CHAPTER IV

ON THE TOWPATH

Our house is so nearly on the towpath, that the mules eat the

honeysuckle from the fence, and as there is only a tiny flower-bed

between the house and the fence, you can hear the voices, and the

tramping of the mules, as plainly indoors as out.

At night, when you wake up in the dark, you think they are coming in.

That's at first. By and by you get so used to them that you don't

think about it.

One reason why we came down so early in the spring is that I'm not to

be sent to school until the fall, because I'm not to use my eyes too

much, until they get stronger. Measles made them a little weak. So I

have one hour with Aunty May for reading and sums, and half an hour with

Aunty Edith for French; and then I don't have to do anything else for

the rest of the day, until nearly dark, when I water the flower-beds for

both the aunties.

But from eleven until four, except at lunch-time, I must not bust into

the house and holler at Aunty May--for she is writing; and I must not

run after and plague Aunty Edith, when she goes up the towpath--for

she's painting.

Mr. Taylor, being seventy-three, can be spoken to at any time, except

when he's doing his baking. Then he doesn't want anything or anybody

round his feet, he says. Just as if I was cats!

This morning I'm writing about. I was out on the towpath, fishing for

eels, so I could put one in the tub which stands by the pump to catch

the overflow; because Aunty May is very much afraid of snakes and eels,

and she squeals so funny when she sees them that it is what Mr. Taylor

calls "a fair treat" to hear her.

I thought if I got her good and scared with seeing one in the tub, she

might be so mad that she'd not be able to write, and would chase me

round the garden.

It's too bad Aunty May's grown up. She likes to play as well as any boy

I know, and she's good at it, too, if it wasn't for her writing. Uncle

Burt used to complain of that writing, too, when he was home. He said it

interfered a lot--when he wanted her to play with him.

Anyway the eels didn't bite, but I thought maybe I'd get a sunfish, and

that's nearly as good a scream-starter, if Aunty May doesn't expect it

to be there.

All at once, I felt my cap pushed right off, and I looked up and there

was a boy, riding on the top of an old gray mule, that was one of two

tired-looking mules, dragging a canal boat.

There was nobody on the boat that I could see, 'cept one man asleep on

the top.

"Gimme my cap, boy," I said.

"Aw, you and your fishin'," he says. "Git off the towpath."

And I said: "You can't say that to me. We've got the right of way here,

because I live in that house with the green door."

"Oh, you do," says he. "Well, baby dear, go in and tell yer wimmin folks

ye've lost your cap"; and he chucked my cap right into the canal!

Well, I couldn't get it, without falling in, and there was the

canal-boat coming along ready to run over it. So I took my fishing-rod

and flicked it at him, and there--I had caught the eel after all! It

struck him, all cold and slippery, and he yelled, and it hit the mule,

and the mule ran away, dragging the other mule with it, right up the

slope to Rabbit Run Bridge!

[Illustration: "So I took my fishing-rod and flicked it at him"]

The boy had grabbed the fishing-rod, so that my rod and my eel went

with them.

My! but I was mad, but kind of excited, too, for a man came up from the

inside of the canal boat and yelled, and the man on the deck woke up and

yelled, and the boy was yelling!

There was a farmer driving along the road and across the bridge and when

he saw mules coming, lickity-split, where mules never come,--right up to

the bridge,--he yelled too, and licked his horse to get out of the way.

The boy, he licked the mules with my rod. He'd thrown my eel back into

the water.

He was as cool as could be, and by and by he got the mules calmed down,

and one of the men from the boat jumped off and helped him and they got

the ropes all straight again and started off. The boy never said a word,

except when the man asked him what did it. Then he told him, "The mule

didn't like the looks of that baby boy there on the canal bank." The man

shook his fist at me, and I called, "Gimme my cap." And the boy said,

"Wait till we come back"; and he made an awful face as they went away,

turning round and riding backwards to do it.

I knew then that he was the same boy that made a face at me when I was

in the train.

Well, I had to tell Aunty Edith, and she looked very severe, and gave

me my second-best cap and said, "William, do be careful, this time." But

I only told her that the boy threw my cap into the water. I didn't tell

that he said he was coming back.

But I talked to Mr. Taylor about it, and he agreed that when I saw the

boy again, I'd have to have it out with him, and he'd stand referee to

see that there was no unfair advantage took of me or him.

"For," says he, "you can't be called baby darling free and often by them

boat boys, and neither can you eel them boat boys and scare their mules.

All things being equal, you ask him his intentions next time and come

to some mew-tual feeling on the matter, which won't reach the ears of

your Aunty Edith. The ears of your Aunty May," say she, "could be

reached and enjyed by them fine, if took alone, and without t'other

Aunty present."

Well, every day I kept a watch-out for that boy, and for a whole week I

didn't see him.

One Monday, Aunty May asked Aunty Edith if I couldn't go down,--it was

raining,--if I put on my raincoat and boots, with Mr. Taylor, when he

went to the mail, and bring her some stamps and stamped envelopes. Aunty

Edith said, "Oh, all right, May, but it seems to me you eat stamps.

They disappear so fast." Aunty May laughed, and said,

"Be-that-as-it-may," which is what she always says when she wants to

stop discussing, "William goes."

So I got ready, and Mr. Taylor and me started down. It's a mile away.

Mr. Taylor doesn't like umbrellas, neither do I, so, as it was only

misting, Aunty May said I needn't.

Just as we got to Rabbit Run Bridge, who came along, with his mules, and

the same canal boat, and the same man asleep, under an umbrella this

time, but that BOY!

Mr. Taylor says, that the et-i-ket of such things makes him leave me

and go sit on the bridge while I had it out. So I went down and said to

the boy, "Hey, you, where's my cap?" And he grinned and said, "I give it

to your eel. He's a-wearing of it now, and it looks fine on him."

That strikes me so funny that I began to laugh; then I remembered that

wasn't what I wanted to do. So I says, "Come on down till I polish you

up for what you did to my cap"; and he says, "I'll be down in a minute

to fix you for what you done to my mule. I've gotter put him in trousers

to-morrow, his legs is so damaged."

Then I began to laugh again, at the thought of a mule in trousers. "Aw,

come on down," I said. "You ain't got any trousers for him." "Have,

too," he said; "I'm making them spare minutes out of Turkey red. And

when I adds brass buttons and pockets I'll put 'em on, the next time he

passes your house."

I began to laugh again, and then he jumped down, and before I knew it

hit me a punch on the nose. That made me so mad that I hit at him and it

struck his leg, and he said, "Ouch," and jumped so that I looked at his

leg, and saw it was black and blue already.

"Who did that?" I said.

"Never you mind, baby dear," he said: "come on. If my leg did get

catched between the boat and the bank and ground agin a stone this

morning, I can still fight an eel-catcher."

[Illustration: "Never you mind, baby dear, come on"]

And he hopped up to me on one foot, and I saw he wasn't much bigger than

me, maybe eleven or twelve, and he had all he could do to keep from

crying because his leg hurt him so; but he was so quick that I just had

to dodge to get out of the way.

"Say," I said, after I'd gotten out of his reach, "I don't want to hit

you when you're hurt. And anyway," I said, "I don't know that I care

about fighting with anybody who can make eels wear caps and mules red

trousers. Wait a minute and I'll get a clean rag and some witch-hazel

for your leg."

"No, you don't," he says; "I ain't going to be fussed over, but if you

gotta pitcher-book, like the one I seen you reading one day, that, an'

something to chew'll keep my mind off my leg, and when it's all right

again, I'll come past and smash you into bait for eels."

That didn't seem quite what I wanted, but I told Mr. Taylor the boy was

hurt and I couldn't fight, and he said "Certainly not--agin

reg-u-lations."

Then he said he'd wait for me a minute, and I ran back home, because I

knew I'd get there faster than any canal mule, and I bust into the room,

and told Aunty May, and first she didn't like my busting in like that,

and then she got interested. She gave me a picture-book and a piece of

rag, and some witch-hazel in a bottle, and a big piece of cake. When I

got out, the boy was just coming up to the fence, and Aunty May wanted

to tie up his leg for him, but he wouldn't. So she explained to him

that the stuff in the bottle and the rag was for his leg, and he said,

"Yes, 'm, thanks," and then she went in the house quick, so's I could

speak to him myself. I'd asked her to.

He said, "Well, eel-catcher, this will help me some. And if I pass this

way agin, I'll look you up."

"Oh, do," I said.

"Want yer book back?" he calls.

"No," I said, "when you get through with it, give it to the eel."

"No," says he, "he's not fond of reading, but I know an old mushrat

that's fond of anything like print. I'll give it to him, so any time you

see him reading it by moonlight, with his spectacles on, you'll know

it's my friend."

"Oh, come back soon," I called, "and tell me more about it"; for he was

getting slowly and slowly away from me.

"I will," he shouted, "if I don't make a mistake and swallow the

witch-hazel."

W. A. G.'s Tale · 第 4 / 9 章