OF THE MODE OF TREATING REMOTE OBJECTS IN PAINTING.

It is easy to perceive that the atmosphere which lies closest to the

level ground is denser than the rest, and that where it is higher

up, it is rarer and more transparent. The lower portions of large

and lofty objects which are at a distance are not much seen, because

you see them along a line which passes through a denser and thicker

section of the atmosphere. The summits of such heights are seen

along a line which, though it starts from your eye in a dense

atmosphere, still, as it ends at the top of those lofty objects,

ceases in a much rarer atmosphere than exists at their base; for

this reason the farther this line extends from your eye, from point

to point the atmosphere becomes more and more rare. Hence, O

Painter! when you represent mountains, see that from hill to hill

the bases are paler than the summits, and in proportion as they

recede beyond each other make the bases paler than the summits;

while, the higher they are the more you must show of their true form

and colour.

On the colour of the atmosphere (300-307).

300.

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 173 / 366 题