TORCHLIGHT.

It is an interesting circumstance in the habits of the ancient Romans,

that their journeys were pursued very much in the night-time, and by

torchlight. Cicero, in one of his letters, speaks of passing through

the towns of Italy by night, as a serviceable scheme for some

political purpose, either of avoiding too much to publish his motions,

or of evading the necessity (else perhaps not avoidable) of drawing

out the party sentiments of the magistrates in the circumstances of

honour or neglect with which they might choose to receive him. His

words, however, imply that the practice was by no means an uncommon

one. And, indeed, from some passages in writers of the Augustan era,

it would seem that this custom was not confined to people of

distinction, but was familiar to a class of travellers so low in rank

as to be capable of abusing their opportunities of concealment for the

infliction of wanton injury upon the woods and fences which bounded

the margin of the high-road. Under the cloud of night and solitude,

the mischief-loving traveller was often in the habit of applying his

torch to the withered boughs of wood, or to artificial hedges: and

extensive ravages by fire, such as now happen not unfrequently in the

American woods (but generally from carelessness in scattering the

glowing embers of a fire, or even the ashes of a pipe), were then

occasionally the result of mere wantonness of mischief. Ovid

accordingly notices, as one amongst the familiar images of daybreak,

the half-burnt torch of the traveller; and, apparently, from the

position which it holds in his description, where it is ranked with

the most familiar of all circumstances in all countries--that of the

rural labourer going out to his morning tasks it must have been common

indeed:

"Semiustamque facem vigilatâ nocte viator

Ponet; et ad solitum rusticus ibit opus."

This occurs in the _Fasti_: elsewhere he notices it for its danger.

"Ut facibus sepes ardent, cum forte viator

Vel nimis admovit, vel jam sub luce reliquit."

He, however, we see, good-naturedly ascribes the danger to mere

carelessness, in bringing the torch too near to the hedge, or tossing

it away at daybreak. But Varro, a more matter-of-fact observer, does

not disguise the plain truth--that these disasters were often the

product of pure malicious frolic. For instance, in recommending a

certain kind of quickset fence, he insists upon it as one of its

advantages--that it will not readily ignite under the torch of the

mischievous wayfarer: "Naturale sepimentum," says he, "quod obseri

solet virgultis aut spinis, _praetereuntis lascivi non metuet facem_."

It is not easy to see the origin or advantage of this practice of

nocturnal travelling, (which must have considerably increased the

hazards of a journey,) excepting only in the heats of summer. It is

probable, however, that men of high rank and public station may have

introduced the practice by way of releasing corporate bodies in large

towns from the burdensome ceremonies of public receptions; thus making

a compromise between their own dignity and the convenience of the

provincial public. Once introduced, and the arrangements upon the road

for meeting the wants of travellers once adapted to such a practice,

it would easily become universal. It is, however, very possible that

mere horror of the heats of daytime may have been the original ground

for it. The ancients appear to have shrunk from no hardship as so

trying and insufferable as that of heat. And in relation to that

subject, it is interesting to observe the way in which the ordinary

use of language has accommodated itself to that feeling. Our northern

way of expressing effeminacy, is derived chiefly from the hardships of

cold. He that shrinks from the trials and rough experience of real

life in any department, is described by the contemptuous prefix of

_chimney-corner_, as if shrinking from the cold which he would meet on

coming out into the open air amongst his fellow men. Thus, a

_chimney-corner_ politician for a mere speculator or unpractical

dreamer. But the very same indolent habit of aerial speculation, which

courts no test of real life and practice, is described by the ancients

under the term _umbraticus_, or seeking the cool shade, and shrinking

from the heat. Thus an _umbraticus doctor_ is one who has no practical

solidity in his teaching. The fatigue and hardship of real life, in

short, is represented by the ancients under the uniform image of heat,

and by the moderns under that of cold.

_Blackwood's Magazine._

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The Mirror of Literature, Amusement, and Instruction. Volume 20, No. 572, October 20, 1832 · 第 8 / 56 题