ON PAINTING.

In the position of the eye which sees that portion of a tree

illuminated which turns towards the light, one tree will never be

seen to be illuminated equally with the other. To prove this, let

the eye be _c_ which sees the two trees _b d_ which are illuminated

by the sun _a_; I say that this eye _c_ will not see the light in

the same proportion to the shade, in one tree as in the other.

Because, the tree which is nearest to the sun will display so much

the stronger shadow than the more distant one, in proportion as one

tree is nearer to the rays of the sun that converge to the eye than

the other; &c.

You see that the eye _c_ sees nothing of the tree _d_ but shadow,

while the same eye _c_ sees thè tree _b_ half in light and half in

shade.

When a tree is seen from below, the eye sees the top of it as placed

within the circle made by its boughs[23].

Remember, O Painter! that the variety of depth of shade in any one

particular species of tree is in proportion to the rarity or density

of their branches.

[Footnote: The two lower sketches on the left of Pl XXVIII, No. 3,

refer to lines 21-23. The upper sketch has apparently been effaced

by Leonardo himself.]

The distribution of light and shade with reference to the position

of the spectator (441-443).

441.

The shadows of trees placed in a landscape do not display themselves

in the same position in the trees on the right hand and those on the

left; still more so if the sun is to the right or left. As is proved

by the 4th which says: Opaque bodies placed between the light and

the eye display themselves entirely in shadow; and by the 5th: The

eye when placed between the opaque body and the light sees the

opaque body entirely illuminated. And by the 6th: When the eye and

the opaque body are placed between darkness and light, it will be

seen half in shadow and half in light.

[Footnote: See the figure on the right hand side of Pl. XXVIII, No.

3. The first five lines of the text are written below the diagram

and above it are the last eight lines of the text, given as No.

461.]

442.

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 215 / 366 题