PART XIX.

THE CROSSBOW.

The Latin equivalent is _arcus balistarius_ or _balista manualis_.

The weapon does not appear on the Bayeux tapestry, but the Princess

Anna Comnena, who calls it “tzangara,” mentions it as forming part of

the armament of the Crusaders, late in the eleventh century; and that

it was in use by English and French soldiers in the twelfth century

is shown by a bull of Pope Innocent II. in 1139, which fulminates

against its barbarity, and only sanctions its use in warfare with the

infidel, meaning thereby all nations still unconverted to Christianity.

Such prohibitions were, however, soon brushed aside, like others

of a similar character both before and since. Guillaume Guiart,

writing towards the end of the thirteenth century in the _Branche des

Royaux Leguages_, mentions the weapon as being in use at the battle

of “Haringues” in 1297. The first form was a simple hand crossbow,

which consisted of a steel bow let into a stock which was strung for

use by the action of the left foot and right hand, and discharged

by a trigger, which probably gave rise to the lock of the hand-gun.

During the second half of the thirteenth century various mechanical

contrivances were adopted, which, while materially increasing the

projective power, rendered the weapon much more unwieldy. The crossbow

was in constant use during the fourteenth century, when the Genoese

made it a speciality, and the services of these mercenaries were in

great request in the wars of the period; it was, however, never a

favourite weapon in England. At the battle of Creçy the English army

used the longbow, while the French king had a body of six thousand

Genoese crossbowmen in his pay, but these were unavailable by reason

of the rain. The English archer could shoot twelve arrows while the

crossbowman discharged his three quarrels, for it took so long to

wind up the “moulinet”; the crossbow had, however, the advantage of

a lower trajectory; moreover, the longbow was much lighter and more

portable, besides being more easily preserved from the action of damp,

than its crossbow confrère. It does not seem that the extreme range of

the crossbow has been accurately determined, but it certainly did not

exceed three hundred yards. Part of the light cavalry of the thirteenth

and fourteenth centuries consisted of mounted crossbowmen.

The introduction of the pavise, a large shield kept propped up before

the archer, was a great protection against missiles; and a miniature

from Froissart, in the Bibl. Nat. de Paris, shows crossbowmen shielded

in this manner. According to a manuscript in the British Museum, the

Genoese crossbowman wore a jacket with long sleeves, an iron helm,

brassards, and greaves.

The steel used in the construction of crossbows was of the strongest

and most elastic kind. An enactment in the reign of Henry VII. forbade

the use of the crossbow under severe penalties, and in the sixteenth

century crossbows were mostly used for the defence of fortresses, and

on warships.

The windlass crossbow, called _à tour_ by the French, was largely used

at Agincourt, and the form of that time continued practically the same

for centuries; indeed, up to early in the seventeenth, bows on this

model were made at Malines, in Belgium, by a “confrérie de tir.” The

author has one of these bows in his possession, and it is, he believes,

the exact counterpart of the Agincourt bow.

[Illustration: Fig. 47.--Crossbows and Quarrels.]

The projectiles are usually called quarrels, and are in great

variety of form, but shorter and thicker than arrows for the longbow;

several specimens were found at Tannenberg, dismantled in 1399, and

the complement for a crossbowman was fifty. Quarrels for the arbelest

were called “muschettæ,” hence the word musket; but there is some doubt

whether it was not the missiles of the “scorpion” that were termed thus.

A picture in the National Gallery shows how the common stirrup crossbow

was bent _ad unum pedem_: the bowman places his foot in the stirrup,

a cord is then fixed to the butt of the stock, the other end being

attached to the waistbelt; the cord runs on a pulley, and the bow

is bent by raising the body. The crossbowman wore a “brigandine” or

stuff tunic, lined with strips of steel, besides his “half plates.”

Illustrations of most of the varieties of the crossbow are given in

Fig. 47.

THE GOATSFOOT CROSSBOW.

This bow is bent by a lever of two branches, called the goatsfoot, one

of which is provided with forks, which grasp the string, while the

other pulls it back. It was used by horsemen.

THE LATCH CROSSBOW (ARBELETE À CRIC).

This kind, which is very heavy, was used specially in the defence of

fortified places. It probably got its name from the trigger, which is

formed like a latch, and is manipulated by a cog-wheel, and a notched

bar called a cric. This bar has hooks at the top which grasp the

string, and a handle turned by the hand of the archer winds up the

“moulinet” or winch, drawing the string which bends the bow, and the

tackle is slipped on to the stock from the bottom, which passes through

a thick hemp or iron loop. This variety was much used by the Germans,

and is probably the “latch,” although it is far from certain that the

term did not apply to the “cranequin.” There are also barrel crossbows,

and some with a pistol in combination.

THE WINDLASS CROSSBOW (ARBALETE À CRANEQUIN).

This bow is furnished with double cordage and a set of pulleys near the

bottom of the stock, and another set placed just below the bowstring;

strong cords run along the pulleys, and these are drawn taut by a small

detachable windlass, which is adjustable to the bottom end of the

stock, while hooks connected with the top pulleys grasp the bowstring.

As soon as the bow has been bent by the action of the windlass, the

tackle is removed. The top end of the stock is furnished with an iron

stirrup, through which the archer thrusts his foot in order to obtain

the necessary purchase for bending the bow. This type of bow was

used at Agincourt, and it was greatly depended on in the defence of

beleaguered places. It was also called “Arbalete à tour,” because the

part to be fixed to the stock was often embattled like a tower, and the

windlass was named “la clef” or “cranequin.” This bow has a much longer

catch than the “goatsfoot.”

THE PRODD.

This bow is light, and was used mostly in the chase. It shot

principally pebbles, but also bullets. The French called it “arbalete à

jalet.” A small prodd in the author’s possession was used for shooting

game, and would seem to date from late in the sixteenth or early in the

seventeenth century. It takes its name from two upright pins of iron,

across the top of which a thread is drawn with a bead in the centre,

which required to be brought into line with the notch observable on

the top of the adjustable arch placed above the trigger for sighting

purposes. The cord of this bow is double, and is kept taut by beads

placed there for the purpose of leaving a cavity in which to place the

pebble or bullet for discharge. A vast amount of artistic skill was

often applied in the decoration of crossbows, which has been specially

alluded to in the opening remarks. The prodd was often used by women.

The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance." · 第 19 / 25 章