OF PAINTING.

The surface of every opaque body assumes the hues reflected from

surrounding objects.

The surface of an opaque body assumes the hues of surrounding

objects more strongly in proportion as the rays that form the images

of those objects strike the surface at more equal angles.

And the surface of an opaque body assumes a stronger hue from the

surrounding objects in proportion as that surface is whiter and the

colour of the object brighter or more highly illuminated.

270.

The Notebooks of Leonardo Da Vinci — Volume 1 · 第 151 / 366 题