TALE I.

There was a king of Banãras, named Pratãpmukut; and Bajra-mukut was the

name of his son, whose queen’s name was Mahãdevï. One day the prince,

accompanied by his minister’s son, went to the chase, and advanced far

into a jungle, in the midst of which he beheld a beautiful tank; on the

margin of which wild geese, brãhmanï ducks, male and female, cranes and

water-fowl were, one and all, disporting on all four sides _ghats_ of

solid masonry were constructed: within the tank, the lotus was in full

bloom: on the sides were planted trees of different kinds, under the

dense shade of which the breezes came cool and refreshing, while birds

were warbling on the boughs; and in the forest bloomed flowers of varied

hues, on which whole swarms of bees were buzzing;--(such was the scene)

when they arrived by the margin of that tank, and washed their hands and

faces, and reascended.

“On that spot was a temple sacred to Mahãdeva, Fastening their horses,

and entering the temple, they paid adoration to Mahãdeva, and came out.

While they were engaged in adoration, the daughter of a certain king,

accompanied by a host of attendants, came to another margin of the tank

to bathe; and, having finished her ablutions, meditations and prayers,

she, with her own maidens, began to walk about in the shade of the

trees. On this side the minister’s son was seated, and the king’s son

was walking about, when, suddenly, his eyes, and the eyes of the king’s

daughter, met. As soon as he beheld her beauty, the king’s son was

fascinated, and began saying to himself, ‘You wretch, Cupid! why do you

molest me?’ And when the princess beheld the prince, she took in

her hand the lotus-flower which she had fixed on her head after her

devotions, placed it to her ear, bit it with her teeth, put it under

her foot, then took it up and pressed it to her bosom, and, taking her

maidens with her, mounted (her chariot) and departed home.”

“And the prince, sinking into the depths of despair, and overwhelmed

with grief on account of her absence, came to the minister’s son, and

with a feeling of shame laid before him the actual, state of affairs,

saying, ‘O friend! I have seen a most beautiful damsel; (but) I know

neither her name nor her abode: should I not possess her, I will give

up my life: this I am firmly resolved upon in my mind.’ Hearing these

circumstances, the minister’s son caused him to mount, and brought

him home, it is true; but the king’s son was so restless from grief

at separation, that he entirely abandoned writing, reading, eating,

drinking, sleeping, the business of government--everything. He used to

be constantly sketching her portrait and gazing at it and weeping; not

speaking himself, nor listening to what others said.”

“When the minister’s son saw this state of his, the result of separation

from his flame, he said to him, ‘Whosoever treads the path of love

doth not survive; or if he survive, he suffers great sorrow. * On this

account the wise avoid treading this path.’ The king’s son, on hearing

his words, replied, ‘I, in sooth, have entered upon this path, be there

joy in it or be there pain.’ When he heard so determined a speech from

him, he (the minister’s son) said, ‘Great king! at the time of leaving

did she say anything to you, or you to her?’ Upon this he made answer,

saying, ‘I said nothing, nor did I hear anything from her.’ Then the

minister’s son said, ‘It will be very difficult to find her.’ He said,

‘If she be secured, my life will be preserved; otherwise, it is lost.’”

* Lit.--Whosoever has placed his step in the path of love

has not survived after it; or if he has survived, then he

has experienced great affliction.

“He enquired again, ‘Did she make no signs even?’ The prince said,

‘These are the gestures she made,--suddenly seeing me, she took the

lotus-flower from her head, put it to her ear, bit it with her teeth,

placed it under her foot, and pressed it to her bosom.’ On hearing this,

the minister’s son said, ‘I have comprehended her signs, and discovered

her name, habitation, and all about her.’ He (the prince) replied,

‘Explain to me whatever you have discovered.’ He began to say, ‘Attend,

O king! Her having taken the lotus-flower from her head and put it

to her ear, is equivalent to her having informed you that she is an

inhabitant of the Karnãtak (Carnatic); and in biting it with her

teeth, she intimated that she is the daughter of king Dãnta-vãt; and by

pressing it under her foot, she declared that her name is Padmãvati;

and in again taking it up and pressing it to her bosom, she informed you

that you dwell in her heart.’ When the prince heard these words, he

said to him, ‘It is advisable that you take me to the city in which she

dwells.’ No sooner had he said this than both dressed themselves, girt

on their arms, and taking some jewels with them, mounted their horses

and took the road to that quarter.”

“Having reached the Kamãtak after several days, and having arrived below

the palaces of the king in their stroll through the city, what do

they see there but an old woman sitting at her door and plying her

cotton-wheel. The two, dismounting from their horses, approached her,

and began to say, ‘Mother! we are travelling merchants, our goods are

following us; we have come on ahead to seek a lodging; if you will give

us a place, we will abide.’ On looking at their faces and hearing their

words, the old woman took compassion on them and said, ‘This house

is yours; remain here as long as you please,’ In short, they took

possession of the house on hearing, this; and after some delay the old

woman came and kindly sat with them, and began chatting with them. On

this, the minister’s son enquired of her, ‘What family and relations

have you got? and how do you subsist?’ The old woman said, ‘My son is

very comfortably provided for in the king’s service, and your humble

servant is the wet-nurse of Padmãvatï, the king’s daughter; in

consequence of old age having overtaken me I remain at home, but the

king provides for my maintenance. Once a day, however, I go regularly to

see that girl; it is on my return from thence, in my home, alone, that I

give vent to my woe.’”

“Hearing these words, the prince rejoiced at heart, and said to the old

woman, ‘When you are starting to-morrow, please carry a message from

me too.’ She replied, ‘Son! what need to defer it till tomorrow? I will

this moment convey any message of yours that you communicate to me.’

Then he said, ‘Do you go and tell her this,--The prince whom you saw on

the margin of the tank on the fifth day of the light half of the month

Jeth has arrived here.’”

“On hearing these words the old woman took her stick and went to the

palace. When she got there she found the princess sitting alone. When

she appeared before her, she (the princess) saluted her.

“The old woman gave her, her blessing, and said, ‘Daughter! I tended you

in your infancy, and suckled you. God has now caused you to grow up:

what my heart now desires is, that I should see you happy in your

prime, then should I, too, receive comfort.’ Addressing her in such

affectionate words as these, she proceeded to say, ‘The prince whose

heart you took captive on the fifth day of the light half of Jeh, by

the side of the tank, has alighted at my house, (and) has sent you this

message, for you to perform the promise you made him, now that he has

arrived. And I tell you, for my part, that that prince is worthy of

you, and is as excellent in disposition and mental qualities as you are

beautiful.’”

“On hearing these words she became angry, and applying sandal to her

hands, and slapping the face of the old woman, began to say, ‘Wretch!

get out of my house!’ She rose annoyed, and went, in that very

condition, straight to the prince, and related all that had happened to

her. The prince was astounded at these words. Then the minister’s son

spoke, saying, ‘Great king! feel no anxiety; this matter has not come

within your comprehension.’ Hereupon he said, ‘True; do you then explain

it, that my mind may obtain rest.’ He said, ‘In smearing sandal on the

ten fingers, and striking the (woman on the) face, she intimated, that

when the ten nights of moonlight shall come to an end, she will meet you

in the dark.’”

“To be brief, after ten days the old woman again went and announced him;

then she tinged three of her fingers with saffron, and struck them on

her cheek, saying, ‘Get out of my house!’ After all, the old woman moved

from thence in despair, and came and related to the prince all that had

occurred. He was engulfed in an ocean of sorrow as soon as he heard

it. Seeing this state of his, the minister’s son said again, ‘Be not

alarmed, the purport of this matter is something else.’ He replied,

‘My heart is disquieted; tell me quickly.’ Then he said, ‘She is in the

state which women are in every month, and hence has stipulated for three

days more; on the fourth day she will send for you.’ In short, when the

three days elapsed, the old woman made enquiries after her health on

the part of the prince. Then she brought the old woman angrily to

the western wicket, and turned her out. Again the old woman came and

informed the prince of this event: he became cast-down at hearing it.

On this the minister’s son said, ‘The explanation of the affair is,

that she has invited you to-night by way of that wicket.’ He was pleased

beyond measure at hearing this. To be brief, when the hour arrived,

they took out brown suits of clothes, arranged them, fastened on their

turbands, dressed themselves, placed their weapons in order about

them, and were ready; by this time midnight had passed. At that time

an universal stillness prevailed, when they, too, pursued their way in

unbroken silence.”

“When they arrived near the wicket, the minister’s son remained standing

without, and he (the prince) entered the wicket. What does he perceive,

but the princess, too, standing there expecting him! Thus their eyes

met. Then the princess laughed, and, closing the wicket, took the prince

with her into the festive chamber. Arrived there, the prince beheld

censers filled with perfume alight in different parts of the room, and

maidens dressed in garments of various colours standing respectfully,

with hands joined, each according to her station; on one side a couch

of flowers spread; atr-holders, pan-boxes, rose-water bottles, trays

and four-partitioned boxes arranged in order; on another side, compound

essences, prepared sandal-wood, mixed perfumes, musk, and saffron filled

in metal cups; here, coloured boxes of exquisite confections laid out;

there, sweetmeats of various kinds placed in order; all the doors and

walls adorned with pictures and paintings, and holding such faces, that

the beholder would be enchanted, at the very sight of each single one.

In short, everything that could contribute to pleasure and enjoyment was

got together. The whole scene was one of an extraordinary character, of

which no adequate description can be given.”

“Such was the apartment to which the princess Padmãvatï took the prince

and gave him a seat, and having his feet washed, and applying sandal

to his body, and placing a garland of flowers round his neck, and

sprinkling rose-water over him, began fanning him with her own hands.

Upon this the prince said, ‘At the mere sight of you I have become

refreshed; why do you take so much trouble? These delicate hands are not

fit to handle a fan; give me the fan; you be seated.’ Padmãvatï replied,

‘Great king! you have been at great trouble to come here for my sake,

it behoves me to wait upon you.’ Then a maiden took the fan from the

princess’s hand, and said, ‘This is my business; I will attend on

you, and do you both enjoy yourselves.’ They began eating betel-leaf

together, and engaging in familiar conversation, when, by this time, it

became morning. The princess concealed him; (and) when night came on,

they again engaged in amorous pleasures. Thus several days passed away.

Whenever the prince showed a wish to depart the princess would not

permit him. A month passed thus; then the prince became much disturbed,

and very anxious.”

“Once it happened that he was sitting alone by night and thinking thus

to himself, ‘Country, throne, family,--everything had already been

separated from me; but such a friend as mine, by whose means I found all

this happiness, even him have I not met for a whole month! What will he

be saying in his heart? and how do I know what may be happening to

him?’ He was sitting occupied with these anxious thoughts when, in the

meanwhile, the princess too arrived, and seeing his predicament, began

to inquire, ‘Great king! what grief possesses you that you are sitting

so dispirited here? Tell me.’ Then he said, ‘I have a very dear friend,

the son of the minister; for a whole month I have received no accounts

of him: he is such a clever, learned friend, that through _his_ talents

(it was that) I obtained thee, and _he_ (it was who) explained all thy

secrets.’ The princess said, ‘Great king! your soul is really there;

what happiness can you enjoy here? Hence, this is best,--I will prepare

confections and sweetmeats, and all kinds of meats, and have them sent;

do you, too, go there and feast and comfort him well, and return with

your mind at ease.’”

“On hearing this the prince rose up and came forth; and the princess had

different kinds of sweetmeats, with poison mixed, cooked and sent. The

prince had but just gone and sat beside the minister’s son when the

sweetmeats arrived. The minister’s son enquired, ‘Great king! how did

these sweetmeats come here?’ The prince replied, ‘I was sitting there

anxious concerning you, when the princess came, and looking at me,

asked, ‘Why do you sit cast-down? Explain the reason of it.’ On this I

gave her a full account of your skill in reading secrets. * On hearing

this account, she gave me permission to come to you, and had these sent

for you; if you will partake of them, my heart, too, will be rejoiced.’

Then the minister’s son said, ‘You have brought poison for me; it is

well, indeed, that _you_ did not eat of it. Sire! listen to a word from

me,--a woman has no love for her lover’s friend: you did not act wisely

in mentioning my name there.’ On hearing this the prince said, ‘You talk

of such a thing as no one would ever do: if man have no fear of man, it

is to be presumed he fears God at least.’”

* In thus translating, I take bhed-chaturãï as a compound:

other translators render it, “the secrets of your

cleverness,” which seems to me to be grammatically

inadmissible, and to lose the sense.

“With these words he took a round sweetmeat from among them and threw it

to a dog. As soon as the dog ate it he died convulsed. Seeing this

turn of affairs, the prince became incensed, and began to say, ‘It is

unbecoming to associate with so false a woman; up to this hour her love

has found place in my heart; now, however, it is all over.’ * On hearing

this the minister’s son said, ‘Your majesty! what has happened, has

happened (i.e., let bygones be bygones); you should now act in such a

manner that you may be able to get her away to your home.’ The prince

said, ‘Brother! this, too, can be accomplished by you alone.’ The

minister’s son said, ‘To-day do this one thing,--go again to Padmãvati,

and do just what I tell you,--first go and display much regard and

affection for her; (and) when she falls asleep, take off her jewels, and

strike her on the left thigh with this trident, and instantly come away

from thence.’”

* This translation may seem rather free, but it is not wide

of the sense, which is, “I know well that I have no lore for

her now.” This peculiarly idiomatic use of the word mdlum

occurs in the Bagh-o-bahãr, Arãyishi Mahfil, and many other

Urdu works, and has ever proved a stumbling-block to

translators.

“Having received these instructions, the prince went to Padmãvati at

night, and after much affectionate conversation, they both lay down

together to sleep; but he was secretly watching his opportunity..To be

brief, when the princess fell asleep, he took off all her ornaments,

struck her on the left thigh with the trident, and came to his own

house. He recounted all the occurrences to the minister’s son, and laid

the jewels before him. He then took up the jewels, took the prince with

him, and, assuming the guise of a devotee, went and sat in a place for

burning bodies. He himself took the part of a spiritual teacher, and

making him (the prince) his disciple, said to him, ‘You go into the

market and sell these jewels; if anyone should seize you while doing

this, bring him to me.’”

“Receiving his instructions, the prince took the jewels with him to the

city, and showed them to a goldsmith in close proximity to the king’s

palace-gate. As soon as he saw them he recognised them, and said, ‘These

are the princess’s jewels; tell me truly, where did you get them?’ He

was saying this to him when ten or twenty more men gathered round. To

be brief, the kotwãl, hearing the news, sent men and had the prince,

together with the jewels and the goldsmith, seized and brought before

him, and inspecting the jewels, asked him to state truly where he had

got them. When he said, ‘My spiritual preceptor has given them to me

to sell, but I know not whence he got them,’--then the kotwãl had the

preceptor also apprehended and brought before him, and taking them both,

together with the jewels, into the presence of the king, related all the

circumstances.”

“On hearing the narrative the king addressed the devotee, saying,

‘Master! whence did you obtain these jewels?’ The devotee said, ‘Your

majesty! on the fourteenth night of the dark lunar fortnight I visited a

burning-ground to perfect some spells for a witch: when the witch came,

I took off her jewels and apparel, and made the impression of a trident

on her left thigh; in this way these ornaments came into my possession.’

On hearing this statement of the devotee’s, the king went into his

private apartments, and the devotee to his seat * (in the

burning-ground). The king said to the queen, ‘Just see if there is a

mark on Padmãvati’s left thigh or not, and (if so) what sort of a mark

there is.’ The queen having gone and looked, found the mark of a

trident. She returned and said to the king, ‘Your majesty! there are

three parallel marks; indeed, it appears as if some one had struck her

with a trident.’”

* The ãsan is, generally, the skin of a deer, or leopard, or

tiger, which religious mendicants carry with them to sit

upon. The hide of a black antelope is commonly preferred.

Some of the gods are fabled to use the lotus-flower for the

purpose.

“On hearing this account, the king came out and sent for the kotwãl, and

told him to go and bring the devotee. The kotwãl set off to bring

the devotee on the instant of receiving the order; and the king began

reflecting thus,--‘The affairs of one’s household, and the intentions of

one’s heart, and any loss which has befallen one--these it is not right

to disclose to anyone;’ when, in the interval, the kotwãl brought the

devotee into the presence. Then the king took the devotee aside and

questioned him, saying, ‘Spiritual guide! what punishment is laid down

in the scriptures for a woman?’ On this the devotee said, ‘Your majesty!

if a Brahman, a cow, a wife, a child, or any one dependent on us,

be guilty of a disgraceful act, it is prescribed that such should be

banished from the country.’”

“On hearing this the king had Padmãvati conveyed away in a litter and

left in a jungle. Thereupon both the prince and the minister’s son

started from their lodging on horseback, went to that jungle, took the

Princess Padmãvati with them, and set out for their own country.

After some days each reached his father’s house. The greatest joy took

possession of all, high and low; and these (i.e., the prince and the

princess,) entered upon a life of mutual happiness.”

After relating so much of the tale the sprite asked King Vikramãjït, “To

which of those four does guilt attach? If you do not decide this point,

you will be cast into hell.” King Vikram said, “The guilt attaches to

the king.” The sprite replied, “How does the sin fall on the king?”

Vikram answered him thus, “The minister’s son simply did his duty to

his master; and the kotwãl obeyed the king’s command; and the princess

attained her object; hence, the guilt falls on the king for having

inconsiderately expelled her from the country.”

On hearing these words from the king’s mouth, the sprite went and

suspended himself on that same tree.

The Baitâl Pachchisi; Or, The Twenty-Five Tales of a Sprite Translated From the Hindi Text of Dr. Duncan Forbes · 第 9 / 35 题