CHAPTER V.

````"Where lives the man that hath not tried

````How mirth can into folly glide,

`````And folly into sin!"--Scott.=

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he conversation I have given in the last chapter is faithfully

reported--it is exact in spirit very nearly so in letter; we may surely

believe that the clergyman from whom I have quoted some pages back, was

honest in his statements, and I think that there can be no man who has

mixed among his sex in the ballroom and not heard similar remarks made.

All this is, it seems to me, ample proof of the fact which I set out to

demonstrate, namely, that the lechery of the waltz is not confined to

the males, but is consciously participated in by the females, and if

further evidence be needed, then, I say, take the best of all--watch the

dancers at their sport--mark well the faces, the contortions of body and

limb, and be convinced against your will. But even over and beyond

this, I shall now lay before you a kind of testimony which you will be

surprised to find brought to bear on the case.

Shortly after I had determined to publish a protest against the

abominations of the waltz, it became plainly apparent to me that I must

if possible obtain the views on the subject of some intelligent and

well known lady, whose opinion would be received with respect by all the

world. With this end in view, I addressed one of the most eminent and

renowned women of America. I could not fortell the result of such a

step, I certainly did not expect it to be what it is, I hardly dared to

hope that she would accede to my request in any shape. But I knew that

if she did speak, it would be according to her honest convictions, and I

resolved in that event to publish her statement whatever it might be.

This lady freely and generously offered me the use of her name, and as

this would be of great value to my undertaking, I had originally

intended to print it; but upon consideration I have concluded that it

would be a poor return for her kindness and self-devotion, to subject

her to the fiery ordeal of criticism she would in that case have to

endure, and for this reason, and this only, I withhold her name for the

present. But I do earnestly assure the reader that if ever the words of

a great and good woman deserved respectful attention, it is these:--"You

ask me to say what I think about 'round dances.' I am glad of the

opportunity to lay my opinion on that subject before the world; though,

indeed I scarcely know what I can write which you have not probably

already written. I will, however, venture to lay bare a young girl's

heart and mind by giving you my own experience in the days when I

waltzed.

"In those times I cared little for Polka or Varsovienne, and still less

for the old-fashioned 'Money Musk' or 'Virginia Reel,' and wondered

what people could find to admire in those 'slow dances.' But in the soft

floating of the waltz I found a strange pleasure, rather difficult to

intelligibly describe. The mere anticipation fluttered my pulse, and

when my partner approached to claim my promised hand for the dance I

felt my cheeks glow a little sometimes, and I could not look him in the

eyes with the same frank gaiety as heretofore.

"But the climax of my confusion was reached when, folded in his warm

embrace, and giddy with the whirl, a strange, sweet thrill would shake

me from head to foot, leaving me weak and almost powerless and really

almost obliged to depend for support upon the arm which encircled me. If

my partner failed from ignorance, lack of skill, or innocence, to arouse

these, to me, most pleasurable sensations, I did not dance with him the

second time.

"I am speaking openly and frankly, and when I say that I did not

understand what I felt, or what were the real and greatest pleasures I

derived from this so-called dancing, I expect to be believed. But if my

cheeks grew red with uncomprehended pleasure then, they grow pale

with shame to-day when I think of it all. It was the physical emotions

engendered by the magnetic contact of strong men that I was enamoured

of--not of the dance, nor even of the men themselves.

"Thus I became abnormally developed in my lowest nature. I grew bolder,

and from being able to return shy glances at first, was soon able to

meet more daring ones, until the waltz became to me and whomsoever

danced with me, one lingering, sweet, and purely sensual pleasure, where

heart beat against heart, hand was held in hand, and eyes looked burning

words which lips dared not speak.

"All this while no one said to me: you do wrong; so I dreamed of sweet

words whispered during the dance, and often felt while alone a thrill

of joy indescribable yet overpowering when my mind would turn from my

studies to remember a piece of temerity of unusual grandeur on the part

of one or another of my cavaliers.

"Girls talk to each other. I was still a school girl although mixing so

much with the world. We talked together. We read romances that fed our

romantic passions on seasoned food, and none but ourselves knew

what subjects we discussed. Had our parents heard us they would have

considered us on the high road to ruin.

"Yet we had been taught that it was right to dance; our parents did it,

our friends did, and we were permitted. I will say also that all the

girls with whom I associated, with the exception of one, had much the

same experience in dancing; felt the same strangely sweet emotions, and

felt that almost imperative necessity for a closer communion than that

which even the freedom of a waltz permits, without knowing exactly why,

or even comprehending what.

"Married now, with home and children around me, I can at least thank God

for the experience which will assuredly be the means of preventing my

little daughters from indulging in any such dangerous pleasure. But, if

a young girl, pure and innocent in the beginning, can be brought to feel

what I have confessed to have felt, what must be the experience of a

married woman? _She_ knows what every glance of the eye, every bend of

the head, every close clasp means, and knowing that reciprocates it

and is led by swifter steps and a surer path down the dangerous,

dishonorable road.

"I doubt if my experience will be of much service, but it is the candid

truth, from a woman who, in the cause of all the young girls who may be

contaminated, desires to show just to what extent a young mind may be

defiled by the injurious effects of round dances. I have not hesitated

to lay bare what are a young girl's most secret thoughts, in the hope

that people will stop and consider, at least before handing their

lillies of purity over to the arms of any one who may choose to blow the

frosty breath of dishonor on their petals."

And this is the experience of a woman of unusual strength of

character--one whose intellect has gained her a worldwide celebrity

and earned for her the respect and attention of multitudes wherever the

English language is spoken. What hope is there then for ordinary women

to escape from this mental and physical contamination? which=

````"Turns--if nothing else--at least our heads."=

None whatever.

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The Dance of Death(#47427) · 第 5 / 10 章