him by some of his friends, the Portuguese slavers. Over

his shoulders he wore a flaming yellow coat, with gilt embroidery, the

cast-off garment of some rich man's lacquey in Portugal or Brazil. When

I speak of a crown you must not think it was a wonderful thing, made

of gold and mounted with diamonds. It was shaped like those commonly

worn by actors on the stage, and was probably worth, when new, about

ten dollars. His majesty had put round it a circlet of pure gold, made

with the doubloons he got in exchange for slaves. He sat on a sofa, for

he was paralyzed; and in his hand he held a cane, which also answered

the purpose of a sceptre.

This King Bango, whom I have described so minutely, was the greatest

slave king of that part of the coast. At that time there were large

slave depôts on his territory. He is a perfect despot, and is much

feared by his people. He is also very superstitious.

Though very proud, he received me kindly, for I had come recommended by

his great friend, Rompochombo, a king of the Mpongwe tribe. He asked

me how I liked his wives. I said, very well. He then said there were a

hundred present, and that he had twice as many more, three hundred in

all. Fancy three hundred wives! He also claimed to have more than six

hundred children. I wonder if all these brothers and sisters could know

and recognise each other!

The next night a great ball was given in my honour by the king. The

room where I had been received was the ball-room. I arrived there

shortly after dark, and I found about one hundred and fifty of the

king's wives, and I was told that the best dancers of the country were

there.

I wish you could have seen the room. It was ugly enough; there were

several torches to light it; but, notwithstanding these, the room was

by no means brilliantly illuminated. The king wanted only his wives

to dance before me. During the whole of the evening not a single man

took part in the performance; but two of his daughters were ordered to

dance, and he wanted me to marry one of them.

Not far from the royal palace were three curious and very small houses,

wherein were deposited five idols, which were reputed to have far

greater power and knowledge than the idols or gods of the surrounding

countries. They were thought to be the great protectors of the Oroungou

tribe, and particularly of Sangatanga and of the king. So I got a peep

inside the first house. There I saw the idol called Pangeo; he was made

of wood, and looked very ugly; by his side was his wife Aleka, another

wooden idol. Pangeo takes care of the king, and of his people, and

watches over them at night.

I peeped also into the second little house. There I saw a large idol,

called Makambi, shaped like a man, and by his side stood a female

figure, Abiala his wife. Poor Makambi is a powerless god, his wife

having usurped the power. She holds a pistol in her hand, with which,

it is supposed, she can kill anyone she pleases; hence the natives are

much afraid of her; and she receives from them a constant supply of

food, and many presents (I wonder who takes the presents away). When

they fall sick, they dance around her, and implore her to make them

well; for these poor heathen never pray to the true God. They put their

trust in wooden images, the work of their own hands.

I looked into the third house, and there I saw an idol called Numba.

He had no wife with him, being a bachelor deity. He is the Oroungou

Neptune and Mercury in one--Neptune in ruling the waves, and Mercury in

keeping off the evils which threaten from beyond the sea.

As I came away after seeing the king, I shot at a bird sitting upon a

tree, but missed it, for I had been taking quinine and was nervous. But

the negroes standing around at once proclaimed that this was a "fetich

bird,"--a sacred bird--and therefore I could not shoot it, even if I

fired at it a hundred times.

I fired again, but with no better success. Hereupon they grew

triumphant in their declarations; while I, loth to let the devil have

so good a witness, loaded again, took careful aim, and, to my own

satisfaction and their utter dismay, brought my bird down.

During my stay in the village, as I was one day out shooting birds in a

grove, not far from my house, I saw a procession of slaves coming from

one of the barracoons toward the farther end of my grove. As they came

nearer, I saw that two gangs of six slaves each, all chained about the

neck, were carrying a burden between them, which I knew presently to

be the corpse of another slave. They bore it to the edge of the grove,

about three hundred yards from my house; and, throwing it down there

on the bare ground, they returned to their prison, accompanied by the

overseer, who, with his whip, had marched behind them.

"Here, then, is the burying-ground of the barracoons," I said to myself

sadly, thinking, I confess, of the poor fellow who had been dragged

away from his home and friends; who, perhaps, had been sold by his

father or relatives to die here and be thrown out as food for the

vultures. Even as I stood wrapped in thought, these carrion birds were

assembling, and began to darken the air above my head; ere long they

were heard fighting over the corpse.

The grove, which was, in fact, but an African Aceldama, was beautiful

to view from my house; and I had often resolved to explore it, or to

rest in the shade of its dark-leaved trees. It seemed a ghastly place

enough now as I approached it more closely. The vultures fled when they

saw me, but flew only a little way, and then perched upon the lower

branches of the surrounding trees, and watched me with eyes askance,

as though fearful I should rob them of their prey. As I walked towards

the corpse, I felt something crack under my feet. Looking down, I saw

that I was already in the midst of a field of skulls and bones. I had

inadvertently stepped upon the skeleton of some poor creature who had

been lying here long enough for the birds and ants to pick his bones

clean, and for the rains to bleach them. I think there must have been

the relics of a thousand skeletons within sight. The place had been

used for many years; and the mortality in the barracoons is sometimes

frightful, in spite of the care they seem to take of their slaves.

Here their bodies were thrown, and here the vultures found their daily

carrion. The grass had just been burnt, and the white bones scattered

everywhere, gave the ground a singular, and, when the cause was known,

a frightful appearance. Penetrating farther into the bush, I found

several great piles of bones. This was the place, years ago--when

Cape Lopez was one of the great slave markets on the West Coast, and

barracoons were more numerous than they are now--where the poor dead

were thrown, one upon another, till even the mouldering bones remained

in high piles, as monuments of the nefarious traffic. Such was the

burial-ground of the poor slaves from the interior of Africa.

[Illustration]

[Illustration: EMBARKING SLAVES.]

Stories of the Gorilla Country, Narrated for Young People · 第 12 / 35 章