CHAPTER I

This ebook was transcribed by Les Bowler.

[Picture: Look what a fine morning it is . . . Insects, Birds, & Animals,

are all enjoying existence]

MARY

WOLLSTONECRAFT’S

ORIGINAL

STORIES

WITH FIVE ILLUSTRATIONS

BY

WILLIAM BLAKE

* * * * *

WITH AN INTRODUCTION

BY

E. V. LUCAS

* * * * *

LONDON

HENRY FROWDE

1906

* * * * *

OXFORD: HORACE HART

PRINTER TO THE UNIVERSITY

EDITOR’S INTRODUCTION

The germ of the _Original Stories_ was, I imagine, a suggestion (in the

manner of publishers) from Mary Wollstonecraft’s employer, Johnson of St.

Paul’s Churchyard, that something more or less in the manner of Mrs.

Trimmer’s _History of the Robins_, the great nursery success of 1786,

might be a profitable speculation. For I doubt if the production of a

book for children would ever have occurred spontaneously to an author so

much more interested in the status of women and other adult matters.

However, the idea being given her, she quickly wrote the book—in 1787 or

1788—carrying out in it to a far higher power, in Mrs. Mason, the

self-confidence and rectitude of Mrs. Trimmer’s leading lady, Mrs.

Benson, who in her turn had been preceded by that other flawless

instructor of youth, Mr. Barlow. None of these exemplars could do wrong;

but the Mrs. Mason whom we meet in the following pages far transcends the

others in conscious merit. Mrs. Benson in the _History of the Robins_

(with the author of which Mary Wollstonecraft was on friendly terms) was

sufficiently like the Protagonist of the Old Testament to be, when among

Mrs. Wilson’s bees, ‘excessively pleased with the ingenuity and industry

with which these insects collect their honey and wax, form their cells,

and deposit their store’; but Mrs. Mason, as we shall see, went still

farther.

It has to be remembered that the _Original Stories_ were written when the

author was twenty-nine, five years before she met Gilbert Imlay and six

years before her daughter Fanny Imlay was born. I mention this fact

because it seems to me to be very significant. I feel that had the book

been written after Fanny’s birth, or even after the Imlay infatuation, it

would have been somewhat different: not perhaps more entertaining,

because its author had none of that imaginative sympathy with the young

which would direct her pen in the direction of pure pleasure for them;

but more human, more kindly, better. One can have indeed little doubt as

to this after reading those curious first lessons for an infant which

came from Mary Wollstonecraft’s pen in or about 1795, (printed in volume

two of the _Posthumous Works_, 1798), and which give evidence of so much

more tenderness and reasonableness (and at the same time want of Reason,

which may have been Godwin’s God but will never stand in that relation

either to English men or English children) than the monitress of the

_Original Stories_, the impeccable Mrs. Mason, ever suggests. I know of

no early instance where a mother talks down to an infant more prettily:

continually descending herself to its level, yet never with any of Mrs.

Mason’s arrogance and superiority. Not indeed that this poor mother,

with her impulsive warm heart wounded, and most of her illusions gone,

and few kindly eyes resting upon her, could ever have compassed much of

Mrs. Mason’s prosperous self-satisfaction and authority had she wished

to; for in the seven years between the composition of the _Original

Stories_ and the lessons for the minute Fanny Imlay, she had lived an

emotional lifetime, and suffering much, pitied much.

In Lesson X, which I quote, although it says nothing of charity or

kindness, a vastly more human spirit is found than in any of Mrs. Mason’s

homilies on our duty to the afflicted:—

See how much taller you are than William. In four years you have

learned to eat, to walk, to talk. Why do you smile? You can do much

more, you think: you can wash your hands and face. Very well. I

should never kiss a dirty face. And you can comb your head with the

pretty comb you always put by in your own drawer. To be sure, you do

all this to be ready to take a walk with me. You would be obliged to

stay at home, if you could not comb your own hair. Betty is busy

getting the dinner ready, and only brushes William’s hair, because he

cannot do it for himself.

Betty is making an apple-pye. You love an apple-pye; but I do not

bid you make one. Your hands are not strong enough to mix the butter

and flour together; and you must not try to pare the apples, because

you cannot manage a great knife.

Never touch the large knives: they are very sharp, and you might cut

your finger to the bone. You are a little girl, and ought to have a

little knife. When you are as tall as I am, you shall have a knife

as large as mine; and when you are as strong as I am, and have

learned to manage it, you will not hurt yourself.

You can trundle a hoop, you say; and jump over a stick. O, I

forgot!—and march like men in the red coats, when papa plays a pretty

tune on the fiddle.

Even a very little of the tender spirit that this lesson breathes, even a

very little of its sense of play, would have leavened the _Original

Stories_ into a more wholesome consistency. As it stands, that book is

one of the most perfect examples of the success with which, a century or

more ago, any ingratiating quality could be kept out of a work for the

young. According to William Godwin, his unhappy wife had always a pretty

and endearing way with children. Yet of pretty and endearing ways, as of

humour, I take him to have been a bad judge; for I do not think that any

woman possessing enough sympathy to attach children to her as he, in one

of the most curious biographies in the language, assures us that she had,

could have suppressed the gift so completely in her first book for young

minds. And the Mrs. Masonic character of her own Preface supports my

view.

I do not wish to suggest that previous to 1787 Mary Wollstonecraft had

been a stranger to suffering. Far from it. Her life had known little

joy. Her father’s excesses, her mother’s grief and poverty, her sister’s

misfortunes, her own homelessness, and, to crown all, the death of her

close friend Frances Blood, must have dimmed if not obliterated most of

her happy impulses. But it is one thing to suffer bereavement and to be

anxious about the troubles of others near and dear; and it is quite

another to suffer oneself by loving, even to a point of personal

disaster, and then losing both that love and the friendliness (such as it

was) of the world. Imlay’s desertion and the birth of Fanny were real

things beside which a drunken father, unhappy sisters, and a dead friend

were mere trifles.

This little book is to my mind chiefly interesting for two reasons apart

from its original purpose—for the light it throws on the attitude of the

nursery authors of that day towards children, and for the character of

Mrs. Mason, a type of the dominant British character, in petticoats, here

for the first time (so far as my reading goes) set on paper.

I have no information regarding the success of the _Original Stories_ in

their day, and such spirited efforts as are now made to obtain them by

collectors are, we know, due rather to Blake than to Mary Wollstonecraft;

but any measure of popularity that they may have enjoyed illustrates the

awful state of slavery in which the children of the seventeen-nineties

must have subsisted. It is indeed wonderful to me to think that only a

poor hundred years ago such hard and arid presentations of adult

perfection and infantile incapacity should have been considered, even by

capable writers, all that the intelligence of children needed or their

tender inexperience deserved. I do not deny that children are not to-day

too much considered: indeed, I think that they are: I think there is now

an unfortunate tendency to provide them with literature in such variety

as to anticipate, and possibly supplant, the most valuable natural

workings of their minds in almost every direction; but such activity at

any rate indicates a desire on the part of the writers of these books to

understand their readers, whereas I can detect none in the _Original

Stories_ or in hundreds of kindred works of that day. _Sandford and

Merton_ and Mrs. Trimmer’s book stand apart: there is much humanity and

imaginative sympathy in both; but with the majority of nursery authors,

to fling down a collection of homilies was sufficient.

The odd thing is that every one was equally thoughtless: it is not merely

that Mary Wollstonecraft should consider such an intellectual stone as

Chapter XV worth preparing for poor little fellow creatures that needed

bread; but that her publisher Johnson should consider it the kind of

thing to send forth, and that, with artists capable of dramatic interest

available, he should hand the commission to illustrate it to William

Blake, who, exquisitely charming as were his drawings for his own

_Songs_, was as yet in no sense of the word an ingratiating illustrator

of narratives of real life for young eyes. And there still remains the

parent or friend who, picking up the book in a shop, considered it the

kind of thing to strike a bliss into the soul of Master Henry or Miss

Susan as a birthday present. It is all, at this date, so incredible, so

shortsighted, so cruel, one could almost say. No one seems to have tried

at all: the idea of wooing a child was not in the air—certainly Mary

Wollstonecraft had none of it.

Who it was that first discerned the child to be a thing of joy, a

character apart worth coming to without patronage, a flower, a fairy, I

cannot say. But Blake, in his writings, had much to do with the

discovery, and Wordsworth perhaps more. Certain, however, is it that

Mary Wollstonecraft, even if she had glimmerings of this truth, had no

more; and those she suppressed when the pen was in her hand.

I might remark here that the circumstance that Blake’s drawings for

Salzmann’s _Elements of Morality_, which Mary Wollstonecraft translated

in 1791, also for Johnson, are more interesting and dramatic, is due to

the fact that he merely adapted the work of the German artist. Blake was

uniformly below himself in this kind of employment. Only in the rapt

freedoms of the angelic harper in his hut, in the picture opposite page

56 of the present work, does he approach his true genius; while in his

conception of Mrs. Mason I have no confidence. Not slim and willowy and

pensive was she in my mental picture of her: I figure a matron of sterner

stuff and solider build.

But having said this against the _Original Stories_, I have said all, for

as the casket enshrining Mrs. Mason its value remains unassailable.

It was well for Mrs. Mason that Mary Wollstonecraft set her on paper in

1788. Had she waited until the _Vindication of the Rights of Women_ was

written in 1792 (and dedicated to Talleyrand), had she waited until

little Fanny Imlay was born into a stony world, Mrs. Mason would never

have been. Because it is the likes of Mrs. Mason that keep the rights of

women, as Mary Wollstonecraft saw them, in the background, and demand the

production of marriage lines. Mrs. Mason would have been the first to

regret the unwomanliness of the publication both of the book and of the

baby. The Preface to this book suggests that Mary Wollstonecraft was at

that time, before she had loved and lost and suffered, something of a

Mrs. Mason herself; but Mrs. Mason remained Masonic to the end, whereas

poor Mary’s heart and mind were always in conflict. She may have loved

pure Reason, but she loved Gilbert Imlay too. And this Mrs. Mason never

did.

Mrs. Mason never nods. Her tact, her mental reaction, her confidence,

her sense of duty and knowledge of duty, are alike marvellous. When the

higher mercy compels her to end a wounded lark’s misery by putting her

foot on its head, she ‘turns her own the other way’. At the close of a

walk during which her charges have been ‘rational’, she shakes hands with

them. Her highest praise to Mary, after the fruit-picking incident on

page 40, is to call her ‘my friend’; ‘and she deserved the name,’ adds

the lady, ‘for she was no longer a child.’ No child could be her friend.

One wonders what she made of the beautiful words ‘Suffer the little

children to come unto Me . . . for of such is the kingdom of Heaven’; but

of course she did not know them: her Testament was obviously the Old.

Yet we have, as it happens, a comment on Christ’s remark, in her

statement on page 8, made in one of her recurring monologues on

superiority and inferiority, that it is ‘only to animals that children

_can_ do good’. Mrs. Mason’s expression of alarm and dismay on hearing

the words ‘A little child shall lead them’ could be drawn adequately, one

feels, only by Mary Wollstonecraft’s friend Fuseli.

‘I govern my servants and you,’ said Mrs. Mason, ‘by attending strictly

to truth, and this observance keeping my head clear and my heart pure, I

am ever ready to pray to the Author of Good, the Fountain of truth.’ She

never paid unmeaning compliments, (and here it is interesting to compare

the second paragraph of Mary Wollstonecraft’s Preface, where she plays at

being a Mrs. Mason too), or permitted any word to drop from her tongue

that her heart did not dictate. Hence she allowed Mrs. Trimmer’s

_History of the Robins_ to be lent to a little girl, only on condition

that the little girl should be made to understand that birds cannot

really talk. She had in her garden, although large, only one bed of

tulips, because the tulip flaunts, whereas the rose, of which she had a

profusion, is modest. That God made both does not seem to have troubled

her. She thought that the poor who were willing to work ‘had a right to

the comforts of life’. During a thunderstorm she walked with the same

security as when the sun enlivened the prospect, since her love of virtue

had overcome her fear of death. She was weaned from the world, ‘but not

disgusted.’ When she visited those who have been reduced from their

original place in society by misfortunes, she made such alterations in

her dress as would suggest ceremony, lest too much familiarity should

appear like disrespect. She forbade Caroline to cry when in pain,

because the Most High was educating her for eternity. She thought that

all diseases were sent to children by the Almighty to teach them patience

and fortitude. She never sought bargains, wishing every one to receive

the just value for their goods; and when her two charges at last left

her, to return to their father, she dismissed them with the words, ‘You

are now candidates for my friendship, and on your advancement in virtue

my regard will in future depend.’

The great fault of Mrs. Mason is that she had none. One seems to

understand why her own children and husband died so quickly.

Since I have read this little book a new kind of nightmare has come into

my slumbers: I dream that I am walking with Mrs. Mason. The greatness

and goodness of Mrs. Mason surround me, dominate me, suffocate me. With

head erect, vigilant eye, and a smile of assurance and tolerance on her

massive features, she sails on and on, holding my neatly-gloved hand,

discoursing ever of the infinite mercy of God, the infinite paltriness of

myself, and the infinite success of Mrs. Mason. I think that Mrs.

Mason’s most terrible characteristic to me (who have never been quite

sure of anything) is the readiness with which her decisions spring

fully-armed from her brain. She knows not only everything, but herself

too: she has no doubts. Here she joins hands with so much that is most

triumphant in the British character. The Briton also is without doubts.

He marches forward. He is right. It is when I contemplate him in this

mood—and Mrs. Mason too—that I most wonder who my ancestors can have

been.

The awful reality of Mrs. Mason proves that Mary Wollstonecraft, had she

known her own power and kept her mental serenity, might have been a great

novelist. Mrs. Mason was the first and strongest British Matron. She

came before Mrs. Proudie, and also, it is interesting to note, before Sir

Willoughby Patterne. But she was, I fear, an accident; for there is

nothing like her in our author’s one experiment in adult fiction, _The

Wrongs of Woman_.

E. V. LUCAS.

ILLUSTRATIONS

Look what a fine morning it is.—Insects, Birds, _Frontispiece_

and Animals, are all enjoying existence.

Indeed we are very happy! _to face page_ 36

Be calm, my child, remember that you must do all _to face page_ 46

the good you can the present day

Trying to trace the sound, I discovered a little _to face page_ 56

hut, rudely built

Economy and Self-denial are necessary, in every _to face page_ 86

station, to enable us to be generous

[Picture: Facsimile of the title page of the 1791 edition]

PREFACE

These conversations and tales are accommodated to the present state of

society; which obliges the author to attempt to cure those faults by

reason, which might never to have taken root in the infant mind. Good

habits, imperceptibly fixed, are far preferable to the precepts of

reason; but, as this task requires more judgment than generally falls to

the lot of parents, substitutes must be sought for, and medicines given,

when regimen would have answered the purpose much better. I believe

those who examine their own minds, will readily agree with me, that

reason, with difficulty, conquers settled habits, even when it is arrived

at some degree of maturity: why then do we suffer children to be bound

with fetters, which their half-formed faculties cannot break.

In writing the following work, I aim at perspicuity and simplicity of

style; and try to avoid those unmeaning compliments, which slip from the

tongue, but have not the least connexion with the affections that should

warm the heart, and animate the conduct. By this false politeness,

sincerity is sacrificed, and truth violated; and thus artificial manners

are necessarily taught. For true politeness is a polish, not a varnish;

and should rather be acquired by observation than admonition. And we may

remark, by way of illustration, that men do not attempt to polish

precious stones, till age and air have given them that degree of

solidity, which will enable them to bear the necessary friction, without

destroying the main substance.

The way to render instruction most useful cannot always be adopted;

knowledge should be gradually imparted, and flow more from example than

teaching: example directly addresses the senses, the first inlets to the

heart; and the improvement of those instruments of the understanding is

the object education should have constantly in view, and over which we

have most power. But to wish that parents would, themselves, mould the

ductile passions, is a chimerical wish, for the present generation have

their own passions to combat with, and fastidious pleasures to pursue,

neglecting those pointed out by nature: we must therefore pour premature

knowledge into the succeeding one; and, teaching virtue, explain the

nature of vice. Cruel necessity!

The Conversations are intended to assist the teacher as well as the

pupil; and this will obviate an objection which some may start, that the

sentiments are not quite on a level with the capacity of a child. Every

child requires a different mode of treatment; but a writer can only

choose one, and that must be modified by those who are actually engaged

with young people in their studies.

The tendency of the reasoning obviously tends to fix principles of truth

and humanity on a solid and simple foundation; and to make religion an

active, invigorating director of the affections, and not a mere attention

to forms. Systems of Theology may be complicated, but when the character

of the Supreme Being is displayed, and He is recognised as the Universal

Father, the Author and Centre of Good, a child may be led to comprehend

that dignity and happiness must arise from imitating Him; and this

conviction should be twisted into—and be the foundation of every

inculcated duty.

At any rate, the Tales, which were written to illustrate the moral, may

recall it, when the mind has gained sufficient strength to discuss the

argument from which it was deduced.

INTRODUCTION

Mary and Caroline, though the children of wealthy parents were, in their

infancy, left entirely to the management of servants, or people equally

ignorant. Their mother died suddenly, and their father, who found them

very troublesome at home, placed them under the tuition of a woman of

tenderness and discernment, a near relation, who was induced to take on

herself the important charge through motives of compassion.

They were shamefully ignorant, considering that Mary had been fourteen,

and Caroline twelve years in the world. If they had been merely

ignorant, the task would not have appeared so arduous; but they had

caught every prejudice that the vulgar casually instill. In order to

eradicate these prejudices, and substitute good habits instead of those

they had carelessly contracted, Mrs. Mason never suffered them to be out

of her sight. They were allowed to ask questions on all occasions, a

method she would not have adopted, had she educated them from the first,

according to the suggestions of her own reason, to which experience had

given its sanction.

They had tolerable capacities; but Mary had a turn for ridicule, and

Caroline was vain of her person. She was, indeed, very handsome, and the

inconsiderate encomiums that had, in her presence, been lavished on her

beauty made her, even at that early age, affected.

CONTENTS

PAGE

CHAPTER I

_The Treatment of Animals.—The Ant.—The Bee.—Goodness.—The 1

Lark’s Nest.—The Asses_

CHAPTER II

_The Treatment of Animals.—The Difference between them and 6

Man.—The Parental Affection of a Dog.—Brutality punished_

CHAPTER III

_The Treatment of Animals.—The Story of crazy Robin.—The 10

Man confined in the Bastille_

CHAPTER IV

_Anger.—History of Jane Fretful_ 14

CHAPTER V

_Lying.—Honour.—Truth.—Small Duties.—History of Lady Sly 18

and Mrs. Trueman_

CHAPTER VI

_Anger.—Folly produces Self-contempt_, _and the Neglect of 25

others_

CHAPTER VII

_Virtue the Soul of Beauty.—The Tulip and the Rose.—The 27

Nightingale.—External Ornaments.—Characters_

CHAPTER VIII

_Summer Evening’s Amusement.—The Arrival of a Family of 31

Haymakers.—Ridicule of personal Defects censured.—A

Storm.—The Fear of Death.—The Cottage of Honest Jack_,

_the shipwrecked Sailor.—The History of Jack_, _and his

faithful Dog Pompey_

CHAPTER IX

_The Inconveniences of immoderate Indulgence_ 37

CHAPTER X

_The Danger of Delay.—Description of a Mansion-house in 40

Ruins.—History of Charles Townley_

CHAPTER XI

_Dress.—A Character.—Remarks on Mrs. Trueman’s Manner of 47

Dressing.—Trifling Omissions undermine Affection_

CHAPTER XII

_Behaviour to Servants.—True Dignity of Character_ 50

CHAPTER XIII

_Employment.—Idleness produces Misery.—The Cultivation of 53

the Fancy raises us above the Vulgar_, _extends our

Happiness_, _and leads to Virtue_

CHAPTER XIV

_Innocent Amusements.—Description of a Welch 55

Castle.—History of a Welch Harper.—A tyrannical

Landlord.—Family Pride_

CHAPTER XV

_Prayer.—A Moon-light Scene.—Resignation_ 60

CHAPTER XVI

_The Benefits arising from Devotion.—The History of the 64

Village School-mistress.—Fatal Effects of Inattention to

Expense_, _in the History of Mr. Lofty_

CHAPTER XVII

_The Benefits arising from Devotion.—The History of the 67

Village School-mistress concluded_

CHAPTER XVIII

_A Visit to the School-mistress.—True and False Pride_ 69

CHAPTER XIX

_Charity.—The History of Peggy and her Family.—The 71

Sailor’s Widow_

CHAPTER XX

_Visit to Mrs. Trueman.—The Use of Accomplishments.—Virtue 74

the Soul of all_

CHAPTER XXI

_The Benefit of bodily Pain.—Fortitude the Basis of 77

Virtue.—The Folly of Irresolution_

CHAPTER XXII

_Journey to London_ 79

CHAPTER XXIII

_Charity.—Shopping.—The distressed Stationer.—Mischievous 81

Consequences of delaying Payment_

CHAPTER XXIV

_Visit to a Poor Family in London.—Idleness the Parent of 84

Vice.—Prodigality and Generosity incompatible.—The

Pleasures of Benevolence.—True and false Motives for

Saving_

CHAPTER XXV

_Mrs. Mason’s farewell Advice to her Pupils.—Observations 86

on Letter-writing_

MORAL CONVERSATIONS AND STORIES

CHAPTER I

The treatment of animals.—The ant.—The bee.—Goodness.—The lark’s

nest.—The asses.

One fine morning in spring, some time after Mary and Caroline were

settled in their new abode, Mrs. Mason proposed a walk before breakfast,

a custom she wished to teach imperceptibly, by rendering it amusing.

The sun had scarcely dispelled the dew that hung on every blade of grass,

and filled the half-shut flowers; every prospect smiled, and the

freshness of the air conveyed the most pleasing sensations to Mrs.

Mason’s mind; but the children were regardless of the surrounding

beauties, and ran eagerly after some insects to destroy them. Mrs. Mason

silently observed their cruel sports, without appearing to do it; but

stepping suddenly out of the foot-path into the long grass, her buckle

was caught in it, and striving to disentangle herself, she wet her feet;

which the children knew she wished to avoid, as she had been lately sick.

This circumstance roused their attention; and they forgot their amusement

to enquire why she had left the path; and Mary could hardly restrain a

laugh, when she was informed that it was to avoid treading on some snails

that were creeping across the narrow footway. Surely, said Mary, you do

not think there is any harm in killing a snail, or any of those nasty

creatures that crawl on the ground? I hate them, and should scream if

one was to find its way from my clothes to my neck! With great gravity,

Mrs. Mason asked how she dared to kill any thing, unless it were to

prevent its hurting her? Then, resuming a smiling face, she said, Your

education has been neglected, my child; as we walk along attend to what I

say, and make the best answers you can; and do you, Caroline, join in the

conversation.

You have already heard that God created the world, and every inhabitant

of it. He is then called the Father of all creatures; and all are made

to be happy, whom a good and wise God has created. He made those snails

you despise, and caterpillars, and spiders; and when He made them, did

not leave them to perish, but placed them where the food that is most

proper to nourish them is easily found. They do not live long, but He

who is their Father, as well as your’s, directs them to deposit their

eggs on the plants that are fit to support their young, when they are not

able to get food for themselves.—And when such a great and wise Being has

taken care to provide every thing necessary for the meanest creature,

would you dare to kill it, merely because it appears to you ugly? Mary

began to be attentive, and quickly followed Mrs. Mason’s example, who

allowed a caterpillar and a spider to creep on her hand. You find them,

she rejoined, very harmless; but a great number would destroy our

vegetables and fruit; so birds are permitted to eat them, as we feed on

animals; and in spring there are always more than at any other season of

the year, to furnish food for the young broods.—Half convinced, Mary

said, but worms are of little consequence in the world. Yet, replied

Mrs. Mason, God cares for them, and gives them every thing that is

necessary to render their existence comfortable. You are often

troublesome—I am stronger than you—yet I do not kill you.

Observe those ants; they have a little habitation in yonder hillock; they

carry food to it for their young, and sleep very snug in it during the

cold weather. The bees also have comfortable towns, and lay up a store

of honey to support them when the flowers die, and snow covers the

ground: and this forecast is as much the gift of God, as any quality you

possess.

Do you know the meaning of the word Goodness? I see you are unwilling to

answer. I will tell you. It is, first, to avoid hurting any thing; and

then, to contrive to give as much pleasure as you can. If some insects

are to be destroyed, to preserve my garden from desolation, I have it

done in the quickest way. The domestic animals that I keep, I provide

the best food for, and never suffer them to be tormented; and this

caution arises from two motives:—I wish to make them happy; and, as I

love my fellow-creatures still better than the brute creation, I would

not allow those that I have any influence over, to grow habitually

thoughtless and cruel, till they were unable to relish the greatest

pleasure life affords,—that of resembling God, by doing good.

A lark now began to sing, as it soared aloft. The children watched its

motions, listening to the artless melody. They wondered what it was

thinking of—of its young family, they soon concluded; for it flew over

the hedge, and drawing near, they heard the young ones chirp. Very soon

both the old birds took their flight together, to look for food to

satisfy the craving of the almost fledged young. An idle boy, who had

borrowed a gun, fired at them—they fell; and before he could take up the

wounded pair, he perceived Mrs. Mason; and expecting a very severe

reprimand, ran away. She and the little girls drew near, and found that

one was not much hurt; but that the other, the cock, had one leg broken,

and both its wings shattered; and its little eyes seemed starting out of

their sockets, it was in such exquisite pain. The children turned away

their eyes. Look at it, said Mrs. Mason; do you not see that it suffers

as much, and more than you did when you had the small-pox, when you were

so tenderly nursed. Take up the hen; I will bind her wing together;

perhaps it may heal. As to the cock, though I hate to kill any thing, I

must put him out of pain; to leave him in his present state would be

cruel; and avoiding an unpleasant sensation myself, I should allow the

poor bird to die by inches, and call this treatment tenderness, when it

would be selfishness or weakness. Saying so, she put her foot on the

bird’s head, turning her own another way.

They walked on; when Caroline remarked, that the nestlings, deprived of

their parents, would now perish; and the mother began to flutter in her

hand as they drew near the hedge, though the poor creature could not fly,

yet she tried to do it. The girls, with one voice, begged Mrs. Mason to

let them take the nest, and provide food in a cage, and see if the mother

could not contrive to hop about to feed them. The nest and the old

mother were instantly in Mary’s handkerchief. A little opening was left

to admit the air; and Caroline peeped into it every moment to see how

they looked. I give you leave, said Mrs. Mason, to take those birds,

because an accident has rendered them helpless; if that had not been the

case, they should not have been confined.

They had scarcely reached the next field, when they met another boy with

a nest in his hand, and on a tree near him saw the mother, who,

forgetting her natural timidity, followed the spoiler; and her

intelligible tones of anguish reached the ears of the children, whose

hearts now first felt the emotions of humanity. Caroline called him, and

taking sixpence out of her little purse, offered to give it to him for

the nest, if he would shew her where he had taken it from. The boy

consented, and away ran Caroline to replace it,—crying all the way, how

delighted the old bird will be to find her brood again. The pleasure

that the parent-bird would feel was talked of till they came to a large

common, and heard some young asses, at the door of an hovel, making a

most dreadful noise. Mrs. Mason had ordered the old ones to be confined,

lest the young should suck before the necessary quantity had been saved

for some sick people in her neighbourhood. But after they had given the

usual quantity of milk, the thoughtless boy had left them still in

confinement, and the young in vain implored the food nature designed for

their particular support. Open the hatch, said Mrs. Mason, the mothers

have still enough left to satisfy their young. It was opened, and they

saw them suck.

Now, said she, we will return to breakfast; give me your hands, my little

girls, you have done good this morning, you have acted like rational

creatures. Look, what a fine morning it is. Insects, birds, and

animals, are all enjoying this sweet day. Thank God for permitting you

to see it, and for giving you an understanding which teaches you that you

ought, by doing good, to imitate Him. Other creatures only think of

supporting themselves; but man is allowed to ennoble his nature, by

cultivating his mind and enlarging his heart. He feels disinterested

love; every part of the creation affords an exercise for virtue, and

virtue is ever the truest source of pleasure.

Mary Wollstonecraft's Original Stories · 第 1 / 25 章